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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #737580 it is the complementary color #8C8A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #737580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #737580 shade: #78757B, #89878E, #9A99A1, #ABABB4 and #BCBDC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #737580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #737580 shade: #737580, #62636D, #51515A, #403F47 and #2F2D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #737580 shade: #747680, #757480, #787480, #7C7480 and #7F7480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #737580 shade: #747680 and #747480

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #737580 shade matches the following richer shades: #747680, #606894, #4C5AA8, #384DBB and #253FCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #737580 shade: #747680, #88836C, #9B9158, #AF9F45 and #C3AD31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #737580 shade: #747C80, #747980, #747680, #757480 and #787480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #737580 shade: #4D4E55, #60626A, #747680, #898B94 and #9FA0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #737580 shade: #737580, #807480 and #7B8074

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #737580 shade: #737580, #807476 and #768074

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #737580 shade: #737580, #807480, #807E74 and #748074

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #737580 shade: #737580, #80747C, #807E74 and #748078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 9 / 0 / 50

HEX #737580

RGB 115 117 128

HSL 230.77, 0.05%, 0.48%

LAB 49.41, 1.59, -6.29

 

Complementary color

CMYK 0 / 1 / 9 / 45

HEX #8C8A7F

RGB 140 138 127

HSL 50.77, 0.05%, 0.52%

LAB 57.35, -1.31, 6.15

 

CMYK 2 / 5 / 0 / 52

HEX #78757B

RGB 120 117 123

HSL 270, 0.03%, 0.47%

LAB 49.67, 2.36, -2.89

 

CMYK 4 / 5 / 0 / 44

HEX #89878E

RGB 137 135 142

HSL 257.14, 0.03%, 0.54%

LAB 56.68, 2.14, -3.48

 

CMYK 4 / 5 / 0 / 37

HEX #9A99A1

RGB 154 153 161

HSL 247.5, 0.04%, 0.62%

LAB 63.53, 1.93, -4.06

 

CMYK 5 / 5 / 0 / 29

HEX #ABABB4

RGB 171 171 180

HSL 240, 0.06%, 0.69%

LAB 70.23, 1.74, -4.61

 

CMYK 6 / 5 / 0 / 22

HEX #BCBDC7

RGB 188 189 199

HSL 234.55, 0.09%, 0.76%

LAB 76.81, 1.56, -5.15

 

CMYK 10 / 9 / 0 / 50

HEX #737580

RGB 115 117 128

HSL 230.77, 0.05%, 0.48%

LAB 49.41, 1.59, -6.29

 

CMYK 10 / 9 / 0 / 57

HEX #62636D

RGB 98 99 109

HSL 234.55, 0.05%, 0.41%

LAB 42.19, 1.8, -5.77

 

CMYK 10 / 10 / 0 / 65

HEX #51515A

RGB 81 81 90

HSL 240, 0.05%, 0.34%

LAB 34.75, 2.03, -5.25

 

CMYK 10 / 11 / 0 / 72

HEX #403F47

RGB 64 63 71

HSL 247.5, 0.06%, 0.26%

LAB 27.02, 2.29, -4.71

 

CMYK 10 / 13 / 0 / 80

HEX #2F2D34

RGB 47 45 52

HSL 257.14, 0.07%, 0.19%

LAB 18.92, 2.6, -4.16

 

CMYK 9 / 8 / 0 / 50

HEX #747680

RGB 116 118 128

HSL 230, 0.05%, 0.48%

LAB 49.77, 1.37, -5.74

 

CMYK 9 / 9 / 0 / 50

HEX #757480

RGB 117 116 128

HSL 245, 0.05%, 0.48%

LAB 49.29, 2.9, -6.44

 

CMYK 6 / 9 / 0 / 50

HEX #787480

RGB 120 116 128

HSL 260, 0.05%, 0.48%

LAB 49.55, 4, -6.03

 

CMYK 3 / 9 / 0 / 50

HEX #7C7480

RGB 124 116 128

HSL 280, 0.05%, 0.48%

LAB 49.9, 5.48, -5.47

 

CMYK 1 / 9 / 0 / 50

HEX #7F7480

RGB 127 116 128

HSL 295, 0.05%, 0.48%

LAB 50.17, 6.59, -5.04

 

CMYK 9 / 8 / 0 / 50

HEX #747680

RGB 116 118 128

HSL 230, 0.05%, 0.48%

LAB 49.77, 1.37, -5.74

 

CMYK 9 / 9 / 0 / 50

HEX #747480

RGB 116 116 128

HSL 240, 0.05%, 0.48%

LAB 49.21, 2.54, -6.58

 

CMYK 9 / 8 / 0 / 50

HEX #747680

RGB 116 118 128

HSL 230, 0.05%, 0.48%

LAB 49.77, 1.37, -5.74

 

CMYK 35 / 30 / 0 / 42

HEX #606894

RGB 96 104 148

HSL 230.77, 0.21%, 0.48%

LAB 44.98, 8.08, -25.04

 

CMYK 55 / 46 / 0 / 34

HEX #4C5AA8

RGB 76 90 168

HSL 230.87, 0.38%, 0.48%

LAB 40.7, 17.81, -43.77

 

CMYK 70 / 59 / 0 / 27

HEX #384DBB

RGB 56 77 187

HSL 230.38, 0.54%, 0.48%

LAB 37.37, 29.26, -60.41

 

CMYK 82 / 70 / 0 / 19

HEX #253FCF

RGB 37 63 207

HSL 230.82, 0.7%, 0.48%

LAB 34.91, 43.38, -76.13

 

CMYK 9 / 8 / 0 / 50

HEX #747680

RGB 116 118 128

HSL 230, 0.05%, 0.48%

LAB 49.77, 1.37, -5.74

 

CMYK 0 / 4 / 21 / 47

HEX #88836C

RGB 136 131 108

HSL 49.29, 0.11%, 0.48%

LAB 54.61, -2.18, 13.13

 

CMYK 0 / 6 / 43 / 39

HEX #9B9158

RGB 155 145 88

HSL 51.04, 0.28%, 0.48%

LAB 59.82, -4.73, 31.53

 

CMYK 0 / 9 / 61 / 31

HEX #AF9F45

RGB 175 159 69

HSL 50.94, 0.43%, 0.48%

LAB 65.23, -5.4, 48

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD31

RGB 195 173 49

HSL 50.96, 0.6%, 0.48%

LAB 70.67, -5.23, 62.46

 

CMYK 9 / 3 / 0 / 50

HEX #747C80

RGB 116 124 128

HSL 200, 0.05%, 0.48%

LAB 51.48, -2.12, -3.21

 

CMYK 9 / 5 / 0 / 50

HEX #747980

RGB 116 121 128

HSL 215, 0.05%, 0.48%

LAB 50.62, -0.38, -4.47

 

CMYK 9 / 8 / 0 / 50

HEX #747680

RGB 116 118 128

HSL 230, 0.05%, 0.48%

LAB 49.77, 1.37, -5.74

 

CMYK 9 / 9 / 0 / 50

HEX #757480

RGB 117 116 128

HSL 245, 0.05%, 0.48%

LAB 49.29, 2.9, -6.44

 

CMYK 6 / 9 / 0 / 50

HEX #787480

RGB 120 116 128

HSL 260, 0.05%, 0.48%

LAB 49.55, 4, -6.03

 

CMYK 9 / 8 / 0 / 67

HEX #4D4E55

RGB 77 78 85

HSL 232.5, 0.05%, 0.32%

LAB 33.31, 1.18, -4.26

 

CMYK 9 / 8 / 0 / 58

HEX #60626A

RGB 96 98 106

HSL 228, 0.05%, 0.4%

LAB 41.63, 0.97, -4.8

 

CMYK 9 / 8 / 0 / 50

HEX #747680

RGB 116 118 128

HSL 230, 0.05%, 0.48%

LAB 49.77, 1.37, -5.74

 

CMYK 7 / 6 / 0 / 42

HEX #898B94

RGB 137 139 148

HSL 229.09, 0.05%, 0.56%

LAB 57.96, 1.1, -5.04

 

CMYK 5 / 5 / 0 / 34

HEX #9FA0A8

RGB 159 160 168

HSL 233.33, 0.05%, 0.64%

LAB 66.01, 1.21, -4.28

 

CMYK 10 / 9 / 0 / 50

HEX #737580

RGB 115 117 128

HSL 230.77, 0.05%, 0.48%

LAB 49.41, 1.59, -6.29

 

CMYK 0 / 9 / 0 / 50

HEX #807480

RGB 128 116 128

HSL 300, 0.05%, 0.48%

LAB 50.26, 6.97, -4.89

 

CMYK 4 / 0 / 9 / 50

HEX #7B8074

RGB 123 128 116

HSL 85, 0.05%, 0.48%

LAB 52.85, -4.21, 5.87

 

CMYK 10 / 9 / 0 / 50

HEX #737580

RGB 115 117 128

HSL 230.77, 0.05%, 0.48%

LAB 49.41, 1.59, -6.29

 

CMYK 0 / 9 / 8 / 50

HEX #807476

RGB 128 116 118

HSL 350, 0.05%, 0.48%

LAB 49.96, 5.01, 0.58

 

CMYK 8 / 0 / 9 / 50

HEX #768074

RGB 118 128 116

HSL 110, 0.05%, 0.48%

LAB 52.45, -6.12, 5.25

 

CMYK 10 / 9 / 0 / 50

HEX #737580

RGB 115 117 128

HSL 230.77, 0.05%, 0.48%

LAB 49.41, 1.59, -6.29

 

CMYK 0 / 9 / 0 / 50

HEX #807480

RGB 128 116 128

HSL 300, 0.05%, 0.48%

LAB 50.26, 6.97, -4.89

 

CMYK 0 / 2 / 9 / 50

HEX #807E74

RGB 128 126 116

HSL 50, 0.05%, 0.48%

LAB 52.7, -1.14, 5.71

 

CMYK 9 / 0 / 9 / 50

HEX #748074

RGB 116 128 116

HSL 120, 0.05%, 0.48%

LAB 52.3, -6.87, 5.01

 

CMYK 10 / 9 / 0 / 50

HEX #737580

RGB 115 117 128

HSL 230.77, 0.05%, 0.48%

LAB 49.41, 1.59, -6.29

 

CMYK 0 / 9 / 3 / 50

HEX #80747C

RGB 128 116 124

HSL 320, 0.05%, 0.48%

LAB 50.14, 6.17, -2.71

 

CMYK 0 / 2 / 9 / 50

HEX #807E74

RGB 128 126 116

HSL 50, 0.05%, 0.48%

LAB 52.7, -1.14, 5.71

 

CMYK 9 / 0 / 6 / 50

HEX #748078

RGB 116 128 120

HSL 140, 0.05%, 0.48%

LAB 52.41, -6.07, 2.83

 

Description

Color code: HEX #737580 | qconv.com Color code: HEX #737580 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 117 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 117 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 9 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 9% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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