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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AD31 it is the complementary color #3C52CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AD31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AD31 shade: #C8AD2C, #D9BF3F, #EAD152, #FBE365 and #FFF578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AD31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AD31 shade: #C3AD31, #B29B1E, #A1890B, #907700 and #7F6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AD31 shade: #C3AD30, #C38630, #C35E30, #C33630 and #C33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AD31 shade: #C3AD30, #B2C330, #8AC330, #63C330 and #3BC330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AD31 shade matches the following richer shades: #C3AD30, #D7BB1D and #EBC909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AD31 shade: #C3AD30, #B09F44, #9C9258, #88846C and #747680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AD31 shade: #C35D30, #C38430, #C3AB30, #B5C330 and #8DC330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AD31 shade: #817320, #A29028, #C3AD30, #D2BD4B and #DAC96C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AD31 shade: #C3AD31, #30C335 and #7030C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AD31 shade: #C3AD31, #30C3AB and #AB30C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AD31 shade: #C3AD31, #30C335, #3049C3 and #C330BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AD31 shade: #C3AD31, #30C361, #3049C3 and #C33092

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 75 / 24

HEX #C3AD31

RGB 195 173 49

HSL 50.96, 0.6%, 0.48%

LAB 70.67, -5.23, 62.46

 

Complementary color

CMYK 71 / 60 / 0 / 19

HEX #3C52CE

RGB 60 82 206

HSL 230.96, 0.6%, 0.52%

LAB 40.33, 33.4, -66.63

 

CMYK 0 / 14 / 78 / 22

HEX #C8AD2C

RGB 200 173 44

HSL 49.62, 0.64%, 0.48%

LAB 71.11, -3.24, 64.75

 

CMYK 0 / 12 / 71 / 15

HEX #D9BF3F

RGB 217 191 63

HSL 49.87, 0.67%, 0.55%

LAB 77.5, -4.46, 64.6

 

CMYK 0 / 11 / 65 / 8

HEX #EAD152

RGB 234 209 82

HSL 50.13, 0.78%, 0.62%

LAB 83.81, -5.5, 63.96

 

CMYK 0 / 10 / 60 / 2

HEX #FBE365

RGB 251 227 101

HSL 50.4, 0.95%, 0.69%

LAB 90.04, -6.39, 63.05

 

CMYK 0 / 4 / 53 / 0

HEX #FFF578

RGB 255 245 120

HSL 55.56, 1%, 0.74%

LAB 95.13, -12.32, 60.5

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD31

RGB 195 173 49

HSL 50.96, 0.6%, 0.48%

LAB 70.67, -5.23, 62.46

 

CMYK 0 / 13 / 83 / 30

HEX #B29B1E

RGB 178 155 30

HSL 50.68, 0.71%, 0.41%

LAB 64.16, -3.9, 62.1

 

CMYK 0 / 15 / 93 / 37

HEX #A1890B

RGB 161 137 11

HSL 50.4, 0.87%, 0.34%

LAB 57.55, -2.31, 60.4

 

CMYK 0 / 17 / 100 / 44

HEX #907700

RGB 144 119 0

HSL 49.58, 1%, 0.28%

LAB 50.83, -0.41, 56.64

 

CMYK 0 / 20 / 100 / 50

HEX #7F6500

RGB 127 101 0

HSL 47.72, 1%, 0.25%

LAB 43.97, 1.77, 50.98

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD30

RGB 195 173 48

HSL 51.02, 0.6%, 0.48%

LAB 70.67, -5.27, 62.81

 

CMYK 0 / 31 / 75 / 24

HEX #C38630

RGB 195 134 48

HSL 35.1, 0.6%, 0.48%

LAB 60.66, 15.81, 53.2

 

CMYK 0 / 52 / 75 / 24

HEX #C35E30

RGB 195 94 48

HSL 18.78, 0.6%, 0.48%

LAB 51.63, 37.33, 44.06

 

CMYK 0 / 72 / 75 / 24

HEX #C33630

RGB 195 54 48

HSL 2.45, 0.6%, 0.48%

LAB 44.88, 55.19, 36.84

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD30

RGB 195 173 48

HSL 51.02, 0.6%, 0.48%

LAB 70.67, -5.27, 62.81

 

CMYK 9 / 0 / 75 / 24

HEX #B2C330

RGB 178 195 48

HSL 66.94, 0.6%, 0.48%

LAB 75.27, -23.75, 66.61

 

CMYK 29 / 0 / 75 / 24

HEX #8AC330

RGB 138 195 48

HSL 83.27, 0.6%, 0.48%

LAB 72.66, -39.72, 63.22

 

CMYK 49 / 0 / 75 / 24

HEX #63C330

RGB 99 195 48

HSL 99.18, 0.6%, 0.48%

LAB 70.8, -52.95, 60.78

 

CMYK 70 / 0 / 75 / 24

HEX #3BC330

RGB 59 195 48

HSL 115.51, 0.6%, 0.48%

LAB 69.59, -62.63, 59.18

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD30

RGB 195 173 48

HSL 51.02, 0.6%, 0.48%

LAB 70.67, -5.27, 62.81

 

CMYK 0 / 13 / 87 / 16

HEX #D7BB1D

RGB 215 187 29

HSL 50.97, 0.76%, 0.48%

LAB 76.12, -4.44, 73.67

 

CMYK 0 / 14 / 96 / 8

HEX #EBC909

RGB 235 201 9

HSL 50.97, 0.93%, 0.48%

LAB 81.54, -3.28, 81.62

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD30

RGB 195 173 48

HSL 51.02, 0.6%, 0.48%

LAB 70.67, -5.27, 62.81

 

CMYK 0 / 10 / 61 / 31

HEX #B09F44

RGB 176 159 68

HSL 50.56, 0.44%, 0.48%

LAB 65.31, -5.04, 48.58

 

CMYK 0 / 6 / 44 / 39

HEX #9C9258

RGB 156 146 88

HSL 51.18, 0.28%, 0.48%

LAB 60.19, -4.85, 32.01

 

CMYK 0 / 3 / 21 / 47

HEX #88846C

RGB 136 132 108

HSL 51.43, 0.11%, 0.48%

LAB 54.89, -2.74, 13.52

 

CMYK 9 / 8 / 0 / 50

HEX #747680

RGB 116 118 128

HSL 230, 0.05%, 0.48%

LAB 49.77, 1.37, -5.74

 

CMYK 0 / 52 / 75 / 24

HEX #C35D30

RGB 195 93 48

HSL 18.37, 0.6%, 0.48%

LAB 51.43, 37.84, 43.85

 

CMYK 0 / 32 / 75 / 24

HEX #C38430

RGB 195 132 48

HSL 34.29, 0.6%, 0.48%

LAB 60.17, 16.9, 52.72

 

CMYK 0 / 12 / 75 / 24

HEX #C3AB30

RGB 195 171 48

HSL 50.2, 0.6%, 0.48%

LAB 70.13, -4.22, 62.31

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 28 / 0 / 75 / 24

HEX #8DC330

RGB 141 195 48

HSL 82.04, 0.6%, 0.48%

LAB 72.83, -38.59, 63.44

 

CMYK 0 / 11 / 75 / 49

HEX #817320

RGB 129 115 32

HSL 51.34, 0.6%, 0.32%

LAB 48.3, -4.32, 45.28

 

CMYK 0 / 11 / 75 / 36

HEX #A29028

RGB 162 144 40

HSL 51.15, 0.6%, 0.4%

LAB 59.69, -4.8, 54.23

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD30

RGB 195 173 48

HSL 51.02, 0.6%, 0.48%

LAB 70.67, -5.27, 62.81

 

CMYK 0 / 10 / 64 / 18

HEX #D2BD4B

RGB 210 189 75

HSL 50.67, 0.6%, 0.56%

LAB 76.44, -5.75, 58.44

 

CMYK 0 / 8 / 50 / 15

HEX #DAC96C

RGB 218 201 108

HSL 50.73, 0.6%, 0.64%

LAB 80.61, -6.14, 48.2

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD31

RGB 195 173 49

HSL 50.96, 0.6%, 0.48%

LAB 70.67, -5.23, 62.46

 

CMYK 75 / 0 / 73 / 24

HEX #30C335

RGB 48 195 53

HSL 122.04, 0.6%, 0.48%

LAB 69.41, -64.08, 57.19

 

CMYK 43 / 75 / 0 / 24

HEX #7030C3

RGB 112 48 195

HSL 266.12, 0.6%, 0.48%

LAB 36.93, 56.8, -65.61

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD31

RGB 195 173 49

HSL 50.96, 0.6%, 0.48%

LAB 70.67, -5.23, 62.46

 

CMYK 75 / 0 / 12 / 24

HEX #30C3AB

RGB 48 195 171

HSL 170.2, 0.6%, 0.48%

LAB 71.28, -43.19, 1.21

 

CMYK 12 / 75 / 0 / 24

HEX #AB30C3

RGB 171 48 195

HSL 290.2, 0.6%, 0.48%

LAB 45.24, 67.55, -51.75

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD31

RGB 195 173 49

HSL 50.96, 0.6%, 0.48%

LAB 70.67, -5.23, 62.46

 

CMYK 75 / 0 / 73 / 24

HEX #30C335

RGB 48 195 53

HSL 122.04, 0.6%, 0.48%

LAB 69.41, -64.08, 57.19

 

CMYK 75 / 63 / 0 / 24

HEX #3049C3

RGB 48 73 195

HSL 229.8, 0.6%, 0.48%

LAB 36.62, 33.76, -66.33

 

CMYK 0 / 75 / 3 / 24

HEX #C330BE

RGB 195 48 190

HSL 302.04, 0.6%, 0.48%

LAB 48.8, 71.59, -42.93

 

CMYK 0 / 11 / 75 / 24

HEX #C3AD31

RGB 195 173 49

HSL 50.96, 0.6%, 0.48%

LAB 70.67, -5.23, 62.46

 

CMYK 75 / 0 / 50 / 24

HEX #30C361

RGB 48 195 97

HSL 140, 0.6%, 0.48%

LAB 69.84, -58.91, 38.39

 

CMYK 75 / 63 / 0 / 24

HEX #3049C3

RGB 48 73 195

HSL 229.8, 0.6%, 0.48%

LAB 36.62, 33.76, -66.33

 

CMYK 0 / 75 / 25 / 24

HEX #C33092

RGB 195 48 146

HSL 320, 0.6%, 0.48%

LAB 46.7, 65.38, -20.17

 

Description

Color code: HEX #C3AD31 | qconv.com Color code: HEX #C3AD31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 173 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 173 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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