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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74B71D it is the complementary color #8B48E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74B71D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74B71D shade: #79B718, #8AC92B, #9BDB3E, #ACED51 and #BDFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74B71D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74B71D shade: #74B71D, #63A50A, #529300, #418100 and #306F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74B71D shade: #75B91C, #9FB91C, #B9A81C, #B97E1C and #B9541C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74B71D shade: #75B91C, #4BB91C, #20B91C, #1CB943 and #1CB96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74B71D shade matches the following richer shades: #75B91C and #77CA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74B71D shade: #75B91C, #73A72E, #70963F, #6E8550 and #6C7362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74B71D shade: #B9A91C, #9FB91C, #75B91C, #4BB91C and #22B91C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74B71D shade: #487111, #5E9517, #75B91C, #8BDC22 and #9EE246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74B71D shade: #74B71D, #1CB97F and #B91CB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74B71D shade: #74B71D, #1C75B9 and #B91C75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74B71D shade: #74B71D, #1CB97F, #601CB9 and #B91C56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74B71D shade: #74B71D, #1CB9AE, #601CB9 and #B91C27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 84 / 28

HEX #74B71D

RGB 116 183 29

HSL 86.1, 0.73%, 0.42%

LAB 67.78, -43.51, 63.75

 

Complementary color

CMYK 38 / 68 / 0 / 11

HEX #8B48E2

RGB 139 72 226

HSL 266.1, 0.73%, 0.58%

LAB 46.46, 58.19, -67.79

 

CMYK 34 / 0 / 87 / 28

HEX #79B718

RGB 121 183 24

HSL 83.4, 0.77%, 0.41%

LAB 68.02, -41.86, 65.19

 

CMYK 31 / 0 / 79 / 21

HEX #8AC92B

RGB 138 201 43

HSL 83.92, 0.65%, 0.48%

LAB 74.41, -42.59, 66.41

 

CMYK 29 / 0 / 72 / 14

HEX #9BDB3E

RGB 155 219 62

HSL 84.46, 0.69%, 0.55%

LAB 80.73, -43.11, 66.66

 

CMYK 27 / 0 / 66 / 7

HEX #ACED51

RGB 172 237 81

HSL 85, 0.81%, 0.62%

LAB 86.96, -43.49, 66.33

 

CMYK 26 / 0 / 61 / 0

HEX #BDFF64

RGB 189 255 100

HSL 85.55, 1%, 0.7%

LAB 93.13, -43.74, 65.66

 

CMYK 37 / 0 / 84 / 28

HEX #74B71D

RGB 116 183 29

HSL 86.1, 0.73%, 0.42%

LAB 67.78, -43.51, 63.75

 

CMYK 40 / 0 / 94 / 35

HEX #63A50A

RGB 99 165 10

HSL 85.55, 0.89%, 0.34%

LAB 61.29, -42.59, 61.58

 

CMYK 44 / 0 / 100 / 42

HEX #529300

RGB 82 147 0

HSL 86.53, 1%, 0.29%

LAB 54.72, -41.32, 57.5

 

CMYK 50 / 0 / 100 / 49

HEX #418100

RGB 65 129 0

HSL 89.77, 1%, 0.25%

LAB 48.04, -39.75, 51.95

 

CMYK 57 / 0 / 100 / 56

HEX #306F00

RGB 48 111 0

HSL 94.05, 1%, 0.22%

LAB 41.21, -37.99, 46.3

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 14 / 0 / 85 / 27

HEX #9FB91C

RGB 159 185 28

HSL 69.94, 0.74%, 0.42%

LAB 70.98, -27.58, 67.77

 

CMYK 0 / 9 / 85 / 27

HEX #B9A81C

RGB 185 168 28

HSL 53.5, 0.74%, 0.42%

LAB 68.32, -7.74, 66.38

 

CMYK 0 / 32 / 85 / 27

HEX #B97E1C

RGB 185 126 28

HSL 37.45, 0.74%, 0.42%

LAB 57.39, 15.09, 57.24

 

CMYK 0 / 55 / 85 / 27

HEX #B9541C

RGB 185 84 28

HSL 21.4, 0.74%, 0.42%

LAB 47.93, 37.76, 49.17

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 59 / 0 / 85 / 27

HEX #4BB91C

RGB 75 185 28

HSL 102.04, 0.74%, 0.42%

LAB 66.73, -56.94, 62.43

 

CMYK 83 / 0 / 85 / 27

HEX #20B91C

RGB 32 185 28

HSL 118.47, 0.74%, 0.42%

LAB 65.82, -64.71, 61.27

 

CMYK 85 / 0 / 64 / 27

HEX #1CB943

RGB 28 185 67

HSL 134.9, 0.74%, 0.42%

LAB 66.02, -62, 47.87

 

CMYK 85 / 0 / 41 / 27

HEX #1CB96D

RGB 28 185 109

HSL 150.96, 0.74%, 0.42%

LAB 66.56, -55.57, 28.01

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 41 / 0 / 95 / 21

HEX #77CA0B

RGB 119 202 11

HSL 86.07, 0.9%, 0.42%

LAB 73.67, -50.71, 71.84

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 31 / 0 / 72 / 35

HEX #73A72E

RGB 115 167 46

HSL 85.79, 0.57%, 0.42%

LAB 62.91, -36.04, 53.94

 

CMYK 25 / 0 / 58 / 41

HEX #70963F

RGB 112 150 63

HSL 86.21, 0.41%, 0.42%

LAB 57.67, -27.86, 40.97

 

CMYK 17 / 0 / 40 / 48

HEX #6E8550

RGB 110 133 80

HSL 86.04, 0.25%, 0.42%

LAB 52.59, -18.03, 25.9

 

CMYK 6 / 0 / 15 / 55

HEX #6C7362

RGB 108 115 98

HSL 84.71, 0.08%, 0.42%

LAB 47.41, -6.02, 8.51

 

CMYK 0 / 9 / 85 / 27

HEX #B9A91C

RGB 185 169 28

HSL 53.89, 0.74%, 0.42%

LAB 68.59, -8.26, 66.61

 

CMYK 14 / 0 / 85 / 27

HEX #9FB91C

RGB 159 185 28

HSL 69.94, 0.74%, 0.42%

LAB 70.98, -27.58, 67.77

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 59 / 0 / 85 / 27

HEX #4BB91C

RGB 75 185 28

HSL 102.04, 0.74%, 0.42%

LAB 66.73, -56.94, 62.43

 

CMYK 82 / 0 / 85 / 27

HEX #22B91C

RGB 34 185 28

HSL 117.71, 0.74%, 0.42%

LAB 65.84, -64.49, 61.3

 

CMYK 36 / 0 / 85 / 56

HEX #487111

RGB 72 113 17

HSL 85.63, 0.74%, 0.25%

LAB 43.11, -29.61, 44.12

 

CMYK 37 / 0 / 85 / 42

HEX #5E9517

RGB 94 149 23

HSL 86.19, 0.73%, 0.34%

LAB 56.02, -37.17, 54.46

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 37 / 0 / 85 / 14

HEX #8BDC22

RGB 139 220 34

HSL 86.13, 0.73%, 0.5%

LAB 80.06, -50.53, 73.76

 

CMYK 30 / 0 / 69 / 11

HEX #9EE246

RGB 158 226 70

HSL 86.15, 0.73%, 0.58%

LAB 82.97, -44.54, 66.1

 

CMYK 37 / 0 / 84 / 28

HEX #74B71D

RGB 116 183 29

HSL 86.1, 0.73%, 0.42%

LAB 67.78, -43.51, 63.75

 

CMYK 85 / 0 / 31 / 27

HEX #1CB97F

RGB 28 185 127

HSL 157.83, 0.74%, 0.42%

LAB 66.88, -51.85, 18.86

 

CMYK 0 / 85 / 3 / 27

HEX #B91CB4

RGB 185 28 180

HSL 301.91, 0.74%, 0.42%

LAB 44.86, 72.97, -43.45

 

CMYK 37 / 0 / 84 / 28

HEX #74B71D

RGB 116 183 29

HSL 86.1, 0.73%, 0.42%

LAB 67.78, -43.51, 63.75

 

CMYK 85 / 37 / 0 / 27

HEX #1C75B9

RGB 28 117 185

HSL 205.99, 0.74%, 0.42%

LAB 47.59, -0.35, -42.85

 

CMYK 0 / 85 / 37 / 27

HEX #B91C75

RGB 185 28 117

HSL 325.99, 0.74%, 0.42%

LAB 41.89, 64.89, -9.92

 

CMYK 37 / 0 / 84 / 28

HEX #74B71D

RGB 116 183 29

HSL 86.1, 0.73%, 0.42%

LAB 67.78, -43.51, 63.75

 

CMYK 85 / 0 / 31 / 27

HEX #1CB97F

RGB 28 185 127

HSL 157.83, 0.74%, 0.42%

LAB 66.88, -51.85, 18.86

 

CMYK 48 / 85 / 0 / 27

HEX #601CB9

RGB 96 28 185

HSL 265.99, 0.74%, 0.42%

LAB 31.39, 59.75, -68.87

 

CMYK 0 / 85 / 54 / 27

HEX #B91C56

RGB 185 28 86

HSL 337.83, 0.74%, 0.42%

LAB 40.92, 62.11, 8.15

 

CMYK 37 / 0 / 84 / 28

HEX #74B71D

RGB 116 183 29

HSL 86.1, 0.73%, 0.42%

LAB 67.78, -43.51, 63.75

 

CMYK 85 / 0 / 6 / 27

HEX #1CB9AE

RGB 28 185 174

HSL 175.8, 0.74%, 0.42%

LAB 68.02, -39.82, -5.25

 

CMYK 48 / 85 / 0 / 27

HEX #601CB9

RGB 96 28 185

HSL 265.99, 0.74%, 0.42%

LAB 31.39, 59.75, -68.87

 

CMYK 0 / 85 / 79 / 27

HEX #B91C27

RGB 185 28 39

HSL 355.8, 0.74%, 0.42%

LAB 40.07, 59.59, 36.24

 

Description

Color code: HEX #74B71D | qconv.com Color code: HEX #74B71D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 183 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 183 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 84 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 84% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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