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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75188A it is the complementary color #8AE775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75188A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75188A shade: #7A1885, #8B2A98, #9C3CAB, #AD4EBE and #BE60D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75188A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75188A shade: #75188A, #640677, #530064, #420051 and #31003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75188A shade: #75188A, #8A1880, #8A1862, #8A1843 and #8A1824

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75188A shade: #75188A, #56188A, #38188A, #19188A and #18188A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75188A shade matches the following richer shades: #75188A and #7E0B97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75188A shade: #75188A, #6D257D, #653270, #5C4063 and #544D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75188A shade: #36188A, #55188A, #73188A, #8A1883 and #8A1864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75188A shade: #3A0C44, #571267, #75188A, #931EAD and #B124D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75188A shade: #75188A, #8A1818 and #188A46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75188A shade: #75188A, #8A7318 and #188A73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75188A shade: #75188A, #8A1818, #2F8A18 and #188A8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75188A shade: #75188A, #8A3A18, #2F8A18 and #18688A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

Complementary color

CMYK 40 / 0 / 49 / 9

HEX #8AE775

RGB 138 231 117

HSL 108.95, 0.7%, 0.68%

LAB 83.88, -48.88, 46.68

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 9 / 72 / 0 / 40

HEX #8B2A98

RGB 139 42 152

HSL 292.91, 0.57%, 0.38%

LAB 36.77, 55.06, -40.06

 

CMYK 9 / 65 / 0 / 33

HEX #9C3CAB

RGB 156 60 171

HSL 291.89, 0.48%, 0.45%

LAB 43.12, 55.27, -41.17

 

CMYK 9 / 59 / 0 / 25

HEX #AD4EBE

RGB 173 78 190

HSL 290.89, 0.46%, 0.53%

LAB 49.56, 55, -41.94

 

CMYK 9 / 54 / 0 / 18

HEX #BE60D1

RGB 190 96 209

HSL 289.91, 0.55%, 0.6%

LAB 56, 54.48, -42.5

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 16 / 95 / 0 / 53

HEX #640677

RGB 100 6 119

HSL 289.91, 0.9%, 0.25%

LAB 24.23, 51.5, -40

 

CMYK 17 / 100 / 0 / 61

HEX #530064

RGB 83 0 100

HSL 289.8, 1%, 0.2%

LAB 19.05, 46.52, -36.19

 

CMYK 19 / 100 / 0 / 68

HEX #420051

RGB 66 0 81

HSL 288.89, 1%, 0.16%

LAB 14.13, 40.07, -31.56

 

CMYK 21 / 100 / 0 / 76

HEX #31003E

RGB 49 0 62

HSL 287.42, 1%, 0.12%

LAB 9, 33.35, -26.75

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 0 / 83 / 7 / 46

HEX #8A1880

RGB 138 24 128

HSL 305.26, 0.7%, 0.32%

LAB 33.17, 56.48, -31

 

CMYK 0 / 83 / 29 / 46

HEX #8A1862

RGB 138 24 98

HSL 321.05, 0.7%, 0.32%

LAB 31.67, 52.24, -14.26

 

CMYK 0 / 83 / 51 / 46

HEX #8A1843

RGB 138 24 67

HSL 337.37, 0.7%, 0.32%

LAB 30.55, 48.94, 4.43

 

CMYK 0 / 83 / 74 / 46

HEX #8A1824

RGB 138 24 36

HSL 353.68, 0.7%, 0.32%

LAB 29.87, 46.87, 23.99

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 38 / 83 / 0 / 46

HEX #56188A

RGB 86 24 138

HSL 272.63, 0.7%, 0.32%

LAB 25.16, 48.38, -50.59

 

CMYK 59 / 83 / 0 / 46

HEX #38188A

RGB 56 24 138

HSL 256.84, 0.7%, 0.32%

LAB 21.32, 44.09, -57.05

 

CMYK 82 / 83 / 0 / 46

HEX #19188A

RGB 25 24 138

HSL 240.53, 0.7%, 0.32%

LAB 18.78, 41.3, -61.33

 

CMYK 83 / 83 / 0 / 46

HEX #18188A

RGB 24 24 138

HSL 240, 0.7%, 0.32%

LAB 18.72, 41.24, -61.42

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 17 / 93 / 0 / 41

HEX #7E0B97

RGB 126 11 151

HSL 289.29, 0.86%, 0.32%

LAB 31.6, 60.82, -47.87

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 13 / 70 / 0 / 51

HEX #6D257D

RGB 109 37 125

HSL 289.09, 0.54%, 0.32%

LAB 29.55, 44.86, -35.17

 

CMYK 10 / 55 / 0 / 56

HEX #653270

RGB 101 50 112

HSL 289.35, 0.38%, 0.32%

LAB 29.96, 33.4, -26.38

 

CMYK 7 / 35 / 0 / 61

HEX #5C4063

RGB 92 64 99

HSL 288, 0.21%, 0.32%

LAB 31.45, 19.08, -15.86

 

CMYK 1 / 9 / 0 / 67

HEX #544D55

RGB 84 77 85

HSL 292.5, 0.05%, 0.32%

LAB 33.67, 4.59, -3.66

 

CMYK 61 / 83 / 0 / 46

HEX #36188A

RGB 54 24 138

HSL 255.79, 0.7%, 0.32%

LAB 21.1, 43.86, -57.4

 

CMYK 38 / 83 / 0 / 46

HEX #55188A

RGB 85 24 138

HSL 272.11, 0.7%, 0.32%

LAB 25.01, 48.22, -50.84

 

CMYK 17 / 83 / 0 / 46

HEX #73188A

RGB 115 24 138

HSL 287.89, 0.7%, 0.32%

LAB 29.75, 53.54, -42.93

 

CMYK 0 / 83 / 5 / 46

HEX #8A1883

RGB 138 24 131

HSL 303.68, 0.7%, 0.32%

LAB 33.34, 56.96, -32.6

 

CMYK 0 / 83 / 28 / 46

HEX #8A1864

RGB 138 24 100

HSL 320, 0.7%, 0.32%

LAB 31.75, 52.49, -15.42

 

CMYK 15 / 82 / 0 / 73

HEX #3A0C44

RGB 58 12 68

HSL 289.29, 0.7%, 0.16%

LAB 13.11, 31.13, -24.28

 

CMYK 16 / 83 / 0 / 60

HEX #571267

RGB 87 18 103

HSL 288.71, 0.7%, 0.24%

LAB 21.72, 42.88, -33.82

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 15 / 83 / 0 / 32

HEX #931EAD

RGB 147 30 173

HSL 289.09, 0.7%, 0.4%

LAB 38.11, 64.37, -50.47

 

CMYK 15 / 83 / 0 / 18

HEX #B124D0

RGB 177 36 208

HSL 289.19, 0.7%, 0.48%

LAB 45.86, 74.37, -58.24

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 0 / 83 / 83 / 46

HEX #8A1818

RGB 138 24 24

HSL 0, 0.7%, 0.32%

LAB 29.72, 46.39, 31.23

 

CMYK 83 / 0 / 49 / 46

HEX #188A46

RGB 24 138 70

HSL 144.21, 0.7%, 0.32%

LAB 50.47, -46.05, 27.91

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 0 / 17 / 83 / 46

HEX #8A7318

RGB 138 115 24

HSL 47.89, 0.7%, 0.32%

LAB 49.17, -0.42, 49.36

 

CMYK 83 / 0 / 17 / 46

HEX #188A73

RGB 24 138 115

HSL 167.89, 0.7%, 0.32%

LAB 51.39, -35.81, 3.76

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 0 / 83 / 83 / 46

HEX #8A1818

RGB 138 24 24

HSL 0, 0.7%, 0.32%

LAB 29.72, 46.39, 31.23

 

CMYK 66 / 0 / 83 / 46

HEX #2F8A18

RGB 47 138 24

HSL 107.89, 0.7%, 0.32%

LAB 50.51, -47.33, 48.45

 

CMYK 83 / 0 / 0 / 46

HEX #188A8A

RGB 24 138 138

HSL 180, 0.7%, 0.32%

LAB 52.07, -29.01, -8.61

 

CMYK 15 / 83 / 0 / 46

HEX #75188A

RGB 117 24 138

HSL 288.95, 0.7%, 0.32%

LAB 30.08, 53.93, -42.37

 

CMYK 0 / 58 / 83 / 46

HEX #8A3A18

RGB 138 58 24

HSL 17.89, 0.7%, 0.32%

LAB 34.99, 32.14, 36.38

 

CMYK 66 / 0 / 83 / 46

HEX #2F8A18

RGB 47 138 24

HSL 107.89, 0.7%, 0.32%

LAB 50.51, -47.33, 48.45

 

CMYK 83 / 25 / 0 / 46

HEX #18688A

RGB 24 104 138

HSL 197.89, 0.7%, 0.32%

LAB 41.1, -10.77, -25.34

 

Description

Color code: HEX #75188A | qconv.com Color code: HEX #75188A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 24 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 24 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 83 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 83% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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