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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755558 it is the complementary color #8AAAA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755558 shade: #7A5553, #8B6766, #9C7979, #AD8B8C and #BE9D9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755558 shade: #755558, #644345, #533132, #421F1F and #310D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755558 shade: #765558 and #765555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755558 shade: #765558, #765561, #76556A, #765573 and #705576

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755558 shade matches the following richer shades: #765558, #86454B, #97343D, #A72430 and #B81323

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755558 shade: #765558, #656666, #557673, #448780 and #34978E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755558 shade: #76556A, #765561, #765558, #765B55 and #766355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755558 shade: #463334, #5E4446, #765558, #8E676A and #A17D80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755558 shade: #755558, #737655 and #556676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755558 shade: #755558, #587655 and #555876

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755558 shade: #755558, #737655, #557673 and #585576

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755558 shade: #755558, #697655, #557673 and #625576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 25 / 54

HEX #755558

RGB 117 85 88

HSL 354.38, 0.16%, 0.4%

LAB 39.55, 13.77, 3.48

 

Complementary color

CMYK 19 / 0 / 2 / 33

HEX #8AAAA7

RGB 138 170 167

HSL 174.38, 0.16%, 0.6%

LAB 67.23, -11.55, -2.1

 

CMYK 0 / 30 / 32 / 52

HEX #7A5553

RGB 122 85 83

HSL 3.08, 0.19%, 0.4%

LAB 40.01, 15.09, 7.31

 

CMYK 0 / 26 / 27 / 45

HEX #8B6766

RGB 139 103 102

HSL 1.62, 0.15%, 0.47%

LAB 47.17, 14.3, 6.21

 

CMYK 0 / 22 / 22 / 39

HEX #9C7979

RGB 156 121 121

HSL 0, 0.15%, 0.54%

LAB 54.16, 13.62, 5.23

 

CMYK 0 / 20 / 19 / 32

HEX #AD8B8C

RGB 173 139 140

HSL 358.24, 0.17%, 0.61%

LAB 61, 13.03, 4.35

 

CMYK 0 / 17 / 16 / 25

HEX #BE9D9F

RGB 190 157 159

HSL 356.36, 0.2%, 0.68%

LAB 67.7, 12.52, 3.54

 

CMYK 0 / 27 / 25 / 54

HEX #755558

RGB 117 85 88

HSL 354.38, 0.16%, 0.4%

LAB 39.55, 13.77, 3.48

 

CMYK 0 / 33 / 31 / 61

HEX #644345

RGB 100 67 69

HSL 356.36, 0.2%, 0.33%

LAB 32.15, 14.6, 4.57

 

CMYK 0 / 41 / 40 / 67

HEX #533132

RGB 83 49 50

HSL 358.24, 0.26%, 0.26%

LAB 24.53, 15.61, 5.9

 

CMYK 0 / 53 / 53 / 74

HEX #421F1F

RGB 66 31 31

HSL 0, 0.36%, 0.19%

LAB 16.69, 16.85, 7.67

 

CMYK 0 / 73 / 76 / 81

HEX #310D0C

RGB 49 13 12

HSL 1.62, 0.61%, 0.12%

LAB 8.72, 18.23, 8.5

 

CMYK 0 / 28 / 25 / 54

HEX #765558

RGB 118 85 88

HSL 354.55, 0.16%, 0.4%

LAB 39.67, 14.19, 3.67

 

CMYK 0 / 28 / 28 / 54

HEX #765555

RGB 118 85 85

HSL 0, 0.16%, 0.4%

LAB 39.59, 13.71, 5.4

 

CMYK 0 / 28 / 25 / 54

HEX #765558

RGB 118 85 88

HSL 354.55, 0.16%, 0.4%

LAB 39.67, 14.19, 3.67

 

CMYK 0 / 28 / 18 / 54

HEX #765561

RGB 118 85 97

HSL 338.18, 0.16%, 0.4%

LAB 39.93, 15.71, -1.52

 

CMYK 0 / 28 / 10 / 54

HEX #76556A

RGB 118 85 106

HSL 321.82, 0.16%, 0.4%

LAB 40.23, 17.36, -6.65

 

CMYK 0 / 28 / 3 / 54

HEX #765573

RGB 118 85 115

HSL 305.45, 0.16%, 0.4%

LAB 40.55, 19.13, -11.71

 

CMYK 5 / 28 / 0 / 54

HEX #705576

RGB 112 85 118

HSL 289.09, 0.16%, 0.4%

LAB 40, 17.56, -14.45

 

CMYK 0 / 28 / 25 / 54

HEX #765558

RGB 118 85 88

HSL 354.55, 0.16%, 0.4%

LAB 39.67, 14.19, 3.67

 

CMYK 0 / 49 / 44 / 47

HEX #86454B

RGB 134 69 75

HSL 354.46, 0.32%, 0.4%

LAB 37.54, 28.35, 9.05

 

CMYK 0 / 66 / 60 / 41

HEX #97343D

RGB 151 52 61

HSL 354.55, 0.49%, 0.4%

LAB 36.69, 42.08, 17.18

 

CMYK 0 / 78 / 71 / 35

HEX #A72430

RGB 167 36 48

HSL 354.5, 0.65%, 0.4%

LAB 37.28, 52.61, 26.7

 

CMYK 0 / 90 / 81 / 28

HEX #B81323

RGB 184 19 35

HSL 354.18, 0.81%, 0.4%

LAB 39.2, 60.95, 37.58

 

CMYK 0 / 28 / 25 / 54

HEX #765558

RGB 118 85 88

HSL 354.55, 0.16%, 0.4%

LAB 39.67, 14.19, 3.67

 

CMYK 1 / 0 / 0 / 60

HEX #656666

RGB 101 102 102

HSL 180, 0%, 0.4%

LAB 43.11, -0.39, -0.14

 

CMYK 28 / 0 / 3 / 54

HEX #557673

RGB 85 118 115

HSL 174.55, 0.16%, 0.4%

LAB 47.14, -12.45, -2.17

 

CMYK 50 / 0 / 5 / 47

HEX #448780

RGB 68 135 128

HSL 173.73, 0.33%, 0.4%

LAB 51.97, -23.1, -2.81

 

CMYK 66 / 0 / 6 / 41

HEX #34978E

RGB 52 151 142

HSL 174.55, 0.49%, 0.4%

LAB 56.9, -30.49, -3.68

 

CMYK 0 / 28 / 10 / 54

HEX #76556A

RGB 118 85 106

HSL 321.82, 0.16%, 0.4%

LAB 40.23, 17.36, -6.65

 

CMYK 0 / 28 / 18 / 54

HEX #765561

RGB 118 85 97

HSL 338.18, 0.16%, 0.4%

LAB 39.93, 15.71, -1.52

 

CMYK 0 / 28 / 25 / 54

HEX #765558

RGB 118 85 88

HSL 354.55, 0.16%, 0.4%

LAB 39.67, 14.19, 3.67

 

CMYK 0 / 23 / 28 / 54

HEX #765B55

RGB 118 91 85

HSL 10.91, 0.16%, 0.4%

LAB 41.2, 10.08, 7.69

 

CMYK 0 / 16 / 28 / 54

HEX #766355

RGB 118 99 85

HSL 25.45, 0.16%, 0.4%

LAB 43.41, 5.29, 10.79

 

CMYK 0 / 27 / 26 / 73

HEX #463334

RGB 70 51 52

HSL 356.84, 0.16%, 0.24%

LAB 23.4, 8.75, 2.7

 

CMYK 0 / 28 / 26 / 63

HEX #5E4446

RGB 94 68 70

HSL 355.38, 0.16%, 0.32%

LAB 31.71, 11.54, 3.19

 

CMYK 0 / 28 / 25 / 54

HEX #765558

RGB 118 85 88

HSL 354.55, 0.16%, 0.4%

LAB 39.67, 14.19, 3.67

 

CMYK 0 / 27 / 25 / 44

HEX #8E676A

RGB 142 103 106

HSL 355.38, 0.16%, 0.48%

LAB 47.61, 16.13, 4.5

 

CMYK 0 / 22 / 20 / 37

HEX #A17D80

RGB 161 125 128

HSL 355, 0.16%, 0.56%

LAB 55.89, 14.4, 3.73

 

CMYK 0 / 27 / 25 / 54

HEX #755558

RGB 117 85 88

HSL 354.38, 0.16%, 0.4%

LAB 39.55, 13.77, 3.48

 

CMYK 3 / 0 / 28 / 54

HEX #737655

RGB 115 118 85

HSL 65.45, 0.16%, 0.4%

LAB 48.58, -7.05, 17.85

 

CMYK 28 / 14 / 0 / 54

HEX #556676

RGB 85 102 118

HSL 209.09, 0.16%, 0.4%

LAB 42.37, -2.4, -11.08

 

CMYK 0 / 27 / 25 / 54

HEX #755558

RGB 117 85 88

HSL 354.38, 0.16%, 0.4%

LAB 39.55, 13.77, 3.48

 

CMYK 25 / 0 / 28 / 54

HEX #587655

RGB 88 118 85

HSL 114.55, 0.16%, 0.4%

LAB 46.56, -17.84, 14.77

 

CMYK 28 / 25 / 0 / 54

HEX #555876

RGB 85 88 118

HSL 234.55, 0.16%, 0.4%

LAB 38.23, 6.2, -17.39

 

CMYK 0 / 27 / 25 / 54

HEX #755558

RGB 117 85 88

HSL 354.38, 0.16%, 0.4%

LAB 39.55, 13.77, 3.48

 

CMYK 3 / 0 / 28 / 54

HEX #737655

RGB 115 118 85

HSL 65.45, 0.16%, 0.4%

LAB 48.58, -7.05, 17.85

 

CMYK 28 / 0 / 3 / 54

HEX #557673

RGB 85 118 115

HSL 174.55, 0.16%, 0.4%

LAB 47.14, -12.45, -2.17

 

CMYK 25 / 28 / 0 / 54

HEX #585576

RGB 88 85 118

HSL 245.45, 0.16%, 0.4%

LAB 37.63, 9.09, -18.3

 

CMYK 0 / 27 / 25 / 54

HEX #755558

RGB 117 85 88

HSL 354.38, 0.16%, 0.4%

LAB 39.55, 13.77, 3.48

 

CMYK 11 / 0 / 28 / 54

HEX #697655

RGB 105 118 85

HSL 83.64, 0.16%, 0.4%

LAB 47.77, -11.18, 16.62

 

CMYK 28 / 0 / 3 / 54

HEX #557673

RGB 85 118 115

HSL 174.55, 0.16%, 0.4%

LAB 47.14, -12.45, -2.17

 

CMYK 17 / 28 / 0 / 54

HEX #625576

RGB 98 85 118

HSL 263.64, 0.16%, 0.4%

LAB 38.55, 12.55, -16.79

 

Description

Color code: HEX #755558 | qconv.com Color code: HEX #755558 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 85 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 85 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 25 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 25% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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