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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A17D80 it is the complementary color #5E827F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A17D80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A17D80 shade: #A67D7B, #B78F8E, #C8A1A1, #D9B3B4 and #EAC5C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A17D80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A17D80 shade: #A17D80, #906B6D, #7F595A, #6E4747 and #5D3534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A17D80 shade: #A07C7F and #A07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A17D80 shade: #A07C7F, #A07C89, #A07C93, #A07C9C and #9A7CA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A17D80 shade matches the following richer shades: #A07C7F, #B26A70, #C55861, #D74652 and #E93443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A17D80 shade: #A07C7F, #8E8F8E, #7CA19E, #6AB3AD and #58C5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A17D80 shade: #A07C92, #A07C89, #A07C7F, #A0837C and #A08D7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A17D80 shade: #755558, #8D6669, #A07C7F, #B29497 and #C3ACAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A17D80 shade: #A17D80, #9CA07C and #7C8EA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A17D80 shade: #A17D80, #7FA07C and #7C7FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A17D80 shade: #A17D80, #9CA07C, #7CA09D and #817CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A17D80 shade: #A17D80, #91A07C, #7CA09D and #8B7CA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 20 / 37

HEX #A17D80

RGB 161 125 128

HSL 355, 0.16%, 0.56%

LAB 55.89, 14.4, 3.73

 

Complementary color

CMYK 28 / 0 / 2 / 49

HEX #5E827F

RGB 94 130 127

HSL 175, 0.16%, 0.44%

LAB 51.7, -13.28, -2.48

 

CMYK 0 / 25 / 26 / 35

HEX #A67D7B

RGB 166 125 123

HSL 2.79, 0.19%, 0.57%

LAB 56.29, 15.59, 7.27

 

CMYK 0 / 22 / 22 / 28

HEX #B78F8E

RGB 183 143 142

HSL 1.46, 0.22%, 0.64%

LAB 63.07, 14.95, 6.32

 

CMYK 0 / 20 / 20 / 22

HEX #C8A1A1

RGB 200 161 161

HSL 0, 0.26%, 0.71%

LAB 69.71, 14.38, 5.46

 

CMYK 0 / 18 / 17 / 15

HEX #D9B3B4

RGB 217 179 180

HSL 358.42, 0.33%, 0.78%

LAB 76.25, 13.87, 4.65

 

CMYK 0 / 16 / 15 / 8

HEX #EAC5C7

RGB 234 197 199

HSL 356.76, 0.47%, 0.85%

LAB 82.67, 13.4, 3.88

 

CMYK 0 / 22 / 20 / 37

HEX #A17D80

RGB 161 125 128

HSL 355, 0.16%, 0.56%

LAB 55.89, 14.4, 3.73

 

CMYK 0 / 26 / 24 / 44

HEX #906B6D

RGB 144 107 109

HSL 356.76, 0.15%, 0.49%

LAB 48.94, 15.06, 4.65

 

CMYK 0 / 30 / 29 / 50

HEX #7F595A

RGB 127 89 90

HSL 358.42, 0.18%, 0.42%

LAB 41.84, 15.83, 5.68

 

CMYK 0 / 35 / 35 / 57

HEX #6E4747

RGB 110 71 71

HSL 0, 0.22%, 0.35%

LAB 34.55, 16.73, 6.88

 

CMYK 0 / 43 / 44 / 64

HEX #5D3534

RGB 93 53 52

HSL 1.46, 0.28%, 0.28%

LAB 27.08, 17.81, 8.35

 

CMYK 0 / 23 / 21 / 37

HEX #A07C7F

RGB 160 124 127

HSL 355, 0.16%, 0.56%

LAB 55.5, 14.43, 3.73

 

CMYK 0 / 23 / 23 / 37

HEX #A07C7C

RGB 160 124 124

HSL 0, 0.16%, 0.56%

LAB 55.43, 13.95, 5.36

 

CMYK 0 / 23 / 21 / 37

HEX #A07C7F

RGB 160 124 127

HSL 355, 0.16%, 0.56%

LAB 55.5, 14.43, 3.73

 

CMYK 0 / 23 / 14 / 37

HEX #A07C89

RGB 160 124 137

HSL 338.33, 0.16%, 0.56%

LAB 55.78, 16.09, -1.67

 

CMYK 0 / 23 / 8 / 37

HEX #A07C93

RGB 160 124 147

HSL 321.67, 0.16%, 0.56%

LAB 56.08, 17.86, -7.03

 

CMYK 0 / 23 / 2 / 37

HEX #A07C9C

RGB 160 124 156

HSL 306.67, 0.16%, 0.56%

LAB 56.38, 19.56, -11.8

 

CMYK 4 / 23 / 0 / 37

HEX #9A7CA0

RGB 154 124 160

HSL 290, 0.16%, 0.56%

LAB 55.91, 18.23, -14.87

 

CMYK 0 / 23 / 21 / 37

HEX #A07C7F

RGB 160 124 127

HSL 355, 0.16%, 0.56%

LAB 55.5, 14.43, 3.73

 

CMYK 0 / 40 / 37 / 30

HEX #B26A70

RGB 178 106 112

HSL 355, 0.32%, 0.56%

LAB 52.89, 29.46, 9.05

 

CMYK 0 / 55 / 51 / 23

HEX #C55861

RGB 197 88 97

HSL 355.05, 0.48%, 0.56%

LAB 51.51, 44.34, 16.42

 

CMYK 0 / 67 / 62 / 16

HEX #D74652

RGB 215 70 82

HSL 355.03, 0.64%, 0.56%

LAB 51.19, 57.25, 25.43

 

CMYK 0 / 78 / 71 / 9

HEX #E93443

RGB 233 52 67

HSL 355.03, 0.8%, 0.56%

LAB 52.05, 67.94, 36.01

 

CMYK 0 / 23 / 21 / 37

HEX #A07C7F

RGB 160 124 127

HSL 355, 0.16%, 0.56%

LAB 55.5, 14.43, 3.73

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 23 / 0 / 2 / 37

HEX #7CA19E

RGB 124 161 158

HSL 175.14, 0.16%, 0.56%

LAB 63.54, -13.25, -2.59

 

CMYK 41 / 0 / 3 / 30

HEX #6AB3AD

RGB 106 179 173

HSL 175.07, 0.32%, 0.56%

LAB 68.26, -24.24, -4.11

 

CMYK 55 / 0 / 5 / 23

HEX #58C5BC

RGB 88 197 188

HSL 175.05, 0.48%, 0.56%

LAB 73.31, -33.29, -4.95

 

CMYK 0 / 23 / 9 / 37

HEX #A07C92

RGB 160 124 146

HSL 323.33, 0.16%, 0.56%

LAB 56.05, 17.68, -6.49

 

CMYK 0 / 23 / 14 / 37

HEX #A07C89

RGB 160 124 137

HSL 338.33, 0.16%, 0.56%

LAB 55.78, 16.09, -1.67

 

CMYK 0 / 23 / 21 / 37

HEX #A07C7F

RGB 160 124 127

HSL 355, 0.16%, 0.56%

LAB 55.5, 14.43, 3.73

 

CMYK 0 / 18 / 23 / 37

HEX #A0837C

RGB 160 131 124

HSL 11.67, 0.16%, 0.56%

LAB 57.23, 9.96, 7.95

 

CMYK 0 / 12 / 23 / 37

HEX #A08D7C

RGB 160 141 124

HSL 28.33, 0.16%, 0.56%

LAB 59.87, 4.32, 11.68

 

CMYK 0 / 27 / 25 / 54

HEX #755558

RGB 117 85 88

HSL 354.38, 0.16%, 0.4%

LAB 39.55, 13.77, 3.48

 

CMYK 0 / 28 / 26 / 45

HEX #8D6669

RGB 141 102 105

HSL 355.38, 0.16%, 0.48%

LAB 47.22, 16.16, 4.51

 

CMYK 0 / 23 / 21 / 37

HEX #A07C7F

RGB 160 124 127

HSL 355, 0.16%, 0.56%

LAB 55.5, 14.43, 3.73

 

CMYK 0 / 17 / 15 / 30

HEX #B29497

RGB 178 148 151

HSL 354, 0.16%, 0.64%

LAB 64.06, 11.69, 2.61

 

CMYK 0 / 12 / 11 / 24

HEX #C3ACAE

RGB 195 172 174

HSL 354.78, 0.16%, 0.72%

LAB 72.34, 8.64, 2.02

 

CMYK 0 / 22 / 20 / 37

HEX #A17D80

RGB 161 125 128

HSL 355, 0.16%, 0.56%

LAB 55.89, 14.4, 3.73

 

CMYK 2 / 0 / 23 / 37

HEX #9CA07C

RGB 156 160 124

HSL 66.67, 0.16%, 0.56%

LAB 64.7, -7.7, 18.33

 

CMYK 23 / 11 / 0 / 37

HEX #7C8EA0

RGB 124 142 160

HSL 210, 0.16%, 0.56%

LAB 58.2, -2.34, -11.67

 

CMYK 0 / 22 / 20 / 37

HEX #A17D80

RGB 161 125 128

HSL 355, 0.16%, 0.56%

LAB 55.89, 14.4, 3.73

 

CMYK 21 / 0 / 23 / 37

HEX #7FA07C

RGB 127 160 124

HSL 115, 0.16%, 0.56%

LAB 62.6, -18.6, 15.11

 

CMYK 23 / 21 / 0 / 37

HEX #7C7FA0

RGB 124 127 160

HSL 235, 0.16%, 0.56%

LAB 54.03, 6.29, -17.98

 

CMYK 0 / 22 / 20 / 37

HEX #A17D80

RGB 161 125 128

HSL 355, 0.16%, 0.56%

LAB 55.89, 14.4, 3.73

 

CMYK 2 / 0 / 23 / 37

HEX #9CA07C

RGB 156 160 124

HSL 66.67, 0.16%, 0.56%

LAB 64.7, -7.7, 18.33

 

CMYK 23 / 0 / 2 / 37

HEX #7CA09D

RGB 124 160 157

HSL 175, 0.16%, 0.56%

LAB 63.23, -12.94, -2.49

 

CMYK 19 / 23 / 0 / 37

HEX #817CA0

RGB 129 124 160

HSL 248.33, 0.16%, 0.56%

LAB 53.62, 9.69, -18.56

 

CMYK 0 / 22 / 20 / 37

HEX #A17D80

RGB 161 125 128

HSL 355, 0.16%, 0.56%

LAB 55.89, 14.4, 3.73

 

CMYK 9 / 0 / 23 / 37

HEX #91A07C

RGB 145 160 124

HSL 85, 0.16%, 0.56%

LAB 63.85, -11.94, 17.04

 

CMYK 23 / 0 / 2 / 37

HEX #7CA09D

RGB 124 160 157

HSL 175, 0.16%, 0.56%

LAB 63.23, -12.94, -2.49

 

CMYK 13 / 23 / 0 / 37

HEX #8B7CA0

RGB 139 124 160

HSL 265, 0.16%, 0.56%

LAB 54.49, 13.06, -17.16

 

Description

Color code: HEX #A17D80 | qconv.com Color code: HEX #A17D80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 125 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 125 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 20 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 20% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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