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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755595 it is the complementary color #8AAA6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755595 shade: #7A5590, #8B67A3, #9C79B6, #AD8BC9 and #BE9DDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755595 shade: #755595, #644382, #53316F, #421F5C and #310D49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755595 shade: #755594, #865594, #945592, #945581 and #945570

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755595 shade: #755594, #645594 and #555594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755595 shade matches the following richer shades: #755594, #7542A7, #752FBA, #751CCD and #7509E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755595 shade: #755594, #756881, #757B6F, #758E5C and #75A149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755595 shade: #555794, #645594, #755594, #865594 and #945592

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755595 shade: #4C3760, #60467A, #755594, #896AA9 and #9E84B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755595 shade: #755595, #945568 and #55945B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755595 shade: #755595, #947555 and #559475

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755595 shade: #755595, #945568, #759455 and #559481

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755595 shade: #755595, #945555, #759455 and #559494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 43 / 0 / 42

HEX #755595

RGB 117 85 149

HSL 270, 0.27%, 0.46%

LAB 41.92, 26.47, -30.27

 

Complementary color

CMYK 19 / 0 / 38 / 33

HEX #8AAA6A

RGB 138 170 106

HSL 90, 0.27%, 0.54%

LAB 65.9, -22.48, 29.48

 

CMYK 15 / 41 / 0 / 44

HEX #7A5590

RGB 122 85 144

HSL 277.63, 0.26%, 0.45%

LAB 42.23, 26.86, -26.74

 

CMYK 15 / 37 / 0 / 36

HEX #8B67A3

RGB 139 103 163

HSL 276, 0.25%, 0.52%

LAB 49.29, 26.06, -26.9

 

CMYK 14 / 34 / 0 / 29

HEX #9C79B6

RGB 156 121 182

HSL 274.43, 0.29%, 0.59%

LAB 56.21, 25.33, -27.06

 

CMYK 14 / 31 / 0 / 21

HEX #AD8BC9

RGB 173 139 201

HSL 272.9, 0.36%, 0.67%

LAB 62.98, 24.67, -27.24

 

CMYK 14 / 29 / 0 / 14

HEX #BE9DDC

RGB 190 157 220

HSL 271.43, 0.47%, 0.74%

LAB 69.63, 24.06, -27.44

 

CMYK 21 / 43 / 0 / 42

HEX #755595

RGB 117 85 149

HSL 270, 0.27%, 0.46%

LAB 41.92, 26.47, -30.27

 

CMYK 23 / 48 / 0 / 49

HEX #644382

RGB 100 67 130

HSL 271.43, 0.32%, 0.39%

LAB 34.67, 27.39, -30.23

 

CMYK 25 / 56 / 0 / 56

HEX #53316F

RGB 83 49 111

HSL 272.9, 0.39%, 0.31%

LAB 27.25, 28.36, -30.18

 

CMYK 28 / 66 / 0 / 64

HEX #421F5C

RGB 66 31 92

HSL 274.43, 0.5%, 0.24%

LAB 19.68, 29.3, -30.02

 

CMYK 33 / 82 / 0 / 71

HEX #310D49

RGB 49 13 73

HSL 276, 0.7%, 0.17%

LAB 12.1, 29.78, -29.47

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 9 / 43 / 0 / 42

HEX #865594

RGB 134 85 148

HSL 286.67, 0.27%, 0.46%

LAB 43.8, 31.6, -26.58

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 0 / 43 / 13 / 42

HEX #945581

RGB 148 85 129

HSL 318.1, 0.27%, 0.46%

LAB 44.77, 32.57, -13.5

 

CMYK 0 / 43 / 24 / 42

HEX #945570

RGB 148 85 112

HSL 334.29, 0.27%, 0.46%

LAB 44.18, 29.77, -4.05

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 43 / 43 / 0 / 42

HEX #555594

RGB 85 85 148

HSL 240, 0.27%, 0.46%

LAB 38.84, 16.8, -34.72

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 30 / 60 / 0 / 35

HEX #7542A7

RGB 117 66 167

HSL 270.3, 0.43%, 0.46%

LAB 38.67, 41.91, -46.21

 

CMYK 37 / 75 / 0 / 27

HEX #752FBA

RGB 117 47 186

HSL 270.22, 0.6%, 0.46%

LAB 36.67, 55.88, -60.72

 

CMYK 43 / 86 / 0 / 20

HEX #751CCD

RGB 117 28 205

HSL 270.17, 0.76%, 0.46%

LAB 36.02, 66.94, -72.9

 

CMYK 48 / 96 / 0 / 12

HEX #7509E0

RGB 117 9 224

HSL 270.14, 0.92%, 0.46%

LAB 36.67, 74.72, -82.81

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 9 / 19 / 0 / 49

HEX #756881

RGB 117 104 129

HSL 271.2, 0.11%, 0.46%

LAB 46, 10.27, -11.97

 

CMYK 5 / 0 / 10 / 52

HEX #757B6F

RGB 117 123 111

HSL 90, 0.05%, 0.46%

LAB 50.8, -4.63, 5.78

 

CMYK 18 / 0 / 35 / 44

HEX #758E5C

RGB 117 142 92

HSL 90, 0.21%, 0.46%

LAB 55.99, -18.24, 23.8

 

CMYK 27 / 0 / 55 / 37

HEX #75A149

RGB 117 161 73

HSL 90, 0.38%, 0.46%

LAB 61.44, -30.17, 40.58

 

CMYK 43 / 41 / 0 / 42

HEX #555794

RGB 85 87 148

HSL 238.1, 0.27%, 0.46%

LAB 39.39, 15.53, -33.86

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 9 / 43 / 0 / 42

HEX #865594

RGB 134 85 148

HSL 286.67, 0.27%, 0.46%

LAB 43.8, 31.6, -26.58

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 21 / 43 / 0 / 62

HEX #4C3760

RGB 76 55 96

HSL 270.73, 0.27%, 0.3%

LAB 27.06, 18.44, -20.89

 

CMYK 21 / 43 / 0 / 52

HEX #60467A

RGB 96 70 122

HSL 270, 0.27%, 0.38%

LAB 34.54, 22.26, -25.5

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 19 / 37 / 0 / 34

HEX #896AA9

RGB 137 106 169

HSL 269.52, 0.27%, 0.54%

LAB 50.09, 25.05, -29.19

 

CMYK 14 / 28 / 0 / 28

HEX #9E84B8

RGB 158 132 184

HSL 270, 0.27%, 0.62%

LAB 59.19, 20.1, -23.6

 

CMYK 21 / 43 / 0 / 42

HEX #755595

RGB 117 85 149

HSL 270, 0.27%, 0.46%

LAB 41.92, 26.47, -30.27

 

CMYK 0 / 43 / 30 / 42

HEX #945568

RGB 148 85 104

HSL 341.9, 0.27%, 0.46%

LAB 43.93, 28.58, 0.47

 

CMYK 43 / 0 / 39 / 42

HEX #55945B

RGB 85 148 91

HSL 125.71, 0.27%, 0.46%

LAB 55.95, -32.78, 23.96

 

CMYK 21 / 43 / 0 / 42

HEX #755595

RGB 117 85 149

HSL 270, 0.27%, 0.46%

LAB 41.92, 26.47, -30.27

 

CMYK 0 / 21 / 43 / 42

HEX #947555

RGB 148 117 85

HSL 30.48, 0.27%, 0.46%

LAB 51.47, 7.64, 22.26

 

CMYK 43 / 0 / 21 / 42

HEX #559475

RGB 85 148 117

HSL 150.48, 0.27%, 0.46%

LAB 56.48, -27.72, 10.13

 

CMYK 21 / 43 / 0 / 42

HEX #755595

RGB 117 85 149

HSL 270, 0.27%, 0.46%

LAB 41.92, 26.47, -30.27

 

CMYK 0 / 43 / 30 / 42

HEX #945568

RGB 148 85 104

HSL 341.9, 0.27%, 0.46%

LAB 43.93, 28.58, 0.47

 

CMYK 21 / 0 / 43 / 42

HEX #759455

RGB 117 148 85

HSL 89.52, 0.27%, 0.46%

LAB 57.67, -22.33, 29.8

 

CMYK 43 / 0 / 13 / 42

HEX #559481

RGB 85 148 129

HSL 161.9, 0.27%, 0.46%

LAB 56.78, -24.99, 3.72

 

CMYK 21 / 43 / 0 / 42

HEX #755595

RGB 117 85 149

HSL 270, 0.27%, 0.46%

LAB 41.92, 26.47, -30.27

 

CMYK 0 / 43 / 43 / 42

HEX #945555

RGB 148 85 85

HSL 0, 0.27%, 0.46%

LAB 43.43, 26.1, 11.37

 

CMYK 21 / 0 / 43 / 42

HEX #759455

RGB 117 148 85

HSL 89.52, 0.27%, 0.46%

LAB 57.67, -22.33, 29.8

 

CMYK 43 / 0 / 0 / 42

HEX #559494

RGB 85 148 148

HSL 180, 0.27%, 0.46%

LAB 57.32, -20.22, -6.36

 

Description

Color code: HEX #755595 | qconv.com Color code: HEX #755595 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 85 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 85 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 43 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 43% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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