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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75EA90 it is the complementary color #8A156F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75EA90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75EA90 shade: #7AEA8B, #8BFC9E, #9CFFB1, #ADFFC4 and #BEFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75EA90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75EA90 shade: #75EA90, #64D87D, #53C66A, #42B457 and #31A244

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75EA90 shade: #75EA90, #79EA75, #99EA75, #B9EA75 and #D8EA75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75EA90 shade: #75EA90, #75EAB0, #75EACF, #75E5EA and #75C6EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75EA90 shade matches the following richer shades: #75EA90 and #68F789

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75EA90 shade: #75EA90, #82DD97, #8FD09E, #9BC4A5 and #A8B7AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75EA90 shade: #9AEA75, #7BEA75, #75EA8E, #75EAAE and #75EACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75EA90 shade: #2DDF56, #51E573, #75EA90, #99EFAD and #BDF5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75EA90 shade: #75EA90, #75B9EA and #EA758A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75EA90 shade: #75EA90, #8E75EA and #EA8E75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75EA90 shade: #75EA90, #75B9EA, #EA75D1 and #EAA675

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75EA90 shade: #75EA90, #7596EA, #EA75D1 and #EAC975

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

Complementary color

CMYK 0 / 85 / 20 / 46

HEX #8A156F

RGB 138 21 111

HSL 313.85, 0.74%, 0.31%

LAB 32, 54.72, -22.08

 

CMYK 48 / 0 / 41 / 8

HEX #7AEA8B

RGB 122 234 139

HSL 129.11, 0.73%, 0.7%

LAB 84.4, -51.61, 36.47

 

CMYK 45 / 0 / 37 / 1

HEX #8BFC9E

RGB 139 252 158

HSL 130.09, 0.95%, 0.77%

LAB 90.59, -51.46, 35.24

 

CMYK 39 / 0 / 31 / 0

HEX #9CFFB1

RGB 156 255 177

HSL 132.73, 1%, 0.81%

LAB 92.47, -44.9, 28.36

 

CMYK 32 / 0 / 23 / 0

HEX #ADFFC4

RGB 173 255 196

HSL 136.83, 1%, 0.84%

LAB 93.62, -36.65, 20.43

 

CMYK 25 / 0 / 16 / 0

HEX #BEFFD7

RGB 190 255 215

HSL 143.08, 1%, 0.87%

LAB 94.9, -28.06, 12.63

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 54 / 0 / 42 / 15

HEX #64D87D

RGB 100 216 125

HSL 132.93, 0.6%, 0.62%

LAB 78.05, -52.17, 35.09

 

CMYK 58 / 0 / 46 / 22

HEX #53C66A

RGB 83 198 106

HSL 132, 0.5%, 0.55%

LAB 71.74, -52.1, 36.46

 

CMYK 63 / 0 / 52 / 29

HEX #42B457

RGB 66 180 87

HSL 131.05, 0.46%, 0.48%

LAB 65.35, -51.82, 37.88

 

CMYK 70 / 0 / 58 / 36

HEX #31A244

RGB 49 162 68

HSL 130.09, 0.54%, 0.41%

LAB 58.89, -51.23, 39.31

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 48 / 0 / 50 / 8

HEX #79EA75

RGB 121 234 117

HSL 117.95, 0.74%, 0.69%

LAB 84.07, -55.02, 46.75

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 21 / 0 / 50 / 8

HEX #B9EA75

RGB 185 234 117

HSL 85.13, 0.74%, 0.69%

LAB 87.21, -34.28, 51.3

 

CMYK 8 / 0 / 50 / 8

HEX #D8EA75

RGB 216 234 117

HSL 69.23, 0.74%, 0.69%

LAB 89.27, -22.56, 54.25

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 50 / 0 / 25 / 8

HEX #75EAB0

RGB 117 234 176

HSL 150.26, 0.74%, 0.69%

LAB 84.87, -46.28, 18.18

 

CMYK 50 / 0 / 12 / 8

HEX #75EACF

RGB 117 234 207

HSL 166.15, 0.74%, 0.69%

LAB 85.57, -39.57, 2.95

 

CMYK 50 / 2 / 0 / 8

HEX #75E5EA

RGB 117 229 234

HSL 182.56, 0.74%, 0.69%

LAB 84.87, -30.62, -12.3

 

CMYK 50 / 15 / 0 / 8

HEX #75C6EA

RGB 117 198 234

HSL 198.46, 0.74%, 0.69%

LAB 76.14, -15.16, -25.5

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 58 / 0 / 45 / 3

HEX #68F789

RGB 104 247 137

HSL 133.85, 0.9%, 0.69%

LAB 87.62, -61.35, 41.47

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 41 / 0 / 32 / 13

HEX #82DD97

RGB 130 221 151

HSL 133.85, 0.57%, 0.69%

LAB 81.12, -41.92, 26.07

 

CMYK 31 / 0 / 24 / 18

HEX #8FD09E

RGB 143 208 158

HSL 133.85, 0.41%, 0.69%

LAB 78.12, -30.83, 18.39

 

CMYK 21 / 0 / 16 / 23

HEX #9BC4A5

RGB 155 196 165

HSL 134.63, 0.26%, 0.69%

LAB 75.55, -19.78, 11.14

 

CMYK 8 / 0 / 6 / 28

HEX #A8B7AC

RGB 168 183 172

HSL 136, 0.09%, 0.69%

LAB 73, -7.3, 3.81

 

CMYK 34 / 0 / 50 / 8

HEX #9AEA75

RGB 154 234 117

HSL 101.03, 0.74%, 0.69%

LAB 85.5, -45.07, 48.83

 

CMYK 47 / 0 / 50 / 8

HEX #7BEA75

RGB 123 234 117

HSL 116.92, 0.74%, 0.69%

LAB 84.14, -54.47, 46.86

 

CMYK 50 / 0 / 39 / 8

HEX #75EA8E

RGB 117 234 142

HSL 132.82, 0.74%, 0.69%

LAB 84.27, -52.43, 34.76

 

CMYK 50 / 0 / 26 / 8

HEX #75EAAE

RGB 117 234 174

HSL 149.23, 0.74%, 0.69%

LAB 84.83, -46.68, 19.16

 

CMYK 50 / 0 / 12 / 8

HEX #75EACD

RGB 117 234 205

HSL 165.13, 0.74%, 0.69%

LAB 85.52, -40.04, 3.93

 

CMYK 80 / 0 / 61 / 13

HEX #2DDF56

RGB 45 223 86

HSL 133.82, 0.74%, 0.53%

LAB 78.46, -69.99, 53.73

 

CMYK 65 / 0 / 50 / 10

HEX #51E573

RGB 81 229 115

HSL 133.78, 0.74%, 0.61%

LAB 81.31, -62.73, 44.02

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 36 / 0 / 28 / 6

HEX #99EFAD

RGB 153 239 173

HSL 133.95, 0.73%, 0.77%

LAB 87.74, -39.4, 23.92

 

CMYK 23 / 0 / 18 / 4

HEX #BDF5CA

RGB 189 245 202

HSL 133.93, 0.74%, 0.85%

LAB 91.86, -25.98, 15.01

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 50 / 21 / 0 / 8

HEX #75B9EA

RGB 117 185 234

HSL 205.13, 0.74%, 0.69%

LAB 72.51, -8.26, -31.07

 

CMYK 0 / 50 / 41 / 8

HEX #EA758A

RGB 234 117 138

HSL 349.23, 0.74%, 0.69%

LAB 63.38, 47.18, 9.89

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 39 / 50 / 0 / 8

HEX #8E75EA

RGB 142 117 234

HSL 252.82, 0.74%, 0.69%

LAB 56.5, 36.66, -56.11

 

CMYK 0 / 39 / 50 / 8

HEX #EA8E75

RGB 234 142 117

HSL 12.82, 0.74%, 0.69%

LAB 68.11, 32.32, 28.16

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 50 / 21 / 0 / 8

HEX #75B9EA

RGB 117 185 234

HSL 205.13, 0.74%, 0.69%

LAB 72.51, -8.26, -31.07

 

CMYK 0 / 50 / 11 / 8

HEX #EA75D1

RGB 234 117 209

HSL 312.82, 0.74%, 0.69%

LAB 65.61, 56.66, -27.1

 

CMYK 0 / 29 / 50 / 8

HEX #EAA675

RGB 234 166 117

HSL 25.13, 0.74%, 0.69%

LAB 73.58, 19.6, 35.26

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 50 / 36 / 0 / 8

HEX #7596EA

RGB 117 150 234

HSL 223.08, 0.74%, 0.69%

LAB 62.96, 11.42, -45.97

 

CMYK 0 / 50 / 11 / 8

HEX #EA75D1

RGB 234 117 209

HSL 312.82, 0.74%, 0.69%

LAB 65.61, 56.66, -27.1

 

CMYK 0 / 14 / 50 / 8

HEX #EAC975

RGB 234 201 117

HSL 43.08, 0.74%, 0.69%

LAB 82.14, 1.17, 45.99

 

Description

Color code: HEX #75EA90 | qconv.com Color code: HEX #75EA90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 234 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 234 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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