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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99EA75 it is the complementary color #66158A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99EA75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99EA75 shade: #9EEA70, #AFFC83, #C0FF96, #D1FFA9 and #E2FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99EA75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99EA75 shade: #99EA75, #88D862, #77C64F, #66B43C and #55A229

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99EA75 shade: #99EA75, #B8EA75, #D8EA75, #EADC75 and #EABD75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99EA75 shade: #99EA75, #79EA75, #75EA90, #75EAB0 and #75EACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99EA75 shade matches the following richer shades: #99EA75 and #94F768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99EA75 shade: #99EA75, #9EDD82, #A3D08F, #A8C49B and #ADB7A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99EA75 shade: #D8EA75, #B9EA75, #9AEA75, #7BEA75 and #75EA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99EA75 shade: #64DF2D, #7EE551, #99EA75, #B3EF99 and #CEF5BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99EA75 shade: #99EA75, #75EADC and #EA75C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99EA75 shade: #99EA75, #759AEA and #EA759A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99EA75 shade: #99EA75, #75EADC, #C575EA and #EA7583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99EA75 shade: #99EA75, #75D4EA, #C575EA and #EA8A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

Complementary color

CMYK 26 / 85 / 0 / 46

HEX #66158A

RGB 102 21 138

HSL 281.54, 0.74%, 0.31%

LAB 27.29, 52.07, -47.02

 

CMYK 32 / 0 / 52 / 8

HEX #9EEA70

RGB 158 234 112

HSL 97.38, 0.74%, 0.68%

LAB 85.65, -44.3, 51.38

 

CMYK 31 / 0 / 48 / 1

HEX #AFFC83

RGB 175 252 131

HSL 98.18, 0.95%, 0.75%

LAB 91.85, -44.26, 50.26

 

CMYK 25 / 0 / 41 / 0

HEX #C0FF96

RGB 192 255 150

HSL 96, 1%, 0.79%

LAB 93.85, -37.54, 43.9

 

CMYK 18 / 0 / 34 / 0

HEX #D1FFA9

RGB 209 255 169

HSL 92.09, 1%, 0.83%

LAB 95.14, -29.19, 36.43

 

CMYK 11 / 0 / 26 / 0

HEX #E2FFBC

RGB 226 255 188

HSL 85.97, 1%, 0.87%

LAB 96.54, -20.6, 28.99

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 37 / 0 / 55 / 15

HEX #88D862

RGB 136 216 98

HSL 100.68, 0.6%, 0.62%

LAB 79.17, -45.43, 49.89

 

CMYK 40 / 0 / 60 / 22

HEX #77C64F

RGB 119 198 79

HSL 99.83, 0.51%, 0.54%

LAB 72.81, -45.37, 50.94

 

CMYK 43 / 0 / 67 / 29

HEX #66B43C

RGB 102 180 60

HSL 99, 0.5%, 0.47%

LAB 66.36, -45.17, 51.79

 

CMYK 48 / 0 / 75 / 36

HEX #55A229

RGB 85 162 41

HSL 98.18, 0.6%, 0.4%

LAB 59.83, -44.76, 52.21

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 21 / 0 / 50 / 8

HEX #B8EA75

RGB 184 234 117

HSL 85.64, 0.74%, 0.69%

LAB 87.15, -34.64, 51.21

 

CMYK 8 / 0 / 50 / 8

HEX #D8EA75

RGB 216 234 117

HSL 69.23, 0.74%, 0.69%

LAB 89.27, -22.56, 54.25

 

CMYK 0 / 6 / 50 / 8

HEX #EADC75

RGB 234 220 117

HSL 52.82, 0.74%, 0.69%

LAB 86.98, -8.53, 51.86

 

CMYK 0 / 19 / 50 / 8

HEX #EABD75

RGB 234 189 117

HSL 36.92, 0.74%, 0.69%

LAB 79.14, 7.43, 42.29

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 48 / 0 / 50 / 8

HEX #79EA75

RGB 121 234 117

HSL 117.95, 0.74%, 0.69%

LAB 84.07, -55.02, 46.75

 

CMYK 50 / 0 / 38 / 8

HEX #75EA90

RGB 117 234 144

HSL 133.85, 0.74%, 0.69%

LAB 84.3, -52.11, 33.79

 

CMYK 50 / 0 / 25 / 8

HEX #75EAB0

RGB 117 234 176

HSL 150.26, 0.74%, 0.69%

LAB 84.87, -46.28, 18.18

 

CMYK 50 / 0 / 12 / 8

HEX #75EACF

RGB 117 234 207

HSL 166.15, 0.74%, 0.69%

LAB 85.57, -39.57, 2.95

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 40 / 0 / 58 / 3

HEX #94F768

RGB 148 247 104

HSL 101.54, 0.9%, 0.69%

LAB 88.84, -53.78, 58.58

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 29 / 0 / 41 / 13

HEX #9EDD82

RGB 158 221 130

HSL 101.54, 0.57%, 0.69%

LAB 82.16, -36.35, 38.39

 

CMYK 22 / 0 / 31 / 18

HEX #A3D08F

RGB 163 208 143

HSL 101.54, 0.41%, 0.69%

LAB 78.97, -26.67, 27.62

 

CMYK 14 / 0 / 21 / 23

HEX #A8C49B

RGB 168 196 155

HSL 100.98, 0.26%, 0.69%

LAB 76.17, -17.06, 17.51

 

CMYK 5 / 0 / 8 / 28

HEX #ADB7A8

RGB 173 183 168

HSL 100, 0.09%, 0.69%

LAB 73.27, -6.28, 6.42

 

CMYK 8 / 0 / 50 / 8

HEX #D8EA75

RGB 216 234 117

HSL 69.23, 0.74%, 0.69%

LAB 89.27, -22.56, 54.25

 

CMYK 21 / 0 / 50 / 8

HEX #B9EA75

RGB 185 234 117

HSL 85.13, 0.74%, 0.69%

LAB 87.21, -34.28, 51.3

 

CMYK 34 / 0 / 50 / 8

HEX #9AEA75

RGB 154 234 117

HSL 101.03, 0.74%, 0.69%

LAB 85.5, -45.07, 48.83

 

CMYK 47 / 0 / 50 / 8

HEX #7BEA75

RGB 123 234 117

HSL 116.92, 0.74%, 0.69%

LAB 84.14, -54.47, 46.86

 

CMYK 50 / 0 / 39 / 8

HEX #75EA8E

RGB 117 234 142

HSL 132.82, 0.74%, 0.69%

LAB 84.27, -52.43, 34.76

 

CMYK 55 / 0 / 80 / 13

HEX #64DF2D

RGB 100 223 45

HSL 101.46, 0.74%, 0.53%

LAB 79.43, -63.07, 69.89

 

CMYK 45 / 0 / 65 / 10

HEX #7EE551

RGB 126 229 81

HSL 101.76, 0.74%, 0.61%

LAB 82.42, -55.51, 60.81

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 25 / 0 / 36 / 6

HEX #B3EF99

RGB 179 239 153

HSL 101.86, 0.73%, 0.77%

LAB 88.74, -34.29, 35.65

 

CMYK 16 / 0 / 23 / 4

HEX #CEF5BD

RGB 206 245 189

HSL 101.79, 0.74%, 0.85%

LAB 92.62, -22.55, 22.9

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 50 / 0 / 6 / 8

HEX #75EADC

RGB 117 234 220

HSL 172.82, 0.74%, 0.69%

LAB 85.9, -36.48, -3.39

 

CMYK 0 / 50 / 14 / 8

HEX #EA75C9

RGB 234 117 201

HSL 316.92, 0.74%, 0.69%

LAB 65.3, 55.41, -23.08

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 50 / 34 / 0 / 8

HEX #759AEA

RGB 117 154 234

HSL 221.03, 0.74%, 0.69%

LAB 64.03, 9.1, -44.28

 

CMYK 0 / 50 / 34 / 8

HEX #EA759A

RGB 234 117 154

HSL 341.03, 0.74%, 0.69%

LAB 63.79, 48.98, 1.33

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 50 / 0 / 6 / 8

HEX #75EADC

RGB 117 234 220

HSL 172.82, 0.74%, 0.69%

LAB 85.9, -36.48, -3.39

 

CMYK 16 / 50 / 0 / 8

HEX #C575EA

RGB 197 117 234

HSL 281.03, 0.74%, 0.69%

LAB 62.11, 50.8, -46.84

 

CMYK 0 / 50 / 44 / 8

HEX #EA7583

RGB 234 117 131

HSL 352.82, 0.74%, 0.69%

LAB 63.22, 46.45, 13.66

 

CMYK 35 / 0 / 50 / 8

HEX #99EA75

RGB 153 234 117

HSL 101.54, 0.74%, 0.69%

LAB 85.45, -45.39, 48.76

 

CMYK 50 / 9 / 0 / 8

HEX #75D4EA

RGB 117 212 234

HSL 191.28, 0.74%, 0.69%

LAB 80.07, -22.31, -19.52

 

CMYK 16 / 50 / 0 / 8

HEX #C575EA

RGB 197 117 234

HSL 281.03, 0.74%, 0.69%

LAB 62.11, 50.8, -46.84

 

CMYK 0 / 41 / 50 / 8

HEX #EA8A75

RGB 234 138 117

HSL 10.77, 0.74%, 0.69%

LAB 67.24, 34.42, 27.01

 

Description

Color code: HEX #99EA75 | qconv.com Color code: HEX #99EA75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 234 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 234 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 50 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 50% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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