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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76A1DE it is the complementary color #895E21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76A1DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76A1DE shade: #7BA1D9, #8CB3EC, #9DC5FF, #AED7FF and #BFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76A1DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76A1DE shade: #76A1DE, #658FCB, #547DB8, #436BA5 and #325992

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76A1DE shade: #77A1DE, #7786DE, #8477DE, #A077DE and #BB77DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76A1DE shade: #77A1DE, #7786DE and #7777DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76A1DE shade matches the following richer shades: #77A1DE, #699FEB and #5C9DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76A1DE shade: #77A1DE, #85A4D0, #92A6C2, #A0A9B5 and #ADABA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76A1DE shade: #77D9DE, #77BDDE, #77A2DE, #7786DE and #8377DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76A1DE shade: #3574CE, #568BD6, #77A1DE, #98B8E6 and #B9CFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76A1DE shade: #76A1DE, #C777DE and #CBDE77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76A1DE shade: #76A1DE, #DE77A2 and #A2DE77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76A1DE shade: #76A1DE, #C777DE, #DEB377 and #8DDE77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76A1DE shade: #76A1DE, #DE77D5, #DEB377 and #77DE80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 27 / 0 / 13

HEX #76A1DE

RGB 118 161 222

HSL 215.19, 0.61%, 0.67%

LAB 65.45, 1.77, -35.44

 

Complementary color

CMYK 0 / 31 / 76 / 46

HEX #895E21

RGB 137 94 33

HSL 35.19, 0.61%, 0.33%

LAB 43.41, 11.66, 40.31

 

CMYK 43 / 26 / 0 / 15

HEX #7BA1D9

RGB 123 161 217

HSL 215.74, 0.55%, 0.67%

LAB 65.52, 1.58, -32.54

 

CMYK 41 / 24 / 0 / 7

HEX #8CB3EC

RGB 140 179 236

HSL 215.63, 0.72%, 0.74%

LAB 72.14, 1.14, -32.62

 

CMYK 38 / 23 / 0 / 0

HEX #9DC5FF

RGB 157 197 255

HSL 215.51, 1%, 0.81%

LAB 78.65, 0.76, -32.73

 

CMYK 32 / 16 / 0 / 0

HEX #AED7FF

RGB 174 215 255

HSL 209.63, 1%, 0.84%

LAB 84.39, -4.26, -23.86

 

CMYK 25 / 9 / 0 / 0

HEX #BFE9FF

RGB 191 233 255

HSL 200.63, 1%, 0.87%

LAB 90.13, -8.77, -15.1

 

CMYK 47 / 27 / 0 / 13

HEX #76A1DE

RGB 118 161 222

HSL 215.19, 0.61%, 0.67%

LAB 65.45, 1.77, -35.44

 

CMYK 50 / 30 / 0 / 20

HEX #658FCB

RGB 101 143 203

HSL 215.29, 0.5%, 0.6%

LAB 58.72, 2.39, -35.41

 

CMYK 54 / 32 / 0 / 28

HEX #547DB8

RGB 84 125 184

HSL 215.4, 0.41%, 0.53%

LAB 51.85, 3.14, -35.41

 

CMYK 59 / 35 / 0 / 35

HEX #436BA5

RGB 67 107 165

HSL 215.51, 0.42%, 0.45%

LAB 44.84, 4.1, -35.46

 

CMYK 66 / 39 / 0 / 43

HEX #325992

RGB 50 89 146

HSL 215.63, 0.49%, 0.38%

LAB 37.66, 5.35, -35.53

 

CMYK 46 / 27 / 0 / 13

HEX #77A1DE

RGB 119 161 222

HSL 215.53, 0.61%, 0.67%

LAB 65.5, 2.01, -35.35

 

CMYK 46 / 40 / 0 / 13

HEX #7786DE

RGB 119 134 222

HSL 231.26, 0.61%, 0.67%

LAB 58.27, 17.7, -46.7

 

CMYK 41 / 46 / 0 / 13

HEX #8477DE

RGB 132 119 222

HSL 247.57, 0.61%, 0.67%

LAB 55.45, 29.76, -51.11

 

CMYK 28 / 46 / 0 / 13

HEX #A077DE

RGB 160 119 222

HSL 263.88, 0.61%, 0.67%

LAB 57.98, 37.02, -46.94

 

CMYK 16 / 46 / 0 / 13

HEX #BB77DE

RGB 187 119 222

HSL 279.61, 0.61%, 0.67%

LAB 60.81, 44.47, -42.28

 

CMYK 46 / 27 / 0 / 13

HEX #77A1DE

RGB 119 161 222

HSL 215.53, 0.61%, 0.67%

LAB 65.5, 2.01, -35.35

 

CMYK 46 / 40 / 0 / 13

HEX #7786DE

RGB 119 134 222

HSL 231.26, 0.61%, 0.67%

LAB 58.27, 17.7, -46.7

 

CMYK 46 / 46 / 0 / 13

HEX #7777DE

RGB 119 119 222

HSL 240, 0.61%, 0.67%

LAB 54.44, 26.64, -52.79

 

CMYK 46 / 27 / 0 / 13

HEX #77A1DE

RGB 119 161 222

HSL 215.53, 0.61%, 0.67%

LAB 65.5, 2.01, -35.35

 

CMYK 55 / 32 / 0 / 8

HEX #699FEB

RGB 105 159 235

HSL 215.08, 0.76%, 0.67%

LAB 64.8, 3.92, -43.66

 

CMYK 63 / 37 / 0 / 2

HEX #5C9DF9

RGB 92 157 249

HSL 215.16, 0.93%, 0.67%

LAB 64.35, 7.11, -52.09

 

CMYK 46 / 27 / 0 / 13

HEX #77A1DE

RGB 119 161 222

HSL 215.53, 0.61%, 0.67%

LAB 65.5, 2.01, -35.35

 

CMYK 36 / 21 / 0 / 18

HEX #85A4D0

RGB 133 164 208

HSL 215.2, 0.44%, 0.67%

LAB 66.59, 0.1, -25.86

 

CMYK 25 / 14 / 0 / 24

HEX #92A6C2

RGB 146 166 194

HSL 215, 0.28%, 0.67%

LAB 67.49, -0.69, -16.66

 

CMYK 12 / 7 / 0 / 29

HEX #A0A9B5

RGB 160 169 181

HSL 214.29, 0.12%, 0.67%

LAB 68.89, -0.72, -7.25

 

CMYK 0 / 1 / 3 / 32

HEX #ADABA7

RGB 173 171 167

HSL 40, 0.04%, 0.67%

LAB 70.04, -0.02, 2.3

 

CMYK 46 / 2 / 0 / 13

HEX #77D9DE

RGB 119 217 222

HSL 182.91, 0.61%, 0.67%

LAB 81.19, -27.5, -11.42

 

CMYK 46 / 15 / 0 / 13

HEX #77BDDE

RGB 119 189 222

HSL 199.22, 0.61%, 0.67%

LAB 73.28, -13.31, -23.37

 

CMYK 46 / 27 / 0 / 13

HEX #77A2DE

RGB 119 162 222

HSL 214.95, 0.61%, 0.67%

LAB 65.78, 1.45, -34.92

 

CMYK 46 / 40 / 0 / 13

HEX #7786DE

RGB 119 134 222

HSL 231.26, 0.61%, 0.67%

LAB 58.27, 17.7, -46.7

 

CMYK 41 / 46 / 0 / 13

HEX #8377DE

RGB 131 119 222

HSL 246.99, 0.61%, 0.67%

LAB 55.37, 29.51, -51.24

 

CMYK 74 / 44 / 0 / 19

HEX #3574CE

RGB 53 116 206

HSL 215.29, 0.61%, 0.51%

LAB 49.13, 10.85, -52.41

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 46 / 27 / 0 / 13

HEX #77A1DE

RGB 119 161 222

HSL 215.53, 0.61%, 0.67%

LAB 65.5, 2.01, -35.35

 

CMYK 34 / 20 / 0 / 10

HEX #98B8E6

RGB 152 184 230

HSL 215.38, 0.61%, 0.75%

LAB 73.98, 0.04, -26.48

 

CMYK 22 / 13 / 0 / 7

HEX #B9CFEE

RGB 185 207 238

HSL 215.09, 0.61%, 0.83%

LAB 82.44, -0.81, -17.72

 

CMYK 47 / 27 / 0 / 13

HEX #76A1DE

RGB 118 161 222

HSL 215.19, 0.61%, 0.67%

LAB 65.45, 1.77, -35.44

 

CMYK 10 / 46 / 0 / 13

HEX #C777DE

RGB 199 119 222

HSL 286.6, 0.61%, 0.67%

LAB 62.18, 47.86, -40.04

 

CMYK 9 / 0 / 46 / 13

HEX #CBDE77

RGB 203 222 119

HSL 71.07, 0.61%, 0.67%

LAB 85.13, -21.61, 48.11

 

CMYK 47 / 27 / 0 / 13

HEX #76A1DE

RGB 118 161 222

HSL 215.19, 0.61%, 0.67%

LAB 65.45, 1.77, -35.44

 

CMYK 0 / 46 / 27 / 13

HEX #DE77A2

RGB 222 119 162

HSL 334.95, 0.61%, 0.67%

LAB 62.79, 44.96, -4.91

 

CMYK 27 / 0 / 46 / 13

HEX #A2DE77

RGB 162 222 119

HSL 94.95, 0.61%, 0.67%

LAB 82.52, -36.82, 44.3

 

CMYK 47 / 27 / 0 / 13

HEX #76A1DE

RGB 118 161 222

HSL 215.19, 0.61%, 0.67%

LAB 65.45, 1.77, -35.44

 

CMYK 10 / 46 / 0 / 13

HEX #C777DE

RGB 199 119 222

HSL 286.6, 0.61%, 0.67%

LAB 62.18, 47.86, -40.04

 

CMYK 0 / 19 / 46 / 13

HEX #DEB377

RGB 222 179 119

HSL 34.95, 0.61%, 0.67%

LAB 75.51, 8.02, 36.44

 

CMYK 36 / 0 / 46 / 13

HEX #8DDE77

RGB 141 222 119

HSL 107.18, 0.61%, 0.67%

LAB 81.42, -43.87, 42.7

 

CMYK 47 / 27 / 0 / 13

HEX #76A1DE

RGB 118 161 222

HSL 215.19, 0.61%, 0.67%

LAB 65.45, 1.77, -35.44

 

CMYK 0 / 46 / 4 / 13

HEX #DE77D5

RGB 222 119 213

HSL 305.24, 0.61%, 0.67%

LAB 64.59, 52.83, -31.05

 

CMYK 0 / 19 / 46 / 13

HEX #DEB377

RGB 222 179 119

HSL 34.95, 0.61%, 0.67%

LAB 75.51, 8.02, 36.44

 

CMYK 46 / 0 / 42 / 13

HEX #77DE80

RGB 119 222 128

HSL 125.24, 0.61%, 0.67%

LAB 80.58, -49.18, 36.99

 

Description

Color code: HEX #76A1DE | qconv.com Color code: HEX #76A1DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 161 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 161 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 27 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 27% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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