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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76E89B it is the complementary color #891764. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76E89B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76E89B shade: #7BE896, #8CFAA9, #9DFFBC, #AEFFCF and #BFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76E89B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76E89B shade: #76E89B, #65D688, #54C475, #43B262 and #32A04F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76E89B shade: #77E89C, #77E87D, #8FE877, #AEE877 and #CCE877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76E89B shade: #77E89C, #77E8BA, #77E8D8, #77D9E8 and #77BAE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76E89B shade matches the following richer shades: #77E89C and #6BF497

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76E89B shade: #77E89C, #84DBA0, #91CEA5, #9EC1A9 and #AAB4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76E89B shade: #90E877, #77E87D, #77E89B, #77E8B9 and #77E8D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76E89B shade: #31DC68, #54E282, #77E89C, #9BEEB6 and #BEF4CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76E89B shade: #76E89B, #77AEE8 and #E87781

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76E89B shade: #76E89B, #9B77E8 and #E89B77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76E89B shade: #76E89B, #77AEE8, #E877C4 and #E8B177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76E89B shade: #76E89B, #778CE8, #E877C4 and #E8D377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 33 / 9

HEX #76E89B

RGB 118 232 155

HSL 139.47, 0.71%, 0.69%

LAB 83.93, -49.16, 27.72

 

Complementary color

CMYK 0 / 83 / 27 / 46

HEX #891764

RGB 137 23 100

HSL 319.47, 0.71%, 0.31%

LAB 31.47, 52.51, -15.88

 

CMYK 47 / 0 / 35 / 9

HEX #7BE896

RGB 123 232 150

HSL 134.86, 0.7%, 0.7%

LAB 84.03, -48.74, 30.44

 

CMYK 44 / 0 / 32 / 2

HEX #8CFAA9

RGB 140 250 169

HSL 135.82, 0.92%, 0.76%

LAB 90.23, -48.54, 29.26

 

CMYK 38 / 0 / 26 / 0

HEX #9DFFBC

RGB 157 255 188

HSL 138.98, 1%, 0.81%

LAB 92.72, -42.7, 23.14

 

CMYK 32 / 0 / 19 / 0

HEX #AEFFCF

RGB 174 255 207

HSL 144.44, 1%, 0.84%

LAB 93.89, -34.34, 15.19

 

CMYK 25 / 0 / 11 / 0

HEX #BFFFE2

RGB 191 255 226

HSL 152.81, 1%, 0.87%

LAB 95.2, -25.68, 7.41

 

CMYK 49 / 0 / 33 / 9

HEX #76E89B

RGB 118 232 155

HSL 139.47, 0.71%, 0.69%

LAB 83.93, -49.16, 27.72

 

CMYK 53 / 0 / 36 / 16

HEX #65D688

RGB 101 214 136

HSL 138.58, 0.58%, 0.62%

LAB 77.66, -49.27, 28.97

 

CMYK 57 / 0 / 40 / 23

HEX #54C475

RGB 84 196 117

HSL 137.68, 0.49%, 0.55%

LAB 71.32, -49.28, 30.31

 

CMYK 62 / 0 / 45 / 30

HEX #43B262

RGB 67 178 98

HSL 136.76, 0.45%, 0.48%

LAB 64.9, -49.13, 31.73

 

CMYK 69 / 0 / 51 / 37

HEX #32A04F

RGB 50 160 79

HSL 135.82, 0.52%, 0.41%

LAB 58.4, -48.71, 33.24

 

CMYK 49 / 0 / 33 / 9

HEX #77E89C

RGB 119 232 156

HSL 139.65, 0.71%, 0.69%

LAB 83.98, -48.73, 27.29

 

CMYK 49 / 0 / 46 / 9

HEX #77E87D

RGB 119 232 125

HSL 123.19, 0.71%, 0.69%

LAB 83.5, -53.68, 42.19

 

CMYK 38 / 0 / 49 / 9

HEX #8FE877

RGB 143 232 119

HSL 107.26, 0.71%, 0.69%

LAB 84.42, -47.5, 46.44

 

CMYK 25 / 0 / 49 / 9

HEX #AEE877

RGB 174 232 119

HSL 90.8, 0.71%, 0.69%

LAB 86.03, -37.12, 48.77

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 49 / 0 / 33 / 9

HEX #77E89C

RGB 119 232 156

HSL 139.65, 0.71%, 0.69%

LAB 83.98, -48.73, 27.29

 

CMYK 49 / 0 / 20 / 9

HEX #77E8BA

RGB 119 232 186

HSL 155.58, 0.71%, 0.69%

LAB 84.58, -42.88, 12.55

 

CMYK 49 / 0 / 7 / 9

HEX #77E8D8

RGB 119 232 216

HSL 171.5, 0.71%, 0.69%

LAB 85.3, -36.1, -2.17

 

CMYK 49 / 6 / 0 / 9

HEX #77D9E8

RGB 119 217 232

HSL 187.96, 0.71%, 0.69%

LAB 81.5, -24.9, -16.29

 

CMYK 49 / 20 / 0 / 9

HEX #77BAE8

RGB 119 186 232

HSL 204.42, 0.71%, 0.69%

LAB 72.8, -8.92, -29.52

 

CMYK 49 / 0 / 33 / 9

HEX #77E89C

RGB 119 232 156

HSL 139.65, 0.71%, 0.69%

LAB 83.98, -48.73, 27.29

 

CMYK 56 / 0 / 38 / 4

HEX #6BF497

RGB 107 244 151

HSL 139.27, 0.86%, 0.69%

LAB 87.03, -57.29, 33.82

 

CMYK 49 / 0 / 33 / 9

HEX #77E89C

RGB 119 232 156

HSL 139.65, 0.71%, 0.69%

LAB 83.98, -48.73, 27.29

 

CMYK 40 / 0 / 27 / 14

HEX #84DBA0

RGB 132 219 160

HSL 139.31, 0.55%, 0.69%

LAB 80.8, -38.85, 20.96

 

CMYK 30 / 0 / 20 / 19

HEX #91CEA5

RGB 145 206 165

HSL 139.67, 0.38%, 0.69%

LAB 77.8, -27.95, 14.24

 

CMYK 18 / 0 / 12 / 24

HEX #9EC1A9

RGB 158 193 169

HSL 138.86, 0.22%, 0.69%

LAB 75, -16.5, 8.22

 

CMYK 6 / 0 / 3 / 29

HEX #AAB4AE

RGB 170 180 174

HSL 144, 0.06%, 0.69%

LAB 72.39, -4.63, 1.84

 

CMYK 38 / 0 / 49 / 9

HEX #90E877

RGB 144 232 119

HSL 106.73, 0.71%, 0.69%

LAB 84.47, -47.19, 46.51

 

CMYK 49 / 0 / 46 / 9

HEX #77E87D

RGB 119 232 125

HSL 123.19, 0.71%, 0.69%

LAB 83.5, -53.68, 42.19

 

CMYK 49 / 0 / 33 / 9

HEX #77E89B

RGB 119 232 155

HSL 139.12, 0.71%, 0.69%

LAB 83.97, -48.91, 27.78

 

CMYK 49 / 0 / 20 / 9

HEX #77E8B9

RGB 119 232 185

HSL 155.04, 0.71%, 0.69%

LAB 84.55, -43.09, 13.05

 

CMYK 49 / 0 / 7 / 9

HEX #77E8D7

RGB 119 232 215

HSL 170.97, 0.71%, 0.69%

LAB 85.27, -36.34, -1.68

 

CMYK 78 / 0 / 53 / 14

HEX #31DC68

RGB 49 220 104

HSL 139.3, 0.71%, 0.53%

LAB 77.78, -66.23, 44.78

 

CMYK 63 / 0 / 42 / 11

HEX #54E282

RGB 84 226 130

HSL 139.44, 0.71%, 0.61%

LAB 80.68, -58.73, 35.89

 

CMYK 49 / 0 / 33 / 9

HEX #77E89C

RGB 119 232 156

HSL 139.65, 0.71%, 0.69%

LAB 83.98, -48.73, 27.29

 

CMYK 35 / 0 / 24 / 7

HEX #9BEEB6

RGB 155 238 182

HSL 139.52, 0.71%, 0.77%

LAB 87.72, -36.75, 19.28

 

CMYK 22 / 0 / 15 / 4

HEX #BEF4CF

RGB 190 244 207

HSL 138.89, 0.71%, 0.85%

LAB 91.75, -24.28, 12.28

 

CMYK 49 / 0 / 33 / 9

HEX #76E89B

RGB 118 232 155

HSL 139.47, 0.71%, 0.69%

LAB 83.93, -49.16, 27.72

 

CMYK 49 / 25 / 0 / 9

HEX #77AEE8

RGB 119 174 232

HSL 210.8, 0.71%, 0.69%

LAB 69.48, -2.37, -34.65

 

CMYK 0 / 49 / 44 / 9

HEX #E87781

RGB 232 119 129

HSL 354.69, 0.71%, 0.69%

LAB 63.29, 44.55, 14.86

 

CMYK 49 / 0 / 33 / 9

HEX #76E89B

RGB 118 232 155

HSL 139.47, 0.71%, 0.69%

LAB 83.93, -49.16, 27.72

 

CMYK 33 / 49 / 0 / 9

HEX #9B77E8

RGB 155 119 232

HSL 259.12, 0.71%, 0.69%

LAB 58.03, 38.21, -52.49

 

CMYK 0 / 33 / 49 / 9

HEX #E89B77

RGB 232 155 119

HSL 19.12, 0.71%, 0.69%

LAB 70.82, 24.85, 30.59

 

CMYK 49 / 0 / 33 / 9

HEX #76E89B

RGB 118 232 155

HSL 139.47, 0.71%, 0.69%

LAB 83.93, -49.16, 27.72

 

CMYK 49 / 25 / 0 / 9

HEX #77AEE8

RGB 119 174 232

HSL 210.8, 0.71%, 0.69%

LAB 69.48, -2.37, -34.65

 

CMYK 0 / 49 / 16 / 9

HEX #E877C4

RGB 232 119 196

HSL 319.12, 0.71%, 0.69%

LAB 65.23, 53.08, -20.41

 

CMYK 0 / 24 / 49 / 9

HEX #E8B177

RGB 232 177 119

HSL 30.8, 0.71%, 0.69%

LAB 76.03, 13.13, 37.3

 

CMYK 49 / 0 / 33 / 9

HEX #76E89B

RGB 118 232 155

HSL 139.47, 0.71%, 0.69%

LAB 83.93, -49.16, 27.72

 

CMYK 49 / 40 / 0 / 9

HEX #778CE8

RGB 119 140 232

HSL 228.85, 0.71%, 0.69%

LAB 60.34, 17.14, -48.98

 

CMYK 0 / 49 / 16 / 9

HEX #E877C4

RGB 232 119 196

HSL 319.12, 0.71%, 0.69%

LAB 65.23, 53.08, -20.41

 

CMYK 0 / 9 / 49 / 9

HEX #E8D377

RGB 232 211 119

HSL 48.85, 0.71%, 0.69%

LAB 84.52, -4.6, 47.89

 

Description

Color code: HEX #76E89B | qconv.com Color code: HEX #76E89B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 232 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 232 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 33 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 33% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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