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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77115D it is the complementary color #88EEA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77115D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77115D shade: #7C1158, #8D236B, #9E357E, #AF4791 and #C059A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77115D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77115D shade: #77115D, #66004A, #550037, #440024 and #330011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77115D shade: #78115E, #781142, #781126 and #781111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77115D shade: #78115E, #761178, #5B1178, #3F1178 and #231178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77115D shade matches the following richer shades: #78115E and #830663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77115D shade: #78115E, #6D1C58, #622753, #57324D and #4B3D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77115D shade: #5B1178, #761178, #78115E, #781143 and #781127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77115D shade: #300625, #540C41, #78115E, #9C167A and #C01B96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77115D shade: #77115D, #783F11 and #117868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77115D shade: #77115D, #5E7811 and #115E78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77115D shade: #77115D, #783F11, #11782B and #114A78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77115D shade: #77115D, #785E11, #11782B and #112B78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 22 / 53

HEX #77115D

RGB 119 17 93

HSL 315.29, 0.75%, 0.27%

LAB 27.05, 48.75, -18.43

 

Complementary color

CMYK 43 / 0 / 32 / 7

HEX #88EEA2

RGB 136 238 162

HSL 135.29, 0.75%, 0.73%

LAB 86.5, -45.72, 27.74

 

CMYK 0 / 86 / 29 / 51

HEX #7C1158

RGB 124 17 88

HSL 320.19, 0.76%, 0.28%

LAB 27.82, 49.3, -13.87

 

CMYK 0 / 75 / 24 / 45

HEX #8D236B

RGB 141 35 107

HSL 319.25, 0.6%, 0.35%

LAB 33.83, 50.77, -16.66

 

CMYK 0 / 66 / 20 / 38

HEX #9E357E

RGB 158 53 126

HSL 318.29, 0.5%, 0.41%

LAB 40.12, 51.18, -18.64

 

CMYK 0 / 59 / 17 / 31

HEX #AF4791

RGB 175 71 145

HSL 317.31, 0.42%, 0.48%

LAB 46.53, 51.01, -20.11

 

CMYK 0 / 54 / 15 / 25

HEX #C059A4

RGB 192 89 164

HSL 316.31, 0.45%, 0.55%

LAB 52.98, 50.53, -21.25

 

CMYK 0 / 86 / 22 / 53

HEX #77115D

RGB 119 17 93

HSL 315.29, 0.75%, 0.27%

LAB 27.05, 48.75, -18.43

 

CMYK 0 / 100 / 27 / 60

HEX #66004A

RGB 102 0 74

HSL 316.47, 1%, 0.2%

LAB 21.28, 46.02, -14.94

 

CMYK 0 / 100 / 35 / 67

HEX #550037

RGB 85 0 55

HSL 321.18, 1%, 0.17%

LAB 16.54, 39.77, -9.3

 

CMYK 0 / 100 / 47 / 73

HEX #440024

RGB 68 0 36

HSL 328.24, 1%, 0.13%

LAB 11.66, 33.36, -3.14

 

CMYK 0 / 100 / 67 / 80

HEX #330011

RGB 51 0 17

HSL 340, 1%, 0.1%

LAB 6.72, 26.53, 3.06

 

CMYK 0 / 86 / 22 / 53

HEX #78115E

RGB 120 17 94

HSL 315.15, 0.75%, 0.27%

LAB 27.3, 49.13, -18.68

 

CMYK 0 / 86 / 45 / 53

HEX #781142

RGB 120 17 66

HSL 331.46, 0.75%, 0.27%

LAB 26.12, 45.75, -1.79

 

CMYK 0 / 86 / 68 / 53

HEX #781126

RGB 120 17 38

HSL 347.77, 0.75%, 0.27%

LAB 25.36, 43.5, 16.26

 

CMYK 0 / 86 / 86 / 53

HEX #781111

RGB 120 17 17

HSL 0, 0.75%, 0.27%

LAB 25.06, 42.58, 29.44

 

CMYK 0 / 86 / 22 / 53

HEX #78115E

RGB 120 17 94

HSL 315.15, 0.75%, 0.27%

LAB 27.3, 49.13, -18.68

 

CMYK 2 / 86 / 0 / 53

HEX #761178

RGB 118 17 120

HSL 298.83, 0.75%, 0.27%

LAB 28.4, 52.73, -33.75

 

CMYK 24 / 86 / 0 / 53

HEX #5B1178

RGB 91 17 120

HSL 283.11, 0.75%, 0.27%

LAB 23.61, 47.52, -41.72

 

CMYK 48 / 86 / 0 / 53

HEX #3F1178

RGB 63 17 120

HSL 266.8, 0.75%, 0.27%

LAB 19.28, 42.95, -48.97

 

CMYK 71 / 86 / 0 / 53

HEX #231178

RGB 35 17 120

HSL 250.49, 0.75%, 0.27%

LAB 16.08, 39.68, -54.36

 

CMYK 0 / 86 / 22 / 53

HEX #78115E

RGB 120 17 94

HSL 315.15, 0.75%, 0.27%

LAB 27.3, 49.13, -18.68

 

CMYK 0 / 95 / 24 / 49

HEX #830663

RGB 131 6 99

HSL 315.36, 0.91%, 0.27%

LAB 29.05, 54.39, -19.06

 

CMYK 0 / 86 / 22 / 53

HEX #78115E

RGB 120 17 94

HSL 315.15, 0.75%, 0.27%

LAB 27.3, 49.13, -18.68

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 60 / 15 / 62

HEX #622753

RGB 98 39 83

HSL 315.25, 0.43%, 0.27%

LAB 25.78, 32.68, -14.11

 

CMYK 0 / 43 / 11 / 66

HEX #57324D

RGB 87 50 77

HSL 316.22, 0.27%, 0.27%

LAB 26.28, 21.27, -9.51

 

CMYK 0 / 19 / 4 / 71

HEX #4B3D48

RGB 75 61 72

HSL 312.86, 0.1%, 0.27%

LAB 27.58, 8.34, -4.42

 

CMYK 24 / 86 / 0 / 53

HEX #5B1178

RGB 91 17 120

HSL 283.11, 0.75%, 0.27%

LAB 23.61, 47.52, -41.72

 

CMYK 2 / 86 / 0 / 53

HEX #761178

RGB 118 17 120

HSL 298.83, 0.75%, 0.27%

LAB 28.4, 52.73, -33.75

 

CMYK 0 / 86 / 22 / 53

HEX #78115E

RGB 120 17 94

HSL 315.15, 0.75%, 0.27%

LAB 27.3, 49.13, -18.68

 

CMYK 0 / 86 / 44 / 53

HEX #781143

RGB 120 17 67

HSL 330.87, 0.75%, 0.27%

LAB 26.15, 45.85, -2.42

 

CMYK 0 / 86 / 68 / 53

HEX #781127

RGB 120 17 39

HSL 347.18, 0.75%, 0.27%

LAB 25.38, 43.56, 15.61

 

CMYK 0 / 88 / 23 / 81

HEX #300625

RGB 48 6 37

HSL 315.71, 0.78%, 0.11%

LAB 8.06, 24.92, -9.82

 

CMYK 0 / 86 / 23 / 67

HEX #540C41

RGB 84 12 65

HSL 315.83, 0.75%, 0.19%

LAB 18.05, 37.29, -14.04

 

CMYK 0 / 86 / 22 / 53

HEX #78115E

RGB 120 17 94

HSL 315.15, 0.75%, 0.27%

LAB 27.3, 49.13, -18.68

 

CMYK 0 / 86 / 22 / 39

HEX #9C167A

RGB 156 22 122

HSL 315.22, 0.75%, 0.35%

LAB 36.07, 60.04, -22.44

 

CMYK 0 / 86 / 22 / 25

HEX #C01B96

RGB 192 27 150

HSL 315.27, 0.75%, 0.43%

LAB 44.51, 70.43, -26.02

 

CMYK 0 / 86 / 22 / 53

HEX #77115D

RGB 119 17 93

HSL 315.29, 0.75%, 0.27%

LAB 27.05, 48.75, -18.43

 

CMYK 0 / 48 / 86 / 53

HEX #783F11

RGB 120 63 17

HSL 26.8, 0.75%, 0.27%

LAB 33.11, 21.36, 36.86

 

CMYK 86 / 0 / 13 / 53

HEX #117868

RGB 17 120 104

HSL 170.68, 0.75%, 0.27%

LAB 45.01, -31.39, 0.98

 

CMYK 0 / 86 / 22 / 53

HEX #77115D

RGB 119 17 93

HSL 315.29, 0.75%, 0.27%

LAB 27.05, 48.75, -18.43

 

CMYK 22 / 0 / 86 / 53

HEX #5E7811

RGB 94 120 17

HSL 75.15, 0.75%, 0.27%

LAB 46.78, -23.78, 47.92

 

CMYK 86 / 22 / 0 / 53

HEX #115E78

RGB 17 94 120

HSL 195.15, 0.75%, 0.27%

LAB 36.89, -12.36, -20.95

 

CMYK 0 / 86 / 22 / 53

HEX #77115D

RGB 119 17 93

HSL 315.29, 0.75%, 0.27%

LAB 27.05, 48.75, -18.43

 

CMYK 0 / 48 / 86 / 53

HEX #783F11

RGB 120 63 17

HSL 26.8, 0.75%, 0.27%

LAB 33.11, 21.36, 36.86

 

CMYK 86 / 0 / 64 / 53

HEX #11782B

RGB 17 120 43

HSL 135.15, 0.75%, 0.27%

LAB 43.84, -44.58, 33.79

 

CMYK 86 / 38 / 0 / 53

HEX #114A78

RGB 17 74 120

HSL 206.8, 0.75%, 0.27%

LAB 30.33, 0.14, -31.24

 

CMYK 0 / 86 / 22 / 53

HEX #77115D

RGB 119 17 93

HSL 315.29, 0.75%, 0.27%

LAB 27.05, 48.75, -18.43

 

CMYK 0 / 22 / 86 / 53

HEX #785E11

RGB 120 94 17

HSL 44.85, 0.75%, 0.27%

LAB 41.28, 2.89, 44.04

 

CMYK 86 / 0 / 64 / 53

HEX #11782B

RGB 17 120 43

HSL 135.15, 0.75%, 0.27%

LAB 43.84, -44.58, 33.79

 

CMYK 86 / 64 / 0 / 53

HEX #112B78

RGB 17 43 120

HSL 224.85, 0.75%, 0.27%

LAB 20.84, 21.89, -46.56

 

Description

Color code: HEX #77115D | qconv.com Color code: HEX #77115D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 17 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 17 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 22 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 22% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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