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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7764CD it is the complementary color #889B32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7764CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7764CD shade: #7C64C8, #8D76DB, #9E88EE, #AF9AFF and #C0ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7764CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7764CD shade: #7764CD, #6652BA, #5540A7, #442E94 and #331C81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7764CD shade: #7764CD, #9364CD, #AF64CD, #CB64CD and #CD64B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7764CD shade: #7764CD and #6464CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7764CD shade matches the following richer shades: #7764CD, #6D54DD, #6243EE and #5833FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7764CD shade: #7764CD, #8275BC, #8C85AC, #97969B and #A1A68B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7764CD shade: #648BCD, #646FCD, #7664CD, #9264CD and #AD64CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7764CD shade: #4B36A8, #5C45C2, #7764CD, #9384D7 and #AEA3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7764CD shade: #7764CD, #CD64A6 and #7DCD64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7764CD shade: #7764CD, #CD7664 and #64CD76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7764CD shade: #7764CD, #CD64A6, #BBCD64 and #64CD8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7764CD shade: #7764CD, #CD6487, #BBCD64 and #64CDAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

Complementary color

CMYK 12 / 0 / 68 / 39

HEX #889B32

RGB 136 155 50

HSL 70.86, 0.51%, 0.4%

LAB 60.7, -21.53, 50.57

 

CMYK 38 / 50 / 0 / 22

HEX #7C64C8

RGB 124 100 200

HSL 254.4, 0.48%, 0.59%

LAB 48.97, 32.86, -48.99

 

CMYK 36 / 46 / 0 / 14

HEX #8D76DB

RGB 141 118 219

HSL 253.66, 0.58%, 0.66%

LAB 55.82, 31.8, -48.79

 

CMYK 34 / 43 / 0 / 7

HEX #9E88EE

RGB 158 136 238

HSL 252.94, 0.75%, 0.73%

LAB 62.55, 30.85, -48.62

 

CMYK 31 / 40 / 0 / 0

HEX #AF9AFF

RGB 175 154 255

HSL 252.48, 1%, 0.8%

LAB 69.07, 29.49, -47.55

 

CMYK 25 / 33 / 0 / 0

HEX #C0ACFF

RGB 192 172 255

HSL 254.46, 1%, 0.84%

LAB 74.78, 24.19, -38.52

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 45 / 56 / 0 / 27

HEX #6652BA

RGB 102 82 186

HSL 251.54, 0.43%, 0.53%

LAB 41.85, 34.32, -52.4

 

CMYK 49 / 62 / 0 / 35

HEX #5540A7

RGB 85 64 167

HSL 252.23, 0.45%, 0.45%

LAB 34.78, 35.77, -52.66

 

CMYK 54 / 69 / 0 / 42

HEX #442E94

RGB 68 46 148

HSL 252.94, 0.53%, 0.38%

LAB 27.63, 37.33, -52.84

 

CMYK 60 / 78 / 0 / 49

HEX #331C81

RGB 51 28 129

HSL 253.66, 0.64%, 0.31%

LAB 20.52, 38.81, -52.72

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 28 / 51 / 0 / 20

HEX #9364CD

RGB 147 100 205

HSL 266.86, 0.51%, 0.6%

LAB 51.53, 40.08, -47.65

 

CMYK 15 / 51 / 0 / 20

HEX #AF64CD

RGB 175 100 205

HSL 282.86, 0.51%, 0.6%

LAB 54.7, 47.61, -42.42

 

CMYK 1 / 51 / 0 / 20

HEX #CB64CD

RGB 203 100 205

HSL 298.86, 0.51%, 0.6%

LAB 58.24, 55.32, -36.6

 

CMYK 0 / 51 / 13 / 20

HEX #CD64B2

RGB 205 100 178

HSL 315.43, 0.51%, 0.6%

LAB 57.37, 51.33, -22.48

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 51 / 51 / 0 / 20

HEX #6464CD

RGB 100 100 205

HSL 240, 0.51%, 0.6%

LAB 47.28, 28.72, -54.68

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 51 / 62 / 0 / 13

HEX #6D54DD

RGB 109 84 221

HSL 250.95, 0.67%, 0.6%

LAB 45.38, 44.88, -66.86

 

CMYK 59 / 72 / 0 / 7

HEX #6243EE

RGB 98 67 238

HSL 250.88, 0.83%, 0.6%

LAB 42.44, 57.32, -81.34

 

CMYK 65 / 80 / 0 / 0

HEX #5833FE

RGB 88 51 254

HSL 250.94, 0.99%, 0.6%

LAB 40.57, 68.18, -93.43

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 31 / 38 / 0 / 26

HEX #8275BC

RGB 130 117 188

HSL 250.99, 0.35%, 0.6%

LAB 53.06, 21.17, -35.59

 

CMYK 19 / 23 / 0 / 33

HEX #8C85AC

RGB 140 133 172

HSL 250.77, 0.19%, 0.6%

LAB 57.39, 10.9, -19.64

 

CMYK 3 / 3 / 0 / 39

HEX #97969B

RGB 151 150 155

HSL 252, 0.02%, 0.6%

LAB 62.3, 1.34, -2.5

 

CMYK 3 / 0 / 16 / 35

HEX #A1A68B

RGB 161 166 139

HSL 71.11, 0.13%, 0.6%

LAB 67.06, -6.62, 13.4

 

CMYK 51 / 32 / 0 / 20

HEX #648BCD

RGB 100 139 205

HSL 217.71, 0.51%, 0.6%

LAB 57.64, 5.11, -38.23

 

CMYK 51 / 46 / 0 / 20

HEX #646FCD

RGB 100 111 205

HSL 233.71, 0.51%, 0.6%

LAB 50.08, 21.98, -50.19

 

CMYK 42 / 51 / 0 / 20

HEX #7664CD

RGB 118 100 205

HSL 250.29, 0.51%, 0.6%

LAB 48.73, 32.8, -52.27

 

CMYK 29 / 51 / 0 / 20

HEX #9264CD

RGB 146 100 205

HSL 266.29, 0.51%, 0.6%

LAB 51.42, 39.82, -47.82

 

CMYK 16 / 51 / 0 / 20

HEX #AD64CD

RGB 173 100 205

HSL 281.71, 0.51%, 0.6%

LAB 54.46, 47.06, -42.81

 

CMYK 55 / 68 / 0 / 34

HEX #4B36A8

RGB 75 54 168

HSL 251.05, 0.51%, 0.44%

LAB 31.72, 40.09, -58.28

 

CMYK 53 / 64 / 0 / 24

HEX #5C45C2

RGB 92 69 194

HSL 251.04, 0.51%, 0.52%

LAB 38.6, 42.34, -62.39

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 32 / 39 / 0 / 16

HEX #9384D7

RGB 147 132 215

HSL 250.84, 0.51%, 0.68%

LAB 59.54, 24.23, -40.64

 

CMYK 23 / 28 / 0 / 12

HEX #AEA3E1

RGB 174 163 225

HSL 250.65, 0.51%, 0.76%

LAB 69.92, 16.88, -29.86

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 39 / 0 / 51 / 20

HEX #7DCD64

RGB 125 205 100

HSL 105.71, 0.51%, 0.6%

LAB 75.42, -44.08, 44.33

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 0 / 42 / 51 / 20

HEX #CD7664

RGB 205 118 100

HSL 10.29, 0.51%, 0.6%

LAB 58.84, 32.19, 24.72

 

CMYK 51 / 0 / 42 / 20

HEX #64CD76

RGB 100 205 118

HSL 130.29, 0.51%, 0.6%

LAB 74.62, -48.84, 34.2

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 9 / 0 / 51 / 20

HEX #BBCD64

RGB 187 205 100

HSL 70.29, 0.51%, 0.6%

LAB 79.13, -21.41, 49.66

 

CMYK 51 / 0 / 32 / 20

HEX #64CD8B

RGB 100 205 139

HSL 142.29, 0.51%, 0.6%

LAB 74.97, -45.21, 23.79

 

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 0 / 51 / 34 / 20

HEX #CD6487

RGB 205 100 135

HSL 340, 0.51%, 0.6%

LAB 55.93, 45.27, 0.37

 

CMYK 9 / 0 / 51 / 20

HEX #BBCD64

RGB 187 205 100

HSL 70.29, 0.51%, 0.6%

LAB 79.13, -21.41, 49.66

 

CMYK 51 / 0 / 17 / 20

HEX #64CDAA

RGB 100 205 170

HSL 160, 0.51%, 0.6%

LAB 75.62, -38.8, 8.19

 

Description

Color code: HEX #7764CD | qconv.com Color code: HEX #7764CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 100 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 100 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 51 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 51% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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