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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #889B32 it is the complementary color #7764CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #889B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #889B32 shade: #8D9B2D, #9EAD40, #AFBF53, #C0D166 and #D1E379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #889B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #889B32 shade: #889B32, #77891F, #66770C, #556500 and #445300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #889B32 shade: #879A31, #9A9031, #9A7431, #9A5831 and #9A3C31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #889B32 shade: #879A31, #6B9A31, #4F9A31, #339A31 and #319A4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #889B32 shade matches the following richer shades: #879A31, #91AA21, #9CBB10 and #A6CB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #889B32 shade: #879A31, #7C8942, #727952, #676863 and #5D5873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #889B32 shade: #9A7331, #9A8F31, #889A31, #6C9A31 and #519A31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #889B32 shade: #505B1D, #6B7A27, #879A31, #A2B93C and #B3C856

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #889B32 shade: #889B32, #319A58 and #81319A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #889B32 shade: #889B32, #31889A and #9A3188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #889B32 shade: #889B32, #319A58, #43319A and #9A3173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #889B32 shade: #889B32, #319A77, #43319A and #9A3154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 68 / 39

HEX #889B32

RGB 136 155 50

HSL 70.86, 0.51%, 0.4%

LAB 60.7, -21.53, 50.57

 

Complementary color

CMYK 42 / 51 / 0 / 20

HEX #7764CD

RGB 119 100 205

HSL 250.86, 0.51%, 0.6%

LAB 48.81, 33.03, -52.13

 

CMYK 9 / 0 / 71 / 39

HEX #8D9B2D

RGB 141 155 45

HSL 67.64, 0.55%, 0.39%

LAB 61.04, -19.69, 53.03

 

CMYK 9 / 0 / 63 / 32

HEX #9EAD40

RGB 158 173 64

HSL 68.26, 0.46%, 0.46%

LAB 67.67, -20.33, 52.5

 

CMYK 8 / 0 / 57 / 25

HEX #AFBF53

RGB 175 191 83

HSL 68.89, 0.46%, 0.54%

LAB 74.19, -20.82, 51.61

 

CMYK 8 / 0 / 51 / 18

HEX #C0D166

RGB 192 209 102

HSL 69.53, 0.54%, 0.61%

LAB 80.61, -21.21, 50.56

 

CMYK 8 / 0 / 47 / 11

HEX #D1E379

RGB 209 227 121

HSL 70.19, 0.65%, 0.68%

LAB 86.94, -21.51, 49.45

 

CMYK 12 / 0 / 68 / 39

HEX #889B32

RGB 136 155 50

HSL 70.86, 0.51%, 0.4%

LAB 60.7, -21.53, 50.57

 

CMYK 13 / 0 / 77 / 46

HEX #77891F

RGB 119 137 31

HSL 70.19, 0.63%, 0.33%

LAB 53.93, -20.83, 50.72

 

CMYK 14 / 0 / 90 / 53

HEX #66770C

RGB 102 119 12

HSL 69.53, 0.82%, 0.26%

LAB 47.03, -19.87, 49.61

 

CMYK 16 / 0 / 100 / 60

HEX #556500

RGB 85 101 0

HSL 69.5, 1%, 0.2%

LAB 39.98, -18.58, 46.27

 

CMYK 18 / 0 / 100 / 67

HEX #445300

RGB 68 83 0

HSL 70.84, 1%, 0.16%

LAB 32.73, -16.94, 40.24

 

CMYK 12 / 0 / 68 / 40

HEX #879A31

RGB 135 154 49

HSL 70.86, 0.52%, 0.4%

LAB 60.32, -21.51, 50.57

 

CMYK 0 / 6 / 68 / 40

HEX #9A9031

RGB 154 144 49

HSL 54.29, 0.52%, 0.4%

LAB 59.01, -7.93, 49.72

 

CMYK 0 / 25 / 68 / 40

HEX #9A7431

RGB 154 116 49

HSL 38.29, 0.52%, 0.4%

LAB 51.36, 7.67, 41.65

 

CMYK 0 / 43 / 68 / 40

HEX #9A5831

RGB 154 88 49

HSL 22.29, 0.52%, 0.4%

LAB 44.33, 23.68, 33.84

 

CMYK 0 / 61 / 68 / 40

HEX #9A3C31

RGB 154 60 49

HSL 6.29, 0.52%, 0.4%

LAB 38.42, 38.6, 26.89

 

CMYK 12 / 0 / 68 / 40

HEX #879A31

RGB 135 154 49

HSL 70.86, 0.52%, 0.4%

LAB 60.32, -21.51, 50.57

 

CMYK 31 / 0 / 68 / 40

HEX #6B9A31

RGB 107 154 49

HSL 86.86, 0.52%, 0.4%

LAB 58.47, -32.94, 48.07

 

CMYK 49 / 0 / 68 / 40

HEX #4F9A31

RGB 79 154 49

HSL 102.86, 0.52%, 0.4%

LAB 57.07, -42.77, 46.16

 

CMYK 67 / 0 / 68 / 40

HEX #339A31

RGB 51 154 49

HSL 118.86, 0.52%, 0.4%

LAB 56.12, -50.16, 44.87

 

CMYK 68 / 0 / 51 / 40

HEX #319A4C

RGB 49 154 76

HSL 135.43, 0.52%, 0.4%

LAB 56.37, -47.1, 32.26

 

CMYK 12 / 0 / 68 / 40

HEX #879A31

RGB 135 154 49

HSL 70.86, 0.52%, 0.4%

LAB 60.32, -21.51, 50.57

 

CMYK 15 / 0 / 81 / 33

HEX #91AA21

RGB 145 170 33

HSL 70.95, 0.67%, 0.4%

LAB 65.65, -26.03, 61.5

 

CMYK 17 / 0 / 91 / 27

HEX #9CBB10

RGB 156 187 16

HSL 70.88, 0.84%, 0.4%

LAB 71.31, -30.07, 70.2

 

CMYK 18 / 0 / 100 / 20

HEX #A6CB00

RGB 166 203 0

HSL 70.94, 1%, 0.4%

LAB 76.57, -33.65, 76.35

 

CMYK 12 / 0 / 68 / 40

HEX #879A31

RGB 135 154 49

HSL 70.86, 0.52%, 0.4%

LAB 60.32, -21.51, 50.57

 

CMYK 9 / 0 / 52 / 46

HEX #7C8942

RGB 124 137 66

HSL 70.99, 0.35%, 0.4%

LAB 54.63, -16.02, 36.13

 

CMYK 6 / 0 / 32 / 53

HEX #727952

RGB 114 121 82

HSL 70.77, 0.19%, 0.4%

LAB 49.33, -9.59, 20.56

 

CMYK 1 / 0 / 5 / 59

HEX #676863

RGB 103 104 99

HSL 72, 0.02%, 0.4%

LAB 43.78, -1.4, 2.67

 

CMYK 19 / 23 / 0 / 55

HEX #5D5873

RGB 93 88 115

HSL 251.11, 0.13%, 0.4%

LAB 38.8, 8.17, -14.6

 

CMYK 0 / 25 / 68 / 40

HEX #9A7331

RGB 154 115 49

HSL 37.71, 0.52%, 0.4%

LAB 51.1, 8.24, 41.37

 

CMYK 0 / 7 / 68 / 40

HEX #9A8F31

RGB 154 143 49

HSL 53.71, 0.52%, 0.4%

LAB 58.73, -7.39, 49.43

 

CMYK 12 / 0 / 68 / 40

HEX #889A31

RGB 136 154 49

HSL 70.29, 0.52%, 0.4%

LAB 60.4, -21.09, 50.67

 

CMYK 30 / 0 / 68 / 40

HEX #6C9A31

RGB 108 154 49

HSL 86.29, 0.52%, 0.4%

LAB 58.53, -32.55, 48.15

 

CMYK 47 / 0 / 68 / 40

HEX #519A31

RGB 81 154 49

HSL 101.71, 0.52%, 0.4%

LAB 57.16, -42.14, 46.28

 

CMYK 12 / 0 / 68 / 64

HEX #505B1D

RGB 80 91 29

HSL 70.65, 0.52%, 0.24%

LAB 36.51, -14.09, 33.17

 

CMYK 12 / 0 / 68 / 52

HEX #6B7A27

RGB 107 122 39

HSL 70.84, 0.52%, 0.32%

LAB 48.5, -17.86, 41.9

 

CMYK 12 / 0 / 68 / 40

HEX #879A31

RGB 135 154 49

HSL 70.86, 0.52%, 0.4%

LAB 60.32, -21.51, 50.57

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 11 / 0 / 57 / 22

HEX #B3C856

RGB 179 200 86

HSL 71.05, 0.51%, 0.56%

LAB 77.02, -23.39, 53.54

 

CMYK 12 / 0 / 68 / 39

HEX #889B32

RGB 136 155 50

HSL 70.86, 0.51%, 0.4%

LAB 60.7, -21.53, 50.57

 

CMYK 68 / 0 / 43 / 40

HEX #319A58

RGB 49 154 88

HSL 142.29, 0.52%, 0.4%

LAB 56.55, -45.06, 26.14

 

CMYK 16 / 68 / 0 / 40

HEX #81319A

RGB 129 49 154

HSL 285.71, 0.52%, 0.4%

LAB 36.36, 50.29, -42.01

 

CMYK 12 / 0 / 68 / 39

HEX #889B32

RGB 136 155 50

HSL 70.86, 0.51%, 0.4%

LAB 60.7, -21.53, 50.57

 

CMYK 68 / 12 / 0 / 40

HEX #31889A

RGB 49 136 154

HSL 190.29, 0.52%, 0.4%

LAB 52.5, -19.75, -17.19

 

CMYK 0 / 68 / 12 / 40

HEX #9A3188

RGB 154 49 136

HSL 310.29, 0.52%, 0.4%

LAB 39.32, 53.24, -26.09

 

CMYK 12 / 0 / 68 / 39

HEX #889B32

RGB 136 155 50

HSL 70.86, 0.51%, 0.4%

LAB 60.7, -21.53, 50.57

 

CMYK 68 / 0 / 43 / 40

HEX #319A58

RGB 49 154 88

HSL 142.29, 0.52%, 0.4%

LAB 56.55, -45.06, 26.14

 

CMYK 56 / 68 / 0 / 40

HEX #43319A

RGB 67 49 154

HSL 250.29, 0.52%, 0.4%

LAB 28.7, 37.27, -54.77

 

CMYK 0 / 68 / 25 / 40

HEX #9A3173

RGB 154 49 115

HSL 322.29, 0.52%, 0.4%

LAB 38.38, 50.14, -14.53

 

CMYK 12 / 0 / 68 / 39

HEX #889B32

RGB 136 155 50

HSL 70.86, 0.51%, 0.4%

LAB 60.7, -21.53, 50.57

 

CMYK 68 / 0 / 23 / 40

HEX #319A77

RGB 49 154 119

HSL 160, 0.52%, 0.4%

LAB 57.17, -38.43, 9.79

 

CMYK 56 / 68 / 0 / 40

HEX #43319A

RGB 67 49 154

HSL 250.29, 0.52%, 0.4%

LAB 28.7, 37.27, -54.77

 

CMYK 0 / 68 / 45 / 40

HEX #9A3154

RGB 154 49 84

HSL 340, 0.52%, 0.4%

LAB 37.31, 46.43, 3.47

 

Description

Color code: HEX #889B32 | qconv.com Color code: HEX #889B32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 155 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 155 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 68 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 68% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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