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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7789C5 it is the complementary color #88763A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7789C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7789C5 shade: #7C89C0, #8D9BD3, #9EADE6, #AFBFF9 and #C0D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7789C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7789C5 shade: #7789C5, #6677B2, #55659F, #44538C and #334179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7789C5 shade: #7789C4, #7A77C4, #8F77C4, #A477C4 and #B977C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7789C5 shade: #7789C4 and #7777C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7789C5 shade matches the following richer shades: #7789C4, #6780D4, #5778E4 and #486FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7789C5 shade: #7789C4, #8791B5, #969AA5, #A6A295 and #B6AA86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7789C5 shade: #77B2C4, #779EC4, #7789C4, #7977C4 and #8E77C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7789C5 shade: #465BA3, #5A70B8, #7789C4, #94A2D1 and #B1BBDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7789C5 shade: #7789C5, #C277C4 and #A8C477

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7789C5 shade: #7789C5, #C47789 and #89C477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7789C5 shade: #7789C5, #C277C4, #C4B277 and #79C477

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7789C5 shade: #7789C5, #C477B0, #C4B277 and #77C48C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 30 / 0 / 23

HEX #7789C5

RGB 119 137 197

HSL 226.15, 0.4%, 0.62%

LAB 57.89, 8.69, -33.23

 

Complementary color

CMYK 0 / 13 / 57 / 47

HEX #88763A

RGB 136 118 58

HSL 46.15, 0.4%, 0.38%

LAB 50.09, -1, 35.17

 

CMYK 35 / 29 / 0 / 25

HEX #7C89C0

RGB 124 137 192

HSL 228.53, 0.35%, 0.62%

LAB 58.02, 8.7, -30.17

 

CMYK 33 / 27 / 0 / 17

HEX #8D9BD3

RGB 141 155 211

HSL 228, 0.44%, 0.69%

LAB 64.81, 8.22, -30.22

 

CMYK 31 / 25 / 0 / 10

HEX #9EADE6

RGB 158 173 230

HSL 227.5, 0.59%, 0.76%

LAB 71.47, 7.8, -30.31

 

CMYK 30 / 23 / 0 / 2

HEX #AFBFF9

RGB 175 191 249

HSL 227.03, 0.86%, 0.83%

LAB 78, 7.42, -30.42

 

CMYK 25 / 18 / 0 / 0

HEX #C0D1FF

RGB 192 209 255

HSL 223.81, 1%, 0.88%

LAB 83.98, 4.05, -24.37

 

CMYK 40 / 30 / 0 / 23

HEX #7789C5

RGB 119 137 197

HSL 226.15, 0.4%, 0.62%

LAB 57.89, 8.69, -33.23

 

CMYK 43 / 33 / 0 / 30

HEX #6677B2

RGB 102 119 178

HSL 226.58, 0.33%, 0.55%

LAB 50.96, 9.34, -33.28

 

CMYK 47 / 36 / 0 / 38

HEX #55659F

RGB 85 101 159

HSL 227.03, 0.3%, 0.48%

LAB 43.86, 10.11, -33.38

 

CMYK 51 / 41 / 0 / 45

HEX #44538C

RGB 68 83 140

HSL 227.5, 0.35%, 0.41%

LAB 36.57, 11.08, -33.55

 

CMYK 58 / 46 / 0 / 53

HEX #334179

RGB 51 65 121

HSL 228, 0.41%, 0.34%

LAB 29.07, 12.35, -33.8

 

CMYK 39 / 30 / 0 / 23

HEX #7789C4

RGB 119 137 196

HSL 225.97, 0.39%, 0.62%

LAB 57.85, 8.41, -32.74

 

CMYK 38 / 39 / 0 / 23

HEX #7A77C4

RGB 122 119 196

HSL 242.34, 0.39%, 0.62%

LAB 53.29, 19.9, -39.85

 

CMYK 27 / 39 / 0 / 23

HEX #8F77C4

RGB 143 119 196

HSL 258.7, 0.39%, 0.62%

LAB 55.09, 25.82, -36.9

 

CMYK 16 / 39 / 0 / 23

HEX #A477C4

RGB 164 119 196

HSL 275.06, 0.39%, 0.62%

LAB 57.15, 32.08, -33.54

 

CMYK 6 / 39 / 0 / 23

HEX #B977C4

RGB 185 119 196

HSL 291.43, 0.39%, 0.62%

LAB 59.43, 38.53, -29.81

 

CMYK 39 / 30 / 0 / 23

HEX #7789C4

RGB 119 137 196

HSL 225.97, 0.39%, 0.62%

LAB 57.85, 8.41, -32.74

 

CMYK 39 / 39 / 0 / 23

HEX #7777C4

RGB 119 119 196

HSL 240, 0.39%, 0.62%

LAB 53.06, 19.09, -40.23

 

CMYK 39 / 30 / 0 / 23

HEX #7789C4

RGB 119 137 196

HSL 225.97, 0.39%, 0.62%

LAB 57.85, 8.41, -32.74

 

CMYK 51 / 40 / 0 / 17

HEX #6780D4

RGB 103 128 212

HSL 226.24, 0.56%, 0.62%

LAB 55.15, 14.52, -46.09

 

CMYK 62 / 47 / 0 / 11

HEX #5778E4

RGB 87 120 228

HSL 225.96, 0.72%, 0.62%

LAB 53.02, 21.38, -58.55

 

CMYK 70 / 54 / 0 / 5

HEX #486FF3

RGB 72 111 243

HSL 226.32, 0.88%, 0.62%

LAB 50.94, 29.82, -70.32

 

CMYK 39 / 30 / 0 / 23

HEX #7789C4

RGB 119 137 196

HSL 225.97, 0.39%, 0.62%

LAB 57.85, 8.41, -32.74

 

CMYK 25 / 20 / 0 / 29

HEX #8791B5

RGB 135 145 181

HSL 226.96, 0.24%, 0.62%

LAB 60.55, 4.54, -19.98

 

CMYK 9 / 7 / 0 / 35

HEX #969AA5

RGB 150 154 165

HSL 224, 0.08%, 0.62%

LAB 63.6, 0.79, -6.24

 

CMYK 0 / 2 / 10 / 35

HEX #A6A295

RGB 166 162 149

HSL 45.88, 0.09%, 0.62%

LAB 66.61, -0.89, 7.27

 

CMYK 0 / 7 / 26 / 29

HEX #B6AA86

RGB 182 170 134

HSL 45, 0.25%, 0.62%

LAB 69.76, -1.43, 20.15

 

CMYK 39 / 9 / 0 / 23

HEX #77B2C4

RGB 119 178 196

HSL 194.03, 0.39%, 0.62%

LAB 69.29, -14.47, -15.2

 

CMYK 39 / 19 / 0 / 23

HEX #779EC4

RGB 119 158 196

HSL 209.61, 0.39%, 0.62%

LAB 63.64, -3.61, -23.78

 

CMYK 39 / 30 / 0 / 23

HEX #7789C4

RGB 119 137 196

HSL 225.97, 0.39%, 0.62%

LAB 57.85, 8.41, -32.74

 

CMYK 38 / 39 / 0 / 23

HEX #7977C4

RGB 121 119 196

HSL 241.56, 0.39%, 0.62%

LAB 53.22, 19.63, -39.98

 

CMYK 28 / 39 / 0 / 23

HEX #8E77C4

RGB 142 119 196

HSL 257.92, 0.39%, 0.62%

LAB 55, 25.53, -37.05

 

CMYK 57 / 44 / 0 / 36

HEX #465BA3

RGB 70 91 163

HSL 226.45, 0.4%, 0.46%

LAB 40.29, 14.16, -41.47

 

CMYK 51 / 39 / 0 / 28

HEX #5A70B8

RGB 90 112 184

HSL 225.96, 0.4%, 0.54%

LAB 48.54, 12.42, -40.61

 

CMYK 39 / 30 / 0 / 23

HEX #7789C4

RGB 119 137 196

HSL 225.97, 0.39%, 0.62%

LAB 57.85, 8.41, -32.74

 

CMYK 29 / 22 / 0 / 18

HEX #94A2D1

RGB 148 162 209

HSL 226.23, 0.4%, 0.7%

LAB 67.08, 5.79, -25.57

 

CMYK 20 / 15 / 0 / 13

HEX #B1BBDD

RGB 177 187 221

HSL 226.36, 0.39%, 0.78%

LAB 76.14, 3.65, -18.17

 

CMYK 40 / 30 / 0 / 23

HEX #7789C5

RGB 119 137 197

HSL 226.15, 0.4%, 0.62%

LAB 57.89, 8.69, -33.23

 

CMYK 1 / 39 / 0 / 23

HEX #C277C4

RGB 194 119 196

HSL 298.44, 0.39%, 0.62%

LAB 60.47, 41.32, -28.12

 

CMYK 14 / 0 / 39 / 23

HEX #A8C477

RGB 168 196 119

HSL 81.82, 0.39%, 0.62%

LAB 75.54, -22.32, 35.57

 

CMYK 40 / 30 / 0 / 23

HEX #7789C5

RGB 119 137 197

HSL 226.15, 0.4%, 0.62%

LAB 57.89, 8.69, -33.23

 

CMYK 0 / 39 / 30 / 23

HEX #C47789

RGB 196 119 137

HSL 345.97, 0.39%, 0.62%

LAB 58.73, 32.4, 3.13

 

CMYK 30 / 0 / 39 / 23

HEX #89C477

RGB 137 196 119

HSL 105.97, 0.39%, 0.62%

LAB 73.63, -33.55, 32.73

 

CMYK 40 / 30 / 0 / 23

HEX #7789C5

RGB 119 137 197

HSL 226.15, 0.4%, 0.62%

LAB 57.89, 8.69, -33.23

 

CMYK 1 / 39 / 0 / 23

HEX #C277C4

RGB 194 119 196

HSL 298.44, 0.39%, 0.62%

LAB 60.47, 41.32, -28.12

 

CMYK 0 / 9 / 39 / 23

HEX #C4B277

RGB 196 178 119

HSL 45.97, 0.39%, 0.62%

LAB 72.83, -2.01, 32.5

 

CMYK 38 / 0 / 39 / 23

HEX #79C477

RGB 121 196 119

HSL 118.44, 0.39%, 0.62%

LAB 72.81, -38.8, 31.5

 

CMYK 40 / 30 / 0 / 23

HEX #7789C5

RGB 119 137 197

HSL 226.15, 0.4%, 0.62%

LAB 57.89, 8.69, -33.23

 

CMYK 0 / 39 / 10 / 23

HEX #C477B0

RGB 196 119 176

HSL 315.58, 0.39%, 0.62%

LAB 59.95, 38.38, -17.51

 

CMYK 0 / 9 / 39 / 23

HEX #C4B277

RGB 196 178 119

HSL 45.97, 0.39%, 0.62%

LAB 72.83, -2.01, 32.5

 

CMYK 39 / 0 / 29 / 23

HEX #77C48C

RGB 119 196 140

HSL 136.36, 0.39%, 0.62%

LAB 73.09, -35.86, 20.81

 

Description

Color code: HEX #7789C5 | qconv.com Color code: HEX #7789C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 137 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 137 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 30 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 30% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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