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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #788291 it is the complementary color #877D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #788291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #788291 shade: #7D828C, #8E949F, #9FA6B2, #B0B8C5 and #C1CAD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #788291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #788291 shade: #788291, #67707E, #565E6B, #454C58 and #343A45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #788291 shade: #788290, #787B90, #7B7890, #827890 and #887890

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #788291 shade: #788290, #787B90 and #787890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #788291 shade matches the following richer shades: #788290, #647EA4, #507AB8, #3C76CC and #2972E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #788291 shade: #788290, #8C867D, #9F8A69, #B38E55 and #C79141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #788291 shade: #788F90, #788890, #788290, #787B90 and #7B7890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #788291 shade: #525964, #646D7B, #788290, #8F97A3 and #A5ACB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #788291 shade: #788291, #8B7890 and #8B9078

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #788291 shade: #788291, #907882 and #829078

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #788291 shade: #788291, #8B7890, #908778 and #7D9078

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #788291 shade: #788291, #90788E, #908778 and #78907A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

Complementary color

CMYK 0 / 7 / 19 / 47

HEX #877D6E

RGB 135 125 110

HSL 36, 0.1%, 0.48%

LAB 52.89, 1.15, 9.55

 

CMYK 11 / 7 / 0 / 45

HEX #7D828C

RGB 125 130 140

HSL 220, 0.06%, 0.52%

LAB 54.26, 0.27, -6.02

 

CMYK 11 / 7 / 0 / 38

HEX #8E949F

RGB 142 148 159

HSL 218.82, 0.08%, 0.59%

LAB 61.16, 0.11, -6.53

 

CMYK 11 / 7 / 0 / 30

HEX #9FA6B2

RGB 159 166 178

HSL 217.89, 0.11%, 0.66%

LAB 67.92, -0.04, -7.04

 

CMYK 11 / 7 / 0 / 23

HEX #B0B8C5

RGB 176 184 197

HSL 217.14, 0.15%, 0.73%

LAB 74.54, -0.19, -7.53

 

CMYK 11 / 6 / 0 / 15

HEX #C1CAD8

RGB 193 202 216

HSL 216.52, 0.23%, 0.8%

LAB 81.04, -0.32, -8.01

 

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

CMYK 18 / 11 / 0 / 51

HEX #67707E

RGB 103 112 126

HSL 216.52, 0.1%, 0.45%

LAB 46.95, -0.2, -8.87

 

CMYK 20 / 12 / 0 / 58

HEX #565E6B

RGB 86 94 107

HSL 217.14, 0.11%, 0.38%

LAB 39.66, -0.03, -8.44

 

CMYK 22 / 14 / 0 / 65

HEX #454C58

RGB 69 76 88

HSL 217.89, 0.12%, 0.31%

LAB 32.12, 0.15, -8.02

 

CMYK 25 / 16 / 0 / 73

HEX #343A45

RGB 52 58 69

HSL 218.82, 0.14%, 0.24%

LAB 24.28, 0.36, -7.61

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 15 / 17 / 0 / 44

HEX #7B7890

RGB 123 120 144

HSL 247.5, 0.1%, 0.52%

LAB 51.45, 6.27, -12.58

 

CMYK 10 / 17 / 0 / 44

HEX #827890

RGB 130 120 144

HSL 265, 0.1%, 0.52%

LAB 52.05, 8.73, -11.61

 

CMYK 6 / 17 / 0 / 44

HEX #887890

RGB 136 120 144

HSL 280, 0.1%, 0.52%

LAB 52.6, 10.86, -10.74

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 17 / 17 / 0 / 44

HEX #787890

RGB 120 120 144

HSL 240, 0.1%, 0.52%

LAB 51.2, 5.23, -12.98

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 39 / 23 / 0 / 36

HEX #647EA4

RGB 100 126 164

HSL 215.63, 0.26%, 0.52%

LAB 52.19, 0.57, -23.27

 

CMYK 57 / 34 / 0 / 28

HEX #507AB8

RGB 80 122 184

HSL 215.77, 0.42%, 0.52%

LAB 50.79, 4.07, -37.1

 

CMYK 71 / 42 / 0 / 20

HEX #3C76CC

RGB 60 118 204

HSL 215.83, 0.59%, 0.52%

LAB 49.83, 9.83, -50.14

 

CMYK 82 / 49 / 0 / 12

HEX #2972E0

RGB 41 114 224

HSL 216.07, 0.75%, 0.52%

LAB 49.36, 17.57, -62.28

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 0 / 4 / 11 / 45

HEX #8C867D

RGB 140 134 125

HSL 36, 0.06%, 0.52%

LAB 56.19, 0.59, 5.64

 

CMYK 0 / 13 / 34 / 38

HEX #9F8A69

RGB 159 138 105

HSL 36.67, 0.22%, 0.52%

LAB 58.57, 2.88, 20.61

 

CMYK 0 / 21 / 53 / 30

HEX #B38E55

RGB 179 142 85

HSL 36.38, 0.38%, 0.52%

LAB 61.29, 6.9, 35.47

 

CMYK 0 / 27 / 67 / 22

HEX #C79141

RGB 199 145 65

HSL 35.82, 0.54%, 0.52%

LAB 63.98, 12.39, 49.18

 

CMYK 17 / 1 / 0 / 44

HEX #788F90

RGB 120 143 144

HSL 182.5, 0.1%, 0.52%

LAB 57.7, -7.92, -3.27

 

CMYK 17 / 6 / 0 / 44

HEX #788890

RGB 120 136 144

HSL 200, 0.1%, 0.52%

LAB 55.7, -4.01, -6.24

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 15 / 17 / 0 / 44

HEX #7B7890

RGB 123 120 144

HSL 247.5, 0.1%, 0.52%

LAB 51.45, 6.27, -12.58

 

CMYK 18 / 11 / 0 / 61

HEX #525964

RGB 82 89 100

HSL 216.67, 0.1%, 0.36%

LAB 37.59, -0.15, -7.25

 

CMYK 19 / 11 / 0 / 52

HEX #646D7B

RGB 100 109 123

HSL 216.52, 0.1%, 0.44%

LAB 45.74, -0.19, -8.91

 

CMYK 17 / 10 / 0 / 44

HEX #788290

RGB 120 130 144

HSL 215, 0.1%, 0.52%

LAB 54, -0.59, -8.78

 

CMYK 12 / 7 / 0 / 36

HEX #8F97A3

RGB 143 151 163

HSL 216, 0.1%, 0.6%

LAB 62.18, -0.37, -7.28

 

CMYK 9 / 5 / 0 / 29

HEX #A5ACB5

RGB 165 172 181

HSL 213.75, 0.1%, 0.68%

LAB 70.06, -0.66, -5.46

 

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

CMYK 3 / 17 / 0 / 44

HEX #8B7890

RGB 139 120 144

HSL 287.5, 0.1%, 0.52%

LAB 52.88, 11.94, -10.29

 

CMYK 3 / 0 / 17 / 44

HEX #8B9078

RGB 139 144 120

HSL 72.5, 0.1%, 0.52%

LAB 58.78, -6.25, 12.15

 

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

CMYK 0 / 17 / 10 / 44

HEX #907882

RGB 144 120 130

HSL 335, 0.1%, 0.52%

LAB 52.92, 11.07, -1.98

 

CMYK 10 / 0 / 17 / 44

HEX #829078

RGB 130 144 120

HSL 95, 0.1%, 0.52%

LAB 58.08, -9.7, 11.07

 

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

CMYK 3 / 17 / 0 / 44

HEX #8B7890

RGB 139 120 144

HSL 287.5, 0.1%, 0.52%

LAB 52.88, 11.94, -10.29

 

CMYK 0 / 6 / 17 / 44

HEX #908778

RGB 144 135 120

HSL 37.5, 0.1%, 0.52%

LAB 56.7, 0.72, 9.28

 

CMYK 13 / 0 / 17 / 44

HEX #7D9078

RGB 125 144 120

HSL 107.5, 0.1%, 0.52%

LAB 57.72, -11.58, 10.5

 

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

CMYK 0 / 17 / 1 / 44

HEX #90788E

RGB 144 120 142

HSL 305, 0.1%, 0.52%

LAB 53.29, 13.36, -8.45

 

CMYK 0 / 6 / 17 / 44

HEX #908778

RGB 144 135 120

HSL 37.5, 0.1%, 0.52%

LAB 56.7, 0.72, 9.28

 

CMYK 17 / 0 / 15 / 44

HEX #78907A

RGB 120 144 122

HSL 125, 0.1%, 0.52%

LAB 57.41, -13.04, 8.88

 

Description

Color code: HEX #788291 | qconv.com Color code: HEX #788291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 130 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 130 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 10 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 10% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Home - Wintershall H...
Link: http://www.wintershall.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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