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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78C940 it is the complementary color #8736BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78C940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78C940 shade: #7DC93B, #8EDB4E, #9FED61, #B0FF74 and #C1FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78C940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78C940 shade: #78C940, #67B72D, #56A51A, #459307 and #348100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78C940 shade: #78C940, #9DC940, #C2C940, #C9AB40 and #C98640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78C940 shade: #78C940, #53C940, #40C951, #40C976 and #40C99B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78C940 shade matches the following richer shades: #78C940, #74DC2C and #70F018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78C940 shade: #78C940, #7BB553, #7FA167, #828D7B and #86798F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78C940 shade: #C2C940, #9DC940, #79C940, #54C940 and #40C950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78C940 shade: #528E28, #64AE31, #78C940, #8ED260 and #A5DB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78C940 shade: #78C940, #40C9AB and #C940B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78C940 shade: #78C940, #4079C9 and #C94079

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78C940 shade: #78C940, #40C9AB, #9040C9 and #C9405D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78C940 shade: #78C940, #40BDC9, #9040C9 and #C94B40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

Complementary color

CMYK 29 / 72 / 0 / 25

HEX #8736BF

RGB 135 54 191

HSL 275.47, 0.56%, 0.48%

LAB 40.49, 57.39, -57.34

 

CMYK 38 / 0 / 71 / 21

HEX #7DC93B

RGB 125 201 59

HSL 92.11, 0.57%, 0.51%

LAB 73.84, -46.29, 60.31

 

CMYK 35 / 0 / 64 / 14

HEX #8EDB4E

RGB 142 219 78

HSL 92.77, 0.66%, 0.58%

LAB 80.16, -46.58, 59.8

 

CMYK 33 / 0 / 59 / 7

HEX #9FED61

RGB 159 237 97

HSL 93.43, 0.8%, 0.65%

LAB 86.41, -46.75, 58.98

 

CMYK 31 / 0 / 55 / 0

HEX #B0FF74

RGB 176 255 116

HSL 94.1, 1%, 0.73%

LAB 92.58, -46.82, 58

 

CMYK 24 / 0 / 47 / 0

HEX #C1FF87

RGB 193 255 135

HSL 91, 1%, 0.76%

LAB 93.71, -38.98, 50.89

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 44 / 0 / 75 / 28

HEX #67B72D

RGB 103 183 45

HSL 94.78, 0.61%, 0.45%

LAB 67.23, -47.18, 58.36

 

CMYK 48 / 0 / 84 / 35

HEX #56A51A

RGB 86 165 26

HSL 94.1, 0.73%, 0.37%

LAB 60.75, -46.48, 57.74

 

CMYK 53 / 0 / 95 / 42

HEX #459307

RGB 69 147 7

HSL 93.43, 0.91%, 0.3%

LAB 54.18, -45.39, 55.68

 

CMYK 60 / 0 / 100 / 49

HEX #348100

RGB 52 129 0

HSL 95.81, 1%, 0.25%

LAB 47.53, -43.73, 51.34

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 22 / 0 / 68 / 21

HEX #9DC940

RGB 157 201 64

HSL 79.27, 0.56%, 0.52%

LAB 75.64, -34.21, 60.84

 

CMYK 3 / 0 / 68 / 21

HEX #C2C940

RGB 194 201 64

HSL 63.07, 0.56%, 0.52%

LAB 78.24, -19.22, 64.31

 

CMYK 0 / 15 / 68 / 21

HEX #C9AB40

RGB 201 171 64

HSL 46.86, 0.56%, 0.52%

LAB 70.81, -0.82, 56.94

 

CMYK 0 / 33 / 68 / 21

HEX #C98640

RGB 201 134 64

HSL 30.66, 0.56%, 0.52%

LAB 61.51, 19.21, 47.04

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 59 / 0 / 68 / 21

HEX #53C940

RGB 83 201 64

HSL 111.68, 0.56%, 0.52%

LAB 72.22, -58.27, 56.2

 

CMYK 68 / 0 / 60 / 21

HEX #40C951

RGB 64 201 81

HSL 127.45, 0.56%, 0.52%

LAB 71.86, -60.58, 48.47

 

CMYK 68 / 0 / 41 / 21

HEX #40C976

RGB 64 201 118

HSL 143.65, 0.56%, 0.52%

LAB 72.34, -55.09, 31.03

 

CMYK 68 / 0 / 23 / 21

HEX #40C99B

RGB 64 201 155

HSL 159.85, 0.56%, 0.52%

LAB 73.04, -47.52, 12.44

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 47 / 0 / 80 / 14

HEX #74DC2C

RGB 116 220 44

HSL 95.45, 0.72%, 0.52%

LAB 79.09, -57.55, 70.06

 

CMYK 53 / 0 / 90 / 6

HEX #70F018

RGB 112 240 24

HSL 95.56, 0.88%, 0.52%

LAB 84.91, -66.59, 79.26

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 32 / 0 / 54 / 29

HEX #7BB553

RGB 123 181 83

HSL 95.51, 0.4%, 0.52%

LAB 67.93, -36.16, 43.5

 

CMYK 21 / 0 / 36 / 37

HEX #7FA167

RGB 127 161 103

HSL 95.17, 0.24%, 0.52%

LAB 62.49, -22.54, 26.49

 

CMYK 8 / 0 / 13 / 45

HEX #828D7B

RGB 130 141 123

HSL 96.67, 0.07%, 0.52%

LAB 57.29, -7.51, 8.25

 

CMYK 6 / 15 / 0 / 44

HEX #86798F

RGB 134 121 143

HSL 275.45, 0.09%, 0.52%

LAB 52.65, 9.35, -10.09

 

CMYK 3 / 0 / 68 / 21

HEX #C2C940

RGB 194 201 64

HSL 63.07, 0.56%, 0.52%

LAB 78.24, -19.22, 64.31

 

CMYK 22 / 0 / 68 / 21

HEX #9DC940

RGB 157 201 64

HSL 79.27, 0.56%, 0.52%

LAB 75.64, -34.21, 60.84

 

CMYK 40 / 0 / 68 / 21

HEX #79C940

RGB 121 201 64

HSL 95.04, 0.56%, 0.52%

LAB 73.68, -47.27, 58.19

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 0 / 60 / 21

HEX #40C950

RGB 64 201 80

HSL 127.01, 0.56%, 0.52%

LAB 71.85, -60.69, 48.9

 

CMYK 42 / 0 / 72 / 44

HEX #528E28

RGB 82 142 40

HSL 95.29, 0.56%, 0.36%

LAB 53.27, -37.47, 45.93

 

CMYK 43 / 0 / 72 / 32

HEX #64AE31

RGB 100 174 49

HSL 95.52, 0.56%, 0.44%

LAB 64.33, -44.22, 54

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 32 / 0 / 54 / 18

HEX #8ED260

RGB 142 210 96

HSL 95.79, 0.56%, 0.6%

LAB 77.69, -41.03, 49.15

 

CMYK 25 / 0 / 42 / 14

HEX #A5DB80

RGB 165 219 128

HSL 95.6, 0.56%, 0.68%

LAB 81.96, -33.27, 39.2

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 68 / 0 / 15 / 21

HEX #40C9AB

RGB 64 201 171

HSL 166.86, 0.56%, 0.52%

LAB 73.42, -43.66, 4.35

 

CMYK 0 / 68 / 12 / 21

HEX #C940B0

RGB 201 64 176

HSL 310.95, 0.56%, 0.52%

LAB 50.94, 65.54, -31.32

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 68 / 40 / 0 / 21

HEX #4079C9

RGB 64 121 201

HSL 215.04, 0.56%, 0.52%

LAB 50.67, 7.51, -47.09

 

CMYK 0 / 68 / 40 / 21

HEX #C94079

RGB 201 64 121

HSL 335.04, 0.56%, 0.52%

LAB 48.84, 58.56, -1.73

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 68 / 0 / 15 / 21

HEX #40C9AB

RGB 64 201 171

HSL 166.86, 0.56%, 0.52%

LAB 73.42, -43.66, 4.35

 

CMYK 28 / 68 / 0 / 21

HEX #9040C9

RGB 144 64 201

HSL 275.04, 0.56%, 0.52%

LAB 43.96, 57.03, -57.49

 

CMYK 0 / 68 / 54 / 21

HEX #C9405D

RGB 201 64 93

HSL 347.3, 0.56%, 0.52%

LAB 48.1, 55.98, 14.25

 

CMYK 40 / 0 / 68 / 21

HEX #78C940

RGB 120 201 64

HSL 95.47, 0.56%, 0.52%

LAB 73.63, -47.6, 58.13

 

CMYK 68 / 6 / 0 / 21

HEX #40BDC9

RGB 64 189 201

HSL 185.26, 0.56%, 0.52%

LAB 70.67, -29.92, -16.06

 

CMYK 28 / 68 / 0 / 21

HEX #9040C9

RGB 144 64 201

HSL 275.04, 0.56%, 0.52%

LAB 43.96, 57.03, -57.49

 

CMYK 0 / 63 / 68 / 21

HEX #C94B40

RGB 201 75 64

HSL 4.82, 0.56%, 0.52%

LAB 49.28, 49.45, 33.04

 

Description

Color code: HEX #78C940 | qconv.com Color code: HEX #78C940 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 201 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 201 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 68 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 68% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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