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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79357C it is the complementary color #86CA83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79357C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79357C shade: #7E3577, #8F478A, #A0599D, #B16BB0 and #C27DC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79357C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79357C shade: #79357C, #682369, #571156, #460043 and #350030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79357C shade: #79357C, #7C356C, #7C3559, #7C3546 and #7C3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79357C shade: #79357C, #66357C, #53357C, #40357C and #35357C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79357C shade matches the following richer shades: #79357C, #87278B, #941899 and #A10AA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79357C shade: #79357C, #6C436E, #5F5260, #526051 and #456F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79357C shade: #53357C, #66357C, #79357C, #7C356D and #7C355A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79357C shade: #411C43, #5D2960, #79357C, #964199 and #B050B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79357C shade: #79357C, #7C4035 and #357C5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79357C shade: #79357C, #7C7935 and #357C79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79357C shade: #79357C, #7C4035, #397C35 and #35727C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79357C shade: #79357C, #7C5535, #397C35 and #355C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

Complementary color

CMYK 34 / 0 / 35 / 21

HEX #86CA83

RGB 134 202 131

HSL 117.46, 0.4%, 0.65%

LAB 75.42, -35.5, 28.83

 

CMYK 0 / 58 / 6 / 51

HEX #7E3577

RGB 126 53 119

HSL 305.75, 0.41%, 0.35%

LAB 34.63, 40.75, -23.21

 

CMYK 0 / 50 / 3 / 44

HEX #8F478A

RGB 143 71 138

HSL 304.17, 0.34%, 0.42%

LAB 41.5, 40.17, -24.04

 

CMYK 0 / 44 / 2 / 37

HEX #A0599D

RGB 160 89 157

HSL 302.54, 0.29%, 0.49%

LAB 48.33, 39.44, -24.67

 

CMYK 0 / 40 / 1 / 31

HEX #B16BB0

RGB 177 107 176

HSL 300.86, 0.31%, 0.56%

LAB 55.07, 38.67, -25.18

 

CMYK 1 / 36 / 0 / 24

HEX #C27DC3

RGB 194 125 195

HSL 299.14, 0.37%, 0.63%

LAB 61.72, 37.91, -25.62

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 1 / 67 / 0 / 59

HEX #682369

RGB 104 35 105

HSL 299.14, 0.5%, 0.27%

LAB 27.2, 40.5, -26.21

 

CMYK 0 / 80 / 1 / 66

HEX #571156

RGB 87 17 86

HSL 300.86, 0.67%, 0.2%

LAB 20.44, 39.92, -24.61

 

CMYK 0 / 100 / 4 / 73

HEX #460043

RGB 70 0 67

HSL 302.57, 1%, 0.14%

LAB 13.87, 38.21, -22.22

 

CMYK 0 / 100 / 9 / 79

HEX #350030

RGB 53 0 48

HSL 305.66, 1%, 0.1%

LAB 8.74, 31.43, -16.92

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 0 / 57 / 13 / 51

HEX #7C356C

RGB 124 53 108

HSL 313.52, 0.4%, 0.35%

LAB 33.8, 38.18, -17.58

 

CMYK 0 / 57 / 28 / 51

HEX #7C3559

RGB 124 53 89

HSL 329.58, 0.4%, 0.35%

LAB 33.03, 35.15, -6.61

 

CMYK 0 / 57 / 44 / 51

HEX #7C3546

RGB 124 53 70

HSL 345.63, 0.4%, 0.35%

LAB 32.42, 32.64, 4.78

 

CMYK 0 / 57 / 57 / 51

HEX #7C3535

RGB 124 53 53

HSL 0, 0.4%, 0.35%

LAB 32.01, 30.89, 15.21

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 18 / 57 / 0 / 51

HEX #66357C

RGB 102 53 124

HSL 281.41, 0.4%, 0.35%

LAB 31.41, 34.73, -31.65

 

CMYK 33 / 57 / 0 / 51

HEX #53357C

RGB 83 53 124

HSL 265.35, 0.4%, 0.35%

LAB 29.01, 29.41, -35.62

 

CMYK 48 / 57 / 0 / 51

HEX #40357C

RGB 64 53 124

HSL 249.3, 0.4%, 0.35%

LAB 26.99, 24.52, -38.96

 

CMYK 57 / 57 / 0 / 51

HEX #35357C

RGB 53 53 124

HSL 240, 0.4%, 0.35%

LAB 26.03, 22.01, -40.55

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 3 / 72 / 0 / 45

HEX #87278B

RGB 135 39 139

HSL 297.6, 0.56%, 0.35%

LAB 34.94, 52.9, -35.06

 

CMYK 3 / 84 / 0 / 40

HEX #941899

RGB 148 24 153

HSL 297.67, 0.73%, 0.35%

LAB 36.46, 62.54, -41.07

 

CMYK 4 / 94 / 0 / 34

HEX #A10AA8

RGB 161 10 168

HSL 297.34, 0.89%, 0.35%

LAB 38.94, 69.62, -46.03

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 2 / 39 / 0 / 57

HEX #6C436E

RGB 108 67 110

HSL 297.21, 0.24%, 0.35%

LAB 34.66, 25.36, -17.71

 

CMYK 1 / 15 / 0 / 62

HEX #5F5260

RGB 95 82 96

HSL 295.71, 0.08%, 0.35%

LAB 36.58, 8.21, -6.15

 

CMYK 15 / 0 / 16 / 62

HEX #526051

RGB 82 96 81

HSL 116, 0.08%, 0.35%

LAB 39.16, -8.63, 6.78

 

CMYK 38 / 0 / 40 / 56

HEX #456F43

RGB 69 111 67

HSL 117.27, 0.25%, 0.35%

LAB 42.82, -24.37, 20

 

CMYK 33 / 57 / 0 / 51

HEX #53357C

RGB 83 53 124

HSL 265.35, 0.4%, 0.35%

LAB 29.01, 29.41, -35.62

 

CMYK 18 / 57 / 0 / 51

HEX #66357C

RGB 102 53 124

HSL 281.41, 0.4%, 0.35%

LAB 31.41, 34.73, -31.65

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 0 / 57 / 12 / 51

HEX #7C356D

RGB 124 53 109

HSL 312.68, 0.4%, 0.35%

LAB 33.85, 38.36, -18.14

 

CMYK 0 / 57 / 27 / 51

HEX #7C355A

RGB 124 53 90

HSL 328.73, 0.4%, 0.35%

LAB 33.07, 35.29, -7.2

 

CMYK 3 / 58 / 0 / 74

HEX #411C43

RGB 65 28 67

HSL 296.92, 0.41%, 0.19%

LAB 17.27, 24.63, -16.9

 

CMYK 3 / 57 / 0 / 62

HEX #5D2960

RGB 93 41 96

HSL 296.73, 0.4%, 0.27%

LAB 26.03, 32.5, -22.32

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 2 / 58 / 0 / 40

HEX #964199

RGB 150 65 153

HSL 297.95, 0.4%, 0.43%

LAB 42.1, 48.04, -32.1

 

CMYK 2 / 56 / 0 / 29

HEX #B050B4

RGB 176 80 180

HSL 297.6, 0.4%, 0.51%

LAB 49.81, 52.97, -35.7

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 0 / 48 / 57 / 51

HEX #7C4035

RGB 124 64 53

HSL 9.3, 0.4%, 0.35%

LAB 34.41, 24.79, 18.37

 

CMYK 57 / 0 / 26 / 51

HEX #357C5C

RGB 53 124 92

HSL 152.96, 0.4%, 0.35%

LAB 46.9, -30.4, 10.88

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 0 / 2 / 57 / 51

HEX #7C7935

RGB 124 121 53

HSL 57.46, 0.4%, 0.35%

LAB 49.76, -8.56, 37.05

 

CMYK 57 / 0 / 2 / 51

HEX #357C79

RGB 53 124 121

HSL 177.46, 0.4%, 0.35%

LAB 47.69, -22.82, -5.09

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 0 / 48 / 57 / 51

HEX #7C4035

RGB 124 64 53

HSL 9.3, 0.4%, 0.35%

LAB 34.41, 24.79, 18.37

 

CMYK 54 / 0 / 57 / 51

HEX #397C35

RGB 57 124 53

HSL 116.62, 0.4%, 0.35%

LAB 46.37, -36.48, 32

 

CMYK 57 / 8 / 0 / 51

HEX #35727C

RGB 53 114 124

HSL 188.45, 0.4%, 0.35%

LAB 44.58, -16.57, -11.52

 

CMYK 2 / 57 / 0 / 51

HEX #79357C

RGB 121 53 124

HSL 297.46, 0.4%, 0.35%

LAB 34.12, 40.23, -27.18

 

CMYK 0 / 31 / 57 / 51

HEX #7C5535

RGB 124 85 53

HSL 27.04, 0.4%, 0.35%

LAB 39.65, 12.39, 25.02

 

CMYK 54 / 0 / 57 / 51

HEX #397C35

RGB 57 124 53

HSL 116.62, 0.4%, 0.35%

LAB 46.37, -36.48, 32

 

CMYK 57 / 26 / 0 / 51

HEX #355C7C

RGB 53 92 124

HSL 207.04, 0.4%, 0.35%

LAB 37.6, -3.71, -22.22

 

Description

Color code: HEX #79357C | qconv.com Color code: HEX #79357C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 53 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 53 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 57 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 57% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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