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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 107 176 it is the complementary color RGB 78 148 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 107 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 107 176 shade: RGB 182 107 171, RGB 199 125 190, RGB 216 143 209, RGB 233 161 228 and RGB 250 179 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 107 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 107 176 shade: RGB 177 107 176, RGB 160 89 157, RGB 143 71 138, RGB 126 53 119 and RGB 109 35 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 107 176 shade: RGB 177 108 176, RGB 177 108 157, RGB 177 108 139, RGB 177 108 120 and RGB 177 108 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 107 176 shade: RGB 177 108 176, RGB 159 108 177, RGB 141 108 177, RGB 122 108 177 and RGB 108 108 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 107 176 shade matches the following richer shades: RGB 177 108 176, RGB 195 89 194, RGB 213 71 211, RGB 232 53 229 and RGB 250 35 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 107 176 shade: RGB 177 108 176, RGB 159 126 158, RGB 141 144 141, RGB 123 162 123 and RGB 104 180 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 107 176 shade: RGB 140 108 177, RGB 159 108 177, RGB 177 108 177, RGB 177 108 159 and RGB 177 108 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 107 176 shade: RGB 133 70 132, RGB 160 84 158, RGB 177 108 176, RGB 191 135 191 and RGB 206 162 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 107 176 shade: RGB 177 107 176, RGB 177 121 108 and RGB 108 177 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 107 176 shade: RGB 177 107 176, RGB 177 177 108 and RGB 108 177 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 107 176 shade: RGB 177 107 176, RGB 177 121 108, RGB 108 177 108 and RGB 108 163 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 107 176 shade: RGB 177 107 176, RGB 177 142 108, RGB 108 177 108 and RGB 108 142 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 1 / 31

HEX #B16BB0

RGB 177 107 176

HSL 300.86, 0.31%, 0.56%

LAB 55.07, 38.67, -25.18

 

Complementary color

CMYK 47 / 0 / 47 / 42

HEX #4E944F

RGB 78 148 79

HSL 120.86, 0.31%, 0.44%

LAB 55.45, -36.9, 29.73

 

CMYK 0 / 41 / 6 / 29

HEX #B66BAB

RGB 182 107 171

HSL 308.8, 0.34%, 0.57%

LAB 55.48, 39.36, -21.6

 

CMYK 0 / 37 / 5 / 22

HEX #C77DBE

RGB 199 125 190

HSL 307.3, 0.4%, 0.64%

LAB 62.11, 38.59, -22.15

 

CMYK 0 / 34 / 3 / 15

HEX #D88FD1

RGB 216 143 209

HSL 305.75, 0.48%, 0.7%

LAB 68.64, 37.85, -22.65

 

CMYK 0 / 31 / 2 / 9

HEX #E9A1E4

RGB 233 161 228

HSL 304.17, 0.62%, 0.77%

LAB 75.09, 37.15, -23.1

 

CMYK 0 / 28 / 1 / 2

HEX #FAB3F7

RGB 250 179 247

HSL 302.54, 0.88%, 0.84%

LAB 81.45, 36.47, -23.52

 

CMYK 0 / 40 / 1 / 31

HEX #B16BB0

RGB 177 107 176

HSL 300.86, 0.31%, 0.56%

LAB 55.07, 38.67, -25.18

 

CMYK 0 / 44 / 2 / 37

HEX #A0599D

RGB 160 89 157

HSL 302.54, 0.29%, 0.49%

LAB 48.33, 39.44, -24.67

 

CMYK 0 / 50 / 3 / 44

HEX #8F478A

RGB 143 71 138

HSL 304.17, 0.34%, 0.42%

LAB 41.5, 40.17, -24.04

 

CMYK 0 / 58 / 6 / 51

HEX #7E3577

RGB 126 53 119

HSL 305.75, 0.41%, 0.35%

LAB 34.63, 40.75, -23.21

 

CMYK 0 / 68 / 8 / 57

HEX #6D2364

RGB 109 35 100

HSL 307.3, 0.51%, 0.28%

LAB 27.77, 40.96, -22.01

 

CMYK 0 / 39 / 1 / 31

HEX #B16CB0

RGB 177 108 176

HSL 300.87, 0.31%, 0.56%

LAB 55.28, 38.13, -24.85

 

CMYK 0 / 39 / 11 / 31

HEX #B16C9D

RGB 177 108 157

HSL 317.39, 0.31%, 0.56%

LAB 54.56, 34.7, -14.93

 

CMYK 0 / 39 / 21 / 31

HEX #B16C8B

RGB 177 108 139

HSL 333.04, 0.31%, 0.56%

LAB 53.96, 31.75, -5.3

 

CMYK 0 / 39 / 32 / 31

HEX #B16C78

RGB 177 108 120

HSL 349.57, 0.31%, 0.56%

LAB 53.42, 29.01, 5.07

 

CMYK 0 / 39 / 39 / 31

HEX #B16C6C

RGB 177 108 108

HSL 0, 0.31%, 0.56%

LAB 53.12, 27.48, 11.71

 

CMYK 0 / 39 / 1 / 31

HEX #B16CB0

RGB 177 108 176

HSL 300.87, 0.31%, 0.56%

LAB 55.28, 38.13, -24.85

 

CMYK 10 / 39 / 0 / 31

HEX #9F6CB1

RGB 159 108 177

HSL 284.35, 0.31%, 0.56%

LAB 53.24, 32.62, -28.75

 

CMYK 20 / 39 / 0 / 31

HEX #8D6CB1

RGB 141 108 177

HSL 268.7, 0.31%, 0.56%

LAB 51.34, 27.01, -31.86

 

CMYK 31 / 39 / 0 / 31

HEX #7A6CB1

RGB 122 108 177

HSL 252.17, 0.31%, 0.56%

LAB 49.54, 21.32, -34.81

 

CMYK 39 / 39 / 0 / 31

HEX #6C6CB1

RGB 108 108 177

HSL 240, 0.31%, 0.56%

LAB 48.37, 17.35, -36.73

 

CMYK 0 / 39 / 1 / 31

HEX #B16CB0

RGB 177 108 176

HSL 300.87, 0.31%, 0.56%

LAB 55.28, 38.13, -24.85

 

CMYK 0 / 54 / 1 / 24

HEX #C359C2

RGB 195 89 194

HSL 300.57, 0.47%, 0.56%

LAB 54.7, 56.4, -35.94

 

CMYK 0 / 67 / 1 / 16

HEX #D547D3

RGB 213 71 211

HSL 300.85, 0.63%, 0.56%

LAB 55.44, 71.26, -44.32

 

CMYK 0 / 77 / 1 / 9

HEX #E835E5

RGB 232 53 229

HSL 301.01, 0.8%, 0.56%

LAB 57.42, 83.6, -51.17

 

CMYK 0 / 86 / 1 / 2

HEX #FA23F7

RGB 250 35 247

HSL 300.84, 0.96%, 0.56%

LAB 60.11, 93.14, -56.79

 

CMYK 0 / 39 / 1 / 31

HEX #B16CB0

RGB 177 108 176

HSL 300.87, 0.31%, 0.56%

LAB 55.28, 38.13, -24.85

 

CMYK 0 / 21 / 1 / 38

HEX #9F7E9E

RGB 159 126 158

HSL 301.82, 0.15%, 0.56%

LAB 56.84, 18.44, -12.26

 

CMYK 2 / 0 / 2 / 44

HEX #8D908D

RGB 141 144 141

HSL 120, 0.01%, 0.56%

LAB 59.46, -1.68, 1.2

 

CMYK 24 / 0 / 24 / 36

HEX #7BA27B

RGB 123 162 123

HSL 120, 0.17%, 0.56%

LAB 62.91, -21.22, 16.06

 

CMYK 42 / 0 / 41 / 29

HEX #68B46A

RGB 104 180 106

HSL 121.58, 0.34%, 0.56%

LAB 67, -38.96, 30.54

 

CMYK 21 / 39 / 0 / 31

HEX #8C6CB1

RGB 140 108 177

HSL 267.83, 0.31%, 0.56%

LAB 51.24, 26.71, -32.03

 

CMYK 10 / 39 / 0 / 31

HEX #9F6CB1

RGB 159 108 177

HSL 284.35, 0.31%, 0.56%

LAB 53.24, 32.62, -28.75

 

CMYK 0 / 39 / 0 / 31

HEX #B16CB1

RGB 177 108 177

HSL 300, 0.31%, 0.56%

LAB 55.33, 38.32, -25.36

 

CMYK 0 / 39 / 10 / 31

HEX #B16C9F

RGB 177 108 159

HSL 315.65, 0.31%, 0.56%

LAB 54.63, 35.04, -15.99

 

CMYK 0 / 39 / 21 / 31

HEX #B16C8C

RGB 177 108 140

HSL 332.17, 0.31%, 0.56%

LAB 53.99, 31.91, -5.84

 

CMYK 0 / 47 / 1 / 48

HEX #854684

RGB 133 70 132

HSL 300.95, 0.31%, 0.4%

LAB 39.64, 36.43, -23.39

 

CMYK 0 / 48 / 1 / 37

HEX #A0549E

RGB 160 84 158

HSL 301.58, 0.31%, 0.48%

LAB 47.34, 42.29, -26.78

 

CMYK 0 / 39 / 1 / 31

HEX #B16CB0

RGB 177 108 176

HSL 300.87, 0.31%, 0.56%

LAB 55.28, 38.13, -24.85

 

CMYK 0 / 29 / 0 / 25

HEX #BF87BF

RGB 191 135 191

HSL 300, 0.3%, 0.64%

LAB 63.48, 30.71, -20.7

 

CMYK 0 / 21 / 0 / 19

HEX #CEA2CD

RGB 206 162 205

HSL 301.36, 0.31%, 0.72%

LAB 71.81, 23.52, -15.73

 

CMYK 0 / 40 / 1 / 31

HEX #B16BB0

RGB 177 107 176

HSL 300.86, 0.31%, 0.56%

LAB 55.07, 38.67, -25.18

 

CMYK 0 / 32 / 39 / 31

HEX #B1796C

RGB 177 121 108

HSL 11.3, 0.31%, 0.56%

LAB 56.19, 20.23, 15.98

 

CMYK 39 / 0 / 16 / 31

HEX #6CB195

RGB 108 177 149

HSL 155.65, 0.31%, 0.56%

LAB 67.13, -28.29, 7.51

 

CMYK 0 / 40 / 1 / 31

HEX #B16BB0

RGB 177 107 176

HSL 300.86, 0.31%, 0.56%

LAB 55.07, 38.67, -25.18

 

CMYK 0 / 0 / 39 / 31

HEX #B1B16C

RGB 177 177 108

HSL 60, 0.31%, 0.56%

LAB 70.78, -10.44, 35.29

 

CMYK 39 / 0 / 0 / 31

HEX #6CB1B1

RGB 108 177 177

HSL 180, 0.31%, 0.56%

LAB 67.88, -21.71, -6.88

 

CMYK 0 / 40 / 1 / 31

HEX #B16BB0

RGB 177 107 176

HSL 300.86, 0.31%, 0.56%

LAB 55.07, 38.67, -25.18

 

CMYK 0 / 32 / 39 / 31

HEX #B1796C

RGB 177 121 108

HSL 11.3, 0.31%, 0.56%

LAB 56.19, 20.23, 15.98

 

CMYK 39 / 0 / 39 / 31

HEX #6CB16C

RGB 108 177 108

HSL 120, 0.31%, 0.56%

LAB 66.3, -36.05, 28.62

 

CMYK 39 / 8 / 0 / 31

HEX #6CA3B1

RGB 108 163 177

HSL 192.17, 0.31%, 0.56%

LAB 63.8, -14.4, -12.97

 

CMYK 0 / 40 / 1 / 31

HEX #B16BB0

RGB 177 107 176

HSL 300.86, 0.31%, 0.56%

LAB 55.07, 38.67, -25.18

 

CMYK 0 / 20 / 39 / 31

HEX #B18E6C

RGB 177 142 108

HSL 29.57, 0.31%, 0.56%

LAB 61.46, 8.47, 23.13

 

CMYK 39 / 0 / 39 / 31

HEX #6CB16C

RGB 108 177 108

HSL 120, 0.31%, 0.56%

LAB 66.3, -36.05, 28.62

 

CMYK 39 / 20 / 0 / 31

HEX #6C8EB1

RGB 108 142 177

HSL 210.43, 0.31%, 0.56%

LAB 57.76, -2.81, -22.14

 

Description

Color code: RGB 177 107 176 | qconv.com Color code: RGB 177 107 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 107 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 107 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 1 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 1% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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