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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #798DA8 it is the complementary color #867257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #798DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #798DA8 shade: #7E8DA3, #8F9FB6, #A0B1C9, #B1C3DC and #C2D5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #798DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #798DA8 shade: #798DA8, #687B95, #576982, #46576F and #35455C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #798DA8 shade: #7A8DA8, #7A81A8, #7F7AA8, #8B7AA8 and #987AA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #798DA8 shade: #7A8DA8, #7A81A8 and #7A7AA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #798DA8 shade matches the following richer shades: #7A8DA8, #688BBA, #5688CB, #4585DD and #3383EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #798DA8 shade: #7A8DA8, #8C9096, #9D9384, #AF9573 and #C19861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #798DA8 shade: #7AA6A8, #7A9AA8, #7A8EA8, #7A81A8 and #7E7AA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #798DA8 shade: #52647D, #627896, #7A8DA8, #93A3B8 and #ACB8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #798DA8 shade: #798DA8, #9D7AA8 and #A0A87A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #798DA8 shade: #798DA8, #A87A8E and #8EA87A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #798DA8 shade: #798DA8, #9D7AA8, #A8947A and #85A87A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #798DA8 shade: #798DA8, #A87AA5, #A8947A and #7AA87D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 16 / 0 / 34

HEX #798DA8

RGB 121 141 168

HSL 214.47, 0.21%, 0.57%

LAB 57.98, -0.77, -16.59

 

Complementary color

CMYK 0 / 15 / 35 / 47

HEX #867257

RGB 134 114 87

HSL 34.47, 0.21%, 0.43%

LAB 49.24, 3.61, 17.88

 

CMYK 23 / 13 / 0 / 36

HEX #7E8DA3

RGB 126 141 163

HSL 215.68, 0.17%, 0.57%

LAB 58.16, -0.41, -13.43

 

CMYK 21 / 13 / 0 / 29

HEX #8F9FB6

RGB 143 159 182

HSL 215.38, 0.21%, 0.64%

LAB 64.97, -0.57, -13.79

 

CMYK 20 / 12 / 0 / 21

HEX #A0B1C9

RGB 160 177 201

HSL 215.12, 0.28%, 0.71%

LAB 71.65, -0.73, -14.15

 

CMYK 20 / 11 / 0 / 14

HEX #B1C3DC

RGB 177 195 220

HSL 214.88, 0.38%, 0.78%

LAB 78.2, -0.87, -14.52

 

CMYK 19 / 11 / 0 / 6

HEX #C2D5EF

RGB 194 213 239

HSL 214.67, 0.58%, 0.85%

LAB 84.63, -1.01, -14.9

 

CMYK 28 / 16 / 0 / 34

HEX #798DA8

RGB 121 141 168

HSL 214.47, 0.21%, 0.57%

LAB 57.98, -0.77, -16.59

 

CMYK 30 / 17 / 0 / 42

HEX #687B95

RGB 104 123 149

HSL 214.67, 0.18%, 0.5%

LAB 51.01, -0.57, -16.31

 

CMYK 33 / 19 / 0 / 49

HEX #576982

RGB 87 105 130

HSL 214.88, 0.2%, 0.43%

LAB 43.86, -0.32, -16.05

 

CMYK 37 / 22 / 0 / 56

HEX #46576F

RGB 70 87 111

HSL 215.12, 0.23%, 0.35%

LAB 36.49, -0.03, -15.83

 

CMYK 42 / 25 / 0 / 64

HEX #35455C

RGB 53 69 92

HSL 215.38, 0.27%, 0.28%

LAB 28.87, 0.34, -15.65

 

CMYK 27 / 16 / 0 / 34

HEX #7A8DA8

RGB 122 141 168

HSL 215.22, 0.21%, 0.57%

LAB 58.05, -0.46, -16.48

 

CMYK 27 / 23 / 0 / 34

HEX #7A81A8

RGB 122 129 168

HSL 230.87, 0.21%, 0.57%

LAB 54.73, 6.47, -21.55

 

CMYK 24 / 27 / 0 / 34

HEX #7F7AA8

RGB 127 122 168

HSL 246.52, 0.21%, 0.57%

LAB 53.23, 12.17, -23.81

 

CMYK 17 / 27 / 0 / 34

HEX #8B7AA8

RGB 139 122 168

HSL 262.17, 0.21%, 0.57%

LAB 54.28, 16.05, -22.12

 

CMYK 10 / 27 / 0 / 34

HEX #987AA8

RGB 152 122 168

HSL 279.13, 0.21%, 0.57%

LAB 55.5, 20.38, -20.13

 

CMYK 27 / 16 / 0 / 34

HEX #7A8DA8

RGB 122 141 168

HSL 215.22, 0.21%, 0.57%

LAB 58.05, -0.46, -16.48

 

CMYK 27 / 23 / 0 / 34

HEX #7A81A8

RGB 122 129 168

HSL 230.87, 0.21%, 0.57%

LAB 54.73, 6.47, -21.55

 

CMYK 27 / 27 / 0 / 34

HEX #7A7AA8

RGB 122 122 168

HSL 240, 0.21%, 0.57%

LAB 52.82, 10.6, -24.48

 

CMYK 27 / 16 / 0 / 34

HEX #7A8DA8

RGB 122 141 168

HSL 215.22, 0.21%, 0.57%

LAB 58.05, -0.46, -16.48

 

CMYK 44 / 25 / 0 / 27

HEX #688BBA

RGB 104 139 186

HSL 214.39, 0.37%, 0.57%

LAB 57.03, 0.38, -28.4

 

CMYK 58 / 33 / 0 / 20

HEX #5688CB

RGB 86 136 203

HSL 214.36, 0.53%, 0.57%

LAB 55.99, 3.18, -39.74

 

CMYK 69 / 40 / 0 / 13

HEX #4585DD

RGB 69 133 221

HSL 214.74, 0.69%, 0.57%

LAB 55.34, 8.06, -50.95

 

CMYK 79 / 45 / 0 / 6

HEX #3383EF

RGB 51 131 239

HSL 214.47, 0.85%, 0.57%

LAB 55.25, 13.53, -61.18

 

CMYK 27 / 16 / 0 / 34

HEX #7A8DA8

RGB 122 141 168

HSL 215.22, 0.21%, 0.57%

LAB 58.05, -0.46, -16.48

 

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

CMYK 0 / 6 / 16 / 38

HEX #9D9384

RGB 157 147 132

HSL 36, 0.11%, 0.57%

LAB 61.4, 1.07, 9.27

 

CMYK 0 / 15 / 34 / 31

HEX #AF9573

RGB 175 149 115

HSL 34, 0.27%, 0.57%

LAB 63.22, 4.64, 21.57

 

CMYK 0 / 21 / 50 / 24

HEX #C19861

RGB 193 152 97

HSL 34.38, 0.44%, 0.57%

LAB 65.48, 8.46, 34.65

 

CMYK 27 / 1 / 0 / 34

HEX #7AA6A8

RGB 122 166 168

HSL 182.61, 0.21%, 0.57%

LAB 65.15, -14.23, -5.84

 

CMYK 27 / 8 / 0 / 34

HEX #7A9AA8

RGB 122 154 168

HSL 198.26, 0.21%, 0.57%

LAB 61.72, -7.74, -10.95

 

CMYK 27 / 15 / 0 / 34

HEX #7A8EA8

RGB 122 142 168

HSL 213.91, 0.21%, 0.57%

LAB 58.33, -1.03, -16.05

 

CMYK 27 / 23 / 0 / 34

HEX #7A81A8

RGB 122 129 168

HSL 230.87, 0.21%, 0.57%

LAB 54.73, 6.47, -21.55

 

CMYK 25 / 27 / 0 / 34

HEX #7E7AA8

RGB 126 122 168

HSL 245.22, 0.21%, 0.57%

LAB 53.15, 11.85, -23.95

 

CMYK 34 / 20 / 0 / 51

HEX #52647D

RGB 82 100 125

HSL 214.88, 0.21%, 0.41%

LAB 41.83, -0.26, -16.17

 

CMYK 35 / 20 / 0 / 41

HEX #627896

RGB 98 120 150

HSL 214.62, 0.21%, 0.49%

LAB 49.78, -0.38, -18.82

 

CMYK 27 / 16 / 0 / 34

HEX #7A8DA8

RGB 122 141 168

HSL 215.22, 0.21%, 0.57%

LAB 58.05, -0.46, -16.48

 

CMYK 20 / 11 / 0 / 28

HEX #93A3B8

RGB 147 163 184

HSL 214.05, 0.21%, 0.65%

LAB 66.41, -1.05, -12.71

 

CMYK 14 / 8 / 0 / 22

HEX #ACB8C8

RGB 172 184 200

HSL 214.29, 0.2%, 0.73%

LAB 74.33, -0.88, -9.5

 

CMYK 28 / 16 / 0 / 34

HEX #798DA8

RGB 121 141 168

HSL 214.47, 0.21%, 0.57%

LAB 57.98, -0.77, -16.59

 

CMYK 7 / 27 / 0 / 34

HEX #9D7AA8

RGB 157 122 168

HSL 285.65, 0.21%, 0.57%

LAB 56, 22.07, -19.32

 

CMYK 5 / 0 / 27 / 34

HEX #A0A87A

RGB 160 168 122

HSL 70.43, 0.21%, 0.57%

LAB 67.19, -10.7, 22.88

 

CMYK 28 / 16 / 0 / 34

HEX #798DA8

RGB 121 141 168

HSL 214.47, 0.21%, 0.57%

LAB 57.98, -0.77, -16.59

 

CMYK 0 / 27 / 15 / 34

HEX #A87A8E

RGB 168 122 142

HSL 333.91, 0.21%, 0.57%

LAB 56.28, 21.08, -3.73

 

CMYK 15 / 0 / 27 / 34

HEX #8EA87A

RGB 142 168 122

HSL 93.91, 0.21%, 0.57%

LAB 65.87, -17.58, 20.87

 

CMYK 28 / 16 / 0 / 34

HEX #798DA8

RGB 121 141 168

HSL 214.47, 0.21%, 0.57%

LAB 57.98, -0.77, -16.59

 

CMYK 7 / 27 / 0 / 34

HEX #9D7AA8

RGB 157 122 168

HSL 285.65, 0.21%, 0.57%

LAB 56, 22.07, -19.32

 

CMYK 0 / 12 / 27 / 34

HEX #A8947A

RGB 168 148 122

HSL 33.91, 0.21%, 0.57%

LAB 62.43, 3.31, 16.49

 

CMYK 21 / 0 / 27 / 34

HEX #85A87A

RGB 133 168 122

HSL 105.65, 0.21%, 0.57%

LAB 65.28, -20.88, 19.96

 

CMYK 28 / 16 / 0 / 34

HEX #798DA8

RGB 121 141 168

HSL 214.47, 0.21%, 0.57%

LAB 57.98, -0.77, -16.59

 

CMYK 0 / 27 / 2 / 34

HEX #A87AA5

RGB 168 122 165

HSL 303.91, 0.21%, 0.57%

LAB 57.04, 25.24, -15.91

 

CMYK 0 / 12 / 27 / 34

HEX #A8947A

RGB 168 148 122

HSL 33.91, 0.21%, 0.57%

LAB 62.43, 3.31, 16.49

 

CMYK 27 / 0 / 26 / 34

HEX #7AA87D

RGB 122 168 125

HSL 123.91, 0.21%, 0.57%

LAB 64.66, -24.23, 17.37

 

Description

Color code: HEX #798DA8 | qconv.com Color code: HEX #798DA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 141 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 141 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 16 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 16% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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