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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79E7DB it is the complementary color #861824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79E7DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79E7DB shade: #7EE7D6, #8FF9E9, #A0FFFC, #B1FFFF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79E7DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79E7DB shade: #79E7DB, #68D5C8, #57C3B5, #46B1A2 and #359F8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79E7DB shade: #78E7DB, #78E7BD, #78E79F, #78E781 and #8DE778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79E7DB shade: #78E7DB, #78D5E7, #78B7E7, #7899E7 and #787BE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79E7DB shade matches the following richer shades: #78E7DB and #6BF4E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79E7DB shade: #78E7DB, #85DAD1, #92CDC7, #9EC0BD and #ABB4B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79E7DB shade: #78E79F, #78E7BC, #78E7DA, #78D6E7 and #78B9E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79E7DB shade: #32DAC8, #55E1D1, #78E7DB, #9BEDE4 and #BEF3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79E7DB shade: #79E7DB, #8178E7 and #E7AE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79E7DB shade: #79E7DB, #DA78E7 and #E7DA78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79E7DB shade: #79E7DB, #8178E7, #E77885 and #DEE778

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79E7DB shade: #79E7DB, #A378E7, #E77885 and #BCE778

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 5 / 9

HEX #79E7DB

RGB 121 231 219

HSL 173.45, 0.7%, 0.69%

LAB 85.17, -34.46, -3.94

 

Complementary color

CMYK 0 / 82 / 73 / 47

HEX #861824

RGB 134 24 36

HSL 353.45, 0.7%, 0.31%

LAB 29.03, 45.65, 22.79

 

CMYK 45 / 0 / 7 / 9

HEX #7EE7D6

RGB 126 231 214

HSL 170.29, 0.69%, 0.7%

LAB 85.22, -34.52, -1.2

 

CMYK 43 / 0 / 6 / 2

HEX #8FF9E9

RGB 143 249 233

HSL 170.94, 0.9%, 0.77%

LAB 91.45, -34.43, -1.93

 

CMYK 37 / 0 / 1 / 0

HEX #A0FFFC

RGB 160 255 252

HSL 178.11, 1%, 0.81%

LAB 94.32, -28.71, -7.46

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 48 / 0 / 5 / 9

HEX #79E7DB

RGB 121 231 219

HSL 173.45, 0.7%, 0.69%

LAB 85.17, -34.46, -3.94

 

CMYK 51 / 0 / 6 / 16

HEX #68D5C8

RGB 104 213 200

HSL 172.84, 0.56%, 0.62%

LAB 78.87, -34.45, -3.18

 

CMYK 55 / 0 / 7 / 24

HEX #57C3B5

RGB 87 195 181

HSL 172.22, 0.47%, 0.55%

LAB 72.49, -34.36, -2.36

 

CMYK 60 / 0 / 8 / 31

HEX #46B1A2

RGB 70 177 162

HSL 171.59, 0.43%, 0.48%

LAB 66.02, -34.18, -1.46

 

CMYK 67 / 0 / 10 / 38

HEX #359F8F

RGB 53 159 143

HSL 170.94, 0.5%, 0.42%

LAB 59.47, -33.84, -0.47

 

CMYK 48 / 0 / 5 / 9

HEX #78E7DB

RGB 120 231 219

HSL 173.51, 0.7%, 0.69%

LAB 85.13, -34.69, -4

 

CMYK 48 / 0 / 18 / 9

HEX #78E7BD

RGB 120 231 189

HSL 157.3, 0.7%, 0.69%

LAB 84.39, -41.56, 10.72

 

CMYK 48 / 0 / 31 / 9

HEX #78E79F

RGB 120 231 159

HSL 141.08, 0.7%, 0.69%

LAB 83.78, -47.51, 25.48

 

CMYK 48 / 0 / 44 / 9

HEX #78E781

RGB 120 231 129

HSL 124.86, 0.7%, 0.69%

LAB 83.3, -52.44, 39.98

 

CMYK 39 / 0 / 48 / 9

HEX #8DE778

RGB 141 231 120

HSL 108.65, 0.7%, 0.69%

LAB 84.05, -47.58, 45.49

 

CMYK 48 / 0 / 5 / 9

HEX #78E7DB

RGB 120 231 219

HSL 173.51, 0.7%, 0.69%

LAB 85.13, -34.69, -4

 

CMYK 48 / 8 / 0 / 9

HEX #78D5E7

RGB 120 213 231

HSL 189.73, 0.7%, 0.69%

LAB 80.38, -22.96, -17.44

 

CMYK 48 / 21 / 0 / 9

HEX #78B7E7

RGB 120 183 231

HSL 205.95, 0.7%, 0.69%

LAB 71.98, -7.35, -30.24

 

CMYK 48 / 34 / 0 / 9

HEX #7899E7

RGB 120 153 231

HSL 222.16, 0.7%, 0.69%

LAB 63.79, 9.48, -42.99

 

CMYK 48 / 47 / 0 / 9

HEX #787BE7

RGB 120 123 231

HSL 238.38, 0.7%, 0.69%

LAB 56.02, 27.17, -55.31

 

CMYK 48 / 0 / 5 / 9

HEX #78E7DB

RGB 120 231 219

HSL 173.51, 0.7%, 0.69%

LAB 85.13, -34.69, -4

 

CMYK 56 / 0 / 6 / 4

HEX #6BF4E5

RGB 107 244 229

HSL 173.43, 0.86%, 0.69%

LAB 88.68, -40.81, -4.07

 

CMYK 48 / 0 / 5 / 9

HEX #78E7DB

RGB 120 231 219

HSL 173.51, 0.7%, 0.69%

LAB 85.13, -34.69, -4

 

CMYK 39 / 0 / 4 / 15

HEX #85DAD1

RGB 133 218 209

HSL 173.65, 0.53%, 0.69%

LAB 81.69, -27.81, -3.69

 

CMYK 29 / 0 / 3 / 20

HEX #92CDC7

RGB 146 205 199

HSL 173.9, 0.37%, 0.69%

LAB 78.4, -20.13, -3.11

 

CMYK 18 / 0 / 2 / 25

HEX #9EC0BD

RGB 158 192 189

HSL 174.71, 0.21%, 0.69%

LAB 75.23, -11.98, -2.29

 

CMYK 5 / 0 / 1 / 29

HEX #ABB4B3

RGB 171 180 179

HSL 173.33, 0.06%, 0.69%

LAB 72.6, -3.32, -0.59

 

CMYK 48 / 0 / 31 / 9

HEX #78E79F

RGB 120 231 159

HSL 141.08, 0.7%, 0.69%

LAB 83.78, -47.51, 25.48

 

CMYK 48 / 0 / 19 / 9

HEX #78E7BC

RGB 120 231 188

HSL 156.76, 0.7%, 0.69%

LAB 84.37, -41.78, 11.21

 

CMYK 48 / 0 / 6 / 9

HEX #78E7DA

RGB 120 231 218

HSL 172.97, 0.7%, 0.69%

LAB 85.1, -34.93, -3.51

 

CMYK 48 / 7 / 0 / 9

HEX #78D6E7

RGB 120 214 231

HSL 189.19, 0.7%, 0.69%

LAB 80.66, -23.45, -17.02

 

CMYK 48 / 20 / 0 / 9

HEX #78B9E7

RGB 120 185 231

HSL 204.86, 0.7%, 0.69%

LAB 72.54, -8.43, -29.39

 

CMYK 77 / 0 / 8 / 15

HEX #32DAC8

RGB 50 218 200

HSL 173.57, 0.69%, 0.53%

LAB 79.04, -45.17, -3.08

 

CMYK 62 / 0 / 7 / 12

HEX #55E1D1

RGB 85 225 209

HSL 173.14, 0.7%, 0.61%

LAB 82.05, -41.24, -3.36

 

CMYK 48 / 0 / 5 / 9

HEX #78E7DB

RGB 120 231 219

HSL 173.51, 0.7%, 0.69%

LAB 85.13, -34.69, -4

 

CMYK 35 / 0 / 4 / 7

HEX #9BEDE4

RGB 155 237 228

HSL 173.41, 0.69%, 0.77%

LAB 88.51, -26.87, -3.57

 

CMYK 22 / 0 / 2 / 5

HEX #BEF3ED

RGB 190 243 237

HSL 173.21, 0.69%, 0.85%

LAB 92.2, -17.96, -2.64

 

CMYK 48 / 0 / 5 / 9

HEX #79E7DB

RGB 121 231 219

HSL 173.45, 0.7%, 0.69%

LAB 85.17, -34.46, -3.94

 

CMYK 44 / 48 / 0 / 9

HEX #8178E7

RGB 129 120 231

HSL 244.86, 0.7%, 0.69%

LAB 55.96, 31, -55.36

 

CMYK 0 / 25 / 48 / 9

HEX #E7AE78

RGB 231 174 120

HSL 29.19, 0.7%, 0.69%

LAB 75.21, 14.42, 35.72

 

CMYK 48 / 0 / 5 / 9

HEX #79E7DB

RGB 121 231 219

HSL 173.45, 0.7%, 0.69%

LAB 85.17, -34.46, -3.94

 

CMYK 6 / 48 / 0 / 9

HEX #DA78E7

RGB 218 120 231

HSL 292.97, 0.7%, 0.69%

LAB 65.05, 54.43, -40.39

 

CMYK 0 / 6 / 48 / 9

HEX #E7DA78

RGB 231 218 120

HSL 52.97, 0.7%, 0.69%

LAB 86.25, -8.46, 49.49

 

CMYK 48 / 0 / 5 / 9

HEX #79E7DB

RGB 121 231 219

HSL 173.45, 0.7%, 0.69%

LAB 85.17, -34.46, -3.94

 

CMYK 44 / 48 / 0 / 9

HEX #8178E7

RGB 129 120 231

HSL 244.86, 0.7%, 0.69%

LAB 55.96, 31, -55.36

 

CMYK 0 / 48 / 42 / 9

HEX #E77885

RGB 231 120 133

HSL 352.97, 0.7%, 0.69%

LAB 63.44, 44.11, 12.76

 

CMYK 4 / 0 / 48 / 9

HEX #DEE778

RGB 222 231 120

HSL 64.86, 0.7%, 0.69%

LAB 88.94, -18.49, 52.57

 

CMYK 48 / 0 / 5 / 9

HEX #79E7DB

RGB 121 231 219

HSL 173.45, 0.7%, 0.69%

LAB 85.17, -34.46, -3.94

 

CMYK 29 / 48 / 0 / 9

HEX #A378E7

RGB 163 120 231

HSL 263.24, 0.7%, 0.69%

LAB 58.96, 39.46, -50.39

 

CMYK 0 / 48 / 42 / 9

HEX #E77885

RGB 231 120 133

HSL 352.97, 0.7%, 0.69%

LAB 63.44, 44.11, 12.76

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

Description

Color code: HEX #79E7DB | qconv.com Color code: HEX #79E7DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 231 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 231 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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