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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A39AE it is the complementary color #85C651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A39AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A39AE shade: #7F39A9, #904BBC, #A15DCF, #B26FE2 and #C381F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A39AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A39AE shade: #7A39AE, #69279B, #581588, #470375 and #360062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A39AE shade: #7938AD, #9838AD, #AD38A2, #AD3882 and #AD3863

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A39AE shade: #7938AD, #5938AD, #3A38AD and #3838AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A39AE shade matches the following richer shades: #7938AD, #7B25BF, #7D13D2 and #7F00E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A39AE shade: #7938AD, #774A9A, #755D88, #736F75 and #718263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A39AE shade: #3A38AD, #5938AD, #7838AD, #9738AD and #AD38A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A39AE shade: #4D246E, #632E8E, #7938AD, #8E4AC4 and #A169CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A39AE shade: #7A39AE, #AD3855 and #38AD49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A39AE shade: #7A39AE, #AD7838 and #38AD78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A39AE shade: #7A39AE, #AD3855, #6CAD38 and #38AD90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A39AE shade: #7A39AE, #AD3E38, #6CAD38 and #38A7AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 67 / 0 / 32

HEX #7A39AE

RGB 122 57 174

HSL 273.33, 0.51%, 0.45%

LAB 38.06, 49.42, -51.33

 

Complementary color

CMYK 33 / 0 / 59 / 22

HEX #85C651

RGB 133 198 81

HSL 93.33, 0.51%, 0.55%

LAB 73.53, -40.41, 51.05

 

CMYK 25 / 66 / 0 / 34

HEX #7F39A9

RGB 127 57 169

HSL 277.5, 0.5%, 0.44%

LAB 38.38, 49.38, -47.8

 

CMYK 23 / 60 / 0 / 26

HEX #904BBC

RGB 144 75 188

HSL 276.64, 0.46%, 0.52%

LAB 45.07, 48.77, -48.15

 

CMYK 22 / 55 / 0 / 19

HEX #A15DCF

RGB 161 93 207

HSL 275.79, 0.54%, 0.59%

LAB 51.74, 47.99, -48.36

 

CMYK 21 / 51 / 0 / 11

HEX #B26FE2

RGB 178 111 226

HSL 274.96, 0.66%, 0.66%

LAB 58.34, 47.16, -48.48

 

CMYK 20 / 47 / 0 / 4

HEX #C381F5

RGB 195 129 245

HSL 274.14, 0.85%, 0.73%

LAB 64.88, 46.31, -48.57

 

CMYK 30 / 67 / 0 / 32

HEX #7A39AE

RGB 122 57 174

HSL 273.33, 0.51%, 0.45%

LAB 38.06, 49.42, -51.33

 

CMYK 32 / 75 / 0 / 39

HEX #69279B

RGB 105 39 155

HSL 274.14, 0.6%, 0.38%

LAB 31.4, 49.76, -50.8

 

CMYK 35 / 85 / 0 / 47

HEX #581588

RGB 88 21 136

HSL 274.96, 0.73%, 0.31%

LAB 24.92, 49.29, -49.73

 

CMYK 39 / 97 / 0 / 54

HEX #470375

RGB 71 3 117

HSL 275.79, 0.95%, 0.24%

LAB 18.75, 47.53, -47.86

 

CMYK 45 / 100 / 0 / 62

HEX #360062

RGB 54 0 98

HSL 273.06, 1%, 0.19%

LAB 13.63, 42.15, -43.95

 

CMYK 30 / 68 / 0 / 32

HEX #7938AD

RGB 121 56 173

HSL 273.33, 0.51%, 0.45%

LAB 37.68, 49.45, -51.35

 

CMYK 12 / 68 / 0 / 32

HEX #9838AD

RGB 152 56 173

HSL 289.23, 0.51%, 0.45%

LAB 42.03, 56.42, -44.13

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A2

RGB 173 56 162

HSL 305.64, 0.51%, 0.45%

LAB 44.69, 59.49, -33.17

 

CMYK 0 / 68 / 25 / 32

HEX #AD3882

RGB 173 56 130

HSL 322.05, 0.51%, 0.45%

LAB 43.25, 54.73, -16.08

 

CMYK 0 / 68 / 43 / 32

HEX #AD3863

RGB 173 56 99

HSL 337.95, 0.51%, 0.45%

LAB 42.17, 51.04, 1.47

 

CMYK 30 / 68 / 0 / 32

HEX #7938AD

RGB 121 56 173

HSL 273.33, 0.51%, 0.45%

LAB 37.68, 49.45, -51.35

 

CMYK 49 / 68 / 0 / 32

HEX #5938AD

RGB 89 56 173

HSL 256.92, 0.51%, 0.45%

LAB 33.92, 42.95, -57.63

 

CMYK 66 / 68 / 0 / 32

HEX #3A38AD

RGB 58 56 173

HSL 241.03, 0.51%, 0.45%

LAB 31.22, 37.91, -62.15

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 30 / 68 / 0 / 32

HEX #7938AD

RGB 121 56 173

HSL 273.33, 0.51%, 0.45%

LAB 37.68, 49.45, -51.35

 

CMYK 36 / 81 / 0 / 25

HEX #7B25BF

RGB 123 37 191

HSL 273.51, 0.68%, 0.45%

LAB 36.55, 61.87, -63.83

 

CMYK 40 / 91 / 0 / 18

HEX #7D13D2

RGB 125 19 210

HSL 273.3, 0.83%, 0.45%

LAB 36.89, 71.01, -74.34

 

CMYK 44 / 100 / 0 / 11

HEX #7F00E4

RGB 127 0 228

HSL 273.42, 1%, 0.45%

LAB 38.05, 77.52, -82.78

 

CMYK 30 / 68 / 0 / 32

HEX #7938AD

RGB 121 56 173

HSL 273.33, 0.51%, 0.45%

LAB 37.68, 49.45, -51.35

 

CMYK 23 / 52 / 0 / 40

HEX #774A9A

RGB 119 74 154

HSL 273.75, 0.35%, 0.45%

LAB 39.84, 34.77, -36.55

 

CMYK 14 / 32 / 0 / 47

HEX #755D88

RGB 117 93 136

HSL 273.49, 0.19%, 0.45%

LAB 43.34, 18.52, -20.23

 

CMYK 2 / 5 / 0 / 54

HEX #736F75

RGB 115 111 117

HSL 280, 0.03%, 0.45%

LAB 47.36, 2.76, -2.78

 

CMYK 13 / 0 / 24 / 49

HEX #718263

RGB 113 130 99

HSL 92.9, 0.14%, 0.45%

LAB 52.26, -12.27, 14.77

 

CMYK 66 / 68 / 0 / 32

HEX #3A38AD

RGB 58 56 173

HSL 241.03, 0.51%, 0.45%

LAB 31.22, 37.91, -62.15

 

CMYK 49 / 68 / 0 / 32

HEX #5938AD

RGB 89 56 173

HSL 256.92, 0.51%, 0.45%

LAB 33.92, 42.95, -57.63

 

CMYK 31 / 68 / 0 / 32

HEX #7838AD

RGB 120 56 173

HSL 272.82, 0.51%, 0.45%

LAB 37.55, 49.24, -51.57

 

CMYK 13 / 68 / 0 / 32

HEX #9738AD

RGB 151 56 173

HSL 288.72, 0.51%, 0.45%

LAB 41.88, 56.19, -44.38

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 30 / 67 / 0 / 57

HEX #4D246E

RGB 77 36 110

HSL 273.24, 0.51%, 0.29%

LAB 23.56, 34.03, -35.49

 

CMYK 30 / 68 / 0 / 44

HEX #632E8E

RGB 99 46 142

HSL 273.13, 0.51%, 0.37%

LAB 30.78, 42.05, -43.86

 

CMYK 30 / 68 / 0 / 32

HEX #7938AD

RGB 121 56 173

HSL 273.33, 0.51%, 0.45%

LAB 37.68, 49.45, -51.35

 

CMYK 28 / 62 / 0 / 23

HEX #8E4AC4

RGB 142 74 196

HSL 273.44, 0.51%, 0.53%

LAB 45.13, 50.64, -52.73

 

CMYK 22 / 49 / 0 / 19

HEX #A169CE

RGB 161 105 206

HSL 273.27, 0.51%, 0.61%

LAB 54.17, 41.3, -43.92

 

CMYK 30 / 67 / 0 / 32

HEX #7A39AE

RGB 122 57 174

HSL 273.33, 0.51%, 0.45%

LAB 38.06, 49.42, -51.33

 

CMYK 0 / 68 / 51 / 32

HEX #AD3855

RGB 173 56 85

HSL 345.13, 0.51%, 0.45%

LAB 41.8, 49.69, 9.68

 

CMYK 68 / 0 / 58 / 32

HEX #38AD49

RGB 56 173 73

HSL 128.72, 0.51%, 0.45%

LAB 62.68, -53.21, 41.42

 

CMYK 30 / 67 / 0 / 32

HEX #7A39AE

RGB 122 57 174

HSL 273.33, 0.51%, 0.45%

LAB 38.06, 49.42, -51.33

 

CMYK 0 / 31 / 68 / 32

HEX #AD7838

RGB 173 120 56

HSL 32.82, 0.51%, 0.45%

LAB 54.66, 14.34, 42.46

 

CMYK 68 / 0 / 31 / 32

HEX #38AD78

RGB 56 173 120

HSL 152.82, 0.51%, 0.45%

LAB 63.41, -45.07, 17.96

 

CMYK 30 / 67 / 0 / 32

HEX #7A39AE

RGB 122 57 174

HSL 273.33, 0.51%, 0.45%

LAB 38.06, 49.42, -51.33

 

CMYK 0 / 68 / 51 / 32

HEX #AD3855

RGB 173 56 85

HSL 345.13, 0.51%, 0.45%

LAB 41.8, 49.69, 9.68

 

CMYK 38 / 0 / 68 / 32

HEX #6CAD38

RGB 108 173 56

HSL 93.33, 0.51%, 0.45%

LAB 64.45, -40.52, 51.49

 

CMYK 68 / 0 / 17 / 32

HEX #38AD90

RGB 56 173 144

HSL 165.13, 0.51%, 0.45%

LAB 63.95, -39.45, 5.48

 

CMYK 30 / 67 / 0 / 32

HEX #7A39AE

RGB 122 57 174

HSL 273.33, 0.51%, 0.45%

LAB 38.06, 49.42, -51.33

 

CMYK 0 / 64 / 68 / 32

HEX #AD3E38

RGB 173 62 56

HSL 3.08, 0.51%, 0.45%

LAB 42.18, 44.99, 28.03

 

CMYK 38 / 0 / 68 / 32

HEX #6CAD38

RGB 108 173 56

HSL 93.33, 0.51%, 0.45%

LAB 64.45, -40.52, 51.49

 

CMYK 68 / 3 / 0 / 32

HEX #38A7AD

RGB 56 167 173

HSL 183.08, 0.51%, 0.45%

LAB 62.92, -28.64, -12.24

 

Description

Color code: HEX #7A39AE | qconv.com Color code: HEX #7A39AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 57 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 57 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 67 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 67% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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