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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8E98 it is the complementary color #857167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8E98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8E98 shade: #7F8E93, #90A0A6, #A1B2B9, #B2C4CC and #C3D6DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8E98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8E98 shade: #7A8E98, #697C85, #586A72, #47585F and #36464C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8E98 shade: #7A8E98, #7A8698, #7A7E98, #7E7A98 and #877A98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8E98 shade: #7A8E98, #7A8698, #7A7E98 and #7A7A98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8E98 shade matches the following richer shades: #7A8E98, #6795AB, #549BBE, #41A1D1 and #2EA8E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8E98 shade: #7A8E98, #8D8885, #A08272, #B37B60 and #C6754D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8E98 shade: #7A9892, #7A9698, #7A8E98, #7A8698 and #7A7E98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8E98 shade: #53646C, #657A84, #7A8E98, #91A2AA and #A9B6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8E98 shade: #7A8E98, #8A7A98 and #98967A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8E98 shade: #7A8E98, #987A8E and #8E987A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8E98 shade: #7A8E98, #8A7A98, #98847A and #88987A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8E98 shade: #7A8E98, #937A98, #98847A and #7F987A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

Complementary color

CMYK 0 / 15 / 23 / 48

HEX #857167

RGB 133 113 103

HSL 20, 0.13%, 0.46%

LAB 49.22, 6.14, 8.45

 

CMYK 14 / 3 / 0 / 42

HEX #7F8E93

RGB 127 142 147

HSL 195, 0.08%, 0.54%

LAB 58, -4.31, -4.5

 

CMYK 13 / 4 / 0 / 35

HEX #90A0A6

RGB 144 160 166

HSL 196.36, 0.11%, 0.61%

LAB 64.82, -4.37, -5.04

HEX #90A0A6

CMYK 13 / 4 / 0 / 27

HEX #A1B2B9

RGB 161 178 185

HSL 197.5, 0.15%, 0.68%

LAB 71.5, -4.43, -5.58

HEX #A1B2B9

CMYK 13 / 4 / 0 / 20

HEX #B2C4CC

RGB 178 196 204

HSL 198.46, 0.2%, 0.75%

LAB 78.05, -4.49, -6.1

HEX #B2C4CC

CMYK 13 / 4 / 0 / 13

HEX #C3D6DF

RGB 195 214 223

HSL 199.29, 0.3%, 0.82%

LAB 84.5, -4.56, -6.6

HEX #C3D6DF

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 21 / 7 / 0 / 48

HEX #697C85

RGB 105 124 133

HSL 199.29, 0.12%, 0.47%

LAB 50.82, -4.83, -7.21

 

CMYK 23 / 7 / 0 / 55

HEX #586A72

RGB 88 106 114

HSL 198.46, 0.13%, 0.4%

LAB 43.65, -4.79, -6.72

 

CMYK 25 / 7 / 0 / 63

HEX #47585F

RGB 71 88 95

HSL 197.5, 0.14%, 0.33%

LAB 36.26, -4.75, -6.21

 

CMYK 29 / 8 / 0 / 70

HEX #36464C

RGB 54 70 76

HSL 196.36, 0.17%, 0.25%

LAB 28.61, -4.73, -5.69

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 20 / 12 / 0 / 40

HEX #7A8698

RGB 122 134 152

HSL 216, 0.13%, 0.54%

LAB 55.54, -0.34, -11.09

 

CMYK 20 / 17 / 0 / 40

HEX #7A7E98

RGB 122 126 152

HSL 232, 0.13%, 0.54%

LAB 53.3, 4.28, -14.45

 

CMYK 17 / 20 / 0 / 40

HEX #7E7A98

RGB 126 122 152

HSL 248, 0.13%, 0.54%

LAB 52.53, 7.98, -15.59

 

CMYK 11 / 20 / 0 / 40

HEX #877A98

RGB 135 122 152

HSL 266, 0.13%, 0.54%

LAB 53.32, 11.07, -14.33

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 20 / 12 / 0 / 40

HEX #7A8698

RGB 122 134 152

HSL 216, 0.13%, 0.54%

LAB 55.54, -0.34, -11.09

 

CMYK 20 / 17 / 0 / 40

HEX #7A7E98

RGB 122 126 152

HSL 232, 0.13%, 0.54%

LAB 53.3, 4.28, -14.45

 

CMYK 20 / 20 / 0 / 40

HEX #7A7A98

RGB 122 122 152

HSL 240, 0.13%, 0.54%

LAB 52.2, 6.63, -16.13

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 40 / 13 / 0 / 33

HEX #6795AB

RGB 103 149 171

HSL 199.41, 0.29%, 0.54%

LAB 59.27, -9.76, -16.45

 

CMYK 56 / 18 / 0 / 25

HEX #549BBE

RGB 84 155 190

HSL 199.81, 0.45%, 0.54%

LAB 60.82, -12.18, -24.9

 

CMYK 69 / 23 / 0 / 18

HEX #41A1D1

RGB 65 161 209

HSL 200, 0.61%, 0.54%

LAB 62.69, -12.81, -32.69

 

CMYK 80 / 26 / 0 / 11

HEX #2EA8E4

RGB 46 168 228

HSL 199.78, 0.77%, 0.54%

LAB 65.11, -12.5, -39.46

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 0 / 4 / 6 / 45

HEX #8D8885

RGB 141 136 133

HSL 22.5, 0.03%, 0.54%

LAB 57.04, 1.3, 2.26

 

CMYK 0 / 19 / 29 / 37

HEX #A08272

RGB 160 130 114

HSL 20.87, 0.19%, 0.54%

LAB 56.74, 9.03, 13

 

CMYK 0 / 31 / 46 / 30

HEX #B37B60

RGB 179 123 96

HSL 19.52, 0.35%, 0.54%

LAB 56.68, 18.57, 23.53

 

CMYK 0 / 41 / 61 / 22

HEX #C6754D

RGB 198 117 77

HSL 19.83, 0.51%, 0.54%

LAB 57.33, 28.05, 35.41

 

CMYK 20 / 0 / 4 / 40

HEX #7A9892

RGB 122 152 146

HSL 168, 0.13%, 0.54%

LAB 60.49, -11.73, -0.31

 

CMYK 20 / 1 / 0 / 40

HEX #7A9698

RGB 122 150 152

HSL 184, 0.13%, 0.54%

LAB 60.08, -9.31, -4.31

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 20 / 12 / 0 / 40

HEX #7A8698

RGB 122 134 152

HSL 216, 0.13%, 0.54%

LAB 55.54, -0.34, -11.09

 

CMYK 20 / 17 / 0 / 40

HEX #7A7E98

RGB 122 126 152

HSL 232, 0.13%, 0.54%

LAB 53.3, 4.28, -14.45

 

CMYK 23 / 7 / 0 / 58

HEX #53646C

RGB 83 100 108

HSL 199.2, 0.13%, 0.37%

LAB 41.27, -4.46, -6.66

 

CMYK 23 / 8 / 0 / 48

HEX #657A84

RGB 101 122 132

HSL 199.35, 0.13%, 0.46%

LAB 49.92, -5.26, -8

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 15 / 5 / 0 / 33

HEX #91A2AA

RGB 145 162 170

HSL 199.2, 0.13%, 0.62%

LAB 65.56, -4.26, -6.18

 

CMYK 10 / 3 / 0 / 26

HEX #A9B6BC

RGB 169 182 188

HSL 198.95, 0.12%, 0.7%

LAB 73.23, -3.29, -4.6

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 9 / 20 / 0 / 40

HEX #8A7A98

RGB 138 122 152

HSL 272, 0.13%, 0.54%

LAB 53.59, 12.12, -13.89

 

CMYK 0 / 1 / 20 / 40

HEX #98967A

RGB 152 150 122

HSL 56, 0.13%, 0.54%

LAB 61.56, -4.15, 15.07

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 0 / 20 / 7 / 40

HEX #987A8E

RGB 152 122 142

HSL 320, 0.13%, 0.54%

LAB 54.6, 15.14, -6.41

 

CMYK 7 / 0 / 20 / 40

HEX #8E987A

RGB 142 152 122

HSL 80, 0.13%, 0.54%

LAB 61.32, -9.13, 14.61

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 9 / 20 / 0 / 40

HEX #8A7A98

RGB 138 122 152

HSL 272, 0.13%, 0.54%

LAB 53.59, 12.12, -13.89

 

CMYK 0 / 13 / 20 / 40

HEX #98847A

RGB 152 132 122

HSL 20, 0.13%, 0.54%

LAB 56.67, 5.91, 8.19

 

CMYK 11 / 0 / 20 / 40

HEX #88987A

RGB 136 152 122

HSL 92, 0.13%, 0.54%

LAB 60.87, -11.41, 13.91

 

CMYK 20 / 7 / 0 / 40

HEX #7A8E98

RGB 122 142 152

HSL 200, 0.13%, 0.54%

LAB 57.8, -4.88, -7.7

 

CMYK 3 / 20 / 0 / 40

HEX #937A98

RGB 147 122 152

HSL 290, 0.13%, 0.54%

LAB 54.44, 15.29, -12.53

 

CMYK 0 / 13 / 20 / 40

HEX #98847A

RGB 152 132 122

HSL 20, 0.13%, 0.54%

LAB 56.67, 5.91, 8.19

 

CMYK 16 / 0 / 20 / 40

HEX #7F987A

RGB 127 152 122

HSL 110, 0.13%, 0.54%

LAB 60.22, -14.76, 12.92

 

Description

Color code: HEX #7A8E98 | qconv.com Color code: HEX #7A8E98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 142 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 142 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 7 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 7% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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