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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B42BC it is the complementary color #84BD43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B42BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B42BC shade: #8042B7, #9154CA, #A266DD, #B378F0 and #C48AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B42BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B42BC shade: #7B42BC, #6A30A9, #591E96, #480C83 and #370070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B42BC shade: #7B42BC, #9C42BC, #BC42BB, #BC429A and #BC4279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B42BC shade: #7B42BC, #5A42BC and #4242BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B42BC shade matches the following richer shades: #7B42BC, #7A2DD1, #7819E5 and #7704FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B42BC shade: #7B42BC, #7C56A8, #7E6B93, #7F807E and #80946A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B42BC shade: #424ABC, #5A42BC, #7B42BC, #9C42BC and #BC42BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B42BC shade: #532C7F, #67379E, #7B42BC, #9060C7 and #A67FD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B42BC shade: #7B42BC, #BC426B and #42BC4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B42BC shade: #7B42BC, #BC7B42 and #42BC7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B42BC shade: #7B42BC, #BC426B, #83BC42 and #42BC93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B42BC shade: #7B42BC, #BC4246, #83BC42 and #42BCB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

Complementary color

CMYK 30 / 0 / 65 / 26

HEX #84BD43

RGB 132 189 67

HSL 88.03, 0.48%, 0.5%

LAB 70.67, -38.02, 53.95

 

CMYK 30 / 64 / 0 / 28

HEX #8042B7

RGB 128 66 183

HSL 271.79, 0.47%, 0.49%

LAB 41.06, 48.41, -51.77

 

CMYK 28 / 58 / 0 / 21

HEX #9154CA

RGB 145 84 202

HSL 271.02, 0.53%, 0.56%

LAB 47.78, 47.59, -51.91

 

CMYK 27 / 54 / 0 / 13

HEX #A266DD

RGB 162 102 221

HSL 270.25, 0.64%, 0.63%

LAB 54.45, 46.68, -51.97

 

CMYK 25 / 50 / 0 / 6

HEX #B378F0

RGB 179 120 240

HSL 269.5, 0.8%, 0.71%

LAB 61.05, 45.78, -51.98

 

CMYK 23 / 46 / 0 / 0

HEX #C48AFF

RGB 196 138 255

HSL 269.74, 1%, 0.77%

LAB 67.38, 43.99, -50.1

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 37 / 72 / 0 / 34

HEX #6A30A9

RGB 106 48 169

HSL 268.76, 0.56%, 0.43%

LAB 34.07, 49.25, -54.9

 

CMYK 41 / 80 / 0 / 41

HEX #591E96

RGB 89 30 150

HSL 269.5, 0.67%, 0.35%

LAB 27.45, 49.47, -54.27

 

CMYK 45 / 91 / 0 / 49

HEX #480C83

RGB 72 12 131

HSL 270.25, 0.83%, 0.28%

LAB 21.13, 48.55, -52.88

 

CMYK 51 / 100 / 0 / 56

HEX #370070

RGB 55 0 112

HSL 269.46, 1%, 0.22%

LAB 15.39, 45.57, -50.25

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 17 / 65 / 0 / 26

HEX #9C42BC

RGB 156 66 188

HSL 284.26, 0.48%, 0.5%

LAB 45.07, 55.97, -48.06

 

CMYK 0 / 65 / 1 / 26

HEX #BC42BB

RGB 188 66 187

HSL 300.49, 0.48%, 0.5%

LAB 49.71, 63.36, -39.82

 

CMYK 0 / 65 / 18 / 26

HEX #BC429A

RGB 188 66 154

HSL 316.72, 0.48%, 0.5%

LAB 48.16, 58.19, -22.81

 

CMYK 0 / 65 / 36 / 26

HEX #BC4279

RGB 188 66 121

HSL 332.95, 0.48%, 0.5%

LAB 46.93, 53.89, -4.79

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 52 / 65 / 0 / 26

HEX #5A42BC

RGB 90 66 188

HSL 251.8, 0.48%, 0.5%

LAB 37.3, 41.9, -61

 

CMYK 65 / 65 / 0 / 26

HEX #4242BC

RGB 66 66 188

HSL 240, 0.48%, 0.5%

LAB 35.37, 37.97, -64.23

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 42 / 78 / 0 / 18

HEX #7A2DD1

RGB 122 45 209

HSL 268.17, 0.65%, 0.5%

LAB 38.93, 62.96, -70.43

 

CMYK 48 / 89 / 0 / 10

HEX #7819E5

RGB 120 25 229

HSL 267.94, 0.8%, 0.5%

LAB 38.46, 73.37, -82.7

 

CMYK 52 / 98 / 0 / 2

HEX #7704FA

RGB 119 4 250

HSL 268.05, 0.97%, 0.5%

LAB 39.43, 81.04, -92.98

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 26 / 49 / 0 / 34

HEX #7C56A8

RGB 124 86 168

HSL 267.8, 0.32%, 0.5%

LAB 43.9, 32.67, -38.42

 

CMYK 14 / 27 / 0 / 42

HEX #7E6B93

RGB 126 107 147

HSL 268.5, 0.16%, 0.5%

LAB 48.33, 15.71, -19.06

 

CMYK 1 / 0 / 2 / 50

HEX #7F807E

RGB 127 128 126

HSL 90, 0.01%, 0.5%

LAB 53.45, -0.77, 0.95

 

CMYK 14 / 0 / 28 / 42

HEX #80946A

RGB 128 148 106

HSL 88.57, 0.17%, 0.5%

LAB 58.8, -14.97, 19.92

 

CMYK 65 / 61 / 0 / 26

HEX #424ABC

RGB 66 74 188

HSL 236.07, 0.48%, 0.5%

LAB 37.27, 32.99, -61.12

 

CMYK 52 / 65 / 0 / 26

HEX #5A42BC

RGB 90 66 188

HSL 251.8, 0.48%, 0.5%

LAB 37.3, 41.9, -61

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 17 / 65 / 0 / 26

HEX #9C42BC

RGB 156 66 188

HSL 284.26, 0.48%, 0.5%

LAB 45.07, 55.97, -48.06

 

CMYK 0 / 65 / 0 / 26

HEX #BC42BC

RGB 188 66 188

HSL 300, 0.48%, 0.5%

LAB 49.76, 63.53, -40.32

 

CMYK 35 / 65 / 0 / 50

HEX #532C7F

RGB 83 44 127

HSL 268.19, 0.49%, 0.34%

LAB 27.22, 35.52, -40.37

 

CMYK 35 / 65 / 0 / 38

HEX #67379E

RGB 103 55 158

HSL 267.96, 0.48%, 0.42%

LAB 34.16, 42.28, -48.16

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 28 / 52 / 0 / 22

HEX #9060C7

RGB 144 96 199

HSL 267.96, 0.48%, 0.58%

LAB 50, 40.06, -46.66

 

CMYK 21 / 40 / 0 / 18

HEX #A67FD2

RGB 166 127 210

HSL 268.19, 0.48%, 0.66%

LAB 59.83, 31.34, -37.24

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 0 / 65 / 43 / 26

HEX #BC426B

RGB 188 66 107

HSL 339.84, 0.48%, 0.5%

LAB 46.51, 52.37, 3.14

 

CMYK 65 / 0 / 61 / 26

HEX #42BC4A

RGB 66 188 74

HSL 123.93, 0.48%, 0.5%

LAB 67.74, -56.45, 46.89

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 65 / 0 / 35 / 26

HEX #42BC7B

RGB 66 188 123

HSL 148.03, 0.48%, 0.5%

LAB 68.43, -48.74, 23.22

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 0 / 65 / 43 / 26

HEX #BC426B

RGB 188 66 107

HSL 339.84, 0.48%, 0.5%

LAB 46.51, 52.37, 3.14

 

CMYK 30 / 0 / 65 / 26

HEX #83BC42

RGB 131 188 66

HSL 88.03, 0.48%, 0.5%

LAB 70.31, -38.02, 53.96

 

CMYK 65 / 0 / 22 / 26

HEX #42BC93

RGB 66 188 147

HSL 159.84, 0.48%, 0.5%

LAB 68.92, -43.56, 10.95

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 0 / 65 / 63 / 26

HEX #BC4246

RGB 188 66 70

HSL 358.03, 0.48%, 0.5%

LAB 45.68, 49.28, 24.57

 

CMYK 30 / 0 / 65 / 26

HEX #83BC42

RGB 131 188 66

HSL 88.03, 0.48%, 0.5%

LAB 70.31, -38.02, 53.96

 

CMYK 65 / 0 / 2 / 26

HEX #42BCB8

RGB 66 188 184

HSL 178.03, 0.48%, 0.5%

LAB 69.88, -34.04, -7.91

 

Description

Color code: HEX #7B42BC | qconv.com Color code: HEX #7B42BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 66 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 66 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 65 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 65% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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