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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7B42 it is the complementary color #4384BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7B42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7B42 shade: #C17B3D, #D28D50, #E39F63, #F4B176 and #FFC389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7B42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7B42 shade: #BC7B42, #AB692F, #9A571C, #894509 and #783300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7B42 shade: #BC7B42, #BC5A42 and #BC4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7B42 shade: #BC7B42, #BC9C42, #BBBC42, #9ABC42 and #79BC42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7B42 shade matches the following richer shades: #BC7B42, #D17A2D, #E57819 and #FA7704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7B42 shade: #BC7B42, #A87C56, #937E6B, #7E7F80 and #6A8094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7B42 shade: #BC424A, #BC5A42, #BC7B42, #BC9C42 and #BCBC42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7B42 shade: #7F532C, #9E6737, #BC7B42, #C79060 and #D2A67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7B42 shade: #BC7B42, #6BBC42 and #4A42BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7B42 shade: #BC7B42, #42BC7B and #7B42BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7B42 shade: #BC7B42, #6BBC42, #4283BC and #9342BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7B42 shade: #BC7B42, #46BC42, #4283BC and #B842BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

Complementary color

CMYK 65 / 30 / 0 / 26

HEX #4384BD

RGB 67 132 189

HSL 208.03, 0.48%, 0.5%

LAB 53.35, -2.77, -35.98

 

CMYK 0 / 36 / 68 / 24

HEX #C17B3D

RGB 193 123 61

HSL 28.18, 0.52%, 0.5%

LAB 57.89, 21.65, 44.23

 

CMYK 0 / 33 / 62 / 18

HEX #D28D50

RGB 210 141 80

HSL 28.15, 0.59%, 0.57%

LAB 64.43, 20.22, 42.66

 

CMYK 0 / 30 / 56 / 11

HEX #E39F63

RGB 227 159 99

HSL 28.13, 0.7%, 0.64%

LAB 70.89, 18.97, 41.12

 

CMYK 0 / 27 / 52 / 4

HEX #F4B176

RGB 244 177 118

HSL 28.1, 0.85%, 0.71%

LAB 77.27, 17.88, 39.66

 

CMYK 0 / 24 / 46 / 0

HEX #FFC389

RGB 255 195 137

HSL 29.49, 1%, 0.77%

LAB 82.96, 14.55, 37.36

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 0 / 39 / 73 / 33

HEX #AB692F

RGB 171 105 47

HSL 28.06, 0.57%, 0.43%

LAB 50.65, 21.38, 42.48

 

CMYK 0 / 44 / 82 / 40

HEX #9A571C

RGB 154 87 28

HSL 28.1, 0.69%, 0.36%

LAB 43.9, 23.21, 43.8

 

CMYK 0 / 50 / 93 / 46

HEX #894509

RGB 137 69 9

HSL 28.13, 0.88%, 0.29%

LAB 37.1, 25.33, 44.13

 

CMYK 0 / 58 / 100 / 53

HEX #783300

RGB 120 51 0

HSL 25.5, 1%, 0.24%

LAB 30.3, 27.71, 41.42

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 0 / 52 / 65 / 26

HEX #BC5A42

RGB 188 90 66

HSL 11.8, 0.48%, 0.5%

LAB 49.97, 37.6, 32.25

 

CMYK 0 / 65 / 65 / 26

HEX #BC4242

RGB 188 66 66

HSL 0, 0.48%, 0.5%

LAB 45.61, 49.02, 26.88

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 0 / 17 / 65 / 26

HEX #BC9C42

RGB 188 156 66

HSL 44.26, 0.48%, 0.5%

LAB 65.64, 1.68, 50.19

 

CMYK 1 / 0 / 65 / 26

HEX #BBBC42

RGB 187 188 66

HSL 60.49, 0.48%, 0.5%

LAB 74.14, -15.54, 59.18

 

CMYK 18 / 0 / 65 / 26

HEX #9ABC42

RGB 154 188 66

HSL 76.72, 0.48%, 0.5%

LAB 71.71, -29.17, 55.88

 

CMYK 36 / 0 / 65 / 26

HEX #79BC42

RGB 121 188 66

HSL 92.95, 0.48%, 0.5%

LAB 69.77, -41.62, 53.23

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 0 / 42 / 78 / 18

HEX #D17A2D

RGB 209 122 45

HSL 28.17, 0.65%, 0.5%

LAB 59.58, 28.19, 54.02

 

CMYK 0 / 48 / 89 / 10

HEX #E57819

RGB 229 120 25

HSL 27.94, 0.8%, 0.5%

LAB 61.79, 36.88, 64.09

 

CMYK 0 / 52 / 98 / 2

HEX #FA7704

RGB 250 119 4

HSL 28.05, 0.97%, 0.5%

LAB 64.58, 45.34, 71.58

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 0 / 26 / 49 / 34

HEX #A87C56

RGB 168 124 86

HSL 27.8, 0.32%, 0.5%

LAB 55.49, 12.35, 27.37

 

CMYK 0 / 14 / 27 / 42

HEX #937E6B

RGB 147 126 107

HSL 28.5, 0.16%, 0.5%

LAB 54.22, 4.99, 13.33

 

CMYK 2 / 1 / 0 / 50

HEX #7E7F80

RGB 126 127 128

HSL 210, 0.01%, 0.5%

LAB 53.14, -0.17, -0.68

 

CMYK 28 / 14 / 0 / 42

HEX #6A8094

RGB 106 128 148

HSL 208.57, 0.17%, 0.5%

LAB 52.55, -3.09, -13.37

 

CMYK 0 / 65 / 61 / 26

HEX #BC424A

RGB 188 66 74

HSL 356.07, 0.48%, 0.5%

LAB 45.75, 49.54, 22.25

 

CMYK 0 / 52 / 65 / 26

HEX #BC5A42

RGB 188 90 66

HSL 11.8, 0.48%, 0.5%

LAB 49.97, 37.6, 32.25

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 0 / 17 / 65 / 26

HEX #BC9C42

RGB 188 156 66

HSL 44.26, 0.48%, 0.5%

LAB 65.64, 1.68, 50.19

 

CMYK 0 / 0 / 65 / 26

HEX #BCBC42

RGB 188 188 66

HSL 60, 0.48%, 0.5%

LAB 74.22, -15.12, 59.29

 

CMYK 0 / 35 / 65 / 50

HEX #7F532C

RGB 127 83 44

HSL 28.19, 0.49%, 0.34%

LAB 39.38, 14.21, 29.92

 

CMYK 0 / 35 / 65 / 38

HEX #9E6737

RGB 158 103 55

HSL 27.96, 0.48%, 0.42%

LAB 48.57, 17.29, 35.61

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 0 / 28 / 52 / 22

HEX #C79060

RGB 199 144 96

HSL 27.96, 0.48%, 0.58%

LAB 64.11, 15.26, 33.59

 

CMYK 0 / 21 / 40 / 18

HEX #D2A67F

RGB 210 166 127

HSL 28.19, 0.48%, 0.66%

LAB 71.22, 10.98, 26.36

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 43 / 0 / 65 / 26

HEX #6BBC42

RGB 107 188 66

HSL 99.84, 0.48%, 0.5%

LAB 69.1, -46.33, 52.31

 

CMYK 61 / 65 / 0 / 26

HEX #4A42BC

RGB 74 66 188

HSL 243.93, 0.48%, 0.5%

LAB 35.95, 39.18, -63.25

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 65 / 0 / 35 / 26

HEX #42BC7B

RGB 66 188 123

HSL 148.03, 0.48%, 0.5%

LAB 68.43, -48.74, 23.22

 

CMYK 35 / 65 / 0 / 26

HEX #7B42BC

RGB 123 66 188

HSL 268.03, 0.48%, 0.5%

LAB 40.8, 48.53, -55.16

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 43 / 0 / 65 / 26

HEX #6BBC42

RGB 107 188 66

HSL 99.84, 0.48%, 0.5%

LAB 69.1, -46.33, 52.31

 

CMYK 65 / 30 / 0 / 26

HEX #4283BC

RGB 66 131 188

HSL 208.03, 0.48%, 0.5%

LAB 52.97, -2.7, -36.01

 

CMYK 22 / 65 / 0 / 26

HEX #9342BC

RGB 147 66 188

HSL 279.84, 0.48%, 0.5%

LAB 43.84, 53.89, -50.1

 

CMYK 0 / 35 / 65 / 26

HEX #BC7B42

RGB 188 123 66

HSL 28.03, 0.48%, 0.5%

LAB 57.32, 19.82, 40.9

 

CMYK 63 / 0 / 65 / 26

HEX #46BC42

RGB 70 188 66

HSL 118.03, 0.48%, 0.5%

LAB 67.77, -56.46, 50.47

 

CMYK 65 / 30 / 0 / 26

HEX #4283BC

RGB 66 131 188

HSL 208.03, 0.48%, 0.5%

LAB 52.97, -2.7, -36.01

 

CMYK 2 / 65 / 0 / 26

HEX #B842BC

RGB 184 66 188

HSL 298.03, 0.48%, 0.5%

LAB 49.15, 62.58, -41.32

 

Description

Color code: HEX #BC7B42 | qconv.com Color code: HEX #BC7B42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 123 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 123 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 65 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 65% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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