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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B58E8 it is the complementary color #84A717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B58E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B58E8 shade: #8058E3, #916AF6, #A27CFF, #B38EFF and #C4A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B58E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B58E8 shade: #7B58E8, #6A46D5, #5934C2, #4822AF and #37109C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B58E8 shade: #7B58E8, #A258E8, #C958E8, #E858E0 and #E858BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B58E8 shade: #7B58E8 and #5858E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B58E8 shade matches the following richer shades: #7B58E8 and #7349F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B58E8 shade: #7B58E8, #8368D9, #8B77C9, #9386BA and #9B96AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B58E8 shade: #5883E8, #585DE8, #7A58E8, #A058E8 and #C658E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B58E8 shade: #481CD2, #5F34E3, #7B58E8, #987DED and #B5A1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B58E8 shade: #7B58E8, #E858AA and #70E858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B58E8 shade: #7B58E8, #E87A58 and #58E87A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B58E8 shade: #7B58E8, #E858AA, #C6E858 and #58E897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B58E8 shade: #7B58E8, #E8587F, #C6E858 and #58E8C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

Complementary color

CMYK 21 / 0 / 86 / 35

HEX #84A717

RGB 132 167 23

HSL 74.58, 0.76%, 0.37%

LAB 63.84, -30.37, 62.12

 

CMYK 44 / 61 / 0 / 11

HEX #8058E3

RGB 128 88 227

HSL 257.27, 0.71%, 0.62%

LAB 48.4, 48.04, -65.27

 

CMYK 41 / 57 / 0 / 4

HEX #916AF6

RGB 145 106 246

HSL 256.71, 0.89%, 0.69%

LAB 55.05, 46.8, -65.09

 

CMYK 36 / 51 / 0 / 0

HEX #A27CFF

RGB 162 124 255

HSL 257.4, 1%, 0.74%

LAB 61.06, 43.03, -60.34

 

CMYK 30 / 44 / 0 / 0

HEX #B38EFF

RGB 179 142 255

HSL 259.65, 1%, 0.78%

LAB 66.63, 37.27, -51.38

 

CMYK 23 / 37 / 0 / 0

HEX #C4A0FF

RGB 196 160 255

HSL 262.74, 1%, 0.81%

LAB 72.29, 31.96, -42.37

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 50 / 67 / 0 / 16

HEX #6A46D5

RGB 106 70 213

HSL 255.1, 0.63%, 0.55%

LAB 41.61, 49.8, -68.43

 

CMYK 54 / 73 / 0 / 24

HEX #5934C2

RGB 89 52 194

HSL 255.63, 0.58%, 0.48%

LAB 34.95, 51.09, -68.36

 

CMYK 59 / 81 / 0 / 31

HEX #4822AF

RGB 72 34 175

HSL 256.17, 0.67%, 0.41%

LAB 28.42, 52.05, -67.9

 

CMYK 65 / 90 / 0 / 39

HEX #37109C

RGB 55 16 156

HSL 256.71, 0.81%, 0.34%

LAB 22.24, 52.09, -66.67

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 30 / 62 / 0 / 9

HEX #A258E8

RGB 162 88 232

HSL 270.83, 0.76%, 0.63%

LAB 52.38, 56.51, -61.48

 

CMYK 13 / 62 / 0 / 9

HEX #C958E8

RGB 201 88 232

HSL 287.08, 0.76%, 0.63%

LAB 57.29, 65.35, -53.34

 

CMYK 0 / 62 / 3 / 9

HEX #E858E0

RGB 232 88 224

HSL 303.33, 0.76%, 0.63%

LAB 61.24, 71.32, -42.34

 

CMYK 0 / 62 / 20 / 9

HEX #E858BA

RGB 232 88 186

HSL 319.17, 0.76%, 0.63%

LAB 59.6, 65.65, -23.33

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 62 / 62 / 0 / 9

HEX #5858E8

RGB 88 88 232

HSL 240, 0.76%, 0.63%

LAB 45.47, 42.41, -73.01

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 53 / 70 / 0 / 3

HEX #7349F7

RGB 115 73 247

HSL 254.48, 0.92%, 0.63%

LAB 45.81, 59.17, -80.81

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 40 / 52 / 0 / 15

HEX #8368D9

RGB 131 104 217

HSL 254.34, 0.6%, 0.63%

LAB 51.54, 36.9, -54.55

 

CMYK 31 / 41 / 0 / 21

HEX #8B77C9

RGB 139 119 201

HSL 254.63, 0.43%, 0.63%

LAB 54.97, 25.95, -39.96

 

CMYK 21 / 28 / 0 / 27

HEX #9386BA

RGB 147 134 186

HSL 255, 0.27%, 0.63%

LAB 58.79, 15.87, -25.44

 

CMYK 9 / 12 / 0 / 33

HEX #9B96AB

RGB 155 150 171

HSL 254.29, 0.11%, 0.63%

LAB 63.11, 6.02, -10.31

 

CMYK 62 / 44 / 0 / 9

HEX #5883E8

RGB 88 131 232

HSL 222.08, 0.76%, 0.63%

LAB 56.22, 16.19, -55.65

 

CMYK 62 / 60 / 0 / 9

HEX #585DE8

RGB 88 93 232

HSL 237.92, 0.76%, 0.63%

LAB 46.62, 39.42, -71.14

 

CMYK 47 / 62 / 0 / 9

HEX #7A58E8

RGB 122 88 232

HSL 254.17, 0.76%, 0.63%

LAB 48.19, 48.24, -68.47

 

CMYK 31 / 62 / 0 / 9

HEX #A058E8

RGB 160 88 232

HSL 270, 0.76%, 0.63%

LAB 52.15, 56.07, -61.87

 

CMYK 15 / 62 / 0 / 9

HEX #C658E8

RGB 198 88 232

HSL 285.83, 0.76%, 0.63%

LAB 56.89, 64.66, -54.01

 

CMYK 66 / 87 / 0 / 18

HEX #481CD2

RGB 72 28 210

HSL 254.51, 0.76%, 0.47%

LAB 31.49, 63.82, -83.46

 

CMYK 58 / 77 / 0 / 11

HEX #5F34E3

RGB 95 52 227

HSL 254.74, 0.76%, 0.55%

LAB 38.61, 61.07, -81.4

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 36 / 47 / 0 / 7

HEX #987DED

RGB 152 125 237

HSL 254.46, 0.76%, 0.71%

LAB 59.4, 35.33, -53.11

 

CMYK 25 / 33 / 0 / 5

HEX #B5A1F2

RGB 181 161 242

HSL 254.81, 0.76%, 0.79%

LAB 70.68, 24.07, -37.93

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 0 / 62 / 27 / 9

HEX #E858AA

RGB 232 88 170

HSL 325.83, 0.76%, 0.63%

LAB 59.01, 63.55, -15.01

 

CMYK 52 / 0 / 62 / 9

HEX #70E858

RGB 112 232 88

HSL 110, 0.76%, 0.63%

LAB 82.84, -59.97, 58.25

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 0 / 47 / 62 / 9

HEX #E87A58

RGB 232 122 88

HSL 14.17, 0.76%, 0.63%

LAB 63.16, 39.63, 37.62

 

CMYK 62 / 0 / 47 / 9

HEX #58E87A

RGB 88 232 122

HSL 134.17, 0.76%, 0.63%

LAB 82.48, -61.41, 42.15

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 0 / 62 / 27 / 9

HEX #E858AA

RGB 232 88 170

HSL 325.83, 0.76%, 0.63%

LAB 59.01, 63.55, -15.01

 

CMYK 15 / 0 / 62 / 9

HEX #C6E858

RGB 198 232 88

HSL 74.17, 0.76%, 0.63%

LAB 87.2, -30.97, 64.28

 

CMYK 62 / 0 / 35 / 9

HEX #58E897

RGB 88 232 151

HSL 146.25, 0.76%, 0.63%

LAB 82.93, -56.56, 28.26

 

CMYK 47 / 62 / 0 / 9

HEX #7B58E8

RGB 123 88 232

HSL 254.58, 0.76%, 0.63%

LAB 48.28, 48.43, -68.31

 

CMYK 0 / 62 / 45 / 9

HEX #E8587F

RGB 232 88 127

HSL 343.75, 0.76%, 0.63%

LAB 57.72, 58.8, 8.18

 

CMYK 15 / 0 / 62 / 9

HEX #C6E858

RGB 198 232 88

HSL 74.17, 0.76%, 0.63%

LAB 87.2, -30.97, 64.28

 

CMYK 62 / 0 / 16 / 9

HEX #58E8C2

RGB 88 232 194

HSL 164.17, 0.76%, 0.63%

LAB 83.8, -47.48, 7.12

 

Description

Color code: HEX #7B58E8 | qconv.com Color code: HEX #7B58E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 88 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 88 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 62 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 62% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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