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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C2E1C it is the complementary color #83D1E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C2E1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C2E1C shade: #812E17, #92402A, #A3523D, #B46450 and #C57663

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C2E1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C2E1C shade: #7C2E1C, #6B1C09, #5A0A00, #490000 and #380000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C2E1C shade: #7C2E1C and #7C1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C2E1C shade: #7C2E1C, #7C481C, #7C621C, #7C7C1C and #637C1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C2E1C shade matches the following richer shades: #7C2E1C, #89260F and #951E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C2E1C shade: #7C2E1C, #703628, #633D35, #574541 and #4B4D4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C2E1C shade: #7C1C3E, #7C1C24, #7C2D1C, #7C471C and #7C611C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C2E1C shade: #39150D, #5B2114, #7C2E1C, #9E3A23 and #BF472B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C2E1C shade: #7C2E1C, #577C1C and #1C317C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C2E1C shade: #7C2E1C, #1C7C2D and #2D1C7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C2E1C shade: #7C2E1C, #577C1C, #1C6B7C and #411C7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C2E1C shade: #7C2E1C, #3A7C1C, #1C6B7C and #5E1C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

Complementary color

CMYK 42 / 8 / 0 / 11

HEX #83D1E3

RGB 131 209 227

HSL 191.25, 0.63%, 0.7%

LAB 79.6, -19.42, -16.43

 

CMYK 0 / 64 / 82 / 49

HEX #812E17

RGB 129 46 23

HSL 13.02, 0.7%, 0.3%

LAB 31.07, 34.58, 32.55

 

CMYK 0 / 56 / 71 / 43

HEX #92402A

RGB 146 64 42

HSL 12.69, 0.55%, 0.37%

LAB 37.74, 33.07, 29.89

 

CMYK 0 / 50 / 63 / 36

HEX #A3523D

RGB 163 82 61

HSL 12.35, 0.46%, 0.44%

LAB 44.46, 31.57, 27.51

 

CMYK 0 / 44 / 56 / 29

HEX #B46450

RGB 180 100 80

HSL 12, 0.4%, 0.51%

LAB 51.15, 30.19, 25.46

 

CMYK 0 / 40 / 50 / 23

HEX #C57663

RGB 197 118 99

HSL 11.63, 0.46%, 0.58%

LAB 57.78, 28.94, 23.69

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 0 / 74 / 92 / 58

HEX #6B1C09

RGB 107 28 9

HSL 11.63, 0.84%, 0.23%

LAB 23.59, 34.11, 30.92

 

CMYK 0 / 89 / 100 / 65

HEX #5A0A00

RGB 90 10 0

HSL 6.67, 1%, 0.18%

LAB 17.42, 34.47, 26.69

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 100 / 100 / 78

HEX #380000

RGB 56 0 0

HSL 0, 1%, 0.11%

LAB 7.59, 27.26, 12

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 0 / 77 / 77 / 51

HEX #7C1C1C

RGB 124 28 28

HSL 0, 0.63%, 0.3%

LAB 27.3, 40.75, 25.34

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 0 / 42 / 77 / 51

HEX #7C481C

RGB 124 72 28

HSL 27.5, 0.63%, 0.3%

LAB 35.99, 18.37, 34.63

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 0 / 0 / 77 / 51

HEX #7C7C1C

RGB 124 124 28

HSL 60, 0.63%, 0.3%

LAB 50.43, -11.84, 48.64

 

CMYK 20 / 0 / 77 / 51

HEX #637C1C

RGB 99 124 28

HSL 75.63, 0.63%, 0.3%

LAB 48.45, -23.11, 46.07

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 0 / 72 / 89 / 46

HEX #89260F

RGB 137 38 15

HSL 11.31, 0.8%, 0.3%

LAB 31.21, 40.9, 37.28

 

CMYK 0 / 80 / 98 / 42

HEX #951E03

RGB 149 30 3

HSL 11.1, 0.96%, 0.3%

LAB 32.53, 47.59, 44.35

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 0 / 52 / 64 / 56

HEX #703628

RGB 112 54 40

HSL 11.67, 0.47%, 0.3%

LAB 30, 24.3, 20.5

 

CMYK 0 / 38 / 46 / 61

HEX #633D35

RGB 99 61 53

HSL 10.43, 0.3%, 0.3%

LAB 30.03, 15.65, 11.88

 

CMYK 0 / 21 / 25 / 66

HEX #574541

RGB 87 69 65

HSL 10.91, 0.14%, 0.3%

LAB 31.03, 7, 5.33

 

CMYK 3 / 0 / 0 / 70

HEX #4B4D4D

RGB 75 77 77

HSL 180, 0.01%, 0.3%

LAB 32.57, -0.81, -0.29

 

CMYK 0 / 77 / 50 / 51

HEX #7C1C3E

RGB 124 28 62

HSL 338.75, 0.63%, 0.3%

LAB 28.02, 43.1, 3.77

 

CMYK 0 / 77 / 71 / 51

HEX #7C1C24

RGB 124 28 36

HSL 355, 0.63%, 0.3%

LAB 27.42, 41.15, 20.35

 

CMYK 0 / 64 / 77 / 51

HEX #7C2D1C

RGB 124 45 28

HSL 10.63, 0.63%, 0.3%

LAB 30.02, 33.34, 28.35

 

CMYK 0 / 43 / 77 / 51

HEX #7C471C

RGB 124 71 28

HSL 26.88, 0.63%, 0.3%

LAB 35.74, 18.96, 34.38

 

CMYK 0 / 22 / 77 / 51

HEX #7C611C

RGB 124 97 28

HSL 43.13, 0.63%, 0.3%

LAB 42.64, 3.51, 41.25

 

CMYK 0 / 63 / 77 / 78

HEX #39150D

RGB 57 21 13

HSL 10.91, 0.63%, 0.14%

LAB 12.19, 17.17, 13.14

 

CMYK 0 / 64 / 78 / 64

HEX #5B2114

RGB 91 33 20

HSL 10.99, 0.64%, 0.22%

LAB 21.44, 25.77, 22.01

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 0 / 63 / 78 / 38

HEX #9E3A23

RGB 158 58 35

HSL 11.22, 0.64%, 0.38%

LAB 38.58, 40.34, 35.34

 

CMYK 0 / 63 / 77 / 25

HEX #BF472B

RGB 191 71 43

HSL 11.35, 0.63%, 0.46%

LAB 46.65, 46.73, 41.25

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 30 / 0 / 77 / 51

HEX #577C1C

RGB 87 124 28

HSL 83.13, 0.63%, 0.3%

LAB 47.66, -28.18, 45.03

 

CMYK 77 / 60 / 0 / 51

HEX #1C317C

RGB 28 49 124

HSL 226.88, 0.63%, 0.3%

LAB 23.33, 20.46, -45.01

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 77 / 0 / 64 / 51

HEX #1C7C2D

RGB 28 124 45

HSL 130.63, 0.63%, 0.3%

LAB 45.43, -44.21, 34.68

 

CMYK 64 / 77 / 0 / 51

HEX #2D1C7C

RGB 45 28 124

HSL 250.63, 0.63%, 0.3%

LAB 19.41, 36.41, -51.39

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 30 / 0 / 77 / 51

HEX #577C1C

RGB 87 124 28

HSL 83.13, 0.63%, 0.3%

LAB 47.66, -28.18, 45.03

 

CMYK 77 / 14 / 0 / 51

HEX #1C6B7C

RGB 28 107 124

HSL 190.63, 0.63%, 0.3%

LAB 41.56, -17.09, -16.19

 

CMYK 48 / 77 / 0 / 51

HEX #411C7C

RGB 65 28 124

HSL 263.13, 0.63%, 0.3%

LAB 21.61, 39.5, -47.68

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 53 / 0 / 77 / 51

HEX #3A7C1C

RGB 58 124 28

HSL 101.25, 0.63%, 0.3%

LAB 46.18, -38.74, 43.08

 

CMYK 77 / 14 / 0 / 51

HEX #1C6B7C

RGB 28 107 124

HSL 190.63, 0.63%, 0.3%

LAB 41.56, -17.09, -16.19

 

CMYK 24 / 77 / 0 / 51

HEX #5E1C7C

RGB 94 28 124

HSL 281.25, 0.63%, 0.3%

LAB 25.76, 45.07, -40.76

 

Description

Color code: HEX #7C2E1C | qconv.com Color code: HEX #7C2E1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 46 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 46 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 77 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 77% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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