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Color name
RGB 124 98 28

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 98 28 it is the complementary color RGB 131 157 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 98 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 98 28 shade: RGB 129 98 23, RGB 146 116 42, RGB 163 134 61, RGB 180 152 80 and RGB 197 170 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 98 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 107 80 9, RGB 90 62 0, RGB 73 44 0 and RGB 56 26 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 124 72 28, RGB 124 46 28 and RGB 124 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 124 124 28, RGB 98 124 28, RGB 72 124 28 and RGB 46 124 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 98 28 shade matches the following richer shades: RGB 124 98 28, RGB 137 104 15 and RGB 149 109 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 112 92 40, RGB 99 87 53, RGB 87 81 65 and RGB 75 75 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 98 28 shade: RGB 124 45 28, RGB 124 71 28, RGB 124 97 28, RGB 124 123 28 and RGB 100 124 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 98 28 shade: RGB 57 45 13, RGB 91 72 20, RGB 124 98 28, RGB 158 125 35 and RGB 191 151 43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 36 124 28 and RGB 58 28 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 28 124 97 and RGB 97 28 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 36 124 28, RGB 28 55 124 and RGB 116 28 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 98 28 shade: RGB 124 98 28, RGB 28 124 49, RGB 28 55 124 and RGB 124 28 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

Complementary color

CMYK 42 / 31 / 0 / 11

HEX #839DE3

RGB 131 157 227

HSL 223.75, 0.63%, 0.7%

LAB 65.35, 8.71, -38.3

 

CMYK 0 / 24 / 82 / 49

HEX #816217

RGB 129 98 23

HSL 42.45, 0.7%, 0.3%

LAB 43.45, 5.09, 44.23

 

CMYK 0 / 21 / 71 / 43

HEX #92742A

RGB 146 116 42

HSL 42.69, 0.55%, 0.37%

LAB 50.42, 3.58, 43.68

 

CMYK 0 / 18 / 63 / 36

HEX #A3863D

RGB 163 134 61

HSL 42.94, 0.46%, 0.44%

LAB 57.24, 2.38, 42.57

 

CMYK 0 / 16 / 56 / 29

HEX #B49850

RGB 180 152 80

HSL 43.2, 0.4%, 0.51%

LAB 63.95, 1.4, 41.3

 

CMYK 0 / 14 / 50 / 23

HEX #C5AA63

RGB 197 170 99

HSL 43.47, 0.46%, 0.58%

LAB 70.54, 0.59, 39.99

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 0 / 25 / 92 / 58

HEX #6B5009

RGB 107 80 9

HSL 43.47, 0.84%, 0.23%

LAB 35.76, 4.65, 41.3

 

CMYK 0 / 31 / 100 / 65

HEX #5A3E00

RGB 90 62 0

HSL 41.33, 1%, 0.18%

LAB 28.43, 6.9, 37.98

 

CMYK 0 / 40 / 100 / 71

HEX #492C00

RGB 73 44 0

HSL 36.16, 1%, 0.14%

LAB 20.9, 9.63, 29.89

 

CMYK 0 / 54 / 100 / 78

HEX #381A00

RGB 56 26 0

HSL 27.86, 1%, 0.11%

LAB 13.11, 12.59, 19.74

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 0 / 42 / 77 / 51

HEX #7C481C

RGB 124 72 28

HSL 27.5, 0.63%, 0.3%

LAB 35.99, 18.37, 34.63

 

CMYK 0 / 63 / 77 / 51

HEX #7C2E1C

RGB 124 46 28

HSL 11.25, 0.63%, 0.3%

LAB 30.21, 32.84, 28.56

 

CMYK 0 / 77 / 77 / 51

HEX #7C1C1C

RGB 124 28 28

HSL 0, 0.63%, 0.3%

LAB 27.3, 40.75, 25.34

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 0 / 0 / 77 / 51

HEX #7C7C1C

RGB 124 124 28

HSL 60, 0.63%, 0.3%

LAB 50.43, -11.84, 48.64

 

CMYK 21 / 0 / 77 / 51

HEX #627C1C

RGB 98 124 28

HSL 76.25, 0.63%, 0.3%

LAB 48.38, -23.54, 45.98

 

CMYK 42 / 0 / 77 / 51

HEX #487C1C

RGB 72 124 28

HSL 92.5, 0.63%, 0.3%

LAB 46.81, -34, 43.92

 

CMYK 63 / 0 / 77 / 51

HEX #2E7C1C

RGB 46 124 28

HSL 108.75, 0.63%, 0.3%

LAB 45.74, -42.16, 42.51

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 0 / 24 / 89 / 46

HEX #89680F

RGB 137 104 15

HSL 43.77, 0.8%, 0.3%

LAB 45.98, 5.15, 49.36

 

CMYK 0 / 27 / 98 / 42

HEX #956D03

RGB 149 109 3

HSL 43.56, 0.96%, 0.3%

LAB 48.68, 7.71, 54.75

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 0 / 18 / 64 / 56

HEX #705C28

RGB 112 92 40

HSL 43.33, 0.47%, 0.3%

LAB 40, 1.48, 32.33

 

CMYK 0 / 12 / 46 / 61

HEX #635735

RGB 99 87 53

HSL 44.35, 0.3%, 0.3%

LAB 37.35, -0.4, 21.52

 

CMYK 0 / 7 / 25 / 66

HEX #575141

RGB 87 81 65

HSL 43.64, 0.14%, 0.3%

LAB 34.59, -0.51, 10.32

 

CMYK 3 / 3 / 0 / 70

HEX #4B4B4D

RGB 75 75 77

HSL 240, 0.01%, 0.3%

LAB 31.95, 0.44, -1.19

 

CMYK 0 / 64 / 77 / 51

HEX #7C2D1C

RGB 124 45 28

HSL 10.63, 0.63%, 0.3%

LAB 30.02, 33.34, 28.35

 

CMYK 0 / 43 / 77 / 51

HEX #7C471C

RGB 124 71 28

HSL 26.88, 0.63%, 0.3%

LAB 35.74, 18.96, 34.38

 

CMYK 0 / 22 / 77 / 51

HEX #7C611C

RGB 124 97 28

HSL 43.13, 0.63%, 0.3%

LAB 42.64, 3.51, 41.25

 

CMYK 0 / 1 / 77 / 51

HEX #7C7B1C

RGB 124 123 28

HSL 59.38, 0.63%, 0.3%

LAB 50.14, -11.29, 48.37

 

CMYK 19 / 0 / 77 / 51

HEX #647C1C

RGB 100 124 28

HSL 75, 0.63%, 0.3%

LAB 48.52, -22.68, 46.16

 

CMYK 0 / 21 / 77 / 78

HEX #392D0D

RGB 57 45 13

HSL 43.64, 0.63%, 0.14%

LAB 19.12, 1.14, 21.89

 

CMYK 0 / 21 / 78 / 64

HEX #5B4814

RGB 91 72 20

HSL 43.94, 0.64%, 0.22%

LAB 31.6, 1.97, 32.68

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 0 / 21 / 78 / 38

HEX #9E7D23

RGB 158 125 35

HSL 43.9, 0.64%, 0.38%

LAB 54.09, 3.67, 50.67

 

CMYK 0 / 21 / 77 / 25

HEX #BF972B

RGB 191 151 43

HSL 43.78, 0.63%, 0.46%

LAB 64.47, 4.52, 58.66

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 71 / 0 / 77 / 51

HEX #247C1C

RGB 36 124 28

HSL 115, 0.63%, 0.3%

LAB 45.46, -44.48, 42.13

 

CMYK 53 / 77 / 0 / 51

HEX #3A1C7C

RGB 58 28 124

HSL 258.75, 0.63%, 0.3%

LAB 20.77, 38.33, -49.1

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 77 / 0 / 22 / 51

HEX #1C7C61

RGB 28 124 97

HSL 163.13, 0.63%, 0.3%

LAB 46.35, -33.92, 7.06

 

CMYK 22 / 77 / 0 / 51

HEX #611C7C

RGB 97 28 124

HSL 283.13, 0.63%, 0.3%

LAB 26.24, 45.7, -39.96

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 71 / 0 / 77 / 51

HEX #247C1C

RGB 36 124 28

HSL 115, 0.63%, 0.3%

LAB 45.46, -44.48, 42.13

 

CMYK 77 / 56 / 0 / 51

HEX #1C377C

RGB 28 55 124

HSL 223.13, 0.63%, 0.3%

LAB 25.06, 16.22, -42.2

 

CMYK 6 / 77 / 0 / 51

HEX #741C7C

RGB 116 28 124

HSL 295, 0.63%, 0.3%

LAB 29.41, 49.81, -34.7

 

CMYK 0 / 21 / 77 / 51

HEX #7C621C

RGB 124 98 28

HSL 43.75, 0.63%, 0.3%

LAB 42.92, 2.92, 41.53

 

CMYK 77 / 0 / 60 / 51

HEX #1C7C31

RGB 28 124 49

HSL 133.13, 0.63%, 0.3%

LAB 45.47, -43.68, 32.76

 

CMYK 77 / 56 / 0 / 51

HEX #1C377C

RGB 28 55 124

HSL 223.13, 0.63%, 0.3%

LAB 25.06, 16.22, -42.2

 

CMYK 0 / 77 / 17 / 51

HEX #7C1C67

RGB 124 28 103

HSL 313.13, 0.63%, 0.3%

LAB 29.65, 48.18, -20.82

 

Description

Color code: RGB 124 98 28 | qconv.com Color code: RGB 124 98 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 98 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 98 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 77 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 77% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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