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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5BE5 it is the complementary color #83A41A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5BE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5BE5 shade: #815BE0, #926DF3, #A37FFF, #B491FF and #C5A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5BE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5BE5 shade: #7C5BE5, #6B49D2, #5A37BF, #4925AC and #381399

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5BE5 shade: #7C5BE5, #A15BE5, #C75BE5, #E55BDE and #E55BB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5BE5 shade: #7C5BE5 and #5B5BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5BE5 shade matches the following richer shades: #7C5BE5 and #744CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5BE5 shade: #7C5BE5, #846BD6, #8C7AC6, #9489B7 and #9C98A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5BE5 shade: #5B85E5, #5B60E5, #7B5BE5, #A05BE5 and #C55BE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5BE5 shade: #4920CE, #6038DF, #7C5BE5, #997FEB and #B5A3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5BE5 shade: #7C5BE5, #E55BA9 and #72E55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5BE5 shade: #7C5BE5, #E57B5B and #5BE57B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5BE5 shade: #7C5BE5, #E55BA9, #C5E55B and #5BE597

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5BE5 shade: #7C5BE5, #E55B80, #C5E55B and #5BE5C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

Complementary color

CMYK 20 / 0 / 84 / 36

HEX #83A41A

RGB 131 164 26

HSL 74.35, 0.73%, 0.37%

LAB 62.89, -29.26, 60.56

 

CMYK 42 / 59 / 0 / 12

HEX #815BE0

RGB 129 91 224

HSL 257.14, 0.68%, 0.62%

LAB 48.92, 45.77, -62.73

 

CMYK 40 / 55 / 0 / 5

HEX #926DF3

RGB 146 109 243

HSL 256.57, 0.85%, 0.69%

LAB 55.6, 44.55, -62.54

 

CMYK 36 / 50 / 0 / 0

HEX #A37FFF

RGB 163 127 255

HSL 256.88, 1%, 0.75%

LAB 61.81, 41.6, -59.13

 

CMYK 29 / 43 / 0 / 0

HEX #B491FF

RGB 180 145 255

HSL 259.09, 1%, 0.78%

LAB 67.41, 35.87, -50.15

 

CMYK 23 / 36 / 0 / 0

HEX #C5A3FF

RGB 197 163 255

HSL 262.17, 1%, 0.82%

LAB 73.08, 30.6, -41.14

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 49 / 65 / 0 / 18

HEX #6B49D2

RGB 107 73 210

HSL 254.89, 0.6%, 0.55%

LAB 42.07, 47.49, -65.95

 

CMYK 53 / 71 / 0 / 25

HEX #5A37BF

RGB 90 55 191

HSL 255.44, 0.55%, 0.48%

LAB 35.34, 48.84, -65.97

 

CMYK 58 / 78 / 0 / 33

HEX #4925AC

RGB 73 37 172

HSL 256, 0.65%, 0.41%

LAB 28.69, 49.96, -65.66

 

CMYK 63 / 88 / 0 / 40

HEX #381399

RGB 56 19 153

HSL 256.57, 0.78%, 0.34%

LAB 22.33, 50.34, -64.69

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 30 / 60 / 0 / 10

HEX #A15BE5

RGB 161 91 229

HSL 270.43, 0.73%, 0.63%

LAB 52.64, 54.08, -59.39

 

CMYK 13 / 60 / 0 / 10

HEX #C75BE5

RGB 199 91 229

HSL 286.96, 0.73%, 0.63%

LAB 57.35, 62.97, -51.59

 

CMYK 0 / 60 / 3 / 10

HEX #E55BDE

RGB 229 91 222

HSL 303.04, 0.73%, 0.63%

LAB 61.15, 69.05, -41.39

 

CMYK 0 / 60 / 19 / 10

HEX #E55BB9

RGB 229 91 185

HSL 319.13, 0.73%, 0.63%

LAB 59.56, 63.44, -22.85

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 60 / 60 / 0 / 10

HEX #5B5BE5

RGB 91 91 229

HSL 240, 0.73%, 0.63%

LAB 46.13, 40.12, -70.23

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 52 / 69 / 0 / 4

HEX #744CF4

RGB 116 76 244

HSL 254.29, 0.88%, 0.63%

LAB 46.2, 56.97, -78.49

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 38 / 50 / 0 / 16

HEX #846BD6

RGB 132 107 214

HSL 254.02, 0.57%, 0.63%

LAB 52.15, 34.58, -51.86

 

CMYK 29 / 38 / 0 / 22

HEX #8C7AC6

RGB 140 122 198

HSL 254.21, 0.4%, 0.63%

LAB 55.66, 23.7, -37.17

 

CMYK 19 / 25 / 0 / 28

HEX #9489B7

RGB 148 137 183

HSL 254.35, 0.24%, 0.63%

LAB 59.53, 13.75, -22.58

 

CMYK 7 / 10 / 0 / 34

HEX #9C98A8

RGB 156 152 168

HSL 255, 0.08%, 0.63%

LAB 63.63, 4.62, -7.83

 

CMYK 60 / 42 / 0 / 10

HEX #5B85E5

RGB 91 133 229

HSL 221.74, 0.73%, 0.63%

LAB 56.74, 14.52, -53.14

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 46 / 60 / 0 / 10

HEX #7B5BE5

RGB 123 91 229

HSL 253.91, 0.73%, 0.63%

LAB 48.7, 45.92, -65.94

 

CMYK 30 / 60 / 0 / 10

HEX #A05BE5

RGB 160 91 229

HSL 270, 0.73%, 0.63%

LAB 52.52, 53.85, -59.58

 

CMYK 14 / 60 / 0 / 10

HEX #C55BE5

RGB 197 91 229

HSL 286.09, 0.73%, 0.63%

LAB 57.08, 62.49, -52.02

 

CMYK 65 / 84 / 0 / 19

HEX #4920CE

RGB 73 32 206

HSL 254.14, 0.73%, 0.47%

LAB 31.59, 61.44, -80.97

 

CMYK 57 / 75 / 0 / 13

HEX #6038DF

RGB 96 56 223

HSL 254.37, 0.72%, 0.55%

LAB 38.97, 58.23, -78.52

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 35 / 46 / 0 / 8

HEX #997FEB

RGB 153 127 235

HSL 254.44, 0.73%, 0.71%

LAB 59.84, 33.92, -51.28

 

CMYK 25 / 32 / 0 / 6

HEX #B5A3F0

RGB 181 163 240

HSL 254.03, 0.72%, 0.79%

LAB 71.08, 22.48, -36.21

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 0 / 60 / 26 / 10

HEX #E55BA9

RGB 229 91 169

HSL 326.09, 0.73%, 0.63%

LAB 58.98, 61.29, -14.53

 

CMYK 50 / 0 / 60 / 10

HEX #72E55B

RGB 114 229 91

HSL 110, 0.73%, 0.63%

LAB 82.04, -58.01, 56.09

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 0 / 46 / 60 / 10

HEX #E57B5B

RGB 229 123 91

HSL 13.91, 0.73%, 0.63%

LAB 62.99, 38.17, 35.69

 

CMYK 60 / 0 / 46 / 10

HEX #5BE57B

RGB 91 229 123

HSL 133.91, 0.73%, 0.63%

LAB 81.67, -59.54, 40.66

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 0 / 60 / 26 / 10

HEX #E55BA9

RGB 229 91 169

HSL 326.09, 0.73%, 0.63%

LAB 58.98, 61.29, -14.53

 

CMYK 14 / 0 / 60 / 10

HEX #C5E55B

RGB 197 229 91

HSL 73.91, 0.73%, 0.63%

LAB 86.34, -29.74, 62.07

 

CMYK 60 / 0 / 34 / 10

HEX #5BE597

RGB 91 229 151

HSL 146.09, 0.73%, 0.63%

LAB 82.11, -54.8, 27.17

 

CMYK 46 / 60 / 0 / 10

HEX #7C5BE5

RGB 124 91 229

HSL 254.35, 0.73%, 0.63%

LAB 48.79, 46.12, -65.79

 

CMYK 0 / 60 / 44 / 10

HEX #E55B80

RGB 229 91 128

HSL 343.91, 0.73%, 0.63%

LAB 57.75, 56.65, 7.57

 

CMYK 14 / 0 / 60 / 10

HEX #C5E55B

RGB 197 229 91

HSL 73.91, 0.73%, 0.63%

LAB 86.34, -29.74, 62.07

 

CMYK 60 / 0 / 16 / 10

HEX #5BE5C0

RGB 91 229 192

HSL 163.91, 0.73%, 0.63%

LAB 82.95, -46.13, 6.96

 

Description

Color code: HEX #7C5BE5 | qconv.com Color code: HEX #7C5BE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 91 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 91 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 60 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 60% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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