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Color name
HEX #7C652A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C652A it is the complementary color #839AD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C652A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C652A shade: #816525, #927738, #A3894B, #B49B5E and #C5AD71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C652A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C652A shade: #7C652A, #6B5317, #5A4104, #492F00 and #381D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C652A shade: #7D662A, #7D502A, #7D392A and #7D2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C652A shade: #7D662A, #7D7C2A, #687D2A, #517D2A and #3B7D2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C652A shade matches the following richer shades: #7D662A, #8A6C1D, #98720F and #A67802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C652A shade: #7D662A, #6F6038, #625A46, #545453 and #464E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C652A shade: #7D3A2A, #7D502A, #7D662A, #7D7C2A and #687D2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C652A shade: #3F3415, #5E4D20, #7D662A, #9C7F35 and #BA983F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C652A shade: #7C652A, #317D2A and #452A7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C652A shade: #7C652A, #2A7D66 and #662A7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C652A shade: #7C652A, #317D2A, #2A427D and #762A7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C652A shade: #7C652A, #2A7D3C, #2A427D and #7D2A6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 66 / 51

HEX #7C652A

RGB 124 101 42

HSL 43.17, 0.49%, 0.33%

LAB 43.89, 2, 35.99

 

Complementary color

CMYK 38 / 28 / 0 / 16

HEX #839AD5

RGB 131 154 213

HSL 223.17, 0.49%, 0.67%

LAB 63.95, 6.55, -32.72

 

CMYK 0 / 22 / 71 / 49

HEX #816525

RGB 129 101 37

HSL 41.74, 0.55%, 0.33%

LAB 44.39, 4.02, 39.14

 

CMYK 0 / 18 / 62 / 43

HEX #927738

RGB 146 119 56

HSL 42, 0.45%, 0.4%

LAB 51.37, 2.81, 37.94

 

CMYK 0 / 16 / 54 / 36

HEX #A3894B

RGB 163 137 75

HSL 42.27, 0.37%, 0.47%

LAB 58.21, 1.84, 36.6

 

CMYK 0 / 14 / 48 / 29

HEX #B49B5E

RGB 180 155 94

HSL 42.56, 0.36%, 0.54%

LAB 64.93, 1.05, 35.26

 

CMYK 0 / 12 / 43 / 23

HEX #C5AD71

RGB 197 173 113

HSL 42.86, 0.42%, 0.61%

LAB 71.52, 0.39, 33.98

 

CMYK 0 / 19 / 66 / 51

HEX #7C652A

RGB 124 101 42

HSL 43.17, 0.49%, 0.33%

LAB 43.89, 2, 35.99

 

CMYK 0 / 22 / 79 / 58

HEX #6B5317

RGB 107 83 23

HSL 42.86, 0.65%, 0.25%

LAB 36.69, 3.36, 36.97

 

CMYK 0 / 28 / 96 / 65

HEX #5A4104

RGB 90 65 4

HSL 42.56, 0.91%, 0.18%

LAB 29.32, 5.16, 37.06

 

CMYK 0 / 36 / 100 / 71

HEX #492F00

RGB 73 47 0

HSL 38.63, 1%, 0.14%

LAB 21.76, 7.67, 30.83

 

CMYK 0 / 48 / 100 / 78

HEX #381D00

RGB 56 29 0

HSL 31.07, 1%, 0.11%

LAB 13.94, 10.58, 20.85

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 0 / 36 / 66 / 51

HEX #7D502A

RGB 125 80 42

HSL 27.47, 0.5%, 0.33%

LAB 38.31, 14.93, 29.73

 

CMYK 0 / 54 / 66 / 51

HEX #7D392A

RGB 125 57 42

HSL 10.84, 0.5%, 0.33%

LAB 32.82, 28.26, 23.2

 

CMYK 0 / 66 / 66 / 51

HEX #7D2A2A

RGB 125 42 42

HSL 0, 0.5%, 0.33%

LAB 29.87, 35.97, 19.55

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 0 / 1 / 66 / 51

HEX #7D7C2A

RGB 125 124 42

HSL 59.28, 0.5%, 0.33%

LAB 50.62, -10.6, 43.25

 

CMYK 17 / 0 / 66 / 51

HEX #687D2A

RGB 104 125 42

HSL 75.18, 0.5%, 0.33%

LAB 49.23, -20.52, 41.26

 

CMYK 35 / 0 / 66 / 51

HEX #517D2A

RGB 81 125 42

HSL 91.81, 0.5%, 0.33%

LAB 47.73, -29.98, 39.21

 

CMYK 53 / 0 / 66 / 51

HEX #3B7D2A

RGB 59 125 42

HSL 107.71, 0.5%, 0.33%

LAB 46.66, -37.61, 37.74

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 0 / 22 / 79 / 46

HEX #8A6C1D

RGB 138 108 29

HSL 43.49, 0.65%, 0.33%

LAB 47.26, 3.79, 45.8

 

CMYK 0 / 25 / 90 / 40

HEX #98720F

RGB 152 114 15

HSL 43.36, 0.82%, 0.33%

LAB 50.39, 6.47, 53.62

 

CMYK 0 / 28 / 99 / 35

HEX #A67802

RGB 166 120 2

HSL 43.17, 0.98%, 0.33%

LAB 53.54, 9.35, 59.27

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 0 / 14 / 50 / 56

HEX #6F6038

RGB 111 96 56

HSL 43.64, 0.33%, 0.33%

LAB 41.26, 0.12, 24.98

 

CMYK 0 / 8 / 29 / 62

HEX #625A46

RGB 98 90 70

HSL 42.86, 0.17%, 0.33%

LAB 38.47, -0.32, 12.75

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 28 / 20 / 0 / 62

HEX #464E61

RGB 70 78 97

HSL 222.22, 0.16%, 0.33%

LAB 33.17, 1.66, -12.14

 

CMYK 0 / 54 / 66 / 51

HEX #7D3A2A

RGB 125 58 42

HSL 11.57, 0.5%, 0.33%

LAB 33.03, 27.7, 23.47

 

CMYK 0 / 36 / 66 / 51

HEX #7D502A

RGB 125 80 42

HSL 27.47, 0.5%, 0.33%

LAB 38.31, 14.93, 29.73

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 0 / 1 / 66 / 51

HEX #7D7C2A

RGB 125 124 42

HSL 59.28, 0.5%, 0.33%

LAB 50.62, -10.6, 43.25

 

CMYK 17 / 0 / 66 / 51

HEX #687D2A

RGB 104 125 42

HSL 75.18, 0.5%, 0.33%

LAB 49.23, -20.52, 41.26

 

CMYK 0 / 17 / 67 / 75

HEX #3F3415

RGB 63 52 21

HSL 44.29, 0.5%, 0.16%

LAB 22.18, 0.37, 21.11

 

CMYK 0 / 18 / 66 / 63

HEX #5E4D20

RGB 94 77 32

HSL 43.55, 0.49%, 0.25%

LAB 33.55, 1.19, 28.78

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 0 / 19 / 66 / 39

HEX #9C7F35

RGB 156 127 53

HSL 43.11, 0.49%, 0.41%

LAB 54.56, 2.6, 43.26

 

CMYK 0 / 18 / 66 / 27

HEX #BA983F

RGB 186 152 63

HSL 43.41, 0.49%, 0.49%

LAB 64.37, 2.78, 50.12

 

CMYK 0 / 19 / 66 / 51

HEX #7C652A

RGB 124 101 42

HSL 43.17, 0.49%, 0.33%

LAB 43.89, 2, 35.99

 

CMYK 61 / 0 / 66 / 51

HEX #317D2A

RGB 49 125 42

HSL 114.94, 0.5%, 0.33%

LAB 46.29, -40.46, 37.22

 

CMYK 45 / 66 / 0 / 51

HEX #452A7D

RGB 69 42 125

HSL 259.52, 0.5%, 0.33%

LAB 24.96, 32.88, -42.85

 

CMYK 0 / 19 / 66 / 51

HEX #7C652A

RGB 124 101 42

HSL 43.17, 0.49%, 0.33%

LAB 43.89, 2, 35.99

 

CMYK 66 / 0 / 18 / 51

HEX #2A7D66

RGB 42 125 102

HSL 163.37, 0.5%, 0.33%

LAB 47.13, -30.79, 5.28

 

CMYK 18 / 66 / 0 / 51

HEX #662A7D

RGB 102 42 125

HSL 283.37, 0.5%, 0.33%

LAB 29.31, 40.79, -35.61

 

CMYK 0 / 19 / 66 / 51

HEX #7C652A

RGB 124 101 42

HSL 43.17, 0.49%, 0.33%

LAB 43.89, 2, 35.99

 

CMYK 61 / 0 / 66 / 51

HEX #317D2A

RGB 49 125 42

HSL 114.94, 0.5%, 0.33%

LAB 46.29, -40.46, 37.22

 

CMYK 66 / 47 / 0 / 51

HEX #2A427D

RGB 42 66 125

HSL 222.65, 0.5%, 0.33%

LAB 29.08, 11.25, -36.32

 

CMYK 6 / 66 / 0 / 51

HEX #762A7D

RGB 118 42 125

HSL 294.94, 0.5%, 0.33%

LAB 31.78, 44.89, -31.53

 

CMYK 0 / 19 / 66 / 51

HEX #7C652A

RGB 124 101 42

HSL 43.17, 0.49%, 0.33%

LAB 43.89, 2, 35.99

 

CMYK 66 / 0 / 52 / 51

HEX #2A7D3C

RGB 42 125 60

HSL 133.01, 0.5%, 0.33%

LAB 46.29, -39.73, 28.11

 

CMYK 66 / 47 / 0 / 51

HEX #2A427D

RGB 42 66 125

HSL 222.65, 0.5%, 0.33%

LAB 29.08, 11.25, -36.32

 

CMYK 0 / 66 / 14 / 51

HEX #7D2A6B

RGB 125 42 107

HSL 313.01, 0.5%, 0.33%

LAB 31.98, 43.59, -19.75

 

Description

Color code: HEX #7C652A | qconv.com Color code: HEX #7C652A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 101 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 101 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 66 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 66% 51% C M Y K

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Provide designers and agencies with accurate color values.

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