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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C9829 it is the complementary color #8367D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C9829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C9829 shade: #819824, #92AA37, #A3BC4A, #B4CE5D and #C5E070

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C9829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C9829 shade: #7C9829, #6B8616, #5A7403, #496200 and #385000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C9829 shade: #7C9928, #999728, #997828, #995A28 and #993C28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C9829 shade: #7C9928, #5E9928, #409928, #28992F and #28994D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C9829 shade matches the following richer shades: #7C9928, #84A819 and #8CB809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C9829 shade: #7C9928, #748938, #6D7948, #656A57 and #5D5A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C9829 shade: #997928, #999728, #7D9928, #5F9928 and #419928

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C9829 shade: #475717, #627820, #7C9928, #97B931 and #ABCD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C9829 shade: #7C9829, #28995B and #882899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C9829 shade: #7C9829, #287D99 and #99287D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C9829 shade: #7C9829, #28995B, #442899 and #992866

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C9829 shade: #7C9829, #28997D, #442899 and #992844

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 73 / 40

HEX #7C9829

RGB 124 152 41

HSL 75.14, 0.58%, 0.38%

LAB 58.88, -25.67, 52

 

Complementary color

CMYK 39 / 52 / 0 / 16

HEX #8367D6

RGB 131 103 214

HSL 255.14, 0.58%, 0.62%

LAB 51.13, 36.66, -53.5

 

CMYK 15 / 0 / 76 / 40

HEX #819824

RGB 129 152 36

HSL 71.9, 0.62%, 0.37%

LAB 59.21, -23.82, 54.23

 

CMYK 14 / 0 / 68 / 33

HEX #92AA37

RGB 146 170 55

HSL 72.52, 0.51%, 0.44%

LAB 65.85, -24.47, 54.08

 

CMYK 13 / 0 / 61 / 26

HEX #A3BC4A

RGB 163 188 74

HSL 73.16, 0.46%, 0.51%

LAB 72.39, -24.95, 53.39

 

CMYK 13 / 0 / 55 / 19

HEX #B4CE5D

RGB 180 206 93

HSL 73.81, 0.54%, 0.59%

LAB 78.83, -25.31, 52.45

 

CMYK 12 / 0 / 50 / 12

HEX #C5E070

RGB 197 224 112

HSL 74.46, 0.64%, 0.66%

LAB 85.18, -25.58, 51.38

 

CMYK 18 / 0 / 73 / 40

HEX #7C9829

RGB 124 152 41

HSL 75.14, 0.58%, 0.38%

LAB 58.88, -25.67, 52

 

CMYK 20 / 0 / 84 / 47

HEX #6B8616

RGB 107 134 22

HSL 74.46, 0.72%, 0.31%

LAB 52.1, -24.95, 51.56

 

CMYK 22 / 0 / 97 / 55

HEX #5A7403

RGB 90 116 3

HSL 73.81, 0.95%, 0.23%

LAB 45.18, -23.96, 49.68

 

CMYK 26 / 0 / 100 / 62

HEX #496200

RGB 73 98 0

HSL 75.31, 1%, 0.19%

LAB 38.11, -22.52, 44.47

 

CMYK 30 / 0 / 100 / 69

HEX #385000

RGB 56 80 0

HSL 78, 1%, 0.16%

LAB 30.83, -20.96, 38.4

 

CMYK 19 / 0 / 74 / 40

HEX #7C9928

RGB 124 153 40

HSL 75.4, 0.59%, 0.38%

LAB 59.18, -26.22, 52.66

 

CMYK 0 / 1 / 74 / 40

HEX #999728

RGB 153 151 40

HSL 58.94, 0.59%, 0.38%

LAB 60.83, -12.6, 55.03

 

CMYK 0 / 22 / 74 / 40

HEX #997828

RGB 153 120 40

HSL 42.48, 0.59%, 0.38%

LAB 52.24, 4.42, 46.66

 

CMYK 0 / 41 / 74 / 40

HEX #995A28

RGB 153 90 40

HSL 26.55, 0.59%, 0.38%

LAB 44.57, 21.6, 38.79

 

CMYK 0 / 61 / 74 / 40

HEX #993C28

RGB 153 60 40

HSL 10.62, 0.59%, 0.38%

LAB 38.12, 37.72, 31.79

 

CMYK 19 / 0 / 74 / 40

HEX #7C9928

RGB 124 153 40

HSL 75.4, 0.59%, 0.38%

LAB 59.18, -26.22, 52.66

 

CMYK 39 / 0 / 74 / 40

HEX #5E9928

RGB 94 153 40

HSL 91.33, 0.59%, 0.38%

LAB 57.38, -37.99, 50.29

 

CMYK 58 / 0 / 74 / 40

HEX #409928

RGB 64 153 40

HSL 107.26, 0.59%, 0.38%

LAB 56.11, -47.48, 48.6

 

CMYK 74 / 0 / 69 / 40

HEX #28992F

RGB 40 153 47

HSL 123.72, 0.59%, 0.38%

LAB 55.52, -52.13, 44.99

 

CMYK 74 / 0 / 50 / 40

HEX #28994D

RGB 40 153 77

HSL 139.65, 0.59%, 0.38%

LAB 55.86, -48.17, 31.05

 

CMYK 19 / 0 / 74 / 40

HEX #7C9928

RGB 124 153 40

HSL 75.4, 0.59%, 0.38%

LAB 59.18, -26.22, 52.66

 

CMYK 21 / 0 / 85 / 34

HEX #84A819

RGB 132 168 25

HSL 75.1, 0.74%, 0.38%

LAB 64.15, -30.77, 61.92

 

CMYK 24 / 0 / 95 / 28

HEX #8CB809

RGB 140 184 9

HSL 75.09, 0.91%, 0.38%

LAB 69.38, -35.31, 69.13

 

CMYK 19 / 0 / 74 / 40

HEX #7C9928

RGB 124 153 40

HSL 75.4, 0.59%, 0.38%

LAB 59.18, -26.22, 52.66

 

CMYK 15 / 0 / 59 / 46

HEX #748938

RGB 116 137 56

HSL 75.56, 0.42%, 0.38%

LAB 53.91, -20.39, 40.12

 

CMYK 10 / 0 / 40 / 53

HEX #6D7948

RGB 109 121 72

HSL 74.69, 0.25%, 0.38%

LAB 48.75, -13.09, 25.39

 

CMYK 5 / 0 / 18 / 58

HEX #656A57

RGB 101 106 87

HSL 75.79, 0.1%, 0.38%

LAB 43.89, -5.65, 10.03

 

CMYK 10 / 13 / 0 / 60

HEX #5D5A67

RGB 93 90 103

HSL 253.85, 0.07%, 0.38%

LAB 38.93, 4.04, -7

 

CMYK 0 / 21 / 74 / 40

HEX #997928

RGB 153 121 40

HSL 43.01, 0.59%, 0.38%

LAB 52.51, 3.86, 46.93

 

CMYK 0 / 1 / 74 / 40

HEX #999728

RGB 153 151 40

HSL 58.94, 0.59%, 0.38%

LAB 60.83, -12.6, 55.03

 

CMYK 18 / 0 / 74 / 40

HEX #7D9928

RGB 125 153 40

HSL 74.87, 0.59%, 0.38%

LAB 59.25, -25.8, 52.75

 

CMYK 38 / 0 / 74 / 40

HEX #5F9928

RGB 95 153 40

HSL 90.8, 0.59%, 0.38%

LAB 57.43, -37.63, 50.35

 

CMYK 58 / 0 / 74 / 40

HEX #419928

RGB 65 153 40

HSL 106.73, 0.59%, 0.38%

LAB 56.15, -47.21, 48.64

 

CMYK 18 / 0 / 74 / 66

HEX #475717

RGB 71 87 23

HSL 75, 0.58%, 0.22%

LAB 34.43, -16.53, 33.56

 

CMYK 18 / 0 / 73 / 53

HEX #627820

RGB 98 120 32

HSL 75, 0.58%, 0.3%

LAB 47.15, -21.27, 43.25

 

CMYK 19 / 0 / 74 / 40

HEX #7C9928

RGB 124 153 40

HSL 75.4, 0.59%, 0.38%

LAB 59.18, -26.22, 52.66

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 17 / 0 / 66 / 20

HEX #ABCD46

RGB 171 205 70

HSL 75.11, 0.57%, 0.54%

LAB 77.73, -30.18, 60.94

 

CMYK 18 / 0 / 73 / 40

HEX #7C9829

RGB 124 152 41

HSL 75.14, 0.58%, 0.38%

LAB 58.88, -25.67, 52

 

CMYK 74 / 0 / 41 / 40

HEX #28995B

RGB 40 153 91

HSL 147.08, 0.59%, 0.38%

LAB 56.08, -45.65, 23.85

 

CMYK 11 / 74 / 0 / 40

HEX #882899

RGB 136 40 153

HSL 290.97, 0.59%, 0.38%

LAB 36.08, 55.33, -41.78

 

CMYK 18 / 0 / 73 / 40

HEX #7C9829

RGB 124 152 41

HSL 75.14, 0.58%, 0.38%

LAB 58.88, -25.67, 52

 

CMYK 74 / 18 / 0 / 40

HEX #287D99

RGB 40 125 153

HSL 194.87, 0.59%, 0.38%

LAB 48.78, -15.44, -22.33

 

CMYK 0 / 74 / 18 / 40

HEX #99287D

RGB 153 40 125

HSL 314.87, 0.59%, 0.38%

LAB 37.43, 54.68, -22.25

 

CMYK 18 / 0 / 73 / 40

HEX #7C9829

RGB 124 152 41

HSL 75.14, 0.58%, 0.38%

LAB 58.88, -25.67, 52

 

CMYK 74 / 0 / 41 / 40

HEX #28995B

RGB 40 153 91

HSL 147.08, 0.59%, 0.38%

LAB 56.08, -45.65, 23.85

 

CMYK 56 / 74 / 0 / 40

HEX #442899

RGB 68 40 153

HSL 254.87, 0.59%, 0.38%

LAB 26.87, 42.22, -57.16

 

CMYK 0 / 74 / 33 / 40

HEX #992866

RGB 153 40 102

HSL 327.08, 0.59%, 0.38%

LAB 36.46, 51.64, -9.27

 

CMYK 18 / 0 / 73 / 40

HEX #7C9829

RGB 124 152 41

HSL 75.14, 0.58%, 0.38%

LAB 58.88, -25.67, 52

 

CMYK 74 / 0 / 18 / 40

HEX #28997D

RGB 40 153 125

HSL 165.13, 0.59%, 0.38%

LAB 56.8, -37.88, 5.83

 

CMYK 56 / 74 / 0 / 40

HEX #442899

RGB 68 40 153

HSL 254.87, 0.59%, 0.38%

LAB 26.87, 42.22, -57.16

 

CMYK 0 / 74 / 56 / 40

HEX #992844

RGB 153 40 68

HSL 345.13, 0.59%, 0.38%

LAB 35.41, 48.22, 11.04

 

Description

Color code: HEX #7C9829 | qconv.com Color code: HEX #7C9829 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 152 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 152 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 73 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 73% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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