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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5A19 it is the complementary color #82A5E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5A19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5A19 shade: #825A14, #936C27, #A47E3A, #B5904D and #C6A260

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5A19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5A19 shade: #7D5A19, #6C4806, #5B3600, #4A2400 and #391200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5A19 shade: #7B5818, #7B3E18, #7B2318 and #7B1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5A19 shade: #7B5818, #7B7318, #687B18, #4E7B18 and #337B18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5A19 shade matches the following richer shades: #7B5818, #875C0C and #935F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5A19 shade: #7B5818, #6F5524, #635130, #574E3C and #4B4A48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5A19 shade: #7B2318, #7B3E18, #7B5818, #7B7318 and #697B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5A19 shade: #36270A, #594011, #7B5818, #9D711F and #C08A26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5A19 shade: #7D5A19, #277B18 and #31187B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5A19 shade: #7D5A19, #187B58 and #58187B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5A19 shade: #7D5A19, #277B18, #183B7B and #6C187B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5A19 shade: #7D5A19, #187B27, #183B7B and #7B186C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 80 / 51

HEX #7D5A19

RGB 125 90 25

HSL 39, 0.67%, 0.29%

LAB 40.8, 7.99, 40.8

 

Complementary color

CMYK 43 / 28 / 0 / 10

HEX #82A5E6

RGB 130 165 230

HSL 219, 0.67%, 0.71%

LAB 67.55, 4.76, -36.51

 

CMYK 0 / 31 / 85 / 49

HEX #825A14

RGB 130 90 20

HSL 38.18, 0.73%, 0.29%

LAB 41.39, 10.17, 43.54

 

CMYK 0 / 27 / 73 / 42

HEX #936C27

RGB 147 108 39

HSL 38.33, 0.58%, 0.36%

LAB 48.35, 8.47, 42.96

 

CMYK 0 / 23 / 65 / 36

HEX #A47E3A

RGB 164 126 58

HSL 38.49, 0.48%, 0.44%

LAB 55.2, 7.1, 41.78

 

CMYK 0 / 20 / 57 / 29

HEX #B5904D

RGB 181 144 77

HSL 38.65, 0.41%, 0.51%

LAB 61.92, 5.97, 40.44

 

CMYK 0 / 18 / 52 / 22

HEX #C6A260

RGB 198 162 96

HSL 38.82, 0.47%, 0.58%

LAB 68.53, 5.03, 39.08

 

CMYK 0 / 28 / 80 / 51

HEX #7D5A19

RGB 125 90 25

HSL 39, 0.67%, 0.29%

LAB 40.8, 7.99, 40.8

 

CMYK 0 / 33 / 94 / 58

HEX #6C4806

RGB 108 72 6

HSL 38.82, 0.89%, 0.22%

LAB 33.64, 9.94, 40.65

 

CMYK 0 / 41 / 100 / 64

HEX #5B3600

RGB 91 54 0

HSL 35.6, 1%, 0.18%

LAB 26.34, 12.45, 36.24

 

CMYK 0 / 51 / 100 / 71

HEX #4A2400

RGB 74 36 0

HSL 29.19, 1%, 0.15%

LAB 18.88, 15.3, 27.65

 

CMYK 0 / 68 / 100 / 78

HEX #391200

RGB 57 18 0

HSL 18.95, 1%, 0.11%

LAB 11.29, 18.14, 17.31

 

CMYK 0 / 28 / 80 / 52

HEX #7B5818

RGB 123 88 24

HSL 38.79, 0.67%, 0.29%

LAB 40.01, 8.18, 40.38

 

CMYK 0 / 50 / 80 / 52

HEX #7B3E18

RGB 123 62 24

HSL 23.03, 0.67%, 0.29%

LAB 33.4, 23.56, 33.99

 

CMYK 0 / 72 / 80 / 52

HEX #7B2318

RGB 123 35 24

HSL 6.67, 0.67%, 0.29%

LAB 28.06, 37.44, 28.55

 

CMYK 0 / 80 / 80 / 52

HEX #7B1818

RGB 123 24 24

HSL 0, 0.67%, 0.29%

LAB 26.53, 41.65, 26.94

 

CMYK 0 / 28 / 80 / 52

HEX #7B5818

RGB 123 88 24

HSL 38.79, 0.67%, 0.29%

LAB 40.01, 8.18, 40.38

 

CMYK 0 / 7 / 80 / 52

HEX #7B7318

RGB 123 115 24

HSL 55.15, 0.67%, 0.29%

LAB 47.67, -7.51, 47.46

 

CMYK 15 / 0 / 80 / 52

HEX #687B18

RGB 104 123 24

HSL 71.52, 0.67%, 0.29%

LAB 48.48, -20.6, 47.6

 

CMYK 37 / 0 / 80 / 52

HEX #4E7B18

RGB 78 123 24

HSL 87.27, 0.67%, 0.29%

LAB 46.78, -31.53, 45.41

 

CMYK 59 / 0 / 80 / 52

HEX #337B18

RGB 51 123 24

HSL 103.64, 0.67%, 0.29%

LAB 45.55, -40.7, 43.8

 

CMYK 0 / 28 / 80 / 52

HEX #7B5818

RGB 123 88 24

HSL 38.79, 0.67%, 0.29%

LAB 40.01, 8.18, 40.38

 

CMYK 0 / 32 / 91 / 47

HEX #875C0C

RGB 135 92 12

HSL 39.02, 0.84%, 0.29%

LAB 42.51, 11.14, 47.3

 

CMYK 0 / 35 / 100 / 42

HEX #935F00

RGB 147 95 0

HSL 38.78, 1%, 0.29%

LAB 44.78, 14.8, 52.68

 

CMYK 0 / 28 / 80 / 52

HEX #7B5818

RGB 123 88 24

HSL 38.79, 0.67%, 0.29%

LAB 40.01, 8.18, 40.38

 

CMYK 0 / 23 / 68 / 56

HEX #6F5524

RGB 111 85 36

HSL 39.2, 0.51%, 0.29%

LAB 37.85, 4.89, 31.99

 

CMYK 0 / 18 / 52 / 61

HEX #635130

RGB 99 81 48

HSL 38.82, 0.35%, 0.29%

LAB 35.5, 2.67, 22.14

 

CMYK 0 / 10 / 31 / 66

HEX #574E3C

RGB 87 78 60

HSL 40, 0.18%, 0.29%

LAB 33.57, 0.53, 12.04

 

CMYK 0 / 1 / 4 / 71

HEX #4B4A48

RGB 75 74 72

HSL 40, 0.02%, 0.29%

LAB 31.49, -0.01, 1.33

 

CMYK 0 / 72 / 80 / 52

HEX #7B2318

RGB 123 35 24

HSL 6.67, 0.67%, 0.29%

LAB 28.06, 37.44, 28.55

 

CMYK 0 / 50 / 80 / 52

HEX #7B3E18

RGB 123 62 24

HSL 23.03, 0.67%, 0.29%

LAB 33.4, 23.56, 33.99

 

CMYK 0 / 28 / 80 / 52

HEX #7B5818

RGB 123 88 24

HSL 38.79, 0.67%, 0.29%

LAB 40.01, 8.18, 40.38

 

CMYK 0 / 7 / 80 / 52

HEX #7B7318

RGB 123 115 24

HSL 55.15, 0.67%, 0.29%

LAB 47.67, -7.51, 47.46

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 0 / 28 / 81 / 79

HEX #36270A

RGB 54 39 10

HSL 39.55, 0.69%, 0.13%

LAB 16.78, 3.35, 20.33

 

CMYK 0 / 28 / 81 / 65

HEX #594011

RGB 89 64 17

HSL 39.17, 0.68%, 0.21%

LAB 28.98, 5.8, 31.42

 

CMYK 0 / 28 / 80 / 52

HEX #7B5818

RGB 123 88 24

HSL 38.79, 0.67%, 0.29%

LAB 40.01, 8.18, 40.38

 

CMYK 0 / 28 / 80 / 38

HEX #9D711F

RGB 157 113 31

HSL 39.05, 0.67%, 0.37%

LAB 50.78, 9.84, 49.09

 

CMYK 0 / 28 / 80 / 25

HEX #C08A26

RGB 192 138 38

HSL 38.96, 0.67%, 0.45%

LAB 61.24, 11.89, 57.54

 

CMYK 0 / 28 / 80 / 51

HEX #7D5A19

RGB 125 90 25

HSL 39, 0.67%, 0.29%

LAB 40.8, 7.99, 40.8

 

CMYK 68 / 0 / 80 / 52

HEX #277B18

RGB 39 123 24

HSL 110.91, 0.67%, 0.29%

LAB 45.17, -43.77, 43.31

 

CMYK 60 / 80 / 0 / 52

HEX #31187B

RGB 49 24 123

HSL 255.15, 0.67%, 0.29%

LAB 18.96, 38.76, -51.48

 

CMYK 0 / 28 / 80 / 51

HEX #7D5A19

RGB 125 90 25

HSL 39, 0.67%, 0.29%

LAB 40.8, 7.99, 40.8

 

CMYK 80 / 0 / 28 / 52

HEX #187B58

RGB 24 123 88

HSL 158.79, 0.67%, 0.29%

LAB 45.72, -36.3, 11.46

 

CMYK 28 / 80 / 0 / 52

HEX #58187B

RGB 88 24 123

HSL 278.79, 0.67%, 0.29%

LAB 24.19, 45.23, -42.72

 

CMYK 0 / 28 / 80 / 51

HEX #7D5A19

RGB 125 90 25

HSL 39, 0.67%, 0.29%

LAB 40.8, 7.99, 40.8

 

CMYK 68 / 0 / 80 / 52

HEX #277B18

RGB 39 123 24

HSL 110.91, 0.67%, 0.29%

LAB 45.17, -43.77, 43.31

 

CMYK 80 / 52 / 0 / 52

HEX #183B7B

RGB 24 59 123

HSL 218.79, 0.67%, 0.29%

LAB 26.02, 12.47, -40.03

 

CMYK 12 / 80 / 0 / 52

HEX #6C187B

RGB 108 24 123

HSL 290.91, 0.67%, 0.29%

LAB 27.49, 49.24, -37.21

 

CMYK 0 / 28 / 80 / 51

HEX #7D5A19

RGB 125 90 25

HSL 39, 0.67%, 0.29%

LAB 40.8, 7.99, 40.8

 

CMYK 80 / 0 / 68 / 52

HEX #187B27

RGB 24 123 39

HSL 129.09, 0.67%, 0.29%

LAB 44.95, -45.2, 36.94

 

CMYK 80 / 52 / 0 / 52

HEX #183B7B

RGB 24 59 123

HSL 218.79, 0.67%, 0.29%

LAB 26.02, 12.47, -40.03

 

CMYK 0 / 80 / 12 / 52

HEX #7B186C

RGB 123 24 108

HSL 309.09, 0.67%, 0.29%

LAB 29.28, 49.98, -24.64

 

Description

Color code: HEX #7D5A19 | qconv.com Color code: HEX #7D5A19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 90 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 90 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 80 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 80% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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