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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D78A5 it is the complementary color #82875A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D78A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D78A5 shade: #8278A0, #938AB3, #A49CC6, #B5AED9 and #C6C0EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D78A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D78A5 shade: #7D78A5, #6C6692, #5B547F, #4A426C and #393059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D78A5 shade: #7D78A5, #8978A5, #9578A5, #A178A5 and #A5789C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D78A5 shade: #7D78A5 and #7878A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D78A5 shade matches the following richer shades: #7D78A5, #6F66B7, #6154C9, #5241DB and #442FED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D78A5 shade: #7D78A5, #8B8A93, #999C80, #A7AE6E and #B5C05C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D78A5 shade: #788BA5, #787FA5, #7C78A5, #8878A5 and #9478A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D78A5 shade: #555179, #676192, #7D78A5, #9591B5 and #ADA9C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D78A5 shade: #7D78A5, #A57897 and #85A578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D78A5 shade: #7D78A5, #A57C78 and #78A57C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D78A5 shade: #7D78A5, #A57897, #A0A578 and #78A585

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D78A5 shade: #7D78A5, #A5788A, #A0A578 and #78A593

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

Complementary color

CMYK 4 / 0 / 33 / 47

HEX #82875A

RGB 130 135 90

HSL 66.67, 0.2%, 0.44%

LAB 54.88, -9.53, 23.63

 

CMYK 19 / 25 / 0 / 37

HEX #8278A0

RGB 130 120 160

HSL 255, 0.17%, 0.55%

LAB 52.64, 12.38, -20.06

 

CMYK 18 / 23 / 0 / 30

HEX #938AB3

RGB 147 138 179

HSL 253.17, 0.21%, 0.62%

LAB 59.56, 11.92, -20.28

 

CMYK 17 / 21 / 0 / 22

HEX #A49CC6

RGB 164 156 198

HSL 251.43, 0.27%, 0.69%

LAB 66.33, 11.51, -20.52

 

CMYK 17 / 20 / 0 / 15

HEX #B5AED9

RGB 181 174 217

HSL 249.77, 0.36%, 0.77%

LAB 72.96, 11.14, -20.77

 

CMYK 16 / 19 / 0 / 7

HEX #C6C0EC

RGB 198 192 236

HSL 248.18, 0.54%, 0.84%

LAB 79.48, 10.79, -21.04

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 26 / 30 / 0 / 43

HEX #6C6692

RGB 108 102 146

HSL 248.18, 0.18%, 0.49%

LAB 45.31, 12.51, -23.26

 

CMYK 28 / 34 / 0 / 50

HEX #5B547F

RGB 91 84 127

HSL 249.77, 0.2%, 0.41%

LAB 38.02, 13.14, -23.21

 

CMYK 31 / 39 / 0 / 58

HEX #4A426C

RGB 74 66 108

HSL 251.43, 0.24%, 0.34%

LAB 30.48, 13.9, -23.23

 

CMYK 36 / 46 / 0 / 65

HEX #393059

RGB 57 48 89

HSL 253.17, 0.3%, 0.27%

LAB 22.67, 14.83, -23.34

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 17 / 27 / 0 / 35

HEX #8978A5

RGB 137 120 165

HSL 262.67, 0.2%, 0.56%

LAB 53.46, 15.87, -21.65

 

CMYK 10 / 27 / 0 / 35

HEX #9578A5

RGB 149 120 165

HSL 278.67, 0.2%, 0.56%

LAB 54.59, 19.88, -19.81

 

CMYK 2 / 27 / 0 / 35

HEX #A178A5

RGB 161 120 165

HSL 294.67, 0.2%, 0.56%

LAB 55.81, 23.97, -17.84

 

CMYK 0 / 27 / 5 / 35

HEX #A5789C

RGB 165 120 156

HSL 312, 0.2%, 0.56%

LAB 55.92, 23.62, -12.43

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 27 / 27 / 0 / 35

HEX #7878A5

RGB 120 120 165

HSL 240, 0.2%, 0.56%

LAB 52, 10.39, -24.02

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 39 / 44 / 0 / 28

HEX #6F66B7

RGB 111 102 183

HSL 246.67, 0.36%, 0.56%

LAB 47.37, 23.54, -41.79

 

CMYK 52 / 58 / 0 / 21

HEX #6154C9

RGB 97 84 201

HSL 246.67, 0.52%, 0.56%

LAB 42.91, 36.58, -59.43

 

CMYK 63 / 70 / 0 / 14

HEX #5241DB

RGB 82 65 219

HSL 246.62, 0.68%, 0.56%

LAB 39.05, 50.67, -76.14

 

CMYK 71 / 80 / 0 / 7

HEX #442FED

RGB 68 47 237

HSL 246.63, 0.84%, 0.56%

LAB 36.7, 63.59, -90.32

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 5 / 6 / 0 / 42

HEX #8B8A93

RGB 139 138 147

HSL 246.67, 0.04%, 0.56%

LAB 57.82, 2.18, -4.66

 

CMYK 2 / 0 / 18 / 39

HEX #999C80

RGB 153 156 128

HSL 66.43, 0.12%, 0.56%

LAB 63.43, -6.08, 14.33

 

CMYK 4 / 0 / 37 / 32

HEX #A7AE6E

RGB 167 174 110

HSL 66.56, 0.28%, 0.56%

LAB 69.19, -12.67, 32.05

 

CMYK 6 / 0 / 52 / 25

HEX #B5C05C

RGB 181 192 92

HSL 66.6, 0.44%, 0.56%

LAB 75.01, -18.1, 48.49

 

CMYK 27 / 16 / 0 / 35

HEX #788BA5

RGB 120 139 165

HSL 214.67, 0.2%, 0.56%

LAB 57.25, -0.7, -16

 

CMYK 27 / 23 / 0 / 35

HEX #787FA5

RGB 120 127 165

HSL 230.67, 0.2%, 0.56%

LAB 53.91, 6.25, -21.09

 

CMYK 25 / 27 / 0 / 35

HEX #7C78A5

RGB 124 120 165

HSL 245.33, 0.2%, 0.56%

LAB 52.33, 11.65, -23.49

 

CMYK 18 / 27 / 0 / 35

HEX #8878A5

RGB 136 120 165

HSL 261.33, 0.2%, 0.56%

LAB 53.37, 15.54, -21.8

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 30 / 33 / 0 / 53

HEX #555179

RGB 85 81 121

HSL 246, 0.2%, 0.4%

LAB 36.36, 11.45, -22.13

 

CMYK 29 / 34 / 0 / 43

HEX #676192

RGB 103 97 146

HSL 247.35, 0.2%, 0.48%

LAB 43.52, 13.99, -26.07

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 18 / 20 / 0 / 29

HEX #9591B5

RGB 149 145 181

HSL 246.67, 0.2%, 0.64%

LAB 61.63, 9.03, -18.23

 

CMYK 13 / 15 / 0 / 22

HEX #ADA9C6

RGB 173 169 198

HSL 248.28, 0.2%, 0.72%

LAB 70.41, 7.21, -14.26

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 0 / 27 / 8 / 35

HEX #A57897

RGB 165 120 151

HSL 318.67, 0.2%, 0.56%

LAB 55.75, 22.7, -9.79

 

CMYK 19 / 0 / 27 / 35

HEX #85A578

RGB 133 165 120

HSL 102.67, 0.2%, 0.56%

LAB 64.37, -19.68, 19.81

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 0 / 25 / 27 / 35

HEX #A57C78

RGB 165 124 120

HSL 5.33, 0.2%, 0.56%

LAB 55.86, 15.32, 8.37

 

CMYK 27 / 0 / 25 / 35

HEX #78A57C

RGB 120 165 124

HSL 125.33, 0.2%, 0.56%

LAB 63.64, -23.6, 16.48

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 0 / 27 / 8 / 35

HEX #A57897

RGB 165 120 151

HSL 318.67, 0.2%, 0.56%

LAB 55.75, 22.7, -9.79

 

CMYK 3 / 0 / 27 / 35

HEX #A0A578

RGB 160 165 120

HSL 66.67, 0.2%, 0.56%

LAB 66.32, -9.39, 22.79

 

CMYK 27 / 0 / 19 / 35

HEX #78A585

RGB 120 165 133

HSL 137.33, 0.2%, 0.56%

LAB 63.83, -21.9, 11.77

 

CMYK 24 / 27 / 0 / 35

HEX #7D78A5

RGB 125 120 165

HSL 246.67, 0.2%, 0.56%

LAB 52.41, 11.97, -23.36

 

CMYK 0 / 27 / 16 / 35

HEX #A5788A

RGB 165 120 138

HSL 336, 0.2%, 0.56%

LAB 55.35, 20.43, -2.83

 

CMYK 3 / 0 / 27 / 35

HEX #A0A578

RGB 160 165 120

HSL 66.67, 0.2%, 0.56%

LAB 66.32, -9.39, 22.79

 

CMYK 27 / 0 / 11 / 35

HEX #78A593

RGB 120 165 147

HSL 156, 0.2%, 0.56%

LAB 64.17, -19.05, 4.45

 

Description

Color code: HEX #7D78A5 | qconv.com Color code: HEX #7D78A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 120 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 120 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 27 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 27% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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