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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DBF58 it is the complementary color #8240A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DBF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DBF58 shade: #82BF53, #93D166, #A4E379, #B5F58C and #C6FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DBF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DBF58 shade: #7DBF58, #6CAD45, #5B9B32, #4A891F and #39770C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DBF58 shade: #7DBF58, #99BF58, #B5BF58, #BFAE58 and #BF9258

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DBF58 shade: #7DBF58, #61BF58, #58BF6B, #58BF87 and #58BFA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DBF58 shade matches the following richer shades: #7DBF58, #78D246, #73E533 and #6EF720

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DBF58 shade: #7DBF58, #82AD6B, #889A7D, #8D8890 and #9275A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DBF58 shade: #B5BF58, #9ABF58, #7EBF58, #62BF58 and #58BF69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DBF58 shade: #568F36, #68AD41, #7DBF58, #94CB76 and #ACD694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DBF58 shade: #7DBF58, #58BFAE and #BF58A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DBF58 shade: #7DBF58, #587EBF and #BF587E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DBF58 shade: #7DBF58, #58BFAE, #9A58BF and #BF5869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DBF58 shade: #7DBF58, #58B2BF, #9A58BF and #BF6658

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

Complementary color

CMYK 22 / 62 / 0 / 35

HEX #8240A7

RGB 130 64 167

HSL 278.45, 0.45%, 0.45%

LAB 39.92, 46.18, -44.12

 

CMYK 32 / 0 / 57 / 25

HEX #82BF53

RGB 130 191 83

HSL 93.89, 0.46%, 0.54%

LAB 71.3, -38.17, 47.55

 

CMYK 30 / 0 / 51 / 18

HEX #93D166

RGB 147 209 102

HSL 94.77, 0.54%, 0.61%

LAB 77.74, -38.19, 46.44

 

CMYK 28 / 0 / 47 / 11

HEX #A4E379

RGB 164 227 121

HSL 95.66, 0.65%, 0.68%

LAB 84.08, -38.14, 45.29

 

CMYK 26 / 0 / 43 / 4

HEX #B5F58C

RGB 181 245 140

HSL 96.57, 0.84%, 0.75%

LAB 90.33, -38.06, 44.14

 

CMYK 22 / 0 / 38 / 0

HEX #C6FF9F

RGB 198 255 159

HSL 95.63, 1%, 0.81%

LAB 94.32, -34.33, 40.18

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 38 / 0 / 60 / 32

HEX #6CAD45

RGB 108 173 69

HSL 97.5, 0.43%, 0.47%

LAB 64.57, -39.34, 45.97

 

CMYK 41 / 0 / 68 / 39

HEX #5B9B32

RGB 91 155 50

HSL 96.57, 0.51%, 0.4%

LAB 57.94, -39.15, 46.83

 

CMYK 46 / 0 / 77 / 46

HEX #4A891F

RGB 74 137 31

HSL 95.66, 0.63%, 0.33%

LAB 51.21, -38.73, 47.15

 

CMYK 52 / 0 / 90 / 53

HEX #39770C

RGB 57 119 12

HSL 94.77, 0.82%, 0.26%

LAB 44.36, -37.9, 46.28

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 20 / 0 / 54 / 25

HEX #99BF58

RGB 153 191 88

HSL 82.14, 0.45%, 0.55%

LAB 72.72, -29.12, 47.2

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 0 / 9 / 54 / 25

HEX #BFAE58

RGB 191 174 88

HSL 50.1, 0.45%, 0.55%

LAB 70.91, -5.02, 45.8

 

CMYK 0 / 24 / 54 / 25

HEX #BF9258

RGB 191 146 88

HSL 33.79, 0.45%, 0.55%

LAB 63.62, 10.08, 37.04

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 49 / 0 / 54 / 25

HEX #61BF58

RGB 97 191 88

HSL 114.76, 0.45%, 0.55%

LAB 69.83, -48.23, 43.07

 

CMYK 54 / 0 / 44 / 25

HEX #58BF6B

RGB 88 191 107

HSL 131.07, 0.45%, 0.55%

LAB 69.75, -47.95, 33.46

 

CMYK 54 / 0 / 29 / 25

HEX #58BF87

RGB 88 191 135

HSL 147.38, 0.45%, 0.55%

LAB 70.24, -42.91, 19.37

 

CMYK 54 / 0 / 15 / 25

HEX #58BFA2

RGB 88 191 162

HSL 163.11, 0.45%, 0.55%

LAB 70.83, -36.99, 5.59

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 43 / 0 / 67 / 18

HEX #78D246

RGB 120 210 70

HSL 98.57, 0.61%, 0.55%

LAB 76.39, -50.78, 58.67

 

CMYK 50 / 0 / 78 / 10

HEX #73E533

RGB 115 229 51

HSL 98.43, 0.77%, 0.55%

LAB 81.8, -60.82, 70.6

 

CMYK 55 / 0 / 87 / 3

HEX #6EF720

RGB 110 247 32

HSL 98.23, 0.93%, 0.55%

LAB 86.97, -69.28, 79.66

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 25 / 0 / 38 / 32

HEX #82AD6B

RGB 130 173 107

HSL 99.09, 0.29%, 0.55%

LAB 66.29, -26.8, 29.36

 

CMYK 12 / 0 / 19 / 40

HEX #889A7D

RGB 136 154 125

HSL 97.24, 0.13%, 0.55%

LAB 61.5, -11.96, 13.12

 

CMYK 2 / 6 / 0 / 44

HEX #8D8890

RGB 141 136 144

HSL 277.5, 0.03%, 0.55%

LAB 57.35, 3.43, -3.61

 

CMYK 10 / 28 / 0 / 36

HEX #9275A2

RGB 146 117 162

HSL 278.67, 0.19%, 0.55%

LAB 53.43, 19.96, -19.88

 

CMYK 5 / 0 / 54 / 25

HEX #B5BF58

RGB 181 191 88

HSL 65.83, 0.45%, 0.55%

LAB 74.69, -17.95, 50

 

CMYK 19 / 0 / 54 / 25

HEX #9ABF58

RGB 154 191 88

HSL 81.55, 0.45%, 0.55%

LAB 72.78, -28.73, 47.3

 

CMYK 34 / 0 / 54 / 25

HEX #7EBF58

RGB 126 191 88

HSL 97.86, 0.45%, 0.55%

LAB 71.15, -39.04, 44.96

 

CMYK 49 / 0 / 54 / 25

HEX #62BF58

RGB 98 191 88

HSL 114.17, 0.45%, 0.55%

LAB 69.87, -47.94, 43.12

 

CMYK 54 / 0 / 45 / 25

HEX #58BF69

RGB 88 191 105

HSL 129.9, 0.45%, 0.55%

LAB 69.72, -48.26, 34.44

 

CMYK 40 / 0 / 62 / 44

HEX #568F36

RGB 86 143 54

HSL 98.43, 0.45%, 0.39%

LAB 53.91, -35.24, 40.57

 

CMYK 40 / 0 / 62 / 32

HEX #68AD41

RGB 104 173 65

HSL 98.33, 0.45%, 0.47%

LAB 64.33, -41.1, 47.46

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 27 / 0 / 42 / 20

HEX #94CB76

RGB 148 203 118

HSL 98.82, 0.45%, 0.63%

LAB 76.26, -33.13, 36.75

 

CMYK 20 / 0 / 31 / 16

HEX #ACD694

RGB 172 214 148

HSL 98.18, 0.45%, 0.71%

LAB 81.29, -25.65, 28.23

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 54 / 0 / 9 / 25

HEX #58BFAE

RGB 88 191 174

HSL 170.1, 0.45%, 0.55%

LAB 71.14, -34.06, -0.51

 

CMYK 0 / 54 / 13 / 25

HEX #BF58A7

RGB 191 88 167

HSL 313.98, 0.45%, 0.55%

LAB 52.78, 51.19, -23.33

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 54 / 34 / 0 / 25

HEX #587EBF

RGB 88 126 191

HSL 217.86, 0.45%, 0.55%

LAB 52.68, 5.69, -38.11

 

CMYK 0 / 54 / 34 / 25

HEX #BF587E

RGB 191 88 126

HSL 337.86, 0.45%, 0.55%

LAB 51.34, 45.35, -1.26

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 54 / 0 / 9 / 25

HEX #58BFAE

RGB 88 191 174

HSL 170.1, 0.45%, 0.55%

LAB 71.14, -34.06, -0.51

 

CMYK 19 / 54 / 0 / 25

HEX #9A58BF

RGB 154 88 191

HSL 278.45, 0.45%, 0.55%

LAB 49.02, 45.23, -43.53

 

CMYK 0 / 54 / 45 / 25

HEX #BF5869

RGB 191 88 105

HSL 350.1, 0.45%, 0.55%

LAB 50.78, 42.98, 10.49

 

CMYK 35 / 0 / 54 / 25

HEX #7DBF58

RGB 125 191 88

HSL 98.45, 0.45%, 0.55%

LAB 71.1, -39.39, 44.88

 

CMYK 54 / 7 / 0 / 25

HEX #58B2BF

RGB 88 178 191

HSL 187.57, 0.45%, 0.55%

LAB 67.78, -23.18, -14.84

 

CMYK 19 / 54 / 0 / 25

HEX #9A58BF

RGB 154 88 191

HSL 278.45, 0.45%, 0.55%

LAB 49.02, 45.23, -43.53

 

CMYK 0 / 47 / 54 / 25

HEX #BF6658

RGB 191 102 88

HSL 8.16, 0.45%, 0.55%

LAB 53.26, 34.16, 23.88

 

Description

Color code: HEX #7DBF58 | qconv.com Color code: HEX #7DBF58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 191 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 191 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 54 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 54% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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