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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F1E31 it is the complementary color #80E1CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F1E31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F1E31 shade: #841E2C, #95303F, #A64252, #B75465 and #C86678

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F1E31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F1E31 shade: #7F1E31, #6E0C1E, #5D000B, #4C0000 and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F1E31 shade: #801E31 and #801E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F1E31 shade: #801E31, #801E4B, #801E66, #7F1E80 and #651E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F1E31 shade matches the following richer shades: #801E31, #8C1129 and #990421

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F1E31 shade: #801E31, #732A39, #663740, #594448 and #4C5150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F1E31 shade: #801E65, #801E4B, #801E31, #80241E and #803E1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F1E31 shade: #3D0E17, #5E1624, #801E31, #A1253E and #C22D4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F1E31 shade: #7F1E31, #80801E and #1E5880

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F1E31 shade: #7F1E31, #31801E and #1E3180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F1E31 shade: #7F1E31, #80801E, #1E806C and #1E1E80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F1E31 shade: #7F1E31, #62801E, #1E806C and #3B1E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 61 / 50

HEX #7F1E31

RGB 127 30 49

HSL 348.25, 0.62%, 0.31%

LAB 28.54, 42.23, 13.31

 

Complementary color

CMYK 43 / 0 / 8 / 12

HEX #80E1CE

RGB 128 225 206

HSL 168.25, 0.62%, 0.69%

LAB 83.39, -33.1, 0.36

 

CMYK 0 / 77 / 67 / 48

HEX #841E2C

RGB 132 30 44

HSL 351.76, 0.63%, 0.32%

LAB 29.45, 43.5, 18

 

CMYK 0 / 68 / 58 / 42

HEX #95303F

RGB 149 48 63

HSL 351.09, 0.51%, 0.39%

LAB 35.72, 43.31, 14.54

 

CMYK 0 / 60 / 51 / 35

HEX #A64252

RGB 166 66 82

HSL 350.4, 0.43%, 0.45%

LAB 42.17, 42.61, 11.89

 

CMYK 0 / 54 / 45 / 28

HEX #B75465

RGB 183 84 101

HSL 349.7, 0.41%, 0.52%

LAB 48.69, 41.71, 9.79

 

CMYK 0 / 49 / 40 / 22

HEX #C86678

RGB 200 102 120

HSL 348.98, 0.47%, 0.59%

LAB 55.21, 40.74, 8.06

 

CMYK 0 / 76 / 61 / 50

HEX #7F1E31

RGB 127 30 49

HSL 348.25, 0.62%, 0.31%

LAB 28.54, 42.23, 13.31

 

CMYK 0 / 89 / 73 / 57

HEX #6E0C1E

RGB 110 12 30

HSL 348.98, 0.8%, 0.24%

LAB 22.55, 41.34, 17.7

 

CMYK 0 / 100 / 88 / 64

HEX #5D000B

RGB 93 0 11

HSL 352.9, 1%, 0.18%

LAB 17.23, 38.63, 22.14

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 77 / 62 / 50

HEX #801E31

RGB 128 30 49

HSL 348.37, 0.62%, 0.31%

LAB 28.75, 42.55, 13.61

 

CMYK 0 / 77 / 77 / 50

HEX #801E1E

RGB 128 30 30

HSL 0, 0.62%, 0.31%

LAB 28.41, 41.43, 25.57

 

CMYK 0 / 77 / 62 / 50

HEX #801E31

RGB 128 30 49

HSL 348.37, 0.62%, 0.31%

LAB 28.75, 42.55, 13.61

 

CMYK 0 / 77 / 41 / 50

HEX #801E4B

RGB 128 30 75

HSL 332.45, 0.62%, 0.31%

LAB 29.48, 44.92, -2.69

 

CMYK 0 / 77 / 20 / 50

HEX #801E66

RGB 128 30 102

HSL 315.92, 0.62%, 0.31%

LAB 30.59, 48.38, -18.67

 

CMYK 1 / 77 / 0 / 50

HEX #7F1E80

RGB 127 30 128

HSL 299.39, 0.62%, 0.31%

LAB 31.8, 52.3, -33.28

 

CMYK 21 / 77 / 0 / 50

HEX #651E80

RGB 101 30 128

HSL 283.47, 0.62%, 0.31%

LAB 27.45, 46.61, -40.51

 

CMYK 0 / 77 / 62 / 50

HEX #801E31

RGB 128 30 49

HSL 348.37, 0.62%, 0.31%

LAB 28.75, 42.55, 13.61

 

CMYK 0 / 88 / 71 / 45

HEX #8C1129

RGB 140 17 41

HSL 348.29, 0.78%, 0.31%

LAB 29.75, 49.48, 20.7

 

CMYK 0 / 97 / 78 / 40

HEX #990421

RGB 153 4 33

HSL 348.32, 0.95%, 0.31%

LAB 31.74, 54.83, 28.88

 

CMYK 0 / 77 / 62 / 50

HEX #801E31

RGB 128 30 49

HSL 348.37, 0.62%, 0.31%

LAB 28.75, 42.55, 13.61

 

CMYK 0 / 63 / 50 / 55

HEX #732A39

RGB 115 42 57

HSL 347.67, 0.46%, 0.31%

LAB 28.37, 33.54, 7.37

 

CMYK 0 / 46 / 37 / 60

HEX #663740

RGB 102 55 64

HSL 348.51, 0.3%, 0.31%

LAB 29.23, 22.06, 3.67

 

CMYK 0 / 24 / 19 / 65

HEX #594448

RGB 89 68 72

HSL 348.57, 0.13%, 0.31%

LAB 31.17, 9.74, 1.06

 

CMYK 6 / 0 / 1 / 68

HEX #4C5150

RGB 76 81 80

HSL 168, 0.03%, 0.31%

LAB 33.98, -2.23, -0.11

 

CMYK 0 / 77 / 21 / 50

HEX #801E65

RGB 128 30 101

HSL 316.53, 0.62%, 0.31%

LAB 30.54, 48.24, -18.09

 

CMYK 0 / 77 / 41 / 50

HEX #801E4B

RGB 128 30 75

HSL 332.45, 0.62%, 0.31%

LAB 29.48, 44.92, -2.69

 

CMYK 0 / 77 / 62 / 50

HEX #801E31

RGB 128 30 49

HSL 348.37, 0.62%, 0.31%

LAB 28.75, 42.55, 13.61

 

CMYK 0 / 72 / 77 / 50

HEX #80241E

RGB 128 36 30

HSL 3.67, 0.62%, 0.31%

LAB 29.27, 39.06, 26.54

 

CMYK 0 / 52 / 77 / 50

HEX #803E1E

RGB 128 62 30

HSL 19.59, 0.62%, 0.31%

LAB 34.25, 26.03, 31.96

 

CMYK 0 / 77 / 62 / 76

HEX #3D0E17

RGB 61 14 23

HSL 348.51, 0.63%, 0.15%

LAB 11.74, 23.69, 6.56

 

CMYK 0 / 77 / 62 / 63

HEX #5E1624

RGB 94 22 36

HSL 348.33, 0.62%, 0.23%

LAB 20.36, 33.33, 10.03

 

CMYK 0 / 77 / 62 / 50

HEX #801E31

RGB 128 30 49

HSL 348.37, 0.62%, 0.31%

LAB 28.75, 42.55, 13.61

 

CMYK 0 / 77 / 61 / 37

HEX #A1253E

RGB 161 37 62

HSL 347.9, 0.63%, 0.39%

LAB 36.46, 51.28, 16.57

 

CMYK 0 / 77 / 62 / 24

HEX #C22D4A

RGB 194 45 74

HSL 348.32, 0.62%, 0.47%

LAB 44, 59.24, 20.17

 

CMYK 0 / 76 / 61 / 50

HEX #7F1E31

RGB 127 30 49

HSL 348.25, 0.62%, 0.31%

LAB 28.54, 42.23, 13.31

 

CMYK 0 / 0 / 77 / 50

HEX #80801E

RGB 128 128 30

HSL 60, 0.62%, 0.31%

LAB 51.97, -12.08, 49.49

 

CMYK 77 / 31 / 0 / 50

HEX #1E5880

RGB 30 88 128

HSL 204.49, 0.62%, 0.31%

LAB 35.62, -4.11, -27.83

 

CMYK 0 / 76 / 61 / 50

HEX #7F1E31

RGB 127 30 49

HSL 348.25, 0.62%, 0.31%

LAB 28.54, 42.23, 13.31

 

CMYK 62 / 0 / 77 / 50

HEX #31801E

RGB 49 128 30

HSL 108.37, 0.62%, 0.31%

LAB 47.22, -42.74, 43.26

 

CMYK 77 / 62 / 0 / 50

HEX #1E3180

RGB 30 49 128

HSL 228.37, 0.62%, 0.31%

LAB 23.77, 22.31, -46.81

 

CMYK 0 / 76 / 61 / 50

HEX #7F1E31

RGB 127 30 49

HSL 348.25, 0.62%, 0.31%

LAB 28.54, 42.23, 13.31

 

CMYK 0 / 0 / 77 / 50

HEX #80801E

RGB 128 128 30

HSL 60, 0.62%, 0.31%

LAB 51.97, -12.08, 49.49

 

CMYK 77 / 0 / 16 / 50

HEX #1E806C

RGB 30 128 108

HSL 167.76, 0.62%, 0.31%

LAB 48, -32.5, 2.97

 

CMYK 77 / 77 / 0 / 50

HEX #1E1E80

RGB 30 30 128

HSL 240, 0.62%, 0.31%

LAB 19.07, 34.88, -54.53

 

CMYK 0 / 76 / 61 / 50

HEX #7F1E31

RGB 127 30 49

HSL 348.25, 0.62%, 0.31%

LAB 28.54, 42.23, 13.31

 

CMYK 23 / 0 / 77 / 50

HEX #62801E

RGB 98 128 30

HSL 78.37, 0.62%, 0.31%

LAB 49.65, -25.43, 46.47

 

CMYK 77 / 0 / 16 / 50

HEX #1E806C

RGB 30 128 108

HSL 167.76, 0.62%, 0.31%

LAB 48, -32.5, 2.97

 

CMYK 54 / 77 / 0 / 50

HEX #3B1E80

RGB 59 30 128

HSL 257.76, 0.62%, 0.31%

LAB 21.64, 38.64, -50.21

 

Description

Color code: HEX #7F1E31 | qconv.com Color code: HEX #7F1E31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 30 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 30 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 61 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 61% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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