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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 225 206 it is the complementary color RGB 127 30 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 225 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 225 206 shade: RGB 133 225 201, RGB 150 243 220, RGB 167 255 239, RGB 184 255 255 and RGB 201 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 225 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 225 206 shade: RGB 128 225 206, RGB 111 207 187, RGB 94 189 168, RGB 77 171 149 and RGB 60 153 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 225 206 shade: RGB 126 224 205, RGB 126 224 179, RGB 126 224 152, RGB 127 224 126 and RGB 153 224 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 225 206 shade: RGB 126 224 205, RGB 126 217 224, RGB 126 191 224, RGB 126 164 224 and RGB 126 138 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 225 206 shade matches the following richer shades: RGB 126 224 205, RGB 114 237 213 and RGB 101 250 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 225 206 shade: RGB 126 224 205, RGB 139 212 197, RGB 152 199 190, RGB 165 186 182 and RGB 178 173 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 225 206 shade: RGB 126 224 153, RGB 126 224 179, RGB 126 224 205, RGB 126 218 224 and RGB 126 192 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 225 206 shade: RGB 60 209 180, RGB 93 217 192, RGB 126 224 205, RGB 160 232 218 and RGB 193 240 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 225 206 shade: RGB 128 225 206, RGB 126 126 224 and RGB 224 166 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 225 206 shade: RGB 128 225 206, RGB 205 126 224 and RGB 224 205 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 225 206 shade: RGB 128 225 206, RGB 126 126 224, RGB 224 126 146 and RGB 224 224 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 225 206 shade: RGB 128 225 206, RGB 156 126 224, RGB 224 126 146 and RGB 195 224 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 8 / 12

HEX #80E1CE

RGB 128 225 206

HSL 168.25, 0.62%, 0.69%

LAB 83.39, -33.1, 0.36

 

Complementary color

CMYK 0 / 76 / 61 / 50

HEX #7F1E31

RGB 127 30 49

HSL 348.25, 0.62%, 0.31%

LAB 28.54, 42.23, 13.31

 

CMYK 41 / 0 / 11 / 12

HEX #85E1C9

RGB 133 225 201

HSL 164.35, 0.61%, 0.7%

LAB 83.47, -32.97, 3.15

 

CMYK 38 / 0 / 9 / 5

HEX #96F3DC

RGB 150 243 220

HSL 165.16, 0.79%, 0.77%

LAB 89.74, -32.8, 2.38

 

CMYK 35 / 0 / 6 / 0

HEX #A7FFEF

RGB 167 255 239

HSL 169.09, 1%, 0.83%

LAB 94.3, -29.82, -0.75

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 43 / 0 / 8 / 12

HEX #80E1CE

RGB 128 225 206

HSL 168.25, 0.62%, 0.69%

LAB 83.39, -33.1, 0.36

 

CMYK 46 / 0 / 10 / 19

HEX #6FCFBB

RGB 111 207 187

HSL 167.5, 0.5%, 0.62%

LAB 77.04, -33.2, 1.15

 

CMYK 50 / 0 / 11 / 26

HEX #5EBDA8

RGB 94 189 168

HSL 166.74, 0.42%, 0.55%

LAB 70.6, -33.27, 2

 

CMYK 55 / 0 / 13 / 33

HEX #4DAB95

RGB 77 171 149

HSL 165.96, 0.38%, 0.49%

LAB 64.06, -33.28, 2.93

 

CMYK 61 / 0 / 15 / 40

HEX #3C9982

RGB 60 153 130

HSL 165.16, 0.44%, 0.42%

LAB 57.42, -33.19, 3.95

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CD

RGB 126 224 205

HSL 168.37, 0.61%, 0.69%

LAB 83, -33.35, 0.3

 

CMYK 44 / 0 / 20 / 12

HEX #7EE0B3

RGB 126 224 179

HSL 152.45, 0.61%, 0.69%

LAB 82.38, -39.04, 13.15

 

CMYK 44 / 0 / 32 / 12

HEX #7EE098

RGB 126 224 152

HSL 135.92, 0.61%, 0.69%

LAB 81.85, -44.18, 26.5

 

CMYK 43 / 0 / 44 / 12

HEX #7FE07E

RGB 127 224 126

HSL 119.39, 0.61%, 0.69%

LAB 81.47, -48.04, 39.19

 

CMYK 32 / 0 / 44 / 12

HEX #99E07E

RGB 153 224 126

HSL 103.47, 0.61%, 0.69%

LAB 82.69, -39.92, 41

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CD

RGB 126 224 205

HSL 168.37, 0.61%, 0.69%

LAB 83, -33.35, 0.3

 

CMYK 44 / 3 / 0 / 12

HEX #7ED9E0

RGB 126 217 224

HSL 184.29, 0.61%, 0.69%

LAB 81.53, -25.38, -11.95

 

CMYK 44 / 15 / 0 / 12

HEX #7EBFE0

RGB 126 191 224

HSL 200.2, 0.61%, 0.69%

LAB 74.24, -12.13, -22.96

 

CMYK 44 / 27 / 0 / 12

HEX #7EA4E0

RGB 126 164 224

HSL 216.73, 0.61%, 0.69%

LAB 66.8, 2.62, -34.4

 

CMYK 44 / 38 / 0 / 12

HEX #7E8AE0

RGB 126 138 224

HSL 232.65, 0.61%, 0.69%

LAB 59.88, 17.63, -45.23

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CD

RGB 126 224 205

HSL 168.37, 0.61%, 0.69%

LAB 83, -33.35, 0.3

 

CMYK 52 / 0 / 10 / 7

HEX #72EDD5

RGB 114 237 213

HSL 168.29, 0.77%, 0.69%

LAB 86.48, -40.17, 1.11

 

CMYK 60 / 0 / 12 / 2

HEX #65FADD

RGB 101 250 221

HSL 168.32, 0.94%, 0.69%

LAB 90.03, -46.49, 2.05

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CD

RGB 126 224 205

HSL 168.37, 0.61%, 0.69%

LAB 83, -33.35, 0.3

 

CMYK 34 / 0 / 7 / 17

HEX #8BD4C5

RGB 139 212 197

HSL 167.67, 0.46%, 0.69%

LAB 79.96, -26.04, 0.2

 

CMYK 24 / 0 / 5 / 22

HEX #98C7BE

RGB 152 199 190

HSL 168.51, 0.3%, 0.69%

LAB 76.82, -17.26, -0.54

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 0 / 3 / 2 / 30

HEX #B2ADAE

RGB 178 173 174

HSL 348, 0.03%, 0.69%

LAB 71.15, 1.97, 0.11

 

CMYK 44 / 0 / 32 / 12

HEX #7EE099

RGB 126 224 153

HSL 136.53, 0.61%, 0.69%

LAB 81.86, -44.01, 26.01

 

CMYK 44 / 0 / 20 / 12

HEX #7EE0B3

RGB 126 224 179

HSL 152.45, 0.61%, 0.69%

LAB 82.38, -39.04, 13.15

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CD

RGB 126 224 205

HSL 168.37, 0.61%, 0.69%

LAB 83, -33.35, 0.3

 

CMYK 44 / 3 / 0 / 12

HEX #7EDAE0

RGB 126 218 224

HSL 183.67, 0.61%, 0.69%

LAB 81.82, -25.87, -11.53

 

CMYK 44 / 14 / 0 / 12

HEX #7EC0E0

RGB 126 192 224

HSL 199.59, 0.61%, 0.69%

LAB 74.52, -12.66, -22.53

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B4

RGB 60 209 180

HSL 168.32, 0.62%, 0.53%

LAB 75.98, -45.4, 3.2

 

CMYK 57 / 0 / 12 / 15

HEX #5DD9C0

RGB 93 217 192

HSL 167.9, 0.62%, 0.61%

LAB 79.48, -40.49, 1.95

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CD

RGB 126 224 205

HSL 168.37, 0.61%, 0.69%

LAB 83, -33.35, 0.3

 

CMYK 31 / 0 / 6 / 9

HEX #A0E8DA

RGB 160 232 218

HSL 168.33, 0.61%, 0.77%

LAB 87.12, -25.29, -0.35

 

CMYK 20 / 0 / 4 / 6

HEX #C1F0E7

RGB 193 240 231

HSL 168.51, 0.61%, 0.85%

LAB 91.43, -16.79, -0.63

 

CMYK 43 / 0 / 8 / 12

HEX #80E1CE

RGB 128 225 206

HSL 168.25, 0.62%, 0.69%

LAB 83.39, -33.1, 0.36

 

CMYK 44 / 44 / 0 / 12

HEX #7E7EE0

RGB 126 126 224

HSL 240, 0.61%, 0.69%

LAB 56.82, 24.72, -50.08

 

CMYK 0 / 26 / 44 / 12

HEX #E0A67E

RGB 224 166 126

HSL 24.49, 0.61%, 0.69%

LAB 72.65, 16.48, 29.05

 

CMYK 43 / 0 / 8 / 12

HEX #80E1CE

RGB 128 225 206

HSL 168.25, 0.62%, 0.69%

LAB 83.39, -33.1, 0.36

 

CMYK 8 / 44 / 0 / 12

HEX #CD7EE0

RGB 205 126 224

HSL 288.37, 0.61%, 0.69%

LAB 64.39, 46.32, -37.65

 

CMYK 0 / 8 / 44 / 12

HEX #E0CD7E

RGB 224 205 126

HSL 48.37, 0.61%, 0.69%

LAB 82.39, -4.08, 41.63

 

CMYK 43 / 0 / 8 / 12

HEX #80E1CE

RGB 128 225 206

HSL 168.25, 0.62%, 0.69%

LAB 83.39, -33.1, 0.36

 

CMYK 44 / 44 / 0 / 12

HEX #7E7EE0

RGB 126 126 224

HSL 240, 0.61%, 0.69%

LAB 56.82, 24.72, -50.08

 

CMYK 0 / 44 / 35 / 12

HEX #E07E92

RGB 224 126 146

HSL 347.76, 0.61%, 0.69%

LAB 64.03, 40.02, 6.07

 

CMYK 0 / 0 / 44 / 12

HEX #E0E07E

RGB 224 224 126

HSL 60, 0.61%, 0.69%

LAB 87.32, -13.68, 47.78

 

CMYK 43 / 0 / 8 / 12

HEX #80E1CE

RGB 128 225 206

HSL 168.25, 0.62%, 0.69%

LAB 83.39, -33.1, 0.36

 

CMYK 30 / 44 / 0 / 12

HEX #9C7EE0

RGB 156 126 224

HSL 258.37, 0.61%, 0.69%

LAB 59.32, 32.46, -45.97

 

CMYK 0 / 44 / 35 / 12

HEX #E07E92

RGB 224 126 146

HSL 347.76, 0.61%, 0.69%

LAB 64.03, 40.02, 6.07

 

CMYK 13 / 0 / 44 / 12

HEX #C3E07E

RGB 195 224 126

HSL 77.76, 0.61%, 0.69%

LAB 85.21, -24.9, 44.69

 

Description

Color code: RGB 128 225 206 | qconv.com Color code: RGB 128 225 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 225 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 225 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 8 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 8% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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