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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F4DBA it is the complementary color #80B245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F4DBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F4DBA shade: #844DB5, #955FC8, #A671DB, #B783EE and #C895FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F4DBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F4DBA shade: #7F4DBA, #6E3BA7, #5D2994, #4C1781 and #3B056E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F4DBA shade: #804EBA, #9D4EBA, #BA4EBA, #BA4E9D and #BA4E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F4DBA shade: #804EBA, #634EBA and #4E4EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F4DBA shade matches the following richer shades: #804EBA, #7E3ACE, #7C27E2 and #7B13F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F4DBA shade: #804EBA, #8162A6, #837692, #858A7F and #869D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F4DBA shade: #4E57BA, #624EBA, #7F4EBA, #9B4EBA and #B84EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F4DBA shade: #583383, #6B3EA1, #804EBA, #956CC6 and #AA8AD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F4DBA shade: #7F4DBA, #BA4E74 and #4EBA54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F4DBA shade: #7F4DBA, #BA7F4E and #4EBA7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F4DBA shade: #7F4DBA, #BA4E74, #89BA4E and #4EBA94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F4DBA shade: #7F4DBA, #BA4E54, #89BA4E and #4EBAB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 59 / 0 / 27

HEX #7F4DBA

RGB 127 77 186

HSL 267.52, 0.44%, 0.52%

LAB 43.31, 43.09, -49.92

 

Complementary color

CMYK 28 / 0 / 61 / 30

HEX #80B245

RGB 128 178 69

HSL 87.52, 0.44%, 0.48%

LAB 67.17, -34.35, 49.19

 

CMYK 27 / 57 / 0 / 29

HEX #844DB5

RGB 132 77 181

HSL 271.73, 0.41%, 0.51%

LAB 43.58, 43.09, -46.53

 

CMYK 26 / 53 / 0 / 22

HEX #955FC8

RGB 149 95 200

HSL 270.86, 0.49%, 0.58%

LAB 50.39, 42.18, -46.58

 

CMYK 24 / 48 / 0 / 14

HEX #A671DB

RGB 166 113 219

HSL 270, 0.6%, 0.65%

LAB 57.11, 41.27, -46.6

 

CMYK 23 / 45 / 0 / 7

HEX #B783EE

RGB 183 131 238

HSL 269.16, 0.76%, 0.72%

LAB 63.73, 40.4, -46.6

 

CMYK 22 / 42 / 0 / 0

HEX #C895FF

RGB 200 149 255

HSL 268.87, 1%, 0.79%

LAB 70.17, 39.12, -45.67

 

CMYK 32 / 59 / 0 / 27

HEX #7F4DBA

RGB 127 77 186

HSL 267.52, 0.44%, 0.52%

LAB 43.31, 43.09, -49.92

 

CMYK 34 / 65 / 0 / 35

HEX #6E3BA7

RGB 110 59 167

HSL 268.33, 0.48%, 0.44%

LAB 36.43, 44.03, -49.86

 

CMYK 37 / 72 / 0 / 42

HEX #5D2994

RGB 93 41 148

HSL 269.16, 0.57%, 0.37%

LAB 29.54, 44.77, -49.6

 

CMYK 41 / 82 / 0 / 49

HEX #4C1781

RGB 76 23 129

HSL 270, 0.7%, 0.3%

LAB 22.77, 44.92, -48.9

 

CMYK 46 / 95 / 0 / 57

HEX #3B056E

RGB 59 5 110

HSL 270.86, 0.91%, 0.23%

LAB 16.33, 43.83, -47.38

 

CMYK 31 / 58 / 0 / 27

HEX #804EBA

RGB 128 78 186

HSL 267.78, 0.44%, 0.52%

LAB 43.63, 42.78, -49.4

 

CMYK 16 / 58 / 0 / 27

HEX #9D4EBA

RGB 157 78 186

HSL 283.89, 0.44%, 0.52%

LAB 47.19, 50.09, -43.52

 

CMYK 0 / 58 / 0 / 27

HEX #BA4EBA

RGB 186 78 186

HSL 300, 0.44%, 0.52%

LAB 51.19, 57.63, -36.93

 

CMYK 0 / 58 / 16 / 27

HEX #BA4E9D

RGB 186 78 157

HSL 316.11, 0.44%, 0.52%

LAB 49.88, 52.85, -21.96

 

CMYK 0 / 58 / 31 / 27

HEX #BA4E80

RGB 186 78 128

HSL 332.22, 0.44%, 0.52%

LAB 48.82, 48.77, -6.26

 

CMYK 31 / 58 / 0 / 27

HEX #804EBA

RGB 128 78 186

HSL 267.78, 0.44%, 0.52%

LAB 43.63, 42.78, -49.4

 

CMYK 47 / 58 / 0 / 27

HEX #634EBA

RGB 99 78 186

HSL 251.67, 0.44%, 0.52%

LAB 40.65, 36.05, -54.35

 

CMYK 58 / 58 / 0 / 27

HEX #4E4EBA

RGB 78 78 186

HSL 240, 0.44%, 0.52%

LAB 38.92, 31.83, -57.23

 

CMYK 31 / 58 / 0 / 27

HEX #804EBA

RGB 128 78 186

HSL 267.78, 0.44%, 0.52%

LAB 43.63, 42.78, -49.4

 

CMYK 39 / 72 / 0 / 19

HEX #7E3ACE

RGB 126 58 206

HSL 267.57, 0.6%, 0.52%

LAB 41.09, 57.45, -65.15

 

CMYK 45 / 83 / 0 / 11

HEX #7C27E2

RGB 124 39 226

HSL 267.27, 0.76%, 0.52%

LAB 39.96, 69.31, -78.5

 

CMYK 50 / 92 / 0 / 4

HEX #7B13F5

RGB 123 19 245

HSL 267.61, 0.92%, 0.52%

LAB 40.03, 78.35, -89.16

 

CMYK 31 / 58 / 0 / 27

HEX #804EBA

RGB 128 78 186

HSL 267.78, 0.44%, 0.52%

LAB 43.63, 42.78, -49.4

 

CMYK 22 / 41 / 0 / 35

HEX #8162A6

RGB 129 98 166

HSL 267.35, 0.28%, 0.52%

LAB 47.18, 26.57, -32.04

 

CMYK 10 / 19 / 0 / 43

HEX #837692

RGB 131 118 146

HSL 267.86, 0.11%, 0.52%

LAB 51.68, 10.69, -13.34

 

CMYK 4 / 0 / 8 / 46

HEX #858A7F

RGB 133 138 127

HSL 87.27, 0.04%, 0.52%

LAB 56.78, -3.97, 5.25

 

CMYK 15 / 0 / 32 / 38

HEX #869D6B

RGB 134 157 107

HSL 87.6, 0.2%, 0.52%

LAB 61.86, -17.23, 23.57

 

CMYK 58 / 53 / 0 / 27

HEX #4E57BA

RGB 78 87 186

HSL 235, 0.44%, 0.52%

LAB 41.19, 26.17, -53.57

 

CMYK 47 / 58 / 0 / 27

HEX #624EBA

RGB 98 78 186

HSL 251.11, 0.44%, 0.52%

LAB 40.56, 35.84, -54.51

 

CMYK 32 / 58 / 0 / 27

HEX #7F4EBA

RGB 127 78 186

HSL 267.22, 0.44%, 0.52%

LAB 43.52, 42.54, -49.59

 

CMYK 17 / 58 / 0 / 27

HEX #9B4EBA

RGB 155 78 186

HSL 282.78, 0.44%, 0.52%

LAB 46.93, 49.58, -43.95

 

CMYK 1 / 58 / 0 / 27

HEX #B84EBA

RGB 184 78 186

HSL 298.89, 0.44%, 0.52%

LAB 50.9, 57.11, -37.4

 

CMYK 33 / 61 / 0 / 49

HEX #583383

RGB 88 51 131

HSL 267.75, 0.44%, 0.36%

LAB 29.62, 33.82, -38.99

 

CMYK 34 / 61 / 0 / 37

HEX #6B3EA1

RGB 107 62 161

HSL 267.27, 0.44%, 0.44%

LAB 36.26, 40.17, -46.55

 

CMYK 31 / 58 / 0 / 27

HEX #804EBA

RGB 128 78 186

HSL 267.78, 0.44%, 0.52%

LAB 43.63, 42.78, -49.4

 

CMYK 25 / 45 / 0 / 22

HEX #956CC6

RGB 149 108 198

HSL 267.33, 0.44%, 0.6%

LAB 53.16, 34.4, -41.04

 

CMYK 19 / 34 / 0 / 18

HEX #AA8AD1

RGB 170 138 209

HSL 267.04, 0.44%, 0.68%

LAB 62.78, 26.08, -32.06

 

CMYK 32 / 59 / 0 / 27

HEX #7F4DBA

RGB 127 77 186

HSL 267.52, 0.44%, 0.52%

LAB 43.31, 43.09, -49.92

 

CMYK 0 / 58 / 38 / 27

HEX #BA4E74

RGB 186 78 116

HSL 338.89, 0.44%, 0.52%

LAB 48.45, 47.31, 0.43

 

CMYK 58 / 0 / 55 / 27

HEX #4EBA54

RGB 78 186 84

HSL 123.33, 0.44%, 0.52%

LAB 67.56, -51.78, 42.11

 

CMYK 32 / 59 / 0 / 27

HEX #7F4DBA

RGB 127 77 186

HSL 267.52, 0.44%, 0.52%

LAB 43.31, 43.09, -49.92

 

CMYK 0 / 32 / 58 / 27

HEX #BA7F4E

RGB 186 127 78

HSL 27.22, 0.44%, 0.52%

LAB 58.2, 17.62, 35.58

 

CMYK 58 / 0 / 32 / 27

HEX #4EBA7F

RGB 78 186 127

HSL 147.22, 0.44%, 0.52%

LAB 68.22, -44.67, 20.85

 

CMYK 32 / 59 / 0 / 27

HEX #7F4DBA

RGB 127 77 186

HSL 267.52, 0.44%, 0.52%

LAB 43.31, 43.09, -49.92

 

CMYK 0 / 58 / 38 / 27

HEX #BA4E74

RGB 186 78 116

HSL 338.89, 0.44%, 0.52%

LAB 48.45, 47.31, 0.43

 

CMYK 26 / 0 / 58 / 27

HEX #89BA4E

RGB 137 186 78

HSL 87.22, 0.44%, 0.52%

LAB 70.17, -33.83, 48.64

 

CMYK 58 / 0 / 20 / 27

HEX #4EBA94

RGB 78 186 148

HSL 158.89, 0.44%, 0.52%

LAB 68.66, -40.15, 10.08

 

CMYK 32 / 59 / 0 / 27

HEX #7F4DBA

RGB 127 77 186

HSL 267.52, 0.44%, 0.52%

LAB 43.31, 43.09, -49.92

 

CMYK 0 / 58 / 55 / 27

HEX #BA4E54

RGB 186 78 84

HSL 356.67, 0.44%, 0.52%

LAB 47.66, 44.14, 18.68

 

CMYK 26 / 0 / 58 / 27

HEX #89BA4E

RGB 137 186 78

HSL 87.22, 0.44%, 0.52%

LAB 70.17, -33.83, 48.64

 

CMYK 58 / 0 / 3 / 27

HEX #4EBAB5

RGB 78 186 181

HSL 177.22, 0.44%, 0.52%

LAB 69.52, -31.86, -6.77

 

Description

Color code: HEX #7F4DBA | qconv.com Color code: HEX #7F4DBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 77 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 77 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 59 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 59% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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