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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5323 it is the complementary color #80ACDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5323 shade: #84531E, #956531, #A67744, #B78957 and #C89B6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5323 shade: #7F5323, #6E4110, #5D2F00, #4C1D00 and #3B0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5323 shade: #805323, #803A23 and #802323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5323 shade: #805323, #806C23, #7A8023, #618023 and #488023

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5323 shade matches the following richer shades: #805323, #8D5415 and #9A5408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5323 shade: #805323, #725330, #65523D, #58514A and #4B5157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5323 shade: #802324, #803A23, #805323, #806B23 and #7B8023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5323 shade: #3F2911, #5F3E1A, #805323, #A0682B and #C07D34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5323 shade: #7F5323, #3D8023 and #2D2380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5323 shade: #7F5323, #238053 and #532380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5323 shade: #7F5323, #3D8023, #235080 and #652380

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5323 shade: #7F5323, #238024, #235080 and #80237E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 72 / 50

HEX #7F5323

RGB 127 83 35

HSL 31.3, 0.57%, 0.32%

LAB 39.28, 13.61, 34.64

 

Complementary color

CMYK 42 / 22 / 0 / 14

HEX #80ACDC

RGB 128 172 220

HSL 211.3, 0.57%, 0.68%

LAB 68.94, -2.45, -28.88

 

CMYK 0 / 37 / 77 / 48

HEX #84531E

RGB 132 83 30

HSL 31.18, 0.63%, 0.32%

LAB 39.89, 15.66, 37.97

 

CMYK 0 / 32 / 67 / 42

HEX #956531

RGB 149 101 49

HSL 31.2, 0.51%, 0.39%

LAB 46.87, 14.02, 36.53

 

CMYK 0 / 28 / 59 / 35

HEX #A67744

RGB 166 119 68

HSL 31.22, 0.42%, 0.46%

LAB 53.73, 12.68, 34.98

 

CMYK 0 / 25 / 52 / 28

HEX #B78957

RGB 183 137 87

HSL 31.25, 0.4%, 0.53%

LAB 60.47, 11.56, 33.47

 

CMYK 0 / 23 / 47 / 22

HEX #C89B6A

RGB 200 155 106

HSL 31.28, 0.46%, 0.6%

LAB 67.1, 10.62, 32.06

 

CMYK 0 / 35 / 72 / 50

HEX #7F5323

RGB 127 83 35

HSL 31.3, 0.57%, 0.32%

LAB 39.28, 13.61, 34.64

 

CMYK 0 / 41 / 85 / 57

HEX #6E4110

RGB 110 65 16

HSL 31.28, 0.75%, 0.25%

LAB 32.11, 15.48, 35.83

 

CMYK 0 / 49 / 100 / 64

HEX #5D2F00

RGB 93 47 0

HSL 30.32, 1%, 0.18%

LAB 24.83, 17.77, 34.94

 

CMYK 0 / 62 / 100 / 70

HEX #4C1D00

RGB 76 29 0

HSL 22.89, 1%, 0.15%

LAB 17.53, 20.54, 26.14

 

CMYK 0 / 81 / 100 / 77

HEX #3B0B00

RGB 59 11 0

HSL 11.19, 1%, 0.12%

LAB 10.33, 22.77, 16.03

 

CMYK 0 / 35 / 73 / 50

HEX #805323

RGB 128 83 35

HSL 30.97, 0.57%, 0.32%

LAB 39.41, 14.08, 34.82

 

CMYK 0 / 55 / 73 / 50

HEX #803A23

RGB 128 58 35

HSL 14.84, 0.57%, 0.32%

LAB 33.43, 28.51, 28.24

 

CMYK 0 / 73 / 73 / 50

HEX #802323

RGB 128 35 35

HSL 0, 0.57%, 0.32%

LAB 29.19, 39.72, 23.32

 

CMYK 0 / 35 / 73 / 50

HEX #805323

RGB 128 83 35

HSL 30.97, 0.57%, 0.32%

LAB 39.41, 14.08, 34.82

 

CMYK 0 / 16 / 73 / 50

HEX #806C23

RGB 128 108 35

HSL 47.1, 0.57%, 0.32%

LAB 46.23, -0.63, 41.92

 

CMYK 5 / 0 / 73 / 50

HEX #7A8023

RGB 122 128 35

HSL 63.87, 0.57%, 0.32%

LAB 51.49, -14.56, 46.98

 

CMYK 24 / 0 / 73 / 50

HEX #618023

RGB 97 128 35

HSL 80, 0.57%, 0.32%

LAB 49.62, -25.54, 44.5

 

CMYK 44 / 0 / 73 / 50

HEX #488023

RGB 72 128 35

HSL 96.13, 0.57%, 0.32%

LAB 48.18, -35.25, 42.57

 

CMYK 0 / 35 / 73 / 50

HEX #805323

RGB 128 83 35

HSL 30.97, 0.57%, 0.32%

LAB 39.41, 14.08, 34.82

 

CMYK 0 / 40 / 85 / 45

HEX #8D5415

RGB 141 84 21

HSL 31.5, 0.74%, 0.32%

LAB 41.31, 18.86, 43.65

 

CMYK 0 / 45 / 95 / 40

HEX #9A5408

RGB 154 84 8

HSL 31.23, 0.9%, 0.32%

LAB 43.11, 24.39, 49.93

 

CMYK 0 / 35 / 73 / 50

HEX #805323

RGB 128 83 35

HSL 30.97, 0.57%, 0.32%

LAB 39.41, 14.08, 34.82

 

CMYK 0 / 27 / 58 / 55

HEX #725330

RGB 114 83 48

HSL 31.82, 0.41%, 0.32%

LAB 37.8, 8.51, 25.37

 

CMYK 0 / 19 / 40 / 60

HEX #65523D

RGB 101 82 61

HSL 31.5, 0.25%, 0.32%

LAB 36.25, 4.58, 15.3

 

CMYK 0 / 8 / 16 / 65

HEX #58514A

RGB 88 81 74

HSL 30, 0.09%, 0.32%

LAB 34.91, 1.52, 5.15

 

CMYK 14 / 7 / 0 / 66

HEX #4B5157

RGB 75 81 87

HSL 210, 0.07%, 0.32%

LAB 34.13, -0.99, -4.34

 

CMYK 0 / 73 / 72 / 50

HEX #802324

RGB 128 35 36

HSL 359.35, 0.57%, 0.32%

LAB 29.21, 39.78, 22.7

 

CMYK 0 / 55 / 73 / 50

HEX #803A23

RGB 128 58 35

HSL 14.84, 0.57%, 0.32%

LAB 33.43, 28.51, 28.24

 

CMYK 0 / 35 / 73 / 50

HEX #805323

RGB 128 83 35

HSL 30.97, 0.57%, 0.32%

LAB 39.41, 14.08, 34.82

 

CMYK 0 / 16 / 73 / 50

HEX #806B23

RGB 128 107 35

HSL 46.45, 0.57%, 0.32%

LAB 45.94, -0.05, 41.63

 

CMYK 4 / 0 / 73 / 50

HEX #7B8023

RGB 123 128 35

HSL 63.23, 0.57%, 0.32%

LAB 51.58, -14.11, 47.09

 

CMYK 0 / 35 / 73 / 75

HEX #3F2911

RGB 63 41 17

HSL 31.3, 0.58%, 0.16%

LAB 18.73, 7.34, 19.51

 

CMYK 0 / 35 / 73 / 63

HEX #5F3E1A

RGB 95 62 26

HSL 31.3, 0.57%, 0.24%

LAB 29.29, 10.58, 27.36

 

CMYK 0 / 35 / 73 / 50

HEX #805323

RGB 128 83 35

HSL 30.97, 0.57%, 0.32%

LAB 39.41, 14.08, 34.82

 

CMYK 0 / 35 / 73 / 37

HEX #A0682B

RGB 160 104 43

HSL 31.28, 0.58%, 0.4%

LAB 48.94, 16.89, 42.19

 

CMYK 0 / 35 / 73 / 25

HEX #C07D34

RGB 192 125 52

HSL 31.29, 0.57%, 0.48%

LAB 58.15, 19.64, 48.79

 

CMYK 0 / 35 / 72 / 50

HEX #7F5323

RGB 127 83 35

HSL 31.3, 0.57%, 0.32%

LAB 39.28, 13.61, 34.64

 

CMYK 52 / 0 / 73 / 50

HEX #3D8023

RGB 61 128 35

HSL 103.23, 0.57%, 0.32%

LAB 47.69, -38.9, 41.91

 

CMYK 65 / 73 / 0 / 50

HEX #2D2380

RGB 45 35 128

HSL 246.45, 0.57%, 0.32%

LAB 21.28, 33.65, -50.86

 

CMYK 0 / 35 / 72 / 50

HEX #7F5323

RGB 127 83 35

HSL 31.3, 0.57%, 0.32%

LAB 39.28, 13.61, 34.64

 

CMYK 73 / 0 / 35 / 50

HEX #238053

RGB 35 128 83

HSL 150.97, 0.57%, 0.32%

LAB 47.52, -37.96, 16.86

 

CMYK 35 / 73 / 0 / 50

HEX #532380

RGB 83 35 128

HSL 270.97, 0.57%, 0.32%

LAB 25.56, 40.56, -43.68

 

CMYK 0 / 35 / 72 / 50

HEX #7F5323

RGB 127 83 35

HSL 31.3, 0.57%, 0.32%

LAB 39.28, 13.61, 34.64

 

CMYK 52 / 0 / 73 / 50

HEX #3D8023

RGB 61 128 35

HSL 103.23, 0.57%, 0.32%

LAB 47.69, -38.9, 41.91

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 21 / 73 / 0 / 50

HEX #652380

RGB 101 35 128

HSL 282.58, 0.57%, 0.32%

LAB 28.19, 44.51, -39.31

 

CMYK 0 / 35 / 72 / 50

HEX #7F5323

RGB 127 83 35

HSL 31.3, 0.57%, 0.32%

LAB 39.28, 13.61, 34.64

 

CMYK 73 / 0 / 72 / 50

HEX #238024

RGB 35 128 36

HSL 120.65, 0.57%, 0.32%

LAB 46.87, -45.4, 40.39

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 0 / 73 / 2 / 50

HEX #80237E

RGB 128 35 126

HSL 301.29, 0.57%, 0.32%

LAB 32.48, 50.44, -30.95

 

Description

Color code: HEX #7F5323 | qconv.com Color code: HEX #7F5323 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 83 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 83 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 72 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 72% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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