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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F67D4 it is the complementary color #80982B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F67D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F67D4 shade: #8467CF, #9579E2, #A68BF5, #B79DFF and #C8AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F67D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F67D4 shade: #7F67D4, #6E55C1, #5D43AE, #4C319B and #3B1F88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F67D4 shade: #7F67D4, #9C67D4, #BA67D4, #D467D1 and #D467B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F67D4 shade: #7F67D4 and #6767D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F67D4 shade matches the following richer shades: #7F67D4, #7658E4 and #6E48F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F67D4 shade: #7F67D4, #8877C4, #9187B5, #9A96A5 and #A2A695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F67D4 shade: #678AD4, #676DD4, #7F67D4, #9C67D4 and #B967D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F67D4 shade: #5033B6, #6447CB, #7F67D4, #9A88DD and #B5A8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F67D4 shade: #7F67D4, #D467A7 and #7BD467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F67D4 shade: #7F67D4, #D47F67 and #67D47F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F67D4 shade: #7F67D4, #D467A7, #BCD467 and #67D495

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F67D4 shade: #7F67D4, #D46786, #BCD467 and #67D4B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

Complementary color

CMYK 16 / 0 / 72 / 40

HEX #80982B

RGB 128 152 43

HSL 73.21, 0.56%, 0.38%

LAB 59.18, -23.86, 51.63

 

CMYK 36 / 50 / 0 / 19

HEX #8467CF

RGB 132 103 207

HSL 256.73, 0.52%, 0.61%

LAB 50.82, 35.02, -50.01

 

CMYK 34 / 46 / 0 / 11

HEX #9579E2

RGB 149 121 226

HSL 256, 0.64%, 0.68%

LAB 57.61, 33.98, -49.83

 

CMYK 32 / 43 / 0 / 4

HEX #A68BF5

RGB 166 139 245

HSL 255.28, 0.84%, 0.75%

LAB 64.29, 33.04, -49.68

 

CMYK 28 / 38 / 0 / 0

HEX #B79DFF

RGB 183 157 255

HSL 255.92, 1%, 0.81%

LAB 70.46, 29.99, -45.33

 

CMYK 22 / 31 / 0 / 0

HEX #C8AFFF

RGB 200 175 255

HSL 258.75, 1%, 0.84%

LAB 76.17, 24.87, -36.32

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 43 / 56 / 0 / 24

HEX #6E55C1

RGB 110 85 193

HSL 253.89, 0.47%, 0.55%

LAB 43.74, 36.39, -53.39

 

CMYK 47 / 61 / 0 / 32

HEX #5D43AE

RGB 93 67 174

HSL 254.58, 0.44%, 0.47%

LAB 36.74, 37.75, -53.63

 

CMYK 51 / 68 / 0 / 39

HEX #4C319B

RGB 76 49 155

HSL 255.28, 0.52%, 0.4%

LAB 29.66, 39.18, -53.77

 

CMYK 57 / 77 / 0 / 47

HEX #3B1F88

RGB 59 31 136

HSL 256, 0.63%, 0.33%

LAB 22.61, 40.51, -53.65

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 26 / 51 / 0 / 17

HEX #9C67D4

RGB 156 103 212

HSL 269.17, 0.56%, 0.62%

LAB 53.52, 42.47, -48.41

 

CMYK 12 / 51 / 0 / 17

HEX #BA67D4

RGB 186 103 212

HSL 285.69, 0.56%, 0.62%

LAB 56.97, 50.5, -42.71

 

CMYK 0 / 51 / 1 / 17

HEX #D467D1

RGB 212 103 209

HSL 301.65, 0.56%, 0.62%

LAB 60.16, 57.07, -35.78

 

CMYK 0 / 51 / 16 / 17

HEX #D467B3

RGB 212 103 179

HSL 318.17, 0.56%, 0.62%

LAB 58.93, 52.15, -20.59

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 51 / 51 / 0 / 17

HEX #6767D4

RGB 103 103 212

HSL 240, 0.56%, 0.62%

LAB 48.68, 29.71, -56.41

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 48 / 61 / 0 / 11

HEX #7658E4

RGB 118 88 228

HSL 252.86, 0.72%, 0.62%

LAB 47.54, 46.34, -67.28

 

CMYK 55 / 70 / 0 / 5

HEX #6E48F3

RGB 110 72 243

HSL 253.33, 0.88%, 0.62%

LAB 44.83, 57.84, -80.18

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 31 / 39 / 0 / 23

HEX #8877C4

RGB 136 119 196

HSL 253.25, 0.39%, 0.62%

LAB 54.46, 23.8, -37.93

 

CMYK 20 / 25 / 0 / 29

HEX #9187B5

RGB 145 135 181

HSL 253.04, 0.24%, 0.62%

LAB 58.68, 13.47, -22.77

 

CMYK 7 / 9 / 0 / 35

HEX #9A96A5

RGB 154 150 165

HSL 256, 0.08%, 0.62%

LAB 62.84, 4.42, -7.33

 

CMYK 2 / 0 / 10 / 35

HEX #A2A695

RGB 162 166 149

HSL 74.12, 0.09%, 0.62%

LAB 67.37, -4.55, 8.31

 

CMYK 51 / 35 / 0 / 17

HEX #678AD4

RGB 103 138 212

HSL 220.73, 0.56%, 0.62%

LAB 57.86, 8.55, -41.81

 

CMYK 51 / 49 / 0 / 17

HEX #676DD4

RGB 103 109 212

HSL 236.7, 0.56%, 0.62%

LAB 50.19, 26.05, -54

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 26 / 51 / 0 / 17

HEX #9C67D4

RGB 156 103 212

HSL 269.17, 0.56%, 0.62%

LAB 53.52, 42.47, -48.41

 

CMYK 13 / 51 / 0 / 17

HEX #B967D4

RGB 185 103 212

HSL 285.14, 0.56%, 0.62%

LAB 56.85, 50.23, -42.91

 

CMYK 56 / 72 / 0 / 29

HEX #5033B6

RGB 80 51 182

HSL 253.28, 0.56%, 0.46%

LAB 32.81, 46.8, -64.83

 

CMYK 51 / 65 / 0 / 20

HEX #6447CB

RGB 100 71 203

HSL 253.18, 0.56%, 0.54%

LAB 40.46, 45.31, -64.57

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 30 / 38 / 0 / 13

HEX #9A88DD

RGB 154 136 221

HSL 252.71, 0.56%, 0.7%

LAB 61.39, 25.41, -41.03

 

CMYK 21 / 27 / 0 / 10

HEX #B5A8E6

RGB 181 168 230

HSL 252.58, 0.55%, 0.78%

LAB 71.92, 17.37, -29.46

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 0 / 51 / 21 / 17

HEX #D467A7

RGB 212 103 167

HSL 324.77, 0.56%, 0.62%

LAB 58.5, 50.36, -14.34

 

CMYK 42 / 0 / 51 / 17

HEX #7BD467

RGB 123 212 103

HSL 108.99, 0.56%, 0.62%

LAB 77.45, -47.29, 45.34

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 0 / 40 / 51 / 17

HEX #D47F67

RGB 212 127 103

HSL 13.21, 0.56%, 0.62%

LAB 61.79, 30.41, 27.08

 

CMYK 51 / 0 / 40 / 17

HEX #67D47F

RGB 103 212 127

HSL 133.21, 0.56%, 0.62%

LAB 76.98, -49.48, 32.71

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 0 / 51 / 21 / 17

HEX #D467A7

RGB 212 103 167

HSL 324.77, 0.56%, 0.62%

LAB 58.5, 50.36, -14.34

 

CMYK 11 / 0 / 51 / 17

HEX #BCD467

RGB 188 212 103

HSL 73.21, 0.56%, 0.62%

LAB 81.16, -24.15, 50.67

 

CMYK 51 / 0 / 30 / 17

HEX #67D495

RGB 103 212 149

HSL 145.32, 0.56%, 0.62%

LAB 77.36, -45.55, 21.82

 

CMYK 40 / 51 / 0 / 17

HEX #7F67D4

RGB 127 103 212

HSL 253.21, 0.56%, 0.62%

LAB 50.65, 35.15, -53.15

 

CMYK 0 / 51 / 37 / 17

HEX #D46786

RGB 212 103 134

HSL 342.94, 0.56%, 0.62%

LAB 57.48, 46.05, 3.34

 

CMYK 11 / 0 / 51 / 17

HEX #BCD467

RGB 188 212 103

HSL 73.21, 0.56%, 0.62%

LAB 81.16, -24.15, 50.67

 

CMYK 51 / 0 / 15 / 17

HEX #67D4B5

RGB 103 212 181

HSL 162.94, 0.56%, 0.62%

LAB 78.06, -38.77, 5.8

 

Description

Color code: HEX #7F67D4 | qconv.com Color code: HEX #7F67D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 103 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 103 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 51 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 51% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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