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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F6D29 it is the complementary color #8092D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F6D29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F6D29 shade: #846D24, #957F37, #A6914A, #B7A35D and #C8B570

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F6D29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F6D29 shade: #7F6D29, #6E5B16, #5D4903, #4C3700 and #3B2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F6D29 shade: #7F6D29, #7F5529, #7F3E29 and #7F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F6D29 shade: #7F6D29, #797F29, #627F29, #4B7F29 and #347F29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F6D29 shade matches the following richer shades: #7F6D29, #8C751B, #9A7C0E and #A78400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F6D29 shade: #7F6D29, #716536, #635D44, #565552 and #484D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F6D29 shade: #7F3E29, #7F5529, #7F6C29, #7A7F29 and #637F29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F6D29 shade: #403715, #5F521F, #7F6D29, #9E8733 and #BDA23D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F6D29 shade: #7F6D29, #2A7F29 and #4A297F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F6D29 shade: #7F6D29, #297F6C and #6C297F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F6D29 shade: #7F6D29, #2A7F29, #293B7F and #7D297F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F6D29 shade: #7F6D29, #297F41, #293B7F and #7F2966

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

Complementary color

CMYK 40 / 32 / 0 / 16

HEX #8092D6

RGB 128 146 214

HSL 227.44, 0.51%, 0.67%

LAB 61.66, 10.62, -36.86

 

CMYK 0 / 17 / 73 / 48

HEX #846D24

RGB 132 109 36

HSL 45.63, 0.57%, 0.33%

LAB 46.94, 0.73, 42.33

 

CMYK 0 / 15 / 63 / 42

HEX #957F37

RGB 149 127 55

HSL 45.96, 0.46%, 0.4%

LAB 53.86, -0.43, 41.33

 

CMYK 0 / 13 / 55 / 35

HEX #A6914A

RGB 166 145 74

HSL 46.3, 0.38%, 0.47%

LAB 60.65, -1.35, 40.09

 

CMYK 0 / 11 / 49 / 28

HEX #B7A35D

RGB 183 163 93

HSL 46.67, 0.38%, 0.54%

LAB 67.32, -2.1, 38.81

 

CMYK 0 / 10 / 44 / 22

HEX #C8B570

RGB 200 181 112

HSL 47.05, 0.44%, 0.61%

LAB 73.87, -2.72, 37.54

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 0 / 17 / 80 / 57

HEX #6E5B16

RGB 110 91 22

HSL 47.05, 0.67%, 0.26%

LAB 39.34, -0.01, 40.03

 

CMYK 0 / 22 / 97 / 64

HEX #5D4903

RGB 93 73 3

HSL 46.67, 0.94%, 0.19%

LAB 32.03, 1.68, 39.68

 

CMYK 0 / 28 / 100 / 70

HEX #4C3700

RGB 76 55 0

HSL 43.42, 1%, 0.15%

LAB 24.54, 4.06, 33.8

 

CMYK 0 / 37 / 100 / 77

HEX #3B2500

RGB 59 37 0

HSL 37.63, 1%, 0.12%

LAB 16.76, 6.79, 24.54

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 0 / 33 / 68 / 50

HEX #7F5529

RGB 127 85 41

HSL 30.7, 0.51%, 0.33%

LAB 39.86, 12.8, 32.13

 

CMYK 0 / 51 / 68 / 50

HEX #7F3E29

RGB 127 62 41

HSL 14.65, 0.51%, 0.33%

LAB 34.23, 26.25, 25.58

 

CMYK 0 / 68 / 68 / 50

HEX #7F2929

RGB 127 41 41

HSL 0, 0.51%, 0.33%

LAB 30.05, 37.1, 20.5

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 5 / 0 / 68 / 50

HEX #797F29

RGB 121 127 41

HSL 64.19, 0.51%, 0.33%

LAB 51.16, -14.11, 44.14

 

CMYK 23 / 0 / 68 / 50

HEX #627F29

RGB 98 127 41

HSL 80.23, 0.51%, 0.33%

LAB 49.42, -24.18, 41.78

 

CMYK 41 / 0 / 68 / 50

HEX #4B7F29

RGB 75 127 41

HSL 96.28, 0.51%, 0.33%

LAB 48.05, -33.23, 39.91

 

CMYK 59 / 0 / 68 / 50

HEX #347F29

RGB 52 127 41

HSL 112.33, 0.51%, 0.33%

LAB 47.06, -40.56, 38.56

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 0 / 16 / 81 / 45

HEX #8C751B

RGB 140 117 27

HSL 47.79, 0.68%, 0.33%

LAB 49.95, -0.5, 49.11

 

CMYK 0 / 19 / 91 / 40

HEX #9A7C0E

RGB 154 124 14

HSL 47.14, 0.83%, 0.33%

LAB 53.29, 1.72, 56.23

 

CMYK 0 / 21 / 100 / 35

HEX #A78400

RGB 167 132 0

HSL 47.43, 1%, 0.33%

LAB 56.8, 3.06, 61.95

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 0 / 11 / 52 / 56

HEX #716536

RGB 113 101 54

HSL 47.8, 0.35%, 0.33%

LAB 42.89, -2.1, 28.16

 

CMYK 0 / 6 / 31 / 61

HEX #635D44

RGB 99 93 68

HSL 48.39, 0.19%, 0.33%

LAB 39.41, -1.98, 15.26

 

CMYK 0 / 1 / 5 / 66

HEX #565552

RGB 86 85 82

HSL 45, 0.02%, 0.33%

LAB 36.15, -0.22, 1.89

 

CMYK 24 / 19 / 0 / 63

HEX #484D5F

RGB 72 77 95

HSL 226.96, 0.14%, 0.33%

LAB 32.94, 2.46, -11.2

 

CMYK 0 / 51 / 68 / 50

HEX #7F3E29

RGB 127 62 41

HSL 14.65, 0.51%, 0.33%

LAB 34.23, 26.25, 25.58

 

CMYK 0 / 33 / 68 / 50

HEX #7F5529

RGB 127 85 41

HSL 30.7, 0.51%, 0.33%

LAB 39.86, 12.8, 32.13

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 4 / 0 / 68 / 50

HEX #7A7F29

RGB 122 127 41

HSL 63.49, 0.51%, 0.33%

LAB 51.24, -13.66, 44.25

 

CMYK 22 / 0 / 68 / 50

HEX #637F29

RGB 99 127 41

HSL 79.53, 0.51%, 0.33%

LAB 49.49, -23.76, 41.87

 

CMYK 0 / 14 / 67 / 75

HEX #403715

RGB 64 55 21

HSL 47.44, 0.51%, 0.17%

LAB 23.26, -1.06, 22.36

 

CMYK 0 / 14 / 67 / 63

HEX #5F521F

RGB 95 82 31

HSL 47.81, 0.51%, 0.25%

LAB 35.14, -1.44, 31.1

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 0 / 15 / 68 / 38

HEX #9E8733

RGB 158 135 51

HSL 47.1, 0.51%, 0.41%

LAB 56.92, -1.09, 46.78

 

CMYK 0 / 14 / 68 / 26

HEX #BDA23D

RGB 189 162 61

HSL 47.34, 0.51%, 0.49%

LAB 67.27, -1.42, 54.18

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 67 / 0 / 68 / 50

HEX #2A7F29

RGB 42 127 41

HSL 119.3, 0.51%, 0.33%

LAB 46.75, -43.06, 38.12

 

CMYK 42 / 68 / 0 / 50

HEX #4A297F

RGB 74 41 127

HSL 263.02, 0.51%, 0.33%

LAB 25.48, 35.15, -43.23

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 68 / 0 / 15 / 50

HEX #297F6C

RGB 41 127 108

HSL 166.74, 0.51%, 0.33%

LAB 47.92, -30.32, 2.88

 

CMYK 15 / 68 / 0 / 50

HEX #6C297F

RGB 108 41 127

HSL 286.74, 0.51%, 0.33%

LAB 30.17, 43.22, -35.44

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 67 / 0 / 68 / 50

HEX #2A7F29

RGB 42 127 41

HSL 119.3, 0.51%, 0.33%

LAB 46.75, -43.06, 38.12

 

CMYK 68 / 54 / 0 / 50

HEX #293B7F

RGB 41 59 127

HSL 227.44, 0.51%, 0.33%

LAB 27.11, 16.64, -40.75

 

CMYK 2 / 68 / 0 / 50

HEX #7D297F

RGB 125 41 127

HSL 298.6, 0.51%, 0.33%

LAB 32.87, 47.5, -30.98

 

CMYK 0 / 14 / 68 / 50

HEX #7F6D29

RGB 127 109 41

HSL 47.44, 0.51%, 0.33%

LAB 46.46, -1.31, 39.37

 

CMYK 68 / 0 / 49 / 50

HEX #297F41

RGB 41 127 65

HSL 136.74, 0.51%, 0.33%

LAB 47.02, -39.92, 26.31

 

CMYK 68 / 54 / 0 / 50

HEX #293B7F

RGB 41 59 127

HSL 227.44, 0.51%, 0.33%

LAB 27.11, 16.64, -40.75

 

CMYK 0 / 68 / 20 / 50

HEX #7F2966

RGB 127 41 102

HSL 317.44, 0.51%, 0.33%

LAB 31.94, 43.82, -16.59

 

Description

Color code: HEX #7F6D29 | qconv.com Color code: HEX #7F6D29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 109 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 109 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 68 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 68% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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