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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F6FE6 it is the complementary color #809019. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F6FE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F6FE6 shade: #846FE1, #9581F4, #A693FF, #B7A5FF and #C8B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F6FE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F6FE6 shade: #7F6FE6, #6E5DD3, #5D4BC0, #4C39AD and #3B279A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F6FE6 shade: #7F6FE5, #9F6FE5, #BF6FE5, #DF6FE5 and #E56FCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F6FE6 shade: #7F6FE5 and #6F6FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F6FE6 shade matches the following richer shades: #7F6FE5 and #7562F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F6FE6 shade: #7F6FE5, #897DD8, #938BCA, #9D98BC and #A7A6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F6FE6 shade: #6F9FE5, #6F7FE5, #7F6FE5, #9F6FE5 and #BE6FE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F6FE6 shade: #4129D9, #604CDF, #7F6FE5, #9E93EB and #BEB6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F6FE6 shade: #7F6FE6, #E56FBE and #8FE56F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F6FE6 shade: #7F6FE6, #E57F6F and #6FE57F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F6FE6 shade: #7F6FE6, #E56FBE, #D6E56F and #6FE597

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F6FE6 shade: #7F6FE6, #E56F9B, #D6E56F and #6FE5BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 52 / 0 / 10

HEX #7F6FE6

RGB 127 111 230

HSL 248.07, 0.7%, 0.67%

LAB 53.59, 35.55, -58.6

 

Complementary color

CMYK 11 / 0 / 83 / 44

HEX #809019

RGB 128 144 25

HSL 68.07, 0.7%, 0.33%

LAB 56.69, -20.7, 55.34

 

CMYK 41 / 51 / 0 / 12

HEX #846FE1

RGB 132 111 225

HSL 251.05, 0.66%, 0.66%

LAB 53.72, 35.28, -55.56

 

CMYK 39 / 47 / 0 / 4

HEX #9581F4

RGB 149 129 244

HSL 250.43, 0.84%, 0.73%

LAB 60.45, 34.17, -55.32

 

CMYK 35 / 42 / 0 / 0

HEX #A693FF

RGB 166 147 255

HSL 250.56, 1%, 0.79%

LAB 66.67, 31.07, -51.4

 

CMYK 28 / 35 / 0 / 0

HEX #B7A5FF

RGB 183 165 255

HSL 252, 1%, 0.82%

LAB 72.36, 25.53, -42.35

 

CMYK 22 / 28 / 0 / 0

HEX #C8B7FF

RGB 200 183 255

HSL 254.17, 1%, 0.86%

LAB 78.09, 20.48, -33.35

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE6

RGB 127 111 230

HSL 248.07, 0.7%, 0.67%

LAB 53.59, 35.55, -58.6

 

CMYK 48 / 56 / 0 / 17

HEX #6E5DD3

RGB 110 93 211

HSL 248.64, 0.57%, 0.6%

LAB 46.77, 36.9, -58.89

 

CMYK 52 / 61 / 0 / 25

HEX #5D4BC0

RGB 93 75 192

HSL 249.23, 0.48%, 0.52%

LAB 39.86, 38.41, -59.17

 

CMYK 56 / 67 / 0 / 32

HEX #4C39AD

RGB 76 57 173

HSL 249.83, 0.5%, 0.45%

LAB 32.88, 40.07, -59.39

 

CMYK 62 / 75 / 0 / 40

HEX #3B279A

RGB 59 39 154

HSL 250.43, 0.6%, 0.38%

LAB 25.9, 41.76, -59.38

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE5

RGB 127 111 229

HSL 248.14, 0.69%, 0.67%

LAB 53.53, 35.26, -58.13

 

CMYK 31 / 52 / 0 / 10

HEX #9F6FE5

RGB 159 111 229

HSL 264.41, 0.69%, 0.67%

LAB 56.48, 42.94, -53.25

 

CMYK 17 / 52 / 0 / 10

HEX #BF6FE5

RGB 191 111 229

HSL 280.68, 0.69%, 0.67%

LAB 59.98, 51.25, -47.47

 

CMYK 3 / 52 / 0 / 10

HEX #DF6FE5

RGB 223 111 229

HSL 296.95, 0.69%, 0.67%

LAB 63.93, 59.8, -40.99

 

CMYK 0 / 52 / 11 / 10

HEX #E56FCC

RGB 229 111 204

HSL 312.71, 0.69%, 0.67%

LAB 63.66, 57.27, -27.35

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE5

RGB 127 111 229

HSL 248.14, 0.69%, 0.67%

LAB 53.53, 35.26, -58.13

 

CMYK 52 / 52 / 0 / 10

HEX #6F6FE5

RGB 111 111 229

HSL 240, 0.69%, 0.67%

LAB 52.29, 31.8, -60.19

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE5

RGB 127 111 229

HSL 248.14, 0.69%, 0.67%

LAB 53.53, 35.26, -58.13

 

CMYK 52 / 60 / 0 / 5

HEX #7562F3

RGB 117 98 243

HSL 247.86, 0.86%, 0.67%

LAB 50.67, 44.84, -70.63

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE5

RGB 127 111 229

HSL 248.14, 0.69%, 0.67%

LAB 53.53, 35.26, -58.13

 

CMYK 37 / 42 / 0 / 15

HEX #897DD8

RGB 137 125 216

HSL 247.91, 0.54%, 0.67%

LAB 57.02, 25.86, -45.22

 

CMYK 27 / 31 / 0 / 21

HEX #938BCA

RGB 147 139 202

HSL 247.62, 0.37%, 0.67%

LAB 60.72, 16.87, -31.49

 

CMYK 16 / 19 / 0 / 26

HEX #9D98BC

RGB 157 152 188

HSL 248.33, 0.21%, 0.67%

LAB 64.37, 9.25, -17.96

 

CMYK 5 / 5 / 0 / 31

HEX #A7A6AF

RGB 167 166 175

HSL 246.67, 0.05%, 0.67%

LAB 68.45, 2.1, -4.51

 

CMYK 52 / 31 / 0 / 10

HEX #6F9FE5

RGB 111 159 229

HSL 215.59, 0.69%, 0.67%

LAB 64.83, 3.36, -40.29

 

CMYK 52 / 45 / 0 / 10

HEX #6F7FE5

RGB 111 127 229

HSL 231.86, 0.69%, 0.67%

LAB 56.3, 22.18, -53.77

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE5

RGB 127 111 229

HSL 248.14, 0.69%, 0.67%

LAB 53.53, 35.26, -58.13

 

CMYK 31 / 52 / 0 / 10

HEX #9F6FE5

RGB 159 111 229

HSL 264.41, 0.69%, 0.67%

LAB 56.48, 42.94, -53.25

 

CMYK 17 / 52 / 0 / 10

HEX #BE6FE5

RGB 190 111 229

HSL 280.17, 0.69%, 0.67%

LAB 59.86, 50.98, -47.67

 

CMYK 70 / 81 / 0 / 15

HEX #4129D9

RGB 65 41 217

HSL 248.18, 0.7%, 0.51%

LAB 33.39, 60.26, -84.38

 

CMYK 57 / 66 / 0 / 13

HEX #604CDF

RGB 96 76 223

HSL 248.16, 0.7%, 0.59%

LAB 42.74, 47.78, -72.34

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE5

RGB 127 111 229

HSL 248.14, 0.69%, 0.67%

LAB 53.53, 35.26, -58.13

 

CMYK 33 / 37 / 0 / 8

HEX #9E93EB

RGB 158 147 235

HSL 247.5, 0.69%, 0.75%

LAB 65.07, 23.78, -43

 

CMYK 21 / 25 / 0 / 5

HEX #BEB6F2

RGB 190 182 242

HSL 248, 0.7%, 0.83%

LAB 76.57, 15.1, -28.77

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE6

RGB 127 111 230

HSL 248.07, 0.7%, 0.67%

LAB 53.59, 35.55, -58.6

 

CMYK 0 / 52 / 17 / 10

HEX #E56FBE

RGB 229 111 190

HSL 319.83, 0.69%, 0.67%

LAB 63.13, 55.12, -20.25

 

CMYK 38 / 0 / 52 / 10

HEX #8FE56F

RGB 143 229 111

HSL 103.73, 0.69%, 0.67%

LAB 83.46, -47.2, 49.04

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE6

RGB 127 111 230

HSL 248.07, 0.7%, 0.67%

LAB 53.59, 35.55, -58.6

 

CMYK 0 / 45 / 52 / 10

HEX #E57F6F

RGB 229 127 111

HSL 8.14, 0.69%, 0.67%

LAB 64.15, 37.69, 26.13

 

CMYK 52 / 0 / 45 / 10

HEX #6FE57F

RGB 111 229 127

HSL 128.14, 0.69%, 0.67%

LAB 82.35, -54.28, 39.69

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE6

RGB 127 111 230

HSL 248.07, 0.7%, 0.67%

LAB 53.59, 35.55, -58.6

 

CMYK 0 / 52 / 17 / 10

HEX #E56FBE

RGB 229 111 190

HSL 319.83, 0.69%, 0.67%

LAB 63.13, 55.12, -20.25

 

CMYK 7 / 0 / 52 / 10

HEX #D6E56F

RGB 214 229 111

HSL 67.63, 0.69%, 0.67%

LAB 87.72, -21.46, 55.15

 

CMYK 52 / 0 / 34 / 10

HEX #6FE597

RGB 111 229 151

HSL 140.34, 0.69%, 0.67%

LAB 82.73, -50.36, 28.11

 

CMYK 45 / 52 / 0 / 10

HEX #7F6FE6

RGB 127 111 230

HSL 248.07, 0.7%, 0.67%

LAB 53.59, 35.55, -58.6

 

CMYK 0 / 52 / 32 / 10

HEX #E56F9B

RGB 229 111 155

HSL 337.63, 0.69%, 0.67%

LAB 61.99, 50.36, -1.96

 

CMYK 7 / 0 / 52 / 10

HEX #D6E56F

RGB 214 229 111

HSL 67.63, 0.69%, 0.67%

LAB 87.72, -21.46, 55.15

 

CMYK 52 / 0 / 19 / 10

HEX #6FE5BA

RGB 111 229 186

HSL 158.14, 0.69%, 0.67%

LAB 83.42, -43.41, 10.88

 

Description

Color code: HEX #7F6FE6 | qconv.com Color code: HEX #7F6FE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 111 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 111 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 52 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 52% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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