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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FB350 it is the complementary color #804CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FB350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FB350 shade: #84B34B, #95C55E, #A6D771, #B7E984 and #C8FB97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FB350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FB350 shade: #7FB350, #6EA13D, #5D8F2A, #4C7D17 and #3B6B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FB350 shade: #7FB251, #99B251, #B2B151, #B29751 and #B27C51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FB350 shade: #7FB251, #65B251, #51B257, #51B271 and #51B28C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FB350 shade matches the following richer shades: #7FB251, #7EC63D, #7DDB28 and #7CEF14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FB350 shade: #7FB251, #809E65, #818A79, #82768D and #8361A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FB350 shade: #B2B151, #9AB251, #80B251, #66B251 and #51B256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FB350 shade: #577B36, #6B9842, #7FB251, #94BF6D and #A9CB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FB350 shade: #7FB350, #51B297 and #B251A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FB350 shade: #7FB350, #5180B2 and #B25180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FB350 shade: #7FB350, #51B297, #8351B2 and #B2516C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FB350 shade: #7FB350, #51B1B2, #8351B2 and #B25251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 55 / 30

HEX #7FB350

RGB 127 179 80

HSL 91.52, 0.39%, 0.51%

LAB 67.52, -34.12, 44.51

 

Complementary color

CMYK 27 / 57 / 0 / 31

HEX #804CAF

RGB 128 76 175

HSL 271.52, 0.39%, 0.49%

LAB 42.54, 41.17, -44.68

 

CMYK 26 / 0 / 58 / 30

HEX #84B34B

RGB 132 179 75

HSL 87.12, 0.41%, 0.5%

LAB 67.76, -32.75, 47.2

 

CMYK 24 / 0 / 52 / 23

HEX #95C55E

RGB 149 197 94

HSL 87.96, 0.47%, 0.57%

LAB 74.27, -32.85, 46.13

 

CMYK 23 / 0 / 47 / 16

HEX #A6D771

RGB 166 215 113

HSL 88.82, 0.56%, 0.64%

LAB 80.68, -32.88, 45

 

CMYK 21 / 0 / 43 / 9

HEX #B7E984

RGB 183 233 132

HSL 89.7, 0.7%, 0.72%

LAB 87, -32.87, 43.85

 

CMYK 20 / 0 / 40 / 2

HEX #C8FB97

RGB 200 251 151

HSL 90.6, 0.93%, 0.79%

LAB 93.24, -32.82, 42.72

 

CMYK 29 / 0 / 55 / 30

HEX #7FB350

RGB 127 179 80

HSL 91.52, 0.39%, 0.51%

LAB 67.52, -34.12, 44.51

 

CMYK 32 / 0 / 62 / 37

HEX #6EA13D

RGB 110 161 61

HSL 90.6, 0.45%, 0.44%

LAB 60.91, -34.01, 45.53

 

CMYK 35 / 0 / 71 / 44

HEX #5D8F2A

RGB 93 143 42

HSL 89.7, 0.55%, 0.36%

LAB 54.17, -33.76, 46.23

 

CMYK 39 / 0 / 82 / 51

HEX #4C7D17

RGB 76 125 23

HSL 88.82, 0.69%, 0.29%

LAB 47.32, -33.26, 46.2

 

CMYK 45 / 0 / 96 / 58

HEX #3B6B04

RGB 59 107 4

HSL 87.96, 0.93%, 0.22%

LAB 40.33, -32.41, 44.78

 

CMYK 29 / 0 / 54 / 30

HEX #7FB251

RGB 127 178 81

HSL 91.55, 0.39%, 0.51%

LAB 67.24, -33.55, 43.69

 

CMYK 14 / 0 / 54 / 30

HEX #99B251

RGB 153 178 81

HSL 75.46, 0.39%, 0.51%

LAB 68.9, -23.48, 46.06

 

CMYK 0 / 1 / 54 / 30

HEX #B2B151

RGB 178 177 81

HSL 59.38, 0.39%, 0.51%

LAB 70.53, -12.65, 48.43

 

CMYK 0 / 15 / 54 / 30

HEX #B29751

RGB 178 151 81

HSL 43.3, 0.39%, 0.51%

LAB 63.5, 1.17, 40.21

 

CMYK 0 / 30 / 54 / 30

HEX #B27C51

RGB 178 124 81

HSL 26.6, 0.39%, 0.51%

LAB 56.56, 16.14, 31.72

 

CMYK 29 / 0 / 54 / 30

HEX #7FB251

RGB 127 178 81

HSL 91.55, 0.39%, 0.51%

LAB 67.24, -33.55, 43.69

 

CMYK 43 / 0 / 54 / 30

HEX #65B251

RGB 101 178 81

HSL 107.63, 0.39%, 0.51%

LAB 65.91, -42.49, 41.79

 

CMYK 54 / 0 / 51 / 30

HEX #51B257

RGB 81 178 87

HSL 123.71, 0.39%, 0.51%

LAB 65.18, -47.49, 37.78

 

CMYK 54 / 0 / 37 / 30

HEX #51B271

RGB 81 178 113

HSL 139.79, 0.39%, 0.51%

LAB 65.58, -43.27, 24.8

 

CMYK 54 / 0 / 21 / 30

HEX #51B28C

RGB 81 178 140

HSL 156.49, 0.39%, 0.51%

LAB 66.12, -37.74, 10.89

 

CMYK 29 / 0 / 54 / 30

HEX #7FB251

RGB 127 178 81

HSL 91.55, 0.39%, 0.51%

LAB 67.24, -33.55, 43.69

 

CMYK 36 / 0 / 69 / 22

HEX #7EC63D

RGB 126 198 61

HSL 91.53, 0.55%, 0.51%

LAB 73, -44.54, 58.72

 

CMYK 43 / 0 / 82 / 14

HEX #7DDB28

RGB 125 219 40

HSL 91.51, 0.71%, 0.51%

LAB 79.14, -54.56, 71.3

 

CMYK 48 / 0 / 92 / 6

HEX #7CEF14

RGB 124 239 20

HSL 91.51, 0.87%, 0.51%

LAB 85.03, -62.97, 80.09

 

CMYK 29 / 0 / 54 / 30

HEX #7FB251

RGB 127 178 81

HSL 91.55, 0.39%, 0.51%

LAB 67.24, -33.55, 43.69

 

CMYK 19 / 0 / 36 / 38

HEX #809E65

RGB 128 158 101

HSL 91.58, 0.23%, 0.51%

LAB 61.64, -20.93, 26.46

 

CMYK 7 / 0 / 12 / 46

HEX #818A79

RGB 129 138 121

HSL 91.76, 0.07%, 0.51%

LAB 56.31, -6.6, 7.98

 

CMYK 8 / 16 / 0 / 45

HEX #82768D

RGB 130 118 141

HSL 271.3, 0.09%, 0.51%

LAB 51.41, 9.25, -10.82

 

CMYK 19 / 40 / 0 / 36

HEX #8361A2

RGB 131 97 162

HSL 271.38, 0.26%, 0.51%

LAB 46.95, 26.82, -30.02

 

CMYK 0 / 1 / 54 / 30

HEX #B2B151

RGB 178 177 81

HSL 59.38, 0.39%, 0.51%

LAB 70.53, -12.65, 48.43

 

CMYK 13 / 0 / 54 / 30

HEX #9AB251

RGB 154 178 81

HSL 74.85, 0.39%, 0.51%

LAB 68.97, -23.08, 46.16

 

CMYK 28 / 0 / 54 / 30

HEX #80B251

RGB 128 178 81

HSL 90.93, 0.39%, 0.51%

LAB 67.3, -33.18, 43.77

 

CMYK 43 / 0 / 54 / 30

HEX #66B251

RGB 102 178 81

HSL 107.01, 0.39%, 0.51%

LAB 65.95, -42.18, 41.85

 

CMYK 54 / 0 / 52 / 30

HEX #51B256

RGB 81 178 86

HSL 123.09, 0.39%, 0.51%

LAB 65.17, -47.63, 38.26

 

CMYK 29 / 0 / 56 / 52

HEX #577B36

RGB 87 123 54

HSL 91.3, 0.39%, 0.35%

LAB 47.57, -25.43, 33.28

 

CMYK 30 / 0 / 57 / 40

HEX #6B9842

RGB 107 152 66

HSL 91.4, 0.39%, 0.43%

LAB 58.01, -30.44, 39.83

 

CMYK 29 / 0 / 54 / 30

HEX #7FB251

RGB 127 178 81

HSL 91.55, 0.39%, 0.51%

LAB 67.24, -33.55, 43.69

 

CMYK 23 / 0 / 43 / 25

HEX #94BF6D

RGB 148 191 109

HSL 91.46, 0.39%, 0.59%

LAB 72.67, -28.64, 36.74

 

CMYK 17 / 0 / 32 / 20

HEX #A9CB8A

RGB 169 203 138

HSL 91.38, 0.38%, 0.67%

LAB 77.86, -22.83, 28.81

 

CMYK 29 / 0 / 55 / 30

HEX #7FB350

RGB 127 179 80

HSL 91.52, 0.39%, 0.51%

LAB 67.52, -34.12, 44.51

 

CMYK 54 / 0 / 15 / 30

HEX #51B297

RGB 81 178 151

HSL 163.3, 0.39%, 0.51%

LAB 66.39, -35.18, 5.2

 

CMYK 0 / 54 / 6 / 30

HEX #B251A7

RGB 178 81 167

HSL 306.8, 0.39%, 0.51%

LAB 49.67, 50.75, -28.3

 

CMYK 29 / 0 / 55 / 30

HEX #7FB350

RGB 127 179 80

HSL 91.52, 0.39%, 0.51%

LAB 67.52, -34.12, 44.51

 

CMYK 54 / 28 / 0 / 30

HEX #5180B2

RGB 81 128 178

HSL 210.93, 0.39%, 0.51%

LAB 52.29, -1.24, -31.29

 

CMYK 0 / 54 / 28 / 30

HEX #B25180

RGB 178 81 128

HSL 330.93, 0.39%, 0.51%

LAB 48.14, 44.72, -7.4

 

CMYK 29 / 0 / 55 / 30

HEX #7FB350

RGB 127 179 80

HSL 91.52, 0.39%, 0.51%

LAB 67.52, -34.12, 44.51

 

CMYK 54 / 0 / 15 / 30

HEX #51B297

RGB 81 178 151

HSL 163.3, 0.39%, 0.51%

LAB 66.39, -35.18, 5.2

 

CMYK 26 / 54 / 0 / 30

HEX #8351B2

RGB 131 81 178

HSL 270.93, 0.39%, 0.51%

LAB 44.12, 39.91, -43.9

 

CMYK 0 / 54 / 39 / 30

HEX #B2516C

RGB 178 81 108

HSL 343.3, 0.39%, 0.51%

LAB 47.54, 42.2, 3.8

 

CMYK 29 / 0 / 55 / 30

HEX #7FB350

RGB 127 179 80

HSL 91.52, 0.39%, 0.51%

LAB 67.52, -34.12, 44.51

 

CMYK 54 / 1 / 0 / 30

HEX #51B1B2

RGB 81 177 178

HSL 180.62, 0.39%, 0.51%

LAB 66.83, -27.73, -9.1

 

CMYK 26 / 54 / 0 / 30

HEX #8351B2

RGB 131 81 178

HSL 270.93, 0.39%, 0.51%

LAB 44.12, 39.91, -43.9

 

CMYK 0 / 54 / 54 / 30

HEX #B25251

RGB 178 82 81

HSL 0.62, 0.39%, 0.51%

LAB 47.1, 38.99, 19.51

 

Description

Color code: HEX #7FB350 | qconv.com Color code: HEX #7FB350 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 179 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 179 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 55 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 55% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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