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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F29B it is the complementary color #7C0D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F29B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F29B shade: #88F296, #99FFA9, #AAFFBC, #BBFFCF and #CCFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F29B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F29B shade: #83F29B, #72E088, #61CE75, #50BC62 and #3FAA4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F29B shade: #82F19A, #88F182, #A6F182, #C4F182 and #E2F182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F29B shade: #82F19A, #82F1B8, #82F1D6, #82EFF1 and #82D1F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F29B shade matches the following richer shades: #82F19A and #77FD94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F29B shade: #82F19A, #8DE6A0, #98DBA7, #A3D0AD and #AEC5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F29B shade: #A7F182, #89F182, #82F198, #82F1B6 and #82F1D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F29B shade: #37EA5E, #5DED7C, #82F19A, #A7F5B8 and #CDF9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F29B shade: #83F29B, #82C5F1 and #F18298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F29B shade: #83F29B, #9882F1 and #F19882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F29B shade: #83F29B, #82C5F1, #F182DB and #F1AE82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F29B shade: #83F29B, #82A3F1, #F182DB and #F1D082

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 36 / 5

HEX #83F29B

RGB 131 242 155

HSL 132.97, 0.81%, 0.73%

LAB 87.34, -49.95, 32.37

 

Complementary color

CMYK 0 / 90 / 19 / 51

HEX #7C0D64

RGB 124 13 100

HSL 312.97, 0.81%, 0.27%

LAB 28.1, 51.78, -21.31

 

CMYK 44 / 0 / 38 / 5

HEX #88F296

RGB 136 242 150

HSL 127.92, 0.8%, 0.74%

LAB 87.46, -49.4, 35.08

 

CMYK 40 / 0 / 34 / 0

HEX #99FFA9

RGB 153 255 169

HSL 129.41, 1%, 0.8%

LAB 92.2, -47.07, 32

 

CMYK 33 / 0 / 26 / 0

HEX #AAFFBC

RGB 170 255 188

HSL 132.71, 1%, 0.83%

LAB 93.32, -38.94, 24.06

 

CMYK 27 / 0 / 19 / 0

HEX #BBFFCF

RGB 187 255 207

HSL 137.65, 1%, 0.87%

LAB 94.56, -30.44, 16.23

 

CMYK 20 / 0 / 11 / 0

HEX #CCFFE2

RGB 204 255 226

HSL 145.88, 1%, 0.9%

LAB 95.93, -21.69, 8.57

 

CMYK 46 / 0 / 36 / 5

HEX #83F29B

RGB 131 242 155

HSL 132.97, 0.81%, 0.73%

LAB 87.34, -49.95, 32.37

 

CMYK 49 / 0 / 39 / 12

HEX #72E088

RGB 114 224 136

HSL 132, 0.64%, 0.66%

LAB 81.11, -50.1, 33.61

 

CMYK 53 / 0 / 43 / 19

HEX #61CE75

RGB 97 206 117

HSL 131.01, 0.53%, 0.59%

LAB 74.8, -50.17, 34.92

 

CMYK 57 / 0 / 48 / 26

HEX #50BC62

RGB 80 188 98

HSL 130, 0.45%, 0.53%

LAB 68.43, -50.11, 36.29

 

CMYK 63 / 0 / 54 / 33

HEX #3FAA4F

RGB 63 170 79

HSL 128.97, 0.46%, 0.46%

LAB 61.97, -49.83, 37.7

 

CMYK 46 / 0 / 36 / 5

HEX #82F19A

RGB 130 241 154

HSL 132.97, 0.8%, 0.73%

LAB 86.99, -49.97, 32.41

 

CMYK 44 / 0 / 46 / 5

HEX #88F182

RGB 136 241 130

HSL 116.76, 0.8%, 0.73%

LAB 86.88, -51.91, 44.16

 

CMYK 31 / 0 / 46 / 5

HEX #A6F182

RGB 166 241 130

HSL 100.54, 0.8%, 0.73%

LAB 88.27, -42.58, 46.2

 

CMYK 19 / 0 / 46 / 5

HEX #C4F182

RGB 196 241 130

HSL 84.32, 0.8%, 0.73%

LAB 89.98, -32.1, 48.69

 

CMYK 6 / 0 / 46 / 5

HEX #E2F182

RGB 226 241 130

HSL 68.11, 0.8%, 0.73%

LAB 91.99, -20.84, 51.62

 

CMYK 46 / 0 / 36 / 5

HEX #82F19A

RGB 130 241 154

HSL 132.97, 0.8%, 0.73%

LAB 86.99, -49.97, 32.41

 

CMYK 46 / 0 / 24 / 5

HEX #82F1B8

RGB 130 241 184

HSL 149.19, 0.8%, 0.73%

LAB 87.54, -44.53, 17.83

 

CMYK 46 / 0 / 11 / 5

HEX #82F1D6

RGB 130 241 214

HSL 165.41, 0.8%, 0.73%

LAB 88.21, -38.18, 3.18

 

CMYK 46 / 1 / 0 / 5

HEX #82EFF1

RGB 130 239 241

HSL 181.08, 0.8%, 0.73%

LAB 88.37, -30.81, -10.72

 

CMYK 46 / 13 / 0 / 5

HEX #82D1F1

RGB 130 209 241

HSL 197.3, 0.8%, 0.73%

LAB 80.01, -15.98, -23.3

 

CMYK 46 / 0 / 36 / 5

HEX #82F19A

RGB 130 241 154

HSL 132.97, 0.8%, 0.73%

LAB 86.99, -49.97, 32.41

 

CMYK 53 / 0 / 42 / 1

HEX #77FD94

RGB 119 253 148

HSL 132.99, 0.97%, 0.73%

LAB 90, -58.52, 39.27

 

CMYK 46 / 0 / 36 / 5

HEX #82F19A

RGB 130 241 154

HSL 132.97, 0.8%, 0.73%

LAB 86.99, -49.97, 32.41

 

CMYK 39 / 0 / 30 / 10

HEX #8DE6A0

RGB 141 230 160

HSL 132.81, 0.64%, 0.73%

LAB 84.38, -41.16, 25.92

 

CMYK 31 / 0 / 24 / 14

HEX #98DBA7

RGB 152 219 167

HSL 133.43, 0.48%, 0.73%

LAB 81.91, -31.58, 18.98

 

CMYK 22 / 0 / 17 / 18

HEX #A3D0AD

RGB 163 208 173

HSL 133.33, 0.32%, 0.73%

LAB 79.57, -21.64, 12.61

 

CMYK 12 / 0 / 9 / 23

HEX #AEC5B3

RGB 174 197 179

HSL 133.04, 0.17%, 0.73%

LAB 77.39, -11.25, 6.39

 

CMYK 31 / 0 / 46 / 5

HEX #A7F182

RGB 167 241 130

HSL 100, 0.8%, 0.73%

LAB 88.32, -42.25, 46.28

 

CMYK 43 / 0 / 46 / 5

HEX #89F182

RGB 137 241 130

HSL 116.22, 0.8%, 0.73%

LAB 86.92, -51.62, 44.22

 

CMYK 46 / 0 / 37 / 5

HEX #82F198

RGB 130 241 152

HSL 131.89, 0.8%, 0.73%

LAB 86.96, -50.29, 33.37

 

CMYK 46 / 0 / 24 / 5

HEX #82F1B6

RGB 130 241 182

HSL 148.11, 0.8%, 0.73%

LAB 87.5, -44.92, 18.8

 

CMYK 46 / 0 / 12 / 5

HEX #82F1D4

RGB 130 241 212

HSL 164.32, 0.8%, 0.73%

LAB 88.17, -38.63, 4.16

 

CMYK 76 / 0 / 60 / 8

HEX #37EA5E

RGB 55 234 94

HSL 133.07, 0.81%, 0.57%

LAB 82.09, -71.32, 54.45

 

CMYK 61 / 0 / 48 / 7

HEX #5DED7C

RGB 93 237 124

HSL 132.92, 0.8%, 0.65%

LAB 84.15, -61.93, 43.31

 

CMYK 46 / 0 / 36 / 5

HEX #82F19A

RGB 130 241 154

HSL 132.97, 0.8%, 0.73%

LAB 86.99, -49.97, 32.41

 

CMYK 32 / 0 / 25 / 4

HEX #A7F5B8

RGB 167 245 184

HSL 133.08, 0.8%, 0.81%

LAB 90.31, -36.01, 21.93

 

CMYK 18 / 0 / 14 / 2

HEX #CDF9D6

RGB 205 249 214

HSL 132.27, 0.79%, 0.89%

LAB 94.13, -20.64, 12.18

 

CMYK 46 / 0 / 36 / 5

HEX #83F29B

RGB 131 242 155

HSL 132.97, 0.81%, 0.73%

LAB 87.34, -49.95, 32.37

 

CMYK 46 / 18 / 0 / 5

HEX #82C5F1

RGB 130 197 241

HSL 203.78, 0.8%, 0.73%

LAB 76.7, -9.71, -28.36

 

CMYK 0 / 46 / 37 / 5

HEX #F18298

RGB 241 130 152

HSL 348.11, 0.8%, 0.73%

LAB 67.23, 44.69, 7.54

 

CMYK 46 / 0 / 36 / 5

HEX #83F29B

RGB 131 242 155

HSL 132.97, 0.81%, 0.73%

LAB 87.34, -49.95, 32.37

 

CMYK 37 / 46 / 0 / 5

HEX #9882F1

RGB 152 130 241

HSL 251.89, 0.8%, 0.73%

LAB 60.77, 33.53, -53.13

 

CMYK 0 / 37 / 46 / 5

HEX #F19882

RGB 241 152 130

HSL 11.89, 0.8%, 0.73%

LAB 71.4, 31, 25.57

 

CMYK 46 / 0 / 36 / 5

HEX #83F29B

RGB 131 242 155

HSL 132.97, 0.81%, 0.73%

LAB 87.34, -49.95, 32.37

 

CMYK 46 / 18 / 0 / 5

HEX #82C5F1

RGB 130 197 241

HSL 203.78, 0.8%, 0.73%

LAB 76.7, -9.71, -28.36

 

CMYK 0 / 46 / 9 / 5

HEX #F182DB

RGB 241 130 219

HSL 311.89, 0.8%, 0.73%

LAB 69.31, 54.03, -26.9

 

CMYK 0 / 28 / 46 / 5

HEX #F1AE82

RGB 241 174 130

HSL 23.78, 0.8%, 0.73%

LAB 76.43, 19.38, 32.23

 

CMYK 46 / 0 / 36 / 5

HEX #83F29B

RGB 131 242 155

HSL 132.97, 0.81%, 0.73%

LAB 87.34, -49.95, 32.37

 

CMYK 46 / 32 / 0 / 5

HEX #82A3F1

RGB 130 163 241

HSL 222.16, 0.8%, 0.73%

LAB 67.49, 9.03, -42.62

 

CMYK 0 / 46 / 9 / 5

HEX #F182DB

RGB 241 130 219

HSL 311.89, 0.8%, 0.73%

LAB 69.31, 54.03, -26.9

 

CMYK 0 / 14 / 46 / 5

HEX #F1D082

RGB 241 208 130

HSL 42.16, 0.8%, 0.73%

LAB 84.7, 1.57, 42.86

 

Description

Color code: HEX #83F29B | qconv.com Color code: HEX #83F29B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 242 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 242 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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