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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808914 it is the complementary color #7F76EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808914. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808914 shade: #85890F, #969B22, #A7AD35, #B8BF48 and #C9D15B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808914. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808914 shade: #808914, #6F7701, #5E6500, #4D5300 and #3C4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808914 shade: #818A13, #8A7313, #8A5313, #8A3313 and #8A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808914 shade: #818A13, #618A13, #418A13, #218A13 and #138A26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808914 shade matches the following richer shades: #818A13 and #8C9706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808914 shade: #818A13, #767D20, #6B702D, #60633A and #555746

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808914 shade: #8A5313, #8A7213, #828A13, #628A13 and #438A13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808914 shade: #3D4209, #5F660E, #818A13, #A2AE18 and #C4D21E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808914 shade: #808914, #138A33 and #62138A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808914 shade: #808914, #13828A and #8A1382

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808914 shade: #808914, #138A33, #1B138A and #8A136A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808914 shade: #808914, #138A56, #1B138A and #8A1347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 85 / 46

HEX #808914

RGB 128 137 20

HSL 64.62, 0.75%, 0.31%

LAB 54.59, -17.26, 54.86

 

Complementary color

CMYK 46 / 50 / 0 / 8

HEX #7F76EB

RGB 127 118 235

HSL 244.62, 0.75%, 0.69%

LAB 55.55, 32.88, -58.25

 

CMYK 3 / 0 / 89 / 46

HEX #85890F

RGB 133 137 15

HSL 61.97, 0.8%, 0.3%

LAB 54.98, -15.13, 56.52

 

CMYK 3 / 0 / 78 / 39

HEX #969B22

RGB 150 155 34

HSL 62.48, 0.64%, 0.37%

LAB 61.69, -16.28, 57.77

 

CMYK 3 / 0 / 69 / 32

HEX #A7AD35

RGB 167 173 53

HSL 63, 0.53%, 0.44%

LAB 68.28, -17.2, 57.84

 

CMYK 4 / 0 / 62 / 25

HEX #B8BF48

RGB 184 191 72

HSL 63.53, 0.48%, 0.52%

LAB 74.77, -17.93, 57.29

 

CMYK 4 / 0 / 56 / 18

HEX #C9D15B

RGB 201 209 91

HSL 64.07, 0.56%, 0.59%

LAB 81.17, -18.52, 56.42

 

CMYK 7 / 0 / 85 / 46

HEX #808914

RGB 128 137 20

HSL 64.62, 0.75%, 0.31%

LAB 54.59, -17.26, 54.86

 

CMYK 7 / 0 / 99 / 53

HEX #6F7701

RGB 111 119 1

HSL 64.07, 0.98%, 0.24%

LAB 47.72, -16, 52.76

 

CMYK 7 / 0 / 100 / 60

HEX #5E6500

RGB 94 101 0

HSL 64.16, 1%, 0.2%

LAB 40.71, -14.31, 47.15

 

CMYK 7 / 0 / 100 / 67

HEX #4D5300

RGB 77 83 0

HSL 64.34, 1%, 0.16%

LAB 33.49, -12.53, 41.13

 

CMYK 8 / 0 / 100 / 75

HEX #3C4100

RGB 60 65 0

HSL 64.62, 1%, 0.13%

LAB 25.98, -10.69, 34.54

 

CMYK 7 / 0 / 86 / 46

HEX #818A13

RGB 129 138 19

HSL 64.54, 0.76%, 0.31%

LAB 54.96, -17.36, 55.46

 

CMYK 0 / 17 / 86 / 46

HEX #8A7313

RGB 138 115 19

HSL 48.4, 0.76%, 0.31%

LAB 49.14, -0.58, 50.9

 

CMYK 0 / 40 / 86 / 46

HEX #8A5313

RGB 138 83 19

HSL 32.27, 0.76%, 0.31%

LAB 40.63, 18, 43.66

 

CMYK 0 / 63 / 86 / 46

HEX #8A3313

RGB 138 51 19

HSL 16.13, 0.76%, 0.31%

LAB 33.6, 35.51, 37.53

 

CMYK 0 / 86 / 86 / 46

HEX #8A1313

RGB 138 19 19

HSL 0, 0.76%, 0.31%

LAB 29.2, 47.59, 33.58

 

CMYK 7 / 0 / 86 / 46

HEX #818A13

RGB 129 138 19

HSL 64.54, 0.76%, 0.31%

LAB 54.96, -17.36, 55.46

 

CMYK 30 / 0 / 86 / 46

HEX #618A13

RGB 97 138 19

HSL 80.67, 0.76%, 0.31%

LAB 52.69, -31.18, 52.62

 

CMYK 53 / 0 / 86 / 46

HEX #418A13

RGB 65 138 19

HSL 96.81, 0.76%, 0.31%

LAB 51.09, -42.71, 50.6

 

CMYK 76 / 0 / 86 / 46

HEX #218A13

RGB 33 138 19

HSL 112.94, 0.76%, 0.31%

LAB 50.15, -50.42, 49.41

 

CMYK 86 / 0 / 72 / 46

HEX #138A26

RGB 19 138 38

HSL 129.58, 0.76%, 0.31%

LAB 50.04, -50.96, 42.81

 

CMYK 7 / 0 / 86 / 46

HEX #818A13

RGB 129 138 19

HSL 64.54, 0.76%, 0.31%

LAB 54.96, -17.36, 55.46

 

CMYK 7 / 0 / 96 / 41

HEX #8C9706

RGB 140 151 6

HSL 64.55, 0.92%, 0.31%

LAB 59.64, -19.42, 61.94

 

CMYK 7 / 0 / 86 / 46

HEX #818A13

RGB 129 138 19

HSL 64.54, 0.76%, 0.31%

LAB 54.96, -17.36, 55.46

 

CMYK 6 / 0 / 74 / 51

HEX #767D20

RGB 118 125 32

HSL 64.52, 0.59%, 0.31%

LAB 50.24, -14.94, 46.81

 

CMYK 4 / 0 / 60 / 56

HEX #6B702D

RGB 107 112 45

HSL 64.48, 0.43%, 0.31%

LAB 45.5, -11.97, 35.83

 

CMYK 3 / 0 / 41 / 61

HEX #60633A

RGB 96 99 58

HSL 64.39, 0.26%, 0.31%

LAB 40.76, -8.23, 22.9

 

CMYK 2 / 0 / 20 / 66

HEX #555746

RGB 85 87 70

HSL 67.06, 0.11%, 0.31%

LAB 36.35, -4.16, 9.63

 

CMYK 0 / 40 / 86 / 46

HEX #8A5313

RGB 138 83 19

HSL 32.27, 0.76%, 0.31%

LAB 40.63, 18, 43.66

 

CMYK 0 / 17 / 86 / 46

HEX #8A7213

RGB 138 114 19

HSL 47.9, 0.76%, 0.31%

LAB 48.87, -0.02, 50.67

 

CMYK 6 / 0 / 86 / 46

HEX #828A13

RGB 130 138 19

HSL 64.03, 0.76%, 0.31%

LAB 55.04, -16.91, 55.56

 

CMYK 29 / 0 / 86 / 46

HEX #628A13

RGB 98 138 19

HSL 80.17, 0.76%, 0.31%

LAB 52.75, -30.77, 52.7

 

CMYK 51 / 0 / 86 / 46

HEX #438A13

RGB 67 138 19

HSL 95.8, 0.76%, 0.31%

LAB 51.17, -42.09, 50.7

 

CMYK 8 / 0 / 86 / 74

HEX #3D4209

RGB 61 66 9

HSL 65.26, 0.76%, 0.15%

LAB 26.47, -10.29, 31.36

 

CMYK 7 / 0 / 86 / 60

HEX #5F660E

RGB 95 102 14

HSL 64.77, 0.76%, 0.23%

LAB 41.16, -13.95, 43.9

 

CMYK 7 / 0 / 86 / 46

HEX #818A13

RGB 129 138 19

HSL 64.54, 0.76%, 0.31%

LAB 54.96, -17.36, 55.46

 

CMYK 7 / 0 / 86 / 32

HEX #A2AE18

RGB 162 174 24

HSL 64.8, 0.76%, 0.39%

LAB 68.03, -21.03, 66.28

 

CMYK 7 / 0 / 86 / 18

HEX #C4D21E

RGB 196 210 30

HSL 64.67, 0.75%, 0.47%

LAB 80.7, -24.1, 76.54

 

CMYK 7 / 0 / 85 / 46

HEX #808914

RGB 128 137 20

HSL 64.62, 0.75%, 0.31%

LAB 54.59, -17.26, 54.86

 

CMYK 86 / 0 / 63 / 46

HEX #138A33

RGB 19 138 51

HSL 136.13, 0.76%, 0.31%

LAB 50.16, -49.5, 37.18

 

CMYK 29 / 86 / 0 / 46

HEX #62138A

RGB 98 19 138

HSL 279.83, 0.76%, 0.31%

LAB 26.44, 51.98, -48.42

 

CMYK 7 / 0 / 85 / 46

HEX #808914

RGB 128 137 20

HSL 64.62, 0.75%, 0.31%

LAB 54.59, -17.26, 54.86

 

CMYK 86 / 6 / 0 / 46

HEX #13828A

RGB 19 130 138

HSL 184.03, 0.76%, 0.31%

LAB 49.42, -25.44, -12.59

 

CMYK 0 / 86 / 6 / 46

HEX #8A1382

RGB 138 19 130

HSL 304.03, 0.76%, 0.31%

LAB 32.88, 57.97, -32.71

 

CMYK 7 / 0 / 85 / 46

HEX #808914

RGB 128 137 20

HSL 64.62, 0.75%, 0.31%

LAB 54.59, -17.26, 54.86

 

CMYK 86 / 0 / 63 / 46

HEX #138A33

RGB 19 138 51

HSL 136.13, 0.76%, 0.31%

LAB 50.16, -49.5, 37.18

 

CMYK 80 / 86 / 0 / 46

HEX #1B138A

RGB 27 19 138

HSL 244.03, 0.76%, 0.31%

LAB 18.07, 43.83, -62.5

 

CMYK 0 / 86 / 23 / 46

HEX #8A136A

RGB 138 19 106

HSL 316.13, 0.76%, 0.31%

LAB 31.6, 54.51, -19.51

 

CMYK 7 / 0 / 85 / 46

HEX #808914

RGB 128 137 20

HSL 64.62, 0.75%, 0.31%

LAB 54.59, -17.26, 54.86

 

CMYK 86 / 0 / 38 / 46

HEX #138A56

RGB 19 138 86

HSL 153.78, 0.76%, 0.31%

LAB 50.67, -43.45, 19.36

 

CMYK 80 / 86 / 0 / 46

HEX #1B138A

RGB 27 19 138

HSL 244.03, 0.76%, 0.31%

LAB 18.07, 43.83, -62.5

 

CMYK 0 / 86 / 49 / 46

HEX #8A1347

RGB 138 19 71

HSL 333.78, 0.76%, 0.31%

LAB 30.22, 50.59, 1.29

 

Description

Color code: HEX #808914 | qconv.com Color code: HEX #808914 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 137 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 137 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 85 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 85% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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