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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80E872 it is the complementary color #7F178D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80E872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80E872 shade: #85E86D, #96FA80, #A7FF93, #B8FFA6 and #C9FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80E872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80E872 shade: #80E872, #6FD65F, #5EC44C, #4DB239 and #3CA026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80E872 shade: #80E872, #A0E872, #BFE872, #DFE872 and #E8D072

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80E872 shade: #80E872, #72E884, #72E8A4, #72E8C3 and #72E8E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80E872 shade matches the following richer shades: #80E872 and #76F565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80E872 shade: #80E872, #8ADA7F, #94CD8D, #9EC09A and #A8B3A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80E872 shade: #C0E872, #A1E872, #82E872, #72E882 and #72E8A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80E872 shade: #40DC2B, #60E24F, #80E872, #A0ED96 and #C0F3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80E872 shade: #80E872, #72E0E8 and #E872B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80E872 shade: #80E872, #7282E8 and #E87282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80E872 shade: #80E872, #72E0E8, #D872E8 and #E87A72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80E872 shade: #80E872, #72BDE8, #D872E8 and #E89D72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

Complementary color

CMYK 10 / 84 / 0 / 45

HEX #7F178D

RGB 127 23 141

HSL 292.88, 0.72%, 0.32%

LAB 31.92, 56.68, -41.19

 

CMYK 43 / 0 / 53 / 9

HEX #85E86D

RGB 133 232 109

HSL 108.29, 0.73%, 0.67%

LAB 83.86, -51.77, 50.36

 

CMYK 40 / 0 / 49 / 2

HEX #96FA80

RGB 150 250 128

HSL 109.18, 0.92%, 0.74%

LAB 90.05, -51.72, 49.18

 

CMYK 35 / 0 / 42 / 0

HEX #A7FF93

RGB 167 255 147

HSL 108.89, 1%, 0.79%

LAB 92.51, -46.14, 43.36

 

CMYK 28 / 0 / 35 / 0

HEX #B8FFA6

RGB 184 255 166

HSL 107.87, 1%, 0.83%

LAB 93.65, -38.05, 35.7

 

CMYK 21 / 0 / 27 / 0

HEX #C9FFB9

RGB 201 255 185

HSL 106.29, 1%, 0.86%

LAB 94.92, -29.61, 28.05

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 48 / 0 / 56 / 16

HEX #6FD65F

RGB 111 214 95

HSL 111.93, 0.59%, 0.61%

LAB 77.46, -52.6, 48.98

 

CMYK 52 / 0 / 61 / 23

HEX #5EC44C

RGB 94 196 76

HSL 111, 0.5%, 0.53%

LAB 71.13, -52.42, 50.09

 

CMYK 57 / 0 / 68 / 30

HEX #4DB239

RGB 77 178 57

HSL 110.08, 0.51%, 0.46%

LAB 64.73, -52, 51

 

CMYK 63 / 0 / 76 / 37

HEX #3CA026

RGB 60 160 38

HSL 109.18, 0.62%, 0.39%

LAB 58.27, -51.21, 51.43

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 31 / 0 / 51 / 9

HEX #A0E872

RGB 160 232 114

HSL 96.61, 0.72%, 0.68%

LAB 85.2, -42.54, 49.94

 

CMYK 18 / 0 / 51 / 9

HEX #BFE872

RGB 191 232 114

HSL 80.85, 0.72%, 0.68%

LAB 87, -31.44, 52.53

 

CMYK 4 / 0 / 51 / 9

HEX #DFE872

RGB 223 232 114

HSL 64.58, 0.72%, 0.68%

LAB 89.21, -19.11, 55.69

 

CMYK 0 / 10 / 51 / 9

HEX #E8D072

RGB 232 208 114

HSL 47.8, 0.72%, 0.68%

LAB 83.7, -3.51, 49.31

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 51 / 0 / 43 / 9

HEX #72E884

RGB 114 232 132

HSL 129.15, 0.72%, 0.68%

LAB 83.42, -53.96, 38.61

 

CMYK 51 / 0 / 29 / 9

HEX #72E8A4

RGB 114 232 164

HSL 145.42, 0.72%, 0.68%

LAB 83.95, -48.49, 23.1

 

CMYK 51 / 0 / 16 / 9

HEX #72E8C3

RGB 114 232 195

HSL 161.19, 0.72%, 0.68%

LAB 84.6, -42.08, 7.85

 

CMYK 51 / 0 / 2 / 9

HEX #72E8E3

RGB 114 232 227

HSL 177.46, 0.72%, 0.68%

LAB 85.42, -34.45, -7.8

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 52 / 0 / 59 / 4

HEX #76F565

RGB 118 245 101

HSL 112.92, 0.88%, 0.68%

LAB 87.04, -61.89, 57.52

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 37 / 0 / 42 / 15

HEX #8ADA7F

RGB 138 218 127

HSL 112.75, 0.55%, 0.68%

LAB 80.22, -42, 37.19

 

CMYK 28 / 0 / 31 / 20

HEX #94CD8D

RGB 148 205 141

HSL 113.44, 0.39%, 0.68%

LAB 77.21, -30.69, 26.14

 

CMYK 18 / 0 / 20 / 25

HEX #9EC09A

RGB 158 192 154

HSL 113.68, 0.23%, 0.68%

LAB 74.38, -18.72, 15.44

 

CMYK 6 / 0 / 7 / 30

HEX #A8B3A7

RGB 168 179 167

HSL 115, 0.07%, 0.68%

LAB 71.8, -6.11, 4.8

 

CMYK 17 / 0 / 51 / 9

HEX #C0E872

RGB 192 232 114

HSL 80.34, 0.72%, 0.68%

LAB 87.06, -31.06, 52.62

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 44 / 0 / 51 / 9

HEX #82E872

RGB 130 232 114

HSL 111.86, 0.72%, 0.68%

LAB 83.8, -52.06, 47.91

 

CMYK 51 / 0 / 44 / 9

HEX #72E882

RGB 114 232 130

HSL 128.14, 0.72%, 0.68%

LAB 83.39, -54.26, 39.56

 

CMYK 51 / 0 / 31 / 9

HEX #72E8A1

RGB 114 232 161

HSL 143.9, 0.72%, 0.68%

LAB 83.89, -49.05, 24.57

 

CMYK 71 / 0 / 80 / 14

HEX #40DC2B

RGB 64 220 43

HSL 112.88, 0.72%, 0.52%

LAB 77.55, -69.97, 68.35

 

CMYK 58 / 0 / 65 / 11

HEX #60E24F

RGB 96 226 79

HSL 113.06, 0.72%, 0.6%

LAB 80.43, -62.69, 59.15

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 32 / 0 / 37 / 7

HEX #A0ED96

RGB 160 237 150

HSL 113.1, 0.71%, 0.76%

LAB 87.12, -40.07, 34.83

 

CMYK 21 / 0 / 24 / 5

HEX #C0F3B9

RGB 192 243 185

HSL 112.76, 0.71%, 0.84%

LAB 91.15, -26.95, 22.79

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 51 / 3 / 0 / 9

HEX #72E0E8

RGB 114 224 232

HSL 184.07, 0.72%, 0.68%

LAB 83.29, -29.37, -13.62

 

CMYK 0 / 51 / 24 / 9

HEX #E872B1

RGB 232 114 177

HSL 327.97, 0.72%, 0.68%

LAB 63.64, 52.75, -12.05

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 51 / 44 / 0 / 9

HEX #7282E8

RGB 114 130 232

HSL 231.86, 0.72%, 0.68%

LAB 57.43, 21.96, -53.63

 

CMYK 0 / 51 / 44 / 9

HEX #E87282

RGB 232 114 130

HSL 351.86, 0.72%, 0.68%

LAB 62.34, 47.13, 12.96

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 51 / 3 / 0 / 9

HEX #72E0E8

RGB 114 224 232

HSL 184.07, 0.72%, 0.68%

LAB 83.29, -29.37, -13.62

 

CMYK 7 / 51 / 0 / 9

HEX #D872E8

RGB 216 114 232

HSL 291.86, 0.72%, 0.68%

LAB 63.72, 57.02, -43.04

 

CMYK 0 / 47 / 51 / 9

HEX #E87A72

RGB 232 122 114

HSL 4.07, 0.72%, 0.68%

LAB 63.58, 41.63, 23.76

 

CMYK 45 / 0 / 51 / 9

HEX #80E872

RGB 128 232 114

HSL 112.88, 0.72%, 0.68%

LAB 83.71, -52.64, 47.79

 

CMYK 51 / 19 / 0 / 9

HEX #72BDE8

RGB 114 189 232

HSL 201.86, 0.72%, 0.68%

LAB 73.41, -11.65, -28.6

 

CMYK 7 / 51 / 0 / 9

HEX #D872E8

RGB 216 114 232

HSL 291.86, 0.72%, 0.68%

LAB 63.72, 57.02, -43.04

 

CMYK 0 / 32 / 51 / 9

HEX #E89D72

RGB 232 157 114

HSL 21.86, 0.72%, 0.68%

LAB 71.2, 23.32, 33.76

 

Description

Color code: HEX #80E872 | qconv.com Color code: HEX #80E872 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 232 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 232 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 51 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 51% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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