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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #811F87 it is the complementary color #7EE078. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #811F87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #811F87 shade: #861F82, #973195, #A843A8, #B955BB and #CA67CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #811F87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #811F87 shade: #811F87, #700D74, #5F0061, #4E004E and #3D003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #811F87 shade: #831F89, #891F72, #891F56, #891F39 and #891F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #811F87 shade: #831F89, #661F89, #491F89, #2D1F89 and #1F1F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #811F87 shade matches the following richer shades: #831F89, #8F1196 and #9B03A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #811F87 shade: #831F89, #772C7B, #6A3A6D, #5E4760 and #525552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #811F87 shade: #491F89, #651F89, #821F89, #891F73 and #891F57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #811F87 shade: #420F45, #621767, #831F89, #A326AA and #C32ECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #811F87 shade: #811F87, #892D1F and #1F8957

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #811F87 shade: #811F87, #89821F and #1F8982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #811F87 shade: #811F87, #892D1F, #26891F and #1F7B89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #811F87 shade: #811F87, #894D1F, #26891F and #1F5B89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 77 / 0 / 47

HEX #811F87

RGB 129 31 135

HSL 296.54, 0.63%, 0.33%

LAB 32.69, 53.65, -36.21

 

Complementary color

CMYK 44 / 0 / 46 / 12

HEX #7EE078

RGB 126 224 120

HSL 116.54, 0.63%, 0.67%

LAB 81.35, -49.17, 41.97

 

CMYK 0 / 77 / 3 / 47

HEX #861F82

RGB 134 31 130

HSL 302.33, 0.62%, 0.32%

LAB 33.26, 53.9, -32.14

 

CMYK 0 / 68 / 1 / 41

HEX #973195

RGB 151 49 149

HSL 301.18, 0.51%, 0.39%

LAB 39.49, 54.63, -33.79

 

CMYK 0 / 60 / 0 / 34

HEX #A843A8

RGB 168 67 168

HSL 300, 0.43%, 0.46%

LAB 45.86, 54.67, -34.94

 

CMYK 1 / 55 / 0 / 27

HEX #B955BB

RGB 185 85 187

HSL 298.82, 0.43%, 0.53%

LAB 52.29, 54.32, -35.79

 

CMYK 2 / 50 / 0 / 19

HEX #CA67CE

RGB 202 103 206

HSL 297.67, 0.51%, 0.61%

LAB 58.71, 53.76, -36.45

 

CMYK 4 / 77 / 0 / 47

HEX #811F87

RGB 129 31 135

HSL 296.54, 0.63%, 0.33%

LAB 32.69, 53.65, -36.21

 

CMYK 3 / 89 / 0 / 55

HEX #700D74

RGB 112 13 116

HSL 297.67, 0.8%, 0.25%

LAB 26.72, 51.75, -33.96

 

CMYK 2 / 100 / 0 / 62

HEX #5F0061

RGB 95 0 97

HSL 298.76, 1%, 0.19%

LAB 21.19, 48.04, -30.64

 

CMYK 0 / 100 / 0 / 69

HEX #4E004E

RGB 78 0 78

HSL 300, 1%, 0.15%

LAB 16.35, 41.65, -25.79

 

CMYK 0 / 100 / 3 / 76

HEX #3D003B

RGB 61 0 59

HSL 301.97, 1%, 0.12%

LAB 11.33, 35.02, -20.71

 

CMYK 4 / 77 / 0 / 46

HEX #831F89

RGB 131 31 137

HSL 296.6, 0.63%, 0.33%

LAB 33.16, 54.44, -36.69

 

CMYK 0 / 77 / 17 / 46

HEX #891F72

RGB 137 31 114

HSL 313.02, 0.63%, 0.33%

LAB 32.95, 52.09, -22.54

 

CMYK 0 / 77 / 37 / 46

HEX #891F56

RGB 137 31 86

HSL 328.87, 0.63%, 0.33%

LAB 31.74, 48.4, -6.37

 

CMYK 0 / 77 / 58 / 46

HEX #891F39

RGB 137 31 57

HSL 345.28, 0.63%, 0.33%

LAB 30.86, 45.62, 11.47

 

CMYK 0 / 77 / 77 / 46

HEX #891F1F

RGB 137 31 31

HSL 0, 0.63%, 0.33%

LAB 30.39, 44.09, 27.68

 

CMYK 4 / 77 / 0 / 46

HEX #831F89

RGB 131 31 137

HSL 296.6, 0.63%, 0.33%

LAB 33.16, 54.44, -36.69

 

CMYK 26 / 77 / 0 / 46

HEX #661F89

RGB 102 31 137

HSL 280.19, 0.63%, 0.33%

LAB 28.41, 48.38, -44.58

 

CMYK 47 / 77 / 0 / 46

HEX #491F89

RGB 73 31 137

HSL 263.77, 0.63%, 0.33%

LAB 24.33, 43.01, -51.39

 

CMYK 67 / 77 / 0 / 46

HEX #2D1F89

RGB 45 31 137

HSL 247.92, 0.63%, 0.33%

LAB 21.37, 38.96, -56.36

 

CMYK 77 / 77 / 0 / 46

HEX #1F1F89

RGB 31 31 137

HSL 240, 0.63%, 0.33%

LAB 20.35, 37.53, -58.08

 

CMYK 4 / 77 / 0 / 46

HEX #831F89

RGB 131 31 137

HSL 296.6, 0.63%, 0.33%

LAB 33.16, 54.44, -36.69

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 5 / 98 / 0 / 36

HEX #9B03A4

RGB 155 3 164

HSL 296.65, 0.96%, 0.33%

LAB 37.32, 68.79, -46.27

 

CMYK 4 / 77 / 0 / 46

HEX #831F89

RGB 131 31 137

HSL 296.6, 0.63%, 0.33%

LAB 33.16, 54.44, -36.69

 

CMYK 3 / 64 / 0 / 52

HEX #772C7B

RGB 119 44 123

HSL 296.96, 0.47%, 0.33%

LAB 32.15, 43.86, -29.68

 

CMYK 3 / 47 / 0 / 57

HEX #6A3A6D

RGB 106 58 109

HSL 296.47, 0.31%, 0.33%

LAB 32.25, 29.79, -20.84

 

CMYK 2 / 26 / 0 / 62

HEX #5E4760

RGB 94 71 96

HSL 295.2, 0.15%, 0.33%

LAB 33.42, 14.74, -10.92

 

CMYK 4 / 0 / 4 / 67

HEX #525552

RGB 82 85 82

HSL 120, 0.02%, 0.33%

LAB 35.79, -1.85, 1.32

 

CMYK 47 / 77 / 0 / 46

HEX #491F89

RGB 73 31 137

HSL 263.77, 0.63%, 0.33%

LAB 24.33, 43.01, -51.39

 

CMYK 26 / 77 / 0 / 46

HEX #651F89

RGB 101 31 137

HSL 279.62, 0.63%, 0.33%

LAB 28.26, 48.18, -44.83

 

CMYK 5 / 77 / 0 / 46

HEX #821F89

RGB 130 31 137

HSL 296.04, 0.63%, 0.33%

LAB 32.99, 54.22, -36.97

 

CMYK 0 / 77 / 16 / 46

HEX #891F73

RGB 137 31 115

HSL 312.45, 0.63%, 0.33%

LAB 33, 52.24, -23.09

 

CMYK 0 / 77 / 36 / 46

HEX #891F57

RGB 137 31 87

HSL 328.3, 0.63%, 0.33%

LAB 31.78, 48.52, -6.97

 

CMYK 4 / 78 / 0 / 73

HEX #420F45

RGB 66 15 69

HSL 296.67, 0.64%, 0.16%

LAB 15.11, 32.11, -21.69

 

CMYK 5 / 78 / 0 / 60

HEX #621767

RGB 98 23 103

HSL 296.25, 0.63%, 0.25%

LAB 24.29, 43.56, -29.6

 

CMYK 4 / 77 / 0 / 46

HEX #831F89

RGB 131 31 137

HSL 296.6, 0.63%, 0.33%

LAB 33.16, 54.44, -36.69

 

CMYK 4 / 78 / 0 / 33

HEX #A326AA

RGB 163 38 170

HSL 296.82, 0.63%, 0.41%

LAB 41.34, 64.68, -43.36

 

CMYK 4 / 77 / 0 / 20

HEX #C32ECC

RGB 195 46 204

HSL 296.58, 0.63%, 0.49%

LAB 49.39, 74.39, -50.09

 

CMYK 4 / 77 / 0 / 47

HEX #811F87

RGB 129 31 135

HSL 296.54, 0.63%, 0.33%

LAB 32.69, 53.65, -36.21

 

CMYK 0 / 67 / 77 / 46

HEX #892D1F

RGB 137 45 31

HSL 7.92, 0.63%, 0.33%

LAB 32.47, 38.41, 29.95

 

CMYK 77 / 0 / 36 / 46

HEX #1F8957

RGB 31 137 87

HSL 151.7, 0.63%, 0.33%

LAB 50.54, -41.44, 18.65

 

CMYK 4 / 77 / 0 / 47

HEX #811F87

RGB 129 31 135

HSL 296.54, 0.63%, 0.33%

LAB 32.69, 53.65, -36.21

 

CMYK 0 / 5 / 77 / 46

HEX #89821F

RGB 137 130 31

HSL 56.04, 0.63%, 0.33%

LAB 53.37, -8.98, 50.73

 

CMYK 77 / 0 / 5 / 46

HEX #1F8982

RGB 31 137 130

HSL 176.04, 0.63%, 0.33%

LAB 51.6, -30.26, -4.63

 

CMYK 4 / 77 / 0 / 47

HEX #811F87

RGB 129 31 135

HSL 296.54, 0.63%, 0.33%

LAB 32.69, 53.65, -36.21

 

CMYK 0 / 67 / 77 / 46

HEX #892D1F

RGB 137 45 31

HSL 7.92, 0.63%, 0.33%

LAB 32.47, 38.41, 29.95

 

CMYK 72 / 0 / 77 / 46

HEX #26891F

RGB 38 137 31

HSL 116.04, 0.63%, 0.33%

LAB 49.98, -48.42, 45.54

 

CMYK 77 / 10 / 0 / 46

HEX #1F7B89

RGB 31 123 137

HSL 187.92, 0.63%, 0.33%

LAB 47.32, -20.96, -15.17

 

CMYK 4 / 77 / 0 / 47

HEX #811F87

RGB 129 31 135

HSL 296.54, 0.63%, 0.33%

LAB 32.69, 53.65, -36.21

 

CMYK 0 / 44 / 77 / 46

HEX #894D1F

RGB 137 77 31

HSL 26.04, 0.63%, 0.33%

LAB 39.11, 21.49, 36.92

 

CMYK 72 / 0 / 77 / 46

HEX #26891F

RGB 38 137 31

HSL 116.04, 0.63%, 0.33%

LAB 49.98, -48.42, 45.54

 

CMYK 77 / 34 / 0 / 46

HEX #1F5B89

RGB 31 91 137

HSL 206.04, 0.63%, 0.33%

LAB 37.08, -2.4, -31.04

 

Description

Color code: HEX #811F87 | qconv.com Color code: HEX #811F87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 31 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 31 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 77 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 77% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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