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Color name
HEX #8F1196

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F1196 it is the complementary color #70EE69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F1196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F1196 shade: #941191, #A523A4, #B635B7, #C747CA and #D859DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F1196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F1196 shade: #8F1196, #7E0083, #6D0070, #5C005D and #4B004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F1196 shade: #901097, #97107A, #971055, #971031 and #971010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F1196 shade: #901097, #6C1097, #471097, #231097 and #101097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F1196 shade matches the following richer shades: #901097 and #9C03A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F1196 shade: #901097, #841E89, #782C7C, #6B396E and #5F4761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F1196 shade: #461097, #6A1097, #8E1097, #97107C and #971058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F1196 shade: #49084D, #6C0C72, #901097, #B314BC and #D719E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F1196 shade: #8F1196, #972210 and #109758

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F1196 shade: #8F1196, #978E10 and #10978E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F1196 shade: #8F1196, #972210, #199710 and #108597

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F1196 shade: #8F1196, #974B10, #199710 and #105D97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

Complementary color

CMYK 53 / 0 / 56 / 7

HEX #70EE69

RGB 112 238 105

HSL 116.84, 0.8%, 0.67%

LAB 84.8, -60.39, 53.09

 

CMYK 0 / 89 / 2 / 42

HEX #941191

RGB 148 17 145

HSL 301.37, 0.79%, 0.32%

LAB 35.48, 62.68, -37.74

 

CMYK 0 / 79 / 1 / 35

HEX #A523A4

RGB 165 35 164

HSL 300.46, 0.65%, 0.39%

LAB 41.03, 64.95, -40.24

 

CMYK 1 / 71 / 0 / 28

HEX #B635B7

RGB 182 53 183

HSL 299.54, 0.55%, 0.46%

LAB 46.86, 66.11, -42.06

 

CMYK 1 / 65 / 0 / 21

HEX #C747CA

RGB 199 71 202

HSL 298.63, 0.55%, 0.54%

LAB 52.85, 66.54, -43.4

 

CMYK 2 / 60 / 0 / 13

HEX #D859DD

RGB 216 89 221

HSL 297.73, 0.66%, 0.61%

LAB 58.94, 66.51, -44.42

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 4 / 100 / 0 / 49

HEX #7E0083

RGB 126 0 131

HSL 297.71, 1%, 0.26%

LAB 29.6, 59.08, -38.7

 

CMYK 3 / 100 / 0 / 56

HEX #6D0070

RGB 109 0 112

HSL 298.39, 1%, 0.22%

LAB 25.02, 53.03, -34.15

 

CMYK 1 / 100 / 0 / 64

HEX #5C005D

RGB 92 0 93

HSL 299.35, 1%, 0.18%

LAB 20.3, 46.82, -29.44

 

CMYK 0 / 100 / 1 / 71

HEX #4B004A

RGB 75 0 74

HSL 300.8, 1%, 0.15%

LAB 15.44, 40.39, -24.54

 

CMYK 5 / 89 / 0 / 41

HEX #901097

RGB 144 16 151

HSL 296.89, 0.81%, 0.33%

LAB 35.07, 63.08, -42.11

 

CMYK 0 / 89 / 19 / 41

HEX #97107A

RGB 151 16 122

HSL 312.89, 0.81%, 0.33%

LAB 34.71, 60.12, -24.64

 

CMYK 0 / 89 / 44 / 41

HEX #971055

RGB 151 16 85

HSL 329.33, 0.81%, 0.33%

LAB 33.15, 55.86, -3.32

 

CMYK 0 / 89 / 68 / 41

HEX #971031

RGB 151 16 49

HSL 345.33, 0.81%, 0.33%

LAB 32.19, 53.16, 19.03

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 5 / 89 / 0 / 41

HEX #901097

RGB 144 16 151

HSL 296.89, 0.81%, 0.33%

LAB 35.07, 63.08, -42.11

 

CMYK 28 / 89 / 0 / 41

HEX #6C1097

RGB 108 16 151

HSL 280.89, 0.81%, 0.33%

LAB 28.88, 57.06, -52.42

 

CMYK 53 / 89 / 0 / 41

HEX #471097

RGB 71 16 151

HSL 264.44, 0.81%, 0.33%

LAB 23.49, 52.24, -61.48

 

CMYK 77 / 89 / 0 / 41

HEX #231097

RGB 35 16 151

HSL 248.44, 0.81%, 0.33%

LAB 19.89, 49.39, -67.55

 

CMYK 89 / 89 / 0 / 41

HEX #101097

RGB 16 16 151

HSL 240, 0.81%, 0.33%

LAB 18.86, 48.64, -69.28

 

CMYK 5 / 89 / 0 / 41

HEX #901097

RGB 144 16 151

HSL 296.89, 0.81%, 0.33%

LAB 35.07, 63.08, -42.11

 

CMYK 5 / 98 / 0 / 35

HEX #9C03A5

RGB 156 3 165

HSL 296.67, 0.96%, 0.33%

LAB 37.57, 69.11, -46.46

 

CMYK 5 / 89 / 0 / 41

HEX #901097

RGB 144 16 151

HSL 296.89, 0.81%, 0.33%

LAB 35.07, 63.08, -42.11

 

CMYK 4 / 78 / 0 / 46

HEX #841E89

RGB 132 30 137

HSL 297.2, 0.64%, 0.33%

LAB 33.22, 54.97, -36.58

 

CMYK 3 / 65 / 0 / 51

HEX #782C7C

RGB 120 44 124

HSL 297, 0.48%, 0.33%

LAB 32.37, 44.31, -29.95

 

CMYK 3 / 48 / 0 / 57

HEX #6B396E

RGB 107 57 110

HSL 296.6, 0.32%, 0.33%

LAB 32.21, 30.9, -21.52

 

CMYK 2 / 27 / 0 / 62

HEX #5F4761

RGB 95 71 97

HSL 295.38, 0.15%, 0.33%

LAB 33.57, 15.34, -11.31

 

CMYK 54 / 89 / 0 / 41

HEX #461097

RGB 70 16 151

HSL 264, 0.81%, 0.33%

LAB 23.36, 52.14, -61.69

 

CMYK 30 / 89 / 0 / 41

HEX #6A1097

RGB 106 16 151

HSL 280, 0.81%, 0.33%

LAB 28.56, 56.75, -52.96

 

CMYK 6 / 89 / 0 / 41

HEX #8E1097

RGB 142 16 151

HSL 296, 0.81%, 0.33%

LAB 34.71, 62.72, -42.7

 

CMYK 0 / 89 / 18 / 41

HEX #97107C

RGB 151 16 124

HSL 312, 0.81%, 0.33%

LAB 34.81, 60.39, -25.73

 

CMYK 0 / 89 / 42 / 41

HEX #971058

RGB 151 16 88

HSL 328, 0.81%, 0.33%

LAB 33.25, 56.15, -5.12

 

CMYK 5 / 90 / 0 / 70

HEX #49084D

RGB 73 8 77

HSL 296.52, 0.81%, 0.17%

LAB 16.13, 37.89, -25.51

 

CMYK 5 / 89 / 0 / 55

HEX #6C0C72

RGB 108 12 114

HSL 296.47, 0.81%, 0.25%

LAB 25.76, 50.83, -34.25

 

CMYK 5 / 89 / 0 / 41

HEX #901097

RGB 144 16 151

HSL 296.89, 0.81%, 0.33%

LAB 35.07, 63.08, -42.11

 

CMYK 5 / 89 / 0 / 26

HEX #B314BC

RGB 179 20 188

HSL 296.79, 0.81%, 0.41%

LAB 43.82, 74.52, -49.87

 

CMYK 4 / 89 / 0 / 12

HEX #D719E1

RGB 215 25 225

HSL 297, 0.8%, 0.49%

LAB 52.49, 85.53, -56.96

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 0 / 77 / 89 / 41

HEX #972210

RGB 151 34 16

HSL 8, 0.81%, 0.33%

LAB 33.48, 47.14, 39.83

 

CMYK 89 / 0 / 42 / 41

HEX #109758

RGB 16 151 88

HSL 152, 0.81%, 0.33%

LAB 55.02, -48.22, 24.03

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 89 / 0 / 6 / 41

HEX #10978E

RGB 16 151 142

HSL 176, 0.81%, 0.33%

LAB 56.28, -34.56, -4.66

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 0 / 77 / 89 / 41

HEX #972210

RGB 151 34 16

HSL 8, 0.81%, 0.33%

LAB 33.48, 47.14, 39.83

 

CMYK 83 / 0 / 89 / 41

HEX #199710

RGB 25 151 16

HSL 116, 0.81%, 0.33%

LAB 54.43, -55.82, 53.85

 

CMYK 89 / 12 / 0 / 41

HEX #108597

RGB 16 133 151

HSL 188, 0.81%, 0.33%

LAB 50.83, -22.82, -18.06

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 0 / 50 / 89 / 41

HEX #974B10

RGB 151 75 16

HSL 26.22, 0.81%, 0.33%

LAB 40.65, 28.23, 45.54

 

CMYK 83 / 0 / 89 / 41

HEX #199710

RGB 25 151 16

HSL 116, 0.81%, 0.33%

LAB 54.43, -55.82, 53.85

 

CMYK 89 / 38 / 0 / 41

HEX #105D97

RGB 16 93 151

HSL 205.78, 0.81%, 0.33%

LAB 38.15, 0.36, -37.82

 

Description

Color code: HEX #8F1196 | qconv.com Color code: HEX #8F1196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 17 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 17 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 89 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 89% 0% 41% C M Y K

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Provide designers and agencies with accurate color values.

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