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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8174C7 it is the complementary color #7E8B38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8174C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8174C7 shade: #8674C2, #9786D5, #A898E8, #B9AAFB and #CABCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8174C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8174C7 shade: #8174C7, #7062B4, #5F50A1, #4E3E8E and #3D2C7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8174C7 shade: #8174C7, #9774C7, #AE74C7, #C474C7 and #C774B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8174C7 shade: #8174C7 and #7474C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8174C7 shade matches the following richer shades: #8174C7, #7664D7, #6B55E7 and #6145F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8174C7 shade: #8174C7, #8C84B8, #9793A8, #A1A398 and #ACB389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8174C7 shade: #7494C7, #747EC7, #8074C7, #9774C7 and #AD74C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8174C7 shade: #5242A7, #6656BC, #8174C7, #9C91D3 and #B6AFDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8174C7 shade: #8174C7, #C774AA and #89C774

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8174C7 shade: #8174C7, #C78074 and #74C780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8174C7 shade: #8174C7, #C774AA, #BBC774 and #74C791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8174C7 shade: #8174C7, #C77491, #BBC774 and #74C7AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

Complementary color

CMYK 9 / 0 / 60 / 45

HEX #7E8B38

RGB 126 139 56

HSL 69.4, 0.43%, 0.38%

LAB 55.26, -17.14, 41.85

 

CMYK 31 / 40 / 0 / 24

HEX #8674C2

RGB 134 116 194

HSL 253.85, 0.39%, 0.61%

LAB 53.44, 24.48, -38.4

 

CMYK 29 / 37 / 0 / 16

HEX #9786D5

RGB 151 134 213

HSL 252.91, 0.48%, 0.68%

LAB 60.28, 23.69, -38.33

 

CMYK 28 / 34 / 0 / 9

HEX #A898E8

RGB 168 152 232

HSL 252, 0.63%, 0.75%

LAB 66.98, 22.98, -38.3

 

CMYK 26 / 32 / 0 / 2

HEX #B9AAFB

RGB 185 170 251

HSL 251.11, 0.91%, 0.83%

LAB 73.56, 22.35, -38.3

 

CMYK 21 / 26 / 0 / 0

HEX #CABCFF

RGB 202 188 255

HSL 252.54, 1%, 0.87%

LAB 79.47, 18.35, -31.21

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 38 / 46 / 0 / 29

HEX #7062B4

RGB 112 98 180

HSL 250.24, 0.35%, 0.55%

LAB 46.28, 25.38, -41.76

 

CMYK 41 / 50 / 0 / 37

HEX #5F50A1

RGB 95 80 161

HSL 251.11, 0.34%, 0.47%

LAB 39.14, 26.5, -42

 

CMYK 45 / 56 / 0 / 44

HEX #4E3E8E

RGB 78 62 142

HSL 252, 0.39%, 0.4%

LAB 31.85, 27.79, -42.27

 

CMYK 50 / 64 / 0 / 52

HEX #3D2C7B

RGB 61 44 123

HSL 252.91, 0.47%, 0.33%

LAB 24.4, 29.29, -42.54

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 24 / 42 / 0 / 22

HEX #9774C7

RGB 151 116 199

HSL 265.3, 0.43%, 0.62%

LAB 55.27, 30.62, -38.27

 

CMYK 13 / 42 / 0 / 22

HEX #AE74C7

RGB 174 116 199

HSL 281.93, 0.43%, 0.62%

LAB 57.67, 37.44, -34.35

 

CMYK 2 / 42 / 0 / 22

HEX #C474C7

RGB 196 116 199

HSL 297.83, 0.43%, 0.62%

LAB 60.2, 44.09, -30.21

 

CMYK 0 / 42 / 10 / 22

HEX #C774B4

RGB 199 116 180

HSL 313.73, 0.43%, 0.62%

LAB 59.82, 41.63, -19.95

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 42 / 42 / 0 / 22

HEX #7474C7

RGB 116 116 199

HSL 240, 0.43%, 0.62%

LAB 52.21, 20.97, -43.31

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 45 / 53 / 0 / 16

HEX #7664D7

RGB 118 100 215

HSL 249.39, 0.59%, 0.62%

LAB 49.34, 35.67, -57

 

CMYK 54 / 63 / 0 / 9

HEX #6B55E7

RGB 107 85 231

HSL 249.04, 0.75%, 0.62%

LAB 46.17, 46.9, -71.25

 

CMYK 61 / 72 / 0 / 4

HEX #6145F6

RGB 97 69 246

HSL 249.49, 0.91%, 0.62%

LAB 43.44, 58.49, -84.2

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 24 / 28 / 0 / 28

HEX #8C84B8

RGB 140 132 184

HSL 249.23, 0.27%, 0.62%

LAB 57.6, 14.35, -26.18

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 1 / 0 / 7 / 36

HEX #A1A398

RGB 161 163 152

HSL 70.91, 0.06%, 0.62%

LAB 66.55, -2.76, 5.46

 

CMYK 4 / 0 / 23 / 30

HEX #ACB389

RGB 172 179 137

HSL 70, 0.22%, 0.62%

LAB 71.43, -9.65, 20.68

 

CMYK 42 / 26 / 0 / 22

HEX #7494C7

RGB 116 148 199

HSL 216.87, 0.43%, 0.62%

LAB 60.8, 2.08, -29.86

 

CMYK 42 / 37 / 0 / 22

HEX #747EC7

RGB 116 126 199

HSL 232.77, 0.43%, 0.62%

LAB 54.82, 14.97, -39.18

 

CMYK 36 / 42 / 0 / 22

HEX #8074C7

RGB 128 116 199

HSL 248.67, 0.43%, 0.62%

LAB 53.17, 24.14, -41.72

 

CMYK 24 / 42 / 0 / 22

HEX #9774C7

RGB 151 116 199

HSL 265.3, 0.43%, 0.62%

LAB 55.27, 30.62, -38.27

 

CMYK 13 / 42 / 0 / 22

HEX #AD74C7

RGB 173 116 199

HSL 281.2, 0.43%, 0.62%

LAB 57.56, 37.14, -34.53

 

CMYK 51 / 60 / 0 / 35

HEX #5242A7

RGB 82 66 167

HSL 249.5, 0.43%, 0.46%

LAB 34.96, 33.94, -52.38

 

CMYK 46 / 54 / 0 / 26

HEX #6656BC

RGB 102 86 188

HSL 249.41, 0.43%, 0.54%

LAB 42.93, 32.51, -51.83

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 26 / 31 / 0 / 17

HEX #9C91D3

RGB 156 145 211

HSL 250, 0.43%, 0.7%

LAB 63.36, 18.32, -32.37

 

CMYK 18 / 22 / 0 / 13

HEX #B6AFDF

RGB 182 175 223

HSL 248.75, 0.43%, 0.78%

LAB 73.5, 12.22, -23.22

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 0 / 42 / 15 / 22

HEX #C774AA

RGB 199 116 170

HSL 320.96, 0.43%, 0.62%

LAB 59.47, 39.97, -14.77

 

CMYK 31 / 0 / 42 / 22

HEX #89C774

RGB 137 199 116

HSL 104.82, 0.43%, 0.62%

LAB 74.46, -35.36, 35.34

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 0 / 36 / 42 / 22

HEX #C78074

RGB 199 128 116

HSL 8.67, 0.43%, 0.62%

LAB 60.64, 26.06, 17.93

 

CMYK 42 / 0 / 36 / 22

HEX #74C780

RGB 116 199 128

HSL 128.67, 0.43%, 0.62%

LAB 73.62, -40.21, 27.85

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 0 / 42 / 15 / 22

HEX #C774AA

RGB 199 116 170

HSL 320.96, 0.43%, 0.62%

LAB 59.47, 39.97, -14.77

 

CMYK 6 / 0 / 42 / 22

HEX #BBC774

RGB 187 199 116

HSL 68.67, 0.43%, 0.62%

LAB 77.68, -16.81, 40.09

 

CMYK 42 / 0 / 27 / 22

HEX #74C791

RGB 116 199 145

HSL 140.96, 0.43%, 0.62%

LAB 73.94, -37.17, 19.3

 

CMYK 35 / 42 / 0 / 22

HEX #8174C7

RGB 129 116 199

HSL 249.4, 0.43%, 0.62%

LAB 53.26, 24.42, -41.58

 

CMYK 0 / 42 / 27 / 22

HEX #C77491

RGB 199 116 145

HSL 339.04, 0.43%, 0.62%

LAB 58.67, 36.2, -1.53

 

CMYK 6 / 0 / 42 / 22

HEX #BBC774

RGB 187 199 116

HSL 68.67, 0.43%, 0.62%

LAB 77.68, -16.81, 40.09

 

CMYK 42 / 0 / 15 / 22

HEX #74C7AA

RGB 116 199 170

HSL 159.04, 0.43%, 0.62%

LAB 74.48, -32.04, 6.64

 

Description

Color code: HEX #8174C7 | qconv.com Color code: HEX #8174C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 116 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 116 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 42 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 42% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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