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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81785A it is the complementary color #7E87A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81785A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81785A shade: #867855, #978A68, #A89C7B, #B9AE8E and #CAC0A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81785A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81785A shade: #81785A, #706647, #5F5434, #4E4221 and #3D300E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81785A shade: #817859, #816D59, #816259 and #815959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81785A shade: #817859, #7F8159, #758159, #6A8159 and #5F8159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81785A shade matches the following richer shades: #817859, #938148, #A48B36, #B69424 and #C89E12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81785A shade: #817859, #6F6E6B, #5D657D, #4C5B8F and #3A52A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81785A shade: #816359, #816D59, #817859, #808159 and #758159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81785A shade: #504B38, #696148, #817859, #988E6B and #A9A084

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81785A shade: #81785A, #5B8159 and #685981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81785A shade: #81785A, #598178 and #785981

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81785A shade: #81785A, #5B8159, #596381 and #805981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81785A shade: #81785A, #598164, #596381 and #815976

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 30 / 49

HEX #81785A

RGB 129 120 90

HSL 46.15, 0.18%, 0.43%

LAB 50.5, -1.56, 17.76

 

Complementary color

CMYK 24 / 18 / 0 / 35

HEX #7E87A5

RGB 126 135 165

HSL 226.15, 0.18%, 0.57%

LAB 56.57, 3.51, -16.99

 

CMYK 0 / 10 / 37 / 47

HEX #867855

RGB 134 120 85

HSL 42.86, 0.22%, 0.43%

LAB 50.87, -0.11, 21.21

 

CMYK 0 / 9 / 31 / 41

HEX #978A68

RGB 151 138 104

HSL 43.4, 0.18%, 0.5%

LAB 57.8, -0.57, 20.01

 

CMYK 0 / 7 / 27 / 34

HEX #A89C7B

RGB 168 156 123

HSL 44, 0.21%, 0.57%

LAB 64.59, -0.94, 18.9

 

CMYK 0 / 6 / 23 / 27

HEX #B9AE8E

RGB 185 174 142

HSL 44.65, 0.23%, 0.64%

LAB 71.24, -1.26, 17.87

 

CMYK 0 / 5 / 20 / 21

HEX #CAC0A1

RGB 202 192 161

HSL 45.37, 0.28%, 0.71%

LAB 77.77, -1.54, 16.91

 

CMYK 0 / 7 / 30 / 49

HEX #81785A

RGB 129 120 90

HSL 46.15, 0.18%, 0.43%

LAB 50.5, -1.56, 17.76

 

CMYK 0 / 9 / 37 / 56

HEX #706647

RGB 112 102 71

HSL 45.37, 0.22%, 0.36%

LAB 43.36, -1.13, 18.98

 

CMYK 0 / 12 / 45 / 63

HEX #5F5434

RGB 95 84 52

HSL 44.65, 0.29%, 0.29%

LAB 36.03, -0.57, 20.34

 

CMYK 0 / 15 / 58 / 69

HEX #4E4221

RGB 78 66 33

HSL 44, 0.41%, 0.22%

LAB 28.45, 0.21, 21.82

 

CMYK 0 / 21 / 77 / 76

HEX #3D300E

RGB 61 48 14

HSL 43.4, 0.63%, 0.15%

LAB 20.59, 1.37, 23.2

 

CMYK 0 / 7 / 31 / 49

HEX #817859

RGB 129 120 89

HSL 46.5, 0.18%, 0.43%

LAB 50.48, -1.7, 18.31

 

CMYK 0 / 16 / 31 / 49

HEX #816D59

RGB 129 109 89

HSL 30, 0.18%, 0.43%

LAB 47.4, 4.66, 14.11

 

CMYK 0 / 24 / 31 / 49

HEX #816259

RGB 129 98 89

HSL 13.5, 0.18%, 0.43%

LAB 44.41, 11.15, 9.96

 

CMYK 0 / 31 / 31 / 49

HEX #815959

RGB 129 89 89

HSL 0, 0.18%, 0.43%

LAB 42.05, 16.51, 6.63

 

CMYK 0 / 7 / 31 / 49

HEX #817859

RGB 129 120 89

HSL 46.5, 0.18%, 0.43%

LAB 50.48, -1.7, 18.31

 

CMYK 2 / 0 / 31 / 49

HEX #7F8159

RGB 127 129 89

HSL 63, 0.18%, 0.43%

LAB 52.88, -7.61, 21.49

 

CMYK 9 / 0 / 31 / 49

HEX #758159

RGB 117 129 89

HSL 78, 0.18%, 0.43%

LAB 52.07, -11.74, 20.27

 

CMYK 18 / 0 / 31 / 49

HEX #6A8159

RGB 106 129 89

HSL 94.5, 0.18%, 0.43%

LAB 51.25, -16.13, 19.03

 

CMYK 26 / 0 / 31 / 49

HEX #5F8159

RGB 95 129 89

HSL 111, 0.18%, 0.43%

LAB 50.52, -20.33, 17.92

 

CMYK 0 / 7 / 31 / 49

HEX #817859

RGB 129 120 89

HSL 46.5, 0.18%, 0.43%

LAB 50.48, -1.7, 18.31

 

CMYK 0 / 12 / 51 / 42

HEX #938148

RGB 147 129 72

HSL 45.6, 0.34%, 0.43%

LAB 54.42, -1.01, 33.21

 

CMYK 0 / 15 / 67 / 36

HEX #A48B36

RGB 164 139 54

HSL 46.36, 0.5%, 0.43%

LAB 58.62, -0.41, 47.41

 

CMYK 0 / 19 / 80 / 29

HEX #B69424

RGB 182 148 36

HSL 46.03, 0.67%, 0.43%

LAB 62.72, 1.88, 59.16

 

CMYK 0 / 21 / 91 / 22

HEX #C89E12

RGB 200 158 18

HSL 46.15, 0.83%, 0.43%

LAB 67.11, 4.05, 68.19

 

CMYK 0 / 7 / 31 / 49

HEX #817859

RGB 129 120 89

HSL 46.5, 0.18%, 0.43%

LAB 50.48, -1.7, 18.31

 

CMYK 0 / 1 / 4 / 56

HEX #6F6E6B

RGB 111 110 107

HSL 45, 0.02%, 0.43%

LAB 46.44, -0.21, 1.8

 

CMYK 26 / 19 / 0 / 51

HEX #5D657D

RGB 93 101 125

HSL 225, 0.15%, 0.43%

LAB 42.94, 2.71, -14.41

 

CMYK 47 / 36 / 0 / 44

HEX #4C5B8F

RGB 76 91 143

HSL 226.57, 0.31%, 0.43%

LAB 39.58, 9, -30.58

 

CMYK 64 / 49 / 0 / 37

HEX #3A52A0

RGB 58 82 160

HSL 225.88, 0.47%, 0.43%

LAB 36.88, 16.53, -45.18

 

CMYK 0 / 23 / 31 / 49

HEX #816359

RGB 129 99 89

HSL 15, 0.18%, 0.43%

LAB 44.68, 10.56, 10.33

 

CMYK 0 / 16 / 31 / 49

HEX #816D59

RGB 129 109 89

HSL 30, 0.18%, 0.43%

LAB 47.4, 4.66, 14.11

 

CMYK 0 / 7 / 31 / 49

HEX #817859

RGB 129 120 89

HSL 46.5, 0.18%, 0.43%

LAB 50.48, -1.7, 18.31

 

CMYK 1 / 0 / 31 / 49

HEX #808159

RGB 128 129 89

HSL 61.5, 0.18%, 0.43%

LAB 52.96, -7.19, 21.62

 

CMYK 9 / 0 / 31 / 49

HEX #758159

RGB 117 129 89

HSL 78, 0.18%, 0.43%

LAB 52.07, -11.74, 20.27

 

CMYK 0 / 6 / 30 / 69

HEX #504B38

RGB 80 75 56

HSL 47.5, 0.18%, 0.27%

LAB 31.86, -1.42, 12.1

 

CMYK 0 / 8 / 31 / 59

HEX #696148

RGB 105 97 72

HSL 45.45, 0.19%, 0.35%

LAB 41.25, -1.12, 15.44

 

CMYK 0 / 7 / 31 / 49

HEX #817859

RGB 129 120 89

HSL 46.5, 0.18%, 0.43%

LAB 50.48, -1.7, 18.31

 

CMYK 0 / 7 / 30 / 40

HEX #988E6B

RGB 152 142 107

HSL 46.67, 0.18%, 0.51%

LAB 59.05, -1.96, 20.03

 

CMYK 0 / 5 / 22 / 34

HEX #A9A084

RGB 169 160 132

HSL 45.41, 0.18%, 0.59%

LAB 65.94, -1.41, 15.79

 

CMYK 0 / 7 / 30 / 49

HEX #81785A

RGB 129 120 90

HSL 46.15, 0.18%, 0.43%

LAB 50.5, -1.56, 17.76

 

CMYK 29 / 0 / 31 / 49

HEX #5B8159

RGB 91 129 89

HSL 117, 0.18%, 0.43%

LAB 50.27, -21.79, 17.54

 

CMYK 19 / 31 / 0 / 49

HEX #685981

RGB 104 89 129

HSL 262.5, 0.18%, 0.43%

LAB 40.69, 14.86, -20.19

 

CMYK 0 / 7 / 30 / 49

HEX #81785A

RGB 129 120 90

HSL 46.15, 0.18%, 0.43%

LAB 50.5, -1.56, 17.76

 

CMYK 31 / 0 / 7 / 49

HEX #598178

RGB 89 129 120

HSL 166.5, 0.18%, 0.43%

LAB 50.9, -16, 0.41

 

CMYK 7 / 31 / 0 / 49

HEX #785981

RGB 120 89 129

HSL 286.5, 0.18%, 0.43%

LAB 42.34, 20.4, -17.51

 

CMYK 0 / 7 / 30 / 49

HEX #81785A

RGB 129 120 90

HSL 46.15, 0.18%, 0.43%

LAB 50.5, -1.56, 17.76

 

CMYK 29 / 0 / 31 / 49

HEX #5B8159

RGB 91 129 89

HSL 117, 0.18%, 0.43%

LAB 50.27, -21.79, 17.54

 

CMYK 31 / 23 / 0 / 49

HEX #596381

RGB 89 99 129

HSL 225, 0.18%, 0.43%

LAB 42.2, 3.69, -17.97

 

CMYK 1 / 31 / 0 / 49

HEX #805981

RGB 128 89 129

HSL 298.5, 0.18%, 0.43%

LAB 43.24, 23.22, -16.06

 

CMYK 0 / 7 / 30 / 49

HEX #81785A

RGB 129 120 90

HSL 46.15, 0.18%, 0.43%

LAB 50.5, -1.56, 17.76

 

CMYK 31 / 0 / 22 / 49

HEX #598164

RGB 89 129 100

HSL 136.5, 0.18%, 0.43%

LAB 50.39, -20.4, 11.34

 

CMYK 31 / 23 / 0 / 49

HEX #596381

RGB 89 99 129

HSL 225, 0.18%, 0.43%

LAB 42.2, 3.69, -17.97

 

CMYK 0 / 31 / 9 / 49

HEX #815976

RGB 129 89 118

HSL 316.5, 0.18%, 0.43%

LAB 42.94, 21.41, -9.81

 

Description

Color code: HEX #81785A | qconv.com Color code: HEX #81785A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 120 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 120 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 30 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 30% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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