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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #819116 it is the complementary color #7E6EE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #819116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #819116 shade: #869111, #97A324, #A8B537, #B9C74A and #CAD95D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #819116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #819116 shade: #819116, #707F03, #5F6D00, #4E5B00 and #3D4900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #819116 shade: #829215, #928115, #925F15, #923D15 and #921C15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #819116 shade: #829215, #609215, #3F9215, #1D9215 and #15922F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #819116 shade matches the following richer shades: #829215 and #8CA008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #819116 shade: #829215, #788423, #6E7731, #64693E and #595B4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #819116 shade: #925E15, #927F15, #839215, #629215 and #419215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #819116 shade: #424A0B, #626E10, #829215, #A2B61B and #C2DA20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #819116 shade: #819116, #15923D and #6F1592

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #819116 shade: #819116, #158392 and #921583

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #819116 shade: #819116, #15923D, #241592 and #92156A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #819116 shade: #819116, #159262, #241592 and #921545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 85 / 43

HEX #819116

RGB 129 145 22

HSL 67.8, 0.74%, 0.33%

LAB 57.05, -20.88, 56.49

 

Complementary color

CMYK 46 / 53 / 0 / 9

HEX #7E6EE9

RGB 126 110 233

HSL 247.8, 0.74%, 0.67%

LAB 53.46, 36.77, -60.49

 

CMYK 8 / 0 / 88 / 43

HEX #869111

RGB 134 145 17

HSL 65.16, 0.79%, 0.32%

LAB 57.42, -18.8, 58.13

 

CMYK 7 / 0 / 78 / 36

HEX #97A324

RGB 151 163 36

HSL 65.67, 0.64%, 0.39%

LAB 64.08, -19.86, 59.35

 

CMYK 7 / 0 / 70 / 29

HEX #A8B537

RGB 168 181 55

HSL 66.19, 0.53%, 0.46%

LAB 70.63, -20.69, 59.44

 

CMYK 7 / 0 / 63 / 22

HEX #B9C74A

RGB 185 199 74

HSL 66.72, 0.53%, 0.54%

LAB 77.07, -21.35, 58.92

 

CMYK 7 / 0 / 57 / 15

HEX #CAD95D

RGB 202 217 93

HSL 67.26, 0.62%, 0.61%

LAB 83.43, -21.88, 58.09

 

CMYK 11 / 0 / 85 / 43

HEX #819116

RGB 129 145 22

HSL 67.8, 0.74%, 0.33%

LAB 57.05, -20.88, 56.49

 

CMYK 12 / 0 / 98 / 50

HEX #707F03

RGB 112 127 3

HSL 67.26, 0.95%, 0.25%

LAB 50.25, -19.71, 54.3

 

CMYK 13 / 0 / 100 / 57

HEX #5F6D00

RGB 95 109 0

HSL 67.71, 1%, 0.21%

LAB 43.32, -18.16, 49.12

 

CMYK 14 / 0 / 100 / 64

HEX #4E5B00

RGB 78 91 0

HSL 68.57, 1%, 0.18%

LAB 36.18, -16.5, 43.18

 

CMYK 16 / 0 / 100 / 71

HEX #3D4900

RGB 61 73 0

HSL 69.86, 1%, 0.14%

LAB 28.79, -14.81, 36.99

 

CMYK 11 / 0 / 86 / 43

HEX #829215

RGB 130 146 21

HSL 67.68, 0.75%, 0.33%

LAB 57.42, -20.98, 57.09

 

CMYK 0 / 12 / 86 / 43

HEX #928115

RGB 146 129 21

HSL 51.84, 0.75%, 0.33%

LAB 53.88, -4.63, 54.65

 

CMYK 0 / 35 / 86 / 43

HEX #925F15

RGB 146 95 21

HSL 35.52, 0.75%, 0.33%

LAB 44.73, 14.78, 46.88

 

CMYK 0 / 58 / 86 / 43

HEX #923D15

RGB 146 61 21

HSL 19.2, 0.75%, 0.33%

LAB 36.93, 33.73, 40.09

 

CMYK 0 / 81 / 86 / 43

HEX #921C15

RGB 146 28 21

HSL 3.36, 0.75%, 0.33%

LAB 31.8, 47.6, 35.49

 

CMYK 11 / 0 / 86 / 43

HEX #829215

RGB 130 146 21

HSL 67.68, 0.75%, 0.33%

LAB 57.42, -20.98, 57.09

 

CMYK 34 / 0 / 86 / 43

HEX #609215

RGB 96 146 21

HSL 84, 0.75%, 0.33%

LAB 55.17, -35.16, 54.26

 

CMYK 57 / 0 / 86 / 43

HEX #3F9215

RGB 63 146 21

HSL 99.84, 0.75%, 0.33%

LAB 53.67, -46.29, 52.36

 

CMYK 80 / 0 / 86 / 43

HEX #1D9215

RGB 29 146 21

HSL 116.16, 0.75%, 0.33%

LAB 52.81, -53.52, 51.26

 

CMYK 86 / 0 / 68 / 43

HEX #15922F

RGB 21 146 47

HSL 132.48, 0.75%, 0.33%

LAB 52.86, -52.42, 42.03

 

CMYK 11 / 0 / 86 / 43

HEX #829215

RGB 130 146 21

HSL 67.68, 0.75%, 0.33%

LAB 57.42, -20.98, 57.09

 

CMYK 13 / 0 / 95 / 37

HEX #8CA008

RGB 140 160 8

HSL 67.89, 0.9%, 0.33%

LAB 62.28, -23.92, 63.7

 

CMYK 11 / 0 / 86 / 43

HEX #829215

RGB 130 146 21

HSL 67.68, 0.75%, 0.33%

LAB 57.42, -20.98, 57.09

 

CMYK 9 / 0 / 73 / 48

HEX #788423

RGB 120 132 35

HSL 67.42, 0.58%, 0.33%

LAB 52.53, -17.58, 47.94

 

CMYK 8 / 0 / 59 / 53

HEX #6E7731

RGB 110 119 49

HSL 67.71, 0.42%, 0.33%

LAB 47.92, -14.11, 36.64

 

CMYK 5 / 0 / 41 / 59

HEX #64693E

RGB 100 105 62

HSL 66.98, 0.26%, 0.33%

LAB 43, -9.37, 23.53

 

CMYK 2 / 0 / 16 / 64

HEX #595B4C

RGB 89 91 76

HSL 68, 0.09%, 0.33%

LAB 38.07, -3.78, 8.39

 

CMYK 0 / 36 / 86 / 43

HEX #925E15

RGB 146 94 21

HSL 35.04, 0.75%, 0.33%

LAB 44.48, 15.36, 46.66

 

CMYK 0 / 13 / 86 / 43

HEX #927F15

RGB 146 127 21

HSL 50.88, 0.75%, 0.33%

LAB 53.32, -3.52, 54.18

 

CMYK 10 / 0 / 86 / 43

HEX #839215

RGB 131 146 21

HSL 67.2, 0.75%, 0.33%

LAB 57.5, -20.53, 57.18

 

CMYK 33 / 0 / 86 / 43

HEX #629215

RGB 98 146 21

HSL 83.04, 0.75%, 0.33%

LAB 55.29, -34.39, 54.41

 

CMYK 55 / 0 / 86 / 43

HEX #419215

RGB 65 146 21

HSL 98.88, 0.75%, 0.33%

LAB 53.75, -45.72, 52.46

 

CMYK 11 / 0 / 85 / 71

HEX #424A0B

RGB 66 74 11

HSL 67.62, 0.74%, 0.17%

LAB 29.61, -12.36, 33.65

 

CMYK 11 / 0 / 85 / 57

HEX #626E10

RGB 98 110 16

HSL 67.66, 0.75%, 0.25%

LAB 43.92, -16.82, 45.82

 

CMYK 11 / 0 / 86 / 43

HEX #829215

RGB 130 146 21

HSL 67.68, 0.75%, 0.33%

LAB 57.42, -20.98, 57.09

 

CMYK 11 / 0 / 85 / 29

HEX #A2B61B

RGB 162 182 27

HSL 67.74, 0.74%, 0.41%

LAB 70.33, -24.9, 67.54

 

CMYK 11 / 0 / 85 / 15

HEX #C2DA20

RGB 194 218 32

HSL 67.74, 0.74%, 0.49%

LAB 82.76, -28.69, 77.78

 

CMYK 11 / 0 / 85 / 43

HEX #819116

RGB 129 145 22

HSL 67.8, 0.74%, 0.33%

LAB 57.05, -20.88, 56.49

 

CMYK 86 / 0 / 58 / 43

HEX #15923D

RGB 21 146 61

HSL 139.2, 0.75%, 0.33%

LAB 53.01, -50.65, 35.65

 

CMYK 24 / 86 / 0 / 43

HEX #6F1592

RGB 111 21 146

HSL 283.2, 0.75%, 0.33%

LAB 29.39, 55.27, -48.49

 

CMYK 11 / 0 / 85 / 43

HEX #819116

RGB 129 145 22

HSL 67.8, 0.74%, 0.33%

LAB 57.05, -20.88, 56.49

 

CMYK 86 / 10 / 0 / 43

HEX #158392

RGB 21 131 146

HSL 187.2, 0.75%, 0.33%

LAB 50.06, -23.13, -16.31

 

CMYK 0 / 86 / 10 / 43

HEX #921583

RGB 146 21 131

HSL 307.2, 0.75%, 0.33%

LAB 34.57, 59.35, -30.55

 

CMYK 11 / 0 / 85 / 43

HEX #819116

RGB 129 145 22

HSL 67.8, 0.74%, 0.33%

LAB 57.05, -20.88, 56.49

 

CMYK 86 / 0 / 58 / 43

HEX #15923D

RGB 21 146 61

HSL 139.2, 0.75%, 0.33%

LAB 53.01, -50.65, 35.65

 

CMYK 75 / 86 / 0 / 43

HEX #241592

RGB 36 21 146

HSL 247.2, 0.75%, 0.33%

LAB 19.99, 45.97, -64.28

 

CMYK 0 / 86 / 27 / 43

HEX #92156A

RGB 146 21 106

HSL 319.2, 0.75%, 0.33%

LAB 33.32, 55.93, -16.72

 

CMYK 11 / 0 / 85 / 43

HEX #819116

RGB 129 145 22

HSL 67.8, 0.74%, 0.33%

LAB 57.05, -20.88, 56.49

 

CMYK 86 / 0 / 33 / 43

HEX #159262

RGB 21 146 98

HSL 156.96, 0.75%, 0.33%

LAB 53.6, -43.76, 16.59

 

CMYK 75 / 86 / 0 / 43

HEX #241592

RGB 36 21 146

HSL 247.2, 0.75%, 0.33%

LAB 19.99, 45.97, -64.28

 

CMYK 0 / 86 / 53 / 43

HEX #921545

RGB 146 21 69

HSL 336.96, 0.75%, 0.33%

LAB 31.98, 52.09, 5.37

 

Description

Color code: HEX #819116 | qconv.com Color code: HEX #819116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 145 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 145 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 85 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 85% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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